Music
DNCE, ‘Dance’ | Track Review
Joe Jonas and DNCE, who thrive off of their innuendo, return with a fun and infectious, if utterly corny new single, “Dance.” Be prepared to ‘bust a groove.’
Evergreen
Mad Innuendo, 2015 and Beyond | Playlist 🎧
Mad innuendo. Sex. 2015 and beyond. That’s about the size of this playlist, which finds artists showcasing their sexy sides… musically.
Evergreen
Random A-B-C of Artists with Songs That Feature the F-Bomb | Playlist
Have you ever desired to see a random ABC list of artist with the respective songs that feature f-bombs? Probably not, but you got it here.
Music
Charli XCX, Boys | Track Review 🎵
Charli XCX has ‘boys’ on her mind on her infectious, fun new single, “Boys.” Sweetening the deal is a music video filled with famous boys.
Music
DNCE, Kissing Strangers | Track Review 🎵
Pop collective DNCE returns with another fun, sexy single, “Kissing Strangers,” assisted by Nicki Minaj.
![DNCE, DNCE [📷: Republic]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2016/10/dnce-dnce-republic.jpg?resize=360%2C240&ssl=1)
Album 💿
DNCE, DNCE | Album Review
DNCE marks the resurrection of Joe Jonas’ recording career. That resurrection is worthwhile on the band’s self-titled debut.
Music
DNCE, Be Mean | Track Review 🎵
Up-and-coming pop collective DNCE release one final single, “Be Mean,” ahead of issuing its self-titled, full-length debut LP.
Music
DNCE, Good Day | Track Review 🎵
“Good Day” gives DNCE another catchy, carefree, and fun single. It’s slickly produced much like previous singles by the pop collective.
Music
DNCE, Blown | Track Review 🎵
After two superb singles with “Cake by the Ocean” and “Body Moves,” DNCE is lukewarm at best on new single “Blown.”
Music
DNCE, Body Moves | Track Review 🎵
DNCE returns with “Cake By The Ocean” follow-up, “Body Moves,” yet another energetic, enthusiastic, and infectious single.
![Fifth Harmony, 7/27 [📷: Epic]](https://themusicalhype.com/wp-content/uploads/2016/06/fifth-harmony-727)
Music
2016: The Year Of Ridiculous Innuendo
This case study examines the ridiculous innuendo utilized in songs by Ariana Grande, DNCE, and Fifth Harmony in 2015 and 2016.