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Neon Trees Frontman turned solo artist Tyler Glenn depicts brilliant, meaningful message on his debut album, âExcommunication.â
Neon Trees frontman Tyler Glenn introduces himself to the world as a solo artist with debut album Excommunication. Excommunication is one of the most intriguing efforts of 2016, depicting his exit from the LDS church (he identifies it as a âfaith crisisâ). He wasnât excommunicated, but being openly gay, the Mormon church isnât known for openness regarding the LGBT community. Over its course, Glenn takes aim and the judgmental and how his perception of religion has shifted because of it.
âSudden Death (OMG)â
Opener âSudden Death (OMG)â fittingly initiates Excommunication. From the jump, Glenn is taken aback â sort of shell-shocked â by the course of how his faith has changed.
âGod I never asked to fall from grace.â
He goes on to include othersâ opinions (âa little crazyâ). He sums up the life-changing experience on the chorus, likening his new life â the state of confusion and apathy â as sudden death. Heâs chosen a sinful path from the churchâs perspective, and although the âwages of sin is deathâ he continues to live.
âOh my God Catch me Iâm starting to fall I donât know what all this is for Keep coming at me with your disrespect You went and started a war Now I donât care anymore I keep on living like it's sudden deathâŠâÂ
âSudden Deathâ is exceptionally well produced, set in a minor key, and sets the tone for Excommunication.
âG.D.M.M.L. Grlsâ, one of five pre-release singles, follows in all its glory. Glenn clarifies that homosexuality isnât a choice, despite the philosophies of the Mormon church, and many other religions. Like the opener, the production is slick, steeped in electronics and carrying over elements of neo-new-wave from the Neon Trees. This is Glennâs kiss-off anthem â quite danceable despite his seriousness. Among the fiercest lyrics, he asks:
âIf I kiss a boy in public is that cool? Am I fucking up your day? Now thatâs just rude.â
âTrashâ
Glenn passionately denounces the LDS church on a third, consecutive standout, âTrashâ, the bold promo single. Throughout its controversial course, he uses spiritual references antithetically. The key lyric of the entire song hails from the refrain: âOne manâs trash is another manâs treasure.â As a whole, âTrashâ sums up his current lot in life: Heâs gay, another man will love him even if the church wonât, and heâs done putting his faith into a church that doesnât support him.
He takes a shot at religion once more on âGods + Monsters,â but the central focus is an ex-boyfriend.
âI believed in gods and monsters too Then I found out theyâre all imposters just like you Somebody take me higher, higher, higherâŠâ
Whatâs interesting is the prevalence of innuendo. It seems that Glenn wants to invite the listeners into his world and understand the place that he comes from. âGates,â another pre-release single, moves past the ex- of âGods + Monsters,â focusing on living in the moment.
âIâm a kiss my love like I want to Gotta love him while I can like the greats do.â
While he is skeptical about eternity, he still intends to âsee you up there.â
âShamelessâ Â
âShamelessâ is as superbly produced as anything else, filled with electronic components make this a sleazy tone poem of sorts. The sleaziness is further amplified by a minor key and a shameless lyrical picture.
âMaybe meet you with a couple friends This ainât love, but maybe we pretend Rent some pornographic movie And we both know how it endsâŠâ
While Glenn infuses more sex into the âShameless,â heâs still highlighting prejudices against the LGBT population, particularly from the churchâs perspective. Despite such prejudices, he makes it clear, âI donât give a damn.â
The high-energy âWaiting Aroundâ features one of the most interesting grooves of the album.  After being pissed at an ex on âGods + Monsters,â heâs crushing on a guy. Itâs so intense, he asserts, âYou got me giving up on Jesus.â Follow-up âFirst Visionâ continues the highly personal nature of Excommunication. Glennâs issues have been incredibly tough for him to deal with. âFirst Visionâ marks the recovery, evidenced on the bridge:
âI used to feel it and now I donât feel it at all Iâm painting over all the paintings on my wall My tears are dry and finally I feel ten feet tall.â
âMidnightâ
âMidnightâ yields another powerful, authentic message.  Glenn discusses his break with the church, but still retains a relationship with God. Essentially, he states that the break was necessary to be true to himself, but despite the fact that heâs ânot coming Sunday,â he canât turn away from God. âOne Moreâ changes the vibe completely, embracing contemporary R&B. Once more, he flirts with sex.
âBut if you give me once more night I could prove that thereâs a God.â
âBlack Lightâ feels like a companion piece and natural follow up, accelerating the tempo. Lustful to the nth degree, he knows exactly what he wants to do. Penultimate record âJohn, Give âEm Hellâ puts the bedroom aside, focusing on advocacy. According to Glenn, it was written for a friend who was excommunicated. Lyrically, he speaks to being inspired by his friend.  âJohnâ is quieter, and possess a more haunting quality compared to a number of other songs on the album.
âDevilâ Â
One of the best moments of Excommunication arrives at the end. âDevilâ finds Glenn blaming the devil for his lot in life.
âI think the devil made me do it, do it, baby I found myself when I lost my faithâŠâ
Despite the devilishness, heâs happy heâs found himself, almost as if itâs his salvation.
âDonât pray for me⊠I found myself when I lost my faith.â
Final ThoughtsÂ
 All in all, Tyler Glenn depicts brilliant, meaningful message on his debut album Excommunication. Throughout the course of the album, he showcases tremendous authenticity and an exceptional, nuanced set of pipes. There are no miscues in regards to material â all 13 songs are worthwhile.
Gems: âSudden Death (OMG),â âG.D.M.M.L. Grls,â âTrash,â âShameless,â âFirst Visionâ & âDevilâ
Tyler Glenn âą Excommunication âą Island âą Release: 10.21.16Â
Photo Credit: Island
