Weyes Blood, “It’s Not Just Me, It’s Everybody” | Track Review 🎵
Weyes Blood makes a superb return with “It’s Not Just Me, It’s Everybody,” the lead single and opener from her fifth LP, And In The Darkness, Hearts Aglow.
Weyes Blood makes a superb return with “It’s Not Just Me, It’s Everybody,” the lead single and opener from her fifth LP, And In The Darkness, Hearts Aglow.
Following a four-year hiatus, Björk returns with “Atopos,” the eccentrically brilliant promo single from her 10th studio album, Fossora.
The 1975 delivers a relatable song about struggling to express feelings regarding love on “I’m In Love With You,” the third single from Being Funny In a Foreign Land.
Alternative darlings Arctic Monkeys return with their seventh studio album, The Car, led by radiant, distinct single, “There’d Better Be A Mirrorball.”
Joji returns with 🎵 “YUKON (INTERLUDE),” his second single of 2022 from his forthcoming album, SMITHEREENS.
Rex Orange County (Alex O’Connor) delivers a stark contrast on his summery, tropical-pop-infused single, “THREAT,” with mixed results.
Brendon Urie and Panic! At The Disco shine on “Middle of a Breakup,” the second single from their seventh studio album, Viva Las Vengeance.
Child prodigy Ethan Bortnick is as good as advertised on his single, “Engravings,” exhibiting top-notch musicianship and talent.
YUNGBLUD touts positivity on “Don’t Feel Like Feeling Sad Today,” a short but sweet single from his self-titled, third studio album.
Cautious Clay both surprises and captivates on his short, unique indie-pop single, “Puffer.”
Brendon Urie & Panic! At the Disco come back strong with the single, “Viva Las Vengeance,” the title track from their seventh studio album.
Japanese-British musician Rina Sawayama comes back strong with “This Hell”, the promo single from her 2022 sophomore album, Hold the Girl.