Tsatsamis, Angelina | Beaming with Pride

In the 28^th edition of Beaming with Pride (2026), we highlight “Angelina” performed by London-based artist and producer Tsatsamis.  

Prepare to beam with P-R-I-D-E! Beaming with Pride celebrates, embraces, and spotlights songs by LGBTQ musicians or allies.  Here, we provide background and insight into musicians, analyze, plus go gaga over the decadent bops served up.  When songs dictate deeper and more transcendent discussion, we ensure the point is fully articulated.  All styles of music are welcome, whether the songs are classics or brand-new. So, without further ado, in the 28^th edition of Beaming with Pride (2026), we highlight “Angelina” performed by Tsatsamis.

👀 Oh, really, Tsatsamis (he/him)? If it were you and me, you wouldn’t have to worry about that 🤭! It might make a far less interesting song, however.  “When you wanna talk, and I wanna touch / It only ever hurts you when I want your love.” Tsk, tsk, tsk. Clearly, Tsatsamis and his “Angelina” are in two different places when it comes to their relationship.  Touch is Tsatsamis’s love language, but it is not the case for Angelina.  He wrote this thrilling pop song himself and produced it with Clarence Clarity.

Tsatamis stands out in “Angelina” for many reasons. It begins with the sound, which is vibrant thanks to synths and an epic, danceable groove.  The harmonic underpinnings (harmonic progression) make “Angelina” sound much sweeter than the bore she’s portrayed as in the song 😏. Tsatsamis sings angelically as he expresses his lust.  But his desire is unreciprocated. “When you wanna talk, and I wanna touch / When I wanna fuck, and you wanna rush,” he sings in the second pre-chorus, and continues, “When you want space, it hits like a punch / It only ever hurts you when I want your love.” Word. By the chorus, the centerpiece, these hard truths are loud and clear, and a break-up is imminent: “My Angelina / Oh, can’t you see it baby / We’re changing seasons /And you’re stuck in your ways.” It is hard for him to admit, but he is making sacrifices… sexually. Another high-flying moment of the song is the bridge.  It distinguishes itself from the verses and chorus, but it is also connected to the theme.

“It’s days like this, I see the end

When nothing’s wrong, but nothing bends

If it all fucks up, if the drugs won’t do

Whatever happens, just remember me, won’t you?”

It’s a bummer that things have fallen off between Tsatsamis and his Angelina, but “Angelina”, the song, is another bop from this talented fella. Great vocals, electrifying music, and compelling theme and lyrics make this a surefire winner for the queer pop standout.

---

Tsatsamis » “Angelina” » Listen Generously » 2026

Tsatsamis, Angelina: Beaming with Pride No. 28 (2026) [📷: Brent Faulkner/ The Musical Hype; Listen Generously; Cristyan Bohn, Ketut Subiyanto, Luis Morales Torres, SHVETS production, Uriel Mont from Pexels; Clker-Free-Vector-Images, Gordon Johnson, Wolfgang Eckert from Pixabay]

---