Teddy Pendergrass, Joy | Throwback Vibez 🕶️🎶

Reading Time: 3 min read

In the 179^th edition of Throwback Vibez (2023), we recollect and reflect on “Joy” by the late, great Teddy Pendergrass.

The vibes, the vibes, those Throwback Vibez ! Throwback Vibez is a column that celebrates awesome songs from the past. The records that grace this column are older, but that doesn’t necessarily mean that they’re ancient – no fossils ! All genres of music are welcome. In the 179^th edition of Throwback Vibez (2023), we recollect and reflect on “Joy”, performed by Teddy Pendergrass.

“It’s a joy / Joy to be / To be near you / I want you here with me.” Woo! Teddy Pendergrass (1950 – 2010) was one of the most dynamic soul singers of all time. Songs like “Close The Door” and “Turn Off The Lights” mark his high watermark, not to mention his tenure with Harold Melvin & The Blue Notes. Prior to a paralyzing accident in 1982, his instrument was at its best. Following his musical setbacks due to the life changing accident, Pendergrass managed to make a comeback, which is incredibly impressive. His voice wasn’t quite the same, but it was still INCREDIBLE. While “Joy”, from his 1988 album, Joy failed to make a big splash on the pop charts (peaked at no. 77), it topped the R&B charts for two weeks .

“Life is too damn short to let you get away

I’m here to say I need your love, oh baby

There’s no greater pleasure than you give to me

Hear me, baby, I want you to know.”

“Joy” sounds different from the Philly soul tunes Teddy recorded in the 1970s and early 80s. This track is more contemporary and idiomatic of the mid-, late 80s R&B sound. It’s also poppier. The groove is electrifying, anchored by that beloved boxy drum programming . Beyond the drums, rhythm is a defining feature of this Reggie Calloway and Vincent Calloway production. The synth bass line is lit . The rhythmic guitar is also lit , with the tone standing out as much as the riffs. Also, the keyboards and programming keep “Joy” picturesque. Not a total deviation from the soul of old, there are sweet, articulated horns and strings in the mix, too. This backdrop is perfect for Pendergrass, who shines vocally, if in a more modest sense compared to the past. Still, that tone is once-in-a-lifetime. Furthermore, what isn’t the least bit diminished is his personality, not to mention that TP sex appeal ! Case in point: “You’re my fantasy, no other love can set me free / I’m glad to know that you’re all mine, mine.” Indeed, Teddy, indeed. “Joy” = such a joy to listen to!