F*CK LOVE (SAVAGE), the debut commercial mixtape from The Kid LAROI, shows ample potential and a bright future for the teen rapper.
Music is universal, and don’t you ever forget it! That’s why a teen rapper from Australia can be a big deal in the United States – NO CAP! 🎙 The Kid LAROI (Charlton Howard) is indeed just a kid, born in 2003! That said, this 17-year-old is no ordinary kid and definitely has bars and an appealing style. His debut commercial mixtape, the unapologetically titled 💿 F*CK LOVE, debuted in the top-10 of the Billboard 200 (no. 8). Howard rereleased his tape as 💿 F*CK LOVE (SAVAGE) with seven additional tracks. The results are positive as the future certainly looks bright for The Kid.
💿 1
“Pikachu”
✅🎵 “Pikachu” commences 💿 F*CK LOVE (SAVAGE) with a certified BANG…ER. The Kid LAROI covers familiar rap territory – the come-up. “My teachers said I wouldn’t be shit, now look at you,” he asserts on the chorus, later addressing the hardships of his beginnings (“My mama used to sell drugs to pay for my school / My Uncle Dub got knocked, ended up on the news”). He does all of this over sweet production by 🎙 Haan, 🎙 Keanu Beats, 🎙 FnZ, and 🎙 Khaled Rohaim. So, where does Pokémon come into play exactly? “Pull up, in a yellow Lambo’ like Pikachu.”
“I’m done, so done, I’m done with all the games you play,” The Kid LAROI asserts on the chorus of ✅🎵 “SO DONE”. So, what exactly is young Charlton Howard ‘done’ with? Love – he’s not ready for it right now! The result of his pain is the enjoyable, melodic single that arrived in advance of F*CK LOVE (SAVAGE). Given the melodic nature of this track, as well as Howard’s distinct, expressive sound, he perfectly captures the plight of love.
“Sometimes, I sit, and I think about why I even trusted you... Want you to walk out and walk out of my life.”
Howard never goes incredibly deep, but whether you’re his age or older, it’s quite relatable.
“Tragic”
The 🔥 nature of F*CK LOVE (SAVAGE) continues with ✅🎵 “Tragic,” featuring Internet Money and YoungBoy Never Broke Again. The production is strong, with warm piano anchored by a hard-hitting trap beat. The Kid LAROI is on autopilot, showcasing an agile flow and continuing to show off his melodic abilities. He keeps it real, bringing the ‘emo’ lane of rap in, yet also sounds older than 17. Again, he remembers times when the money wasn’t rolling in, and acknowledges lost family and friends. Naturally, YoungBoy, whose only 21 himself, is a great fit, remembering a lost ‘soldier’ (“I’d give it all back right now just to see you smile / I’d give my hoes back, on slime, just to hear you now”).
The Kid continues to exude confidence on 🎵 “Always Do,” which manages to straddle hip-hop, pop, and contemporary R&B superbly. Like everything else, Howard has sleek production work propelling to even higher heights. He’s bothered, however, by the four-letter word, which gets a big ole middle finger in the title of this album. His bothered nature and pain, however, continue to be our listening pleasure, as “Always Do” yields another irresistible chorus.
Things keep on rolling without a hitch on 🎵 “Feel Something,” featuring 🎙 Marshmello, where the Kid is definitely alright. Well, actually he’s not – “I need to pour me up a cup just to feel something’” – but musically, the consistency is awesome. Boxes continue to be checked off starting with Howard’s expressive, nuanced pipes, another catchy chorus, and excellent production courtesy of 🎙 IllaDaProducer, 🎙 Scott Storch, and of course, Marshmello.
“F*ck You, Goodbye”
“Fuck you, goodbye / You hurt me, for the last time.” At this point, it should come as no surprise that The Kid LAROI is partial to the f-bomb. I mean, there’s F*CK LOVE as a whole, and then there’s the song at hand, ✅🎵 “F*ck You, Goodbye,” where the first line of the song begins with a lyrical middle finger. While parents everywhere may cringe at Charlton’s potty mouth, he perfectly captures teen angst and matters of the heart superbly. “It’s the last time I let you hurt me,” he asserts on the first verse, continuing, “Fuck you, goodbye, I did not deserve it / None of this bullshit was ever really worth it.” Woo! The Kid gets reinforced by Machine Gun Kelly, who fresh off of 💿 Tickets to My Downfall contrasts Howard’s more youthful delivery with an older, more experienced take on pain (“Red in the eyes, lately I’ve been on a cocaine diet / I’ve been tryin’ to feed my high”).
On 🎵 “Without You,” The Kid concludes 💿 1 of F*CK LOVE (SAVAGE) with a straight-up, emo-infused indie-rock cut. He steps away from hip-hop completely here, even if stylistic lines are blurred more than ever these days. This is an intriguing change of pace and feels like an appropriate coda. Is it the best song from the tape? Not in my eyes, but it’s effective as anything else, continuing to masterfully capture a ‘fuck love’ sentiment.
💿 2
“Maybe”
Beginning with the self-explanatory 🎵 “Booty Call” (skit), the original F*CK LOVE commences. The first full-length record arrives courtesy of ✅ 🎵 “Maybe.” A striking takeaway, again, is just how expressive The Kid LAROI sounds while singing. The nuances – cracks, syrupy tone, unorthodox vibrato, and grit – are quite interesting. Perhaps they wouldn’t appeal to the classically trained vocalist, but there’s a certain charm he exudes. The chorus, as is the case throughout SAVAGE and F*CK LOVE, is a big-time pro. Also, 🎙 Donn Robb, 🎙 Omer Fedi, and Haan put it work behind the boards.
Following a solid start with “Maybe,” ✅ 🎵 “Wrong” keeps the momentum on the ‘up and up.’ Howard is assisted by another young standout, 🎙 Lil Mosey. Although Mosey provides a fine contrast on the third verse, The Kid LAROI is never overshadowed over the course of two verses and another golden chorus. “Yeah, I wish there was a way I could take away the pain…But I can’t, I wish I could, this shit affects me every day.”
With ✅ 🎵 “I Wish,” the hits just keep on coming. Again, listeners are treated to another sleek backdrop (🎙 WizzleGotBeats and 🎙 Rio Leyva), and most importantly, those bright, youthful, and incredibly assertive vocals by Charlton. Even on a short number like this one, the potential shown by this kid is incredibly notable.
“Not Fair”
🎵 “Not Fair” features 🎙 Corbin, who lends his own unique vocals on the intro, chorus, and his own verse. The blend between him and The Kid LAROI on the chorus is quite ear catching – quite the timbre you might say. Adding to the uniqueness of this number is the production, which includes some classy strings at the end. “Bathroom (skit)” is quite similar to the aforementioned “Booty Call (skit)” where The Kid LAROI’s ex- isn’t too pleased with Charlton in the least (“You’re a fucking piece of shit, Charlton… I hope you die”). Well, then…
Among the biggest attractions of F*CK LOVE (SAVAGE) is none other than ✅ 🎵 “GO,” featuring 🎙 Juice WRLD (RIP). Again, Charlton may be young, but The Kid doesn’t depict childish happenings. He focuses once more on the issues that plague many a man’s brain – girls. “You fuck up my brain, you don’t know no better, yeah / Wish I knew you better, shit, but I don’t know no better,” he raps melodically on the first verse, filled with swagger and serving up a syrupy delivery. Setting him and Juice WRLD up for success is sleek production by 🎙 24Degrees, 🎙 Omer Fedi, 🎙 Nick Mira, and 🎙 Tito. Juice WRLD, the perfect collaborator, is melodic in his own right. They join forces on the final chorus of this surefire gem.
“Tell Me Why”
“Tell me why, tell me why, it’s so hard to say goodbye.” “Go” may be tough act to follow, but ✅ 🎵 “Tell Me Why” is definitely up to the task. The Kid LAROI is definitely emotional, as he reacts to the losses he’s had in his life. Filled with angst, at the end of the second verse, a highly expressive Kid asks, “Why the fuck does God keep testin’ me? / Put my heart to bed, let it rest in pieces.” It’s a very ‘emo’ line, yet it’s also feels and sounds totally authentic, whether you’re a teen or older, asking the same of The Most High.
On the brief 🎵 “Same Thing,” both Charlton and his girlfriend could be characterized as being, um, sketchy when it comes to their relationship. The big takeaway is that both are young and have a way to grow. At least he rightfully states, “I can’t be mad at you / ‘Cause I do the same things.” Following another entertaining interlude (🎵 “New Guy (skit)”), we move on to the 🎙 Cashmere Cat, 🎙 Happy Perez, and 🎙 benny blanco produced 🎵 “Erase U.” Continuing to keep the run time short, “Erase U” follows a chorus-verse-chorus format, common in much of contemporary rap. At this point, Howard doesn’t necessarily give us anything brand-new, but he rides the wave well, without a hitch.
“Running”
“I know that you mad at me, givin’ attitude / Can I make you feel comfortable?” Clearly, the two-and-quarter-minute-long ✅ 🎵 “Running” fits the concept of F*CK LOVE. Beyond the pre-chorus, The Kid asserts on the chorus of the 12th track, “I just keep on running back to you, you, you, you.” There is only one verse, which sufficiently captures the situation, as unapologetically as the mixtape title:
“Girl, I know you Talkin’ to all of your friends, tell ‘em you don’t fuck with me Now you fuckin’ me, 2AM, you tellin’ me you lovin’ me No trust in me, everything you do now because of me Girl, I really gave you it all.”
“Running” was produced by The Kid LAROI, Khaled Rohaim, and Haan. 🎵 “Wish You Well (skit) is the final skit of the album, preceding the penultimate joint, 🎵 “Need You Most (So Sick).” Note the parenthesized portion of the title. That’s right, the no. 1 Ne-Yo hit, 🎵 “So Sick”, fuels the fire. While the original will always get the most notoriety, I actually like his tone here. Another stellar production by Khaled Rohaim (and 🎙 JOY.) make 🎵 “SELFISH” a pretty sweet coda.
Final Thoughts
After failing to review F*CK LOVE when it first arrived, I knew I didn’t want to neglect the deluxe edition. Ultimately, F*CK LOVE (SAVAGE) shows ample potential and a bright future for The Kid LAROI. Yes, I’m a guy who’s twice his age, but I definitely find The Kid to be charming, chocked-full of swagger, and quite talented. F*CK LOVE = 4 stars.
✅ Gems 💎: “Pikachu,” “So Done,” “Tragic,” “F*ck You, Goodbye,” “Maybe,” “Wrong,” “I Wish,” “GO, “Tell Me Why” & “Running”