Following a five-year hiatus, Tame Impala makes a compelling return on its psychedelia-heavy, introspective, fourth studio album, The Slow Rush.
After a five-year hiatus, Australian alternative collective Tame Impala, the brainchild of Kevin Parker returns in 2020 with their fourth studio album, The Slow Rush. The gap between Currents (2015) and The Slow Rush marks the longest between any Tame Impala LP. Yep, the fans have been quite restless for some time. That said, top-notch advance singles â âPosthumous Forgivenessâ and  âLost in Yesterdayâ among them â suggested that The Slow Rush was totally worth the wait. Is it? You bet it is!
âOne More Yearâ
âI never wanted any other way to spend our lives / I know we promised weâd be doing this âtil we die,â Kevin Parker sings on the chorus of â âOne More Year,â continuing, âAnd now I fear we might / Ooh, now I fear we might.â The reflective âOne More Yearâ commences The Slow Rush with a bang. The production is absolutely amazing, with the infectious groove, programming/synths, and unique vocal samples. The sound blends the psychedelia Tame Impala is known for with electronic pop. Ultimately, itâs an awesome way to kick off an album, particularly your first album in five years.
Follow-up â âInstant Destinyâ keeps The Slow Rush on-point with the exuberant pads and synths, and the dusty, soulful groove. The sound remains firmly planted in psychedelia and neo-psychedelia, which is what weâve become accustomed to hearing from Tame Impala. Kevin Parker blesses the listener with his reverb-heavy vocals, particularly the falsetto. Besides the colorful backdrop, Parker gives us another hella catchy chorus:
âIâm about to do something crazy, no more delayinâ No destiny is too far We can get a home in Miami, go and get married Tattoo your name on my arm.â
The theme of âInstant Destiny?â Love, devotion, and definitely matrimony. Single â âBorderlineâ follows, reworked for the album from the original. The drums are hard hitting and quite potent â groove bodes well in Kevin Parkerâs favor throughout the LP.  Furthermore, the keyboards are also hard hitting, remaining firmly planted throughout this four-minute standout. Vocally, the listener gets more of the same: a heaping dose of falsetto, further enriched by Tame Impalaâs most beloved studio effect, reverb. âBorderlineâ also gives Parker another golden chorus, with a couple of lyrical variations.
âPosthumous Forgivenessâ
âPosthumousâ is a cool word â admit it. Merriam-Webster defines posthumous as âfollowing or occurring after death.â Add âforgivenessâ to the mix on the brilliant â âPosthumous Forgivenessâ and essentially, Kevin Parker is forgiving his father after heâs passed away. On the first part of the song, he sings about how much admiration he had when he was younger for his late father but became aware of his flaws: âDid you think Iâd never know? Never wise up as I grow / Did you hope Iâd never doubt? Never wonder, work it out?â Furthermore, Parker is bothered by the fact that his dad wasted time, and ultimately, ââŚDecided to take all your sorrys to the grave.â
On the second part of âPosthumous Forgiveness,â Parker embraces forgiveness more. Sure, he still mentions their estranged, tenuous relationship, but he wishes he had the opportunity to atone and repair for the relationship:
âWanna tell you âbout the time Wanna tell you âbout my life Wanna play you all my songs Learn the words, sing along.â
Though a lengthy number, running north of six minutes in duration.  itâs quite intriguing from a lyrical and thematic standpoint, as well as musically. Tame Impala provide a backdrop that incorporates psychedelia, retro cues, and marvelous soulful elements. Vocally, Parker remains compelling, singing beautifully and expressively on this gem.
âBreathe Deeperâ
The groove continues in all its glory on â âBreathe Deeper,â another cut that like âPosthumous Forgiveness,â extends beyond six minutes in duration. âBreathe Deeperâ may run long, but itâs quite a glorious listen â understatement! It canât be overstated how great Tame Impala is with neo-psychedelia â itâs definitely Kevin Parkerâs thing. That said, this record also manages to be quite soulful, with the ostinato keyboard passages and synths hearkening back to 70s funk, soul, and disco. And, itâs poppy too! The lyrics are simple, but potent, yielding another top-notch chorus, not to mention catchy verses to (âIf you think I couldnât hold my own, believe me, I canâ).
âTomorrowâs Dustâ incites more foot tapping and body moving and grooving â Kevin Parker came to dance. With another alluring backdrop, perhaps itâs the lyrics that yield the most distinct moments on this five-and-a-half-minute number. Parker is reflective, philosophical, and âforward thinkingâ â no need to dwell in the past. âI was blinded by a memory / Like itâs someone else, like it wasnât me,â he sings on the refrain, continuing, âAnd thereâs every chance Iâll be learning fast / And the day will come and then it will pass.â
Reflection continues on â âOn Track,â where âStrictly speaking, [heâs] still on trackâ despite various obstacles and adversity faced. Interestingly, he seems to also reflect on the album process itself, being behind schedule releasing it. âI know itâs been a slow year, nothinâ much to show here,â he sings on the verse, continuing, âI didnât really go for it, so not a lot to show for it.â Despite being âslowâ in numerous ways, Parker totally doesnât let it get him down.
âLost in Yesterdayâ
âAnd if it calls you, embrace it / If it holds you, erase it / Replace it.â â âLost in Yesterdayâ continues to deliver the expected cues from a Tame Impala record; itâs idiomatic to the nth degree. How so? Colorful production, and of course, those potent tenor pipes from Parker, particularly that falsetto. He floats atop the busy backdrop, that also includes a driving, infectious groove that kicks some serious ass. Songwriting and theme also make the fourth single from The Slow Rush captivating. âLost in Yesterdayâ speaks to the power of the past and moving forward into the future. Yep, that seems to be The Slow Rush summarized in a nutshell.
Parkerâs philosophy regarding the past is best summed up on the pre-chorus, where he sings: âSo, if they call you, embrace them / If they hold you, erase them.â The key seems to be releasing the bad memories, and not letting them destroy you. Further confirmation of moving beyond the past occurs on the chorus, where Parker scolds all of us who keep returning to, well, YESTERDAY:
âAnd youâre gonna have to let it go someday Youâve been digginâ it up like Groundhog Day âCause it mightâve been somethinâ, donât say âCause it has to be lost in yesterday.â
âIs It Trueâ
On the groove-tastic âIs it True,â love and the future have Kevin Parker feeling nervous. Previously, he preached against the past, and now, itâs the future thatâs the issue. âWe started talkinâ âbout devotion / The kind that goes eternally,â he sings on the first verse, continuing, âAnd I tell her Iâm in love with her / But how can I know that Iâll always be?â There may be some cold feet on his end of things, but âIs it Trueâ keeps The Slow Rush piping hot. âIt Might Be Timeâ continues to find Tame Impala analyzing the future, coming to the realization you canât run from it â âIt might be time to face it / You may as well embrace it.â The listener continues to be spoiled with floating, falsetto.
âGlimmerâ is short on lyrics, with the key lyric being, âI just want a glimmer of hope.â That said, musically, the brief penultimate cut yields more ear candy. The longest song on The Slow Rush concludes the album, âOne More Hour.â Like most of the album, Parker is introspective. Here, heâs in no rush, combining his reflections with a combination of minimal and more dynamic musical moments. Itâs epic when the guitars kick it up a notch, not to mention the pummeling drums and dizzying psych synths. âOne More Hourâ is long, but thereâs plenty to go gaga over.
Final Thoughts
Five years was a hell of a long time to wait for the return of Tame Impala. That said, the result of the hiatus is a compelling, well-rounded album in The Slow Rush. Some of the biggest selling points are Parker and company remaining âtrue to selfâ musically, the falsetto, and the reflective nature. There are no vibe-killing rubs, maybe save for the extended runtime on some songs, and thatâs not a big deal ultimately. Lots to like about The Slow Rush.
â Gems: âOne More Year,â âInstant Destiny,â âBorderline,â âPosthumous Forgiveness,â âBreathe Deeper,â âOn Trackâ & âLost in Yesterdayâ
Tame Impala â˘Â The Slow Rush ⢠Island / Modular Recordings Pty Ltd ⢠Release: 2.14.20
Photo Credit(s): Island / Modular Recordings Pty Ltd
