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The Temptations vs. Al Green: Head 2 Head ๐Ÿ—ฃ๏ธ No. 10 (2022) [๐Ÿ“ท: Brent Faulkner, Fat Possum, Hi, Layers, Motown, The Musical Hype, Pexels, Pixabay, RODNAE Productions, Valentin Tikhonov]On the 10th edition of Head 2 Head (2022), The Temptations and Al Green contend for the best rendition of โ€œCanโ€™t Get Next to You.โ€ 

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elcome to Head 2 Head ๐Ÿ—ฃ๏ธ! On Head 2 Head, we pit at least two musicians singing the same song together, comparing their performances.  Then, after much deliberation, we deliver a verdict of which performance was the best, or at least, subjectively, which performance moved us more.  On the 10th edition of head-to-head (2022), ๐ŸŽ™ The Temptations and ๐ŸŽ™ Al Green contend for the best rendition of ๐ŸŽต โ€œCanโ€™t Get Next to Youโ€. So, without further ado, let the Head 2 Head commence!

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1. The Temptations, โ€œI Canโ€™t Get Next to Youโ€

๐Ÿ’ฟ Puzzle People โ€ข ๐Ÿท Motown โ€ข ๐Ÿ—“ 1969

The Temptations, Puzzle People [๐Ÿ“ท: Motown]โ€œBut my life is incomplete and Iโ€™m so blue / โ€˜Cause I canโ€™t get next to you (I canโ€™t get next to you, babe).โ€ Woo! ๐ŸŽต โ€œI Canโ€™t Get Next to Youโ€ ranks among the best of the greatest hits by iconic soul collective, ๐ŸŽ™ The Temptations. The ๐ŸŽผโœ Barrett Strong / ๐ŸŽผโœ ๐ŸŽ› Norman Whitfield penned record appears as the opener on the ๐Ÿ† Grammy-winning groupโ€™s 1969 album, ๐Ÿ’ฟ Puzzle People.  Itโ€™s by far the biggest song from that album. Notably, โ€œI Canโ€™t Get Next to Youโ€ spent two weeks at no. 1 on the Billboard Hot 100.  Itโ€™s easy to hear why.

[๐Ÿ“ท: Valentin Tikhonov / Pixabay]On the hella funky โ€œI Canโ€™t Get Next to You,โ€ The Temptations, each singing solo parts at times, share about all the things they can do. โ€œI can turn the gray sky blue,โ€ they assert in the first verse, continuing, โ€œI canโ€™ make it rain whenever I want it to.โ€ Even with all these things the Motown group can accomplish (โ€œUnimportant are all the things I can doโ€), itโ€™s the thing that they canโ€™t accomplish that makes it a winner โ€“ getting next to her!  Makes sense โ€“ love can be a total five-letter word! Besides the list of accomplishments, the high-flying, once-in-a-lifetime vocals, and the unforgettable chorus, another pro from โ€œI Canโ€™t Get Next to Youโ€ is the bridge:

โ€œOoh

Ooh

Chicka boom, chicka boom

Chicka boom, boom, boom.โ€

Naturally, those silly but fun lyrics up the ante on this late 1960s gem.  Ultimately, โ€œI Canโ€™t Get Next to Youโ€ is a rad soul cut.  Itโ€™s well-performed, well-written, and well-produced. The Temptations have a strong argument for the definitive version of the song.  That said, Al Green has his own, totally different version that also deserves rad characterization.

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Appears in ๐Ÿ”ฝ:


2. Al Green, โ€œI Canโ€™t Get Next to Youโ€

๐Ÿ’ฟ Gets Next to You โ€ข ๐Ÿท Hi / Fat Possum โ€ข ๐Ÿ“… 1971

Al Green, Gets Next to You [๐Ÿ“ท: Hi / Fat Possum]Had no other version of ๐ŸŽต โ€œI Canโ€™t Get Next to Youโ€ been recorded, the original by ๐ŸŽ™ The Temptations wouldโ€™ve been sufficient.  The legendary soul collective hit no. 1 with the 1969 gem.  That said, Memphis soul icon ๐ŸŽ™ Al Green recorded a stunning cover that completely contrasts the original.  Honestly, listening to how starkly different โ€œI Canโ€™t Get Next to Youโ€ is in the hands of Green, itโ€™s almost hard to believe iconic soul composers ๐ŸŽผโœ Barrett Strong / ๐ŸŽผโœ Norman Whitfield still penned it! In Greenโ€™s hands, the meter changes from the common time of the original to compound duple meter (or compound quadruple, if thatโ€™s how your ear perceives it).  A big key to the Green version is another legend, the late, great producer, ๐ŸŽ› Willie Mitchell, renowned for his work with the Rev.

[๐Ÿ“ท: RODNAE Productions / Pexels]To me, the way that Al Green navigates this ๐Ÿ’ฟ Gets Next to You is a masterclass in making a song you didnโ€™t write or originally perform your own.  Not only is the feel and groove totally transformed, so is Greenโ€™s vocal performance.  He does a little bit of everything, including a ripe falsetto, whelps, and truly superb ad-libs.  Furthermore, melodically, he plays around with the melody, mixing up the dynamics, rhythms, and even talk-singing.  Itโ€™s utterly fascinating.  That doesnโ€™t even speak to the supporting band, which is funky as albeit โ€“ torchbearers for Memphis soul!  If we didnโ€™t know โ€œI Canโ€™t Get Next to Youโ€ was a cover, weโ€™d assume it was an Al Green original.

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The Verdict ๐Ÿ‘จ๐Ÿฟโ€โš–๏ธ

judgingThe Temptations or Al Green?  How do you choose, honestly? Give The Temptations all the credit for the original.  Furthermore, give Green plenty of credit for the transformation of a number one hit.  [๐Ÿ“ท: Layers on Pixabay]In my eyes, itโ€™s a tie because I have mad respect for both. Perhaps the Green version is more of my cup of tea, but I canโ€™t say I wouldnโ€™t drink The Tempโ€™s tea either!

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The Temptations vs. Al Green: Head 2 Head ๐Ÿ—ฃ๏ธ No. 10 (2022) [๐Ÿ“ท: Brent Faulkner, Fat Possum, Hi, Layers, Motown, The Musical Hype, Pexels, Pixabay, RODNAE Productions, Valentin Tikhonov]

 


the musical hype

the musical hype (Brent Faulkner) has earned Bachelor's and Master's degrees in music (music education, music theory/composition respectively). A multi-instrumentalist, he plays piano, trombone, and organ among numerous other instruments. He's a certified music educator, composer, and freelance music blogger. Faulkner cites music and writing as two of the most important parts of his life. Notably, he's blessed with a great ear, possessing perfect pitch.