World: 3 to 5 BOPS No. 12 (2023), features musical BOPS courtesy of AJR, Brent Faiyaz, Jordan Davis, Kendrick Lamar, and The Stylistics.Â
Ah, you know what time it is! Itâs 3 to 5 BOPS time â WOO! On 3 to 5 BOPS, itâs all about brevity and sweetness⊠for the most part! Thereâs a theme/topic, 3, 4, or 5 songs, and a blurb â two paragraphs or less. 3 to 5 BOPS, hence, is a mini playlist that shouldnât take much time to consume. In the 12th edition of 3 to 5 BOPS (2023), we select songs that are associated with WORLD in some form or fashion. The BOPS arrive courtesy of đ AJR, đ Brent Faiyaz, đ Jordan Davis, đ Kendrick Lamar, and đ The Stylistics. Okay, letâs get into it!
1. Kendrick Lamar, âWorldwide Steppersâ
đż Mr. Morale & The Big Steppers âą đ· Interscope âą đ 2022
The controversial đ Kodak Black introduces one of the best songs from the long awaited đ Kendrick Lamar album, đż Mr. Morale & The Big Steppers: đ” âWorldwide Steppers.â Despite Blackâs appearance, Kendrick is the main attraction of this intense, minimally produced gem (đ Tae Beast, J.LBS, and Sounwave). Lamar nails the chorus, which references the viciousness of cancel culture: âIâm a killer, heâs a killer, sheâs a killer, bitch / We some killers, walkinâ zombies, tryna scratch that itchâŠâ Kendrick has plenty to say throughout the verses, with one of his more intriguing subjects being his infidelity, including having sex with white women (âWhitney asked did I have a problem / I said, âI might be racistâ / Ancestors watchinâ me fuck was like retaliationâ). Lamar is always thought-provoking and âWorldwide Steppersâ ranks among the most interesting records of 2022.
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2. AJR, âWorldâs Smallest Violinâ
đż OK ORCHESTRAâą đ· BMG Rights Management âą đ 2021
âI should move âcause New York is gettinâ muddy out / Thereâs L.A. but itâs always kinda sunny out / And I donât wanna hurt no more / So, I set my bar real low.â Give đ AJR credit for being self-aware of the bigger problems that lie in the world on đ” âWorldâs Smallest Violinâ (đż OK ORCHESTRA). Of course, thereâs violin đ» on the track đ. The record is a unique mix of cabaret and folk, with the results being novel. The pre-chorus is catchy to say the least, with facts being spit on the line, âNext to them, my shit donât feel so grand.â âCourse, đ Jack Met goes on to say âBut I canât help myself from feeling badâŠâ So millennial! If nothing else, world’s smallest violin is definitely a discussion piece, though the cartoonish sound arguably âgets in the way.â
3. Jordan Davis, âWhat My World Spins Aroundâ
đ” âWhat My World Spins Aroundâ âą đ· UMG Recordings, Inc. âą đ 2022Â
âI love a first cast when the waterâs glass and the line starts to run / Or that first sip of a cold beer when the working weekâs done.â Yep, thatâs country to the core! Despite the country clichĂ©s, on đ” âWhat My World Spins Aroundâ, đ Jordan Davis shares his dedication to that special somebody in his life; his focus is on HER. He penned âWhat My World Spins Aroundâ alongside đŒâ Matt Dragstrem and Ryan Hurd, with đ Paul DiGiovanni handling the production. Notably, during the chorus, the record grows more dynamic â gargantuan in scope. At the end of the first verse, after sharing all things he loves, he asserts, âBut girl, that donât even come close /⊠[youâre] what my world spins around.â During the chorus, he highlights the things he loves about her â sheâs the most important thing to him in the world. The sentiment is sweet. Thereâs just something about the profession of love, no matter what genre of music it is, that hits different!
4. Brent Faiyaz, âFuck the World (Summer in London)â
đż Fuck the World ⹠đ· Lost Kids âą đ 2020
âWanna fuck the world, Iâm a walkinâ erectionâŠâ Wow â what a âfuckingâ opening lyric! Furthermore, the song at hand, đ” âFuck the World (Summer in London),â serves as the title track of đ Brent Faiyazâs (Christopher Brent Wood) 2020 EP. đż Fuck the World definitely is NOT a family-friendly album/song title, but makes a clear, unapologetic point.  The opening line is not only the opening line of the song, but also the opening line of the chorus, which perfectly captures the essence of FTW:
âWanna fuck the world, Iâm a walkinâ erection
Spend without a thought, we do it reckless
Your nigga caught us texting
You said, âBaby, donât be mad, you know how Brent is.ââ
The chorus is only part of the goodness of âFuck the World.â Faiyaz definitely âtalks his shit,â keeping it 100, coming over as cocky and confident throughout. His focus? All kinds of girls are sexually attracted to him, but just because it âgoes downâ doesnât mean it moves beyond temporary pleasure. As to where London comes into play on this unique sounding R&B record, per Brent, âTook a trip to London just to hear how they talk.â Fair enough â the British accent is pretty cool.
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5. The Stylistics, âPeople Make The World Go Roundâ
đżÂ The Stylistics â The Original Debut Album âąÂ đ·Â Amherst âąÂ đ 1971
âBut thatâs what makes the world go round / The ups and downs, a carousel.â True, đ The Stylistics â youâve got a legitimate point on đ” âPeople Make The World Go Roundâ. âPeople Make The World Go Roundâ appears as the seventh track on the epic đż The Stylistics â The Original Debut Album. Although The Stylistics featured bigger, more renowned hits, this gem highlighting a turbulent world â âBuses on strike want a raise in fare / So they can help pollute the airâ â still managed to peak at no. 25 on the Billboard Hot 100.
đŒ â Thom Bell ( R.I.P. ) and đŒ â Linda Creed are responsible for composing this utterly terrific gem (Bell also produces). Musically, it is impressive from the start. First, there is an enigmatic introduction which sets the tone for the record. Soon enough, electric keys establish a groove, with a hi-hat heavy groove delivered by the drums later. Of course, the orchestration is breathtaking as well. The listener is spoiled with tremendous ear candy: ripe falsetto lead vocals by đ Russell Thompkins, Jr., strings, horns, and a tight rhythm section. Honestly, what isnât there to love about this late single from The Stylistics?
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World: 3 to 5 BOPS No. 12 (2023) [đ·: Brent Faulkner/The Musical Hype; Amherst, BMG Rights Management, Lost Kids, UMG Recordings, Inc.; Porapak Apichodilok via Pexels]



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