Reading Time: 6 min read

4 out of 5 stars

Stromae, Multitude [šŸ“·: Monsaert Label / Polydor]Belgian musician Stromae (Paul Van Haver) delivers sheer excellence on Multitude, his first album in eight years.

Stromae, Multitude [šŸ“·: Monsaert Label / Polydor]

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fter an eight-year hiatus, Belgian musician extraordinaire šŸŽ™ Stromae (Paul Van Haver) has returned! This is marvelous news considering how gifted he is.Ā  He doesn’t disappoint on his 36-minute album, šŸ’æ Multitude. Early on, singles šŸŽµ ā€œSantĆ©ā€ and šŸŽµ ā€œL’enferā€ suggested Van Haver had a winner on his hands.Ā  Indeed, Multitude is a surefire winner that never misses a beat.Ā  You might say that Paul is, indeed, ā€˜undefeated.’


ā€œInvaincuā€Ā 

šŸŽµ ā€œInvaincuā€ (ā€œUndefeatedā€) serves as a strong introduction on Multitude. Stromae keeps things short but sweet as the record runs just north of two minutes. Ā ā€œInvaincuā€ features bright production work which is ear-catching.Ā  The cherry on top is undoubtedly the assertive, expressive rhymes from Van Haver. Ā A lyrical highlight: ā€œTant qu’j’suis en vie, j’suis invaincuā€ (ā€œAs long as I’m alive, I’m undefeatedā€).

Take one listen to surefire bop 🤩 šŸŽµ ā€œSantĆ©ā€ (ā€œHealthā€) and you’ll find yourself playing it on repeat.Ā  Vocally, Van Haver gives a strong performance, singing pleasantly. Furthermore, his rapped/chanted moments satisfy too. Lyrically, ā€œSantĆ©ā€ celebrates workers who don’t get any thanks or far too often go unappreciated.Ā  Translated from French, on the chorus, he sings:

ā€œYes, let’s celebrate those who don’t celebrate

Once again, I would like to raise my glass to those who don’t have

Those who don’t have

Those who don’t have.ā€

It’s a nice, thoughtful sentiment.Ā  With a great performance, intriguing and thoughtful songwriting, and a stellar music video, arguably the crowning achievement is the sound.Ā  This is a superbly produced record (Stromae, šŸŽ› Juanpaio Toch, and šŸŽ› Moon Willis), one that leaves you in awe of its creativity.Ā  It’s bright, ear-catching, and groovy as albeit.Ā  The guitar, synths, the rhythms (incredibly distinct) – it’s EVERYTHING. ā€œSantĆ©ā€ is a must-hear sure to boost your musical health!

Appears in šŸ”½:


ā€œLa solassitudeā€Ā 

Following ā€œSantĆ©ā€ is an elephantine task. šŸŽµ ā€œLa solassitudeā€ (ā€œSolitudeā€) is no slouch, however. This three-minute and change joint features continued sleek production work.Ā  I heart the rhythmic melody, awesome groove, and colorful pad.Ā  Furthermore, I love the use of strings (violin). Ā ā€œLa solassitudeā€ marks another nice performance by Stromae. Ā He has a beautiful tone and delivers great execution all in all.Ā  Another selling point is the catchy, memorable chorus.Ā  In English, that chorus goes something like this: ā€œBeing single makes me suffer from solitude / Couple lie makes me suffer from weariness.ā€ My, my, my!

🤩 šŸŽµ ā€œFils de joieā€ (ā€œSon of a Heroā€) also proves successful. Thematically, the record destigmatizes prostitution. Notably, at one point, the son of a prostitute comes to the defense of his mother rather than be ashamed of her profession. ā€œI’m a son of whore as they say /… Oh, dear mom / They dehumanize you /… But they also court you / And everybody looks the other way.ā€ Besides the theme, the music is awesome! There’s a superb use of rhythmic strings which adds a classical element, not to mention ample personality. ā€œFils de joieā€ is anchored by an awesome beat and groove. Van Haver offers a mix of pitched and un-pitched (rapped) moments, exhibiting great balance.Ā  I truly heart the level of drama during the chorus.

🤩 šŸŽµ ā€œL’enferā€ (ā€œHellā€) marked the second single from šŸ’æ Multitude.Ā  It’s another stellar French pop gem. ā€œL’enfer,ā€ set in a dark, minor key, is magnificent from start to finish.Ā  Starting with the vocals, Stromae sings with a radiant, rich tone, delivering the French lyrics with incredible finesse.Ā  Lyrically and thematically, Van Haver isn’t in a sexy place. He’s honest about struggles with mental health, including suicidal thoughts.Ā  On the chorus, he sings:

ā€œI have sometimes had suicidal thoughts, and I’m not proud of it

Sometimes people think it’s the only way to silence them

These thoughts that make me go through hell.ā€

That’s a bummer! While Stromae sings with this angelic tone, he’s digging deep into a very personal place.Ā  The backdrop reflects this, with incredibly sleek and ear-catching keys, synths, and drum programming. ā€œL’enferā€ may entail hellish experiences, but there’s nothing hellish about it. Van Haver turns his pain into emotionally charged, high-flying musical art.

Appears in šŸ”½:


ā€œC’est que du bonheurā€

ā€œI gave you life, you saved mine / If you knew how much I love you / I’ve never loved so much.ā€ On šŸŽµ ā€œC’est que du bonheurā€ (ā€œThis is Happinessā€), Stromae reflects on parenthood.Ā  While Van Haver highlights the pros and cons (diapers and smells), ultimately, he is happy to be a parent.Ā  ā€œYou’ll see, it’s only happiness,ā€ he sings, adding, ā€œYou’ll see, it’s only joy.ā€ Ā On šŸŽµ ā€œPas vraimentā€ (ā€œNot Reallyā€), Van Haver paints a picture of fake love – truly an intriguing topic.Ā  The song comes from various perspectives. In the first verse (the man’s perspective) deals with a relationship that’s driven by clout, not love.Ā  In the second verse, the crowd shares their perception of what’s going on between these two nameless people.Ā  Finally, in the third verse, it comes from the perspective of the woman.Ā  Ā Stromae does an excellent job of storytelling, capped off by stellar production work.Ā 

On šŸŽµ ā€œRiezā€ (ā€œLaughā€), the laugh is on a foolish, overly ambitious man. ā€œRiezā€ finds the character chasing and dreaming about fame; focused on clout. Given the song title, ultimately, the character is made fun of because his dreams are outlandish.Ā  Also, the fourth verse spits reality, where it is revealed that this ambitious protagonist has nothing, and he seeks consistency and stability in his life.Ā  Once more, supported by a tremendous backdrop, Stomae imparts a compelling tale. šŸŽµ ā€œMon amourā€ (ā€œMy Loveā€) cedes no momentum with continual intriguing storylines.Ā  The first verse finds the character listing numerous women he’s been with. Ultimately, in the chorus, Van Haver asserts, ā€œMy love, my love / You know there’s only you / And that I’ll love you forever.ā€ Verse two finds him swearing off other women while the third finds him defending his love due to a meaningless one-night stand. The final verse of this rhythmic joint marks the end of the relationship, filled with its share of anxiety. Oh, the plight that is love!


ā€œDĆ©clarationā€

🤩 šŸŽµ ā€œDĆ©clarationā€ (ā€œDeclarationā€) ranks among the most thought-provoking songs from Multitude. Stromae expresses skepticism about God but throws his full support believing in her.Ā  Woo! That’s significant considering ā€œDĆ©clarationā€ explores feminism and women’s rights, equality, etc.Ā  Good, relevant stuff indeed!

Multitude concludes with two connected songs.Ā  The first is 🤩 šŸŽµ ā€œMauvaise journĆ©eā€ (ā€œBad Dayā€) which explores struggling mental health, a bad poop (literally), and bigger picture, the mundaneness of life.Ā  Notably, in the third verse of this minor-key penultimate cut, Van Haver asserts he’s sick of depression.Ā  Despite the pessimism, ā€œMauvaise journĆ©eā€ is a delightful listen with its unique rhythms, awesome groove, and moody guitars and synths. Ā Following a shitty day (Van Haver’s words, via translation, not mine), what’s better than šŸŽµ ā€œBonne journĆ©eā€ (ā€œGood Dayā€)? This direct contrast to ā€œMauvaise journĆ©eā€ remains in a minor key but shows a much more confident, happier Stromae.Ā  Just as he had a bad poop on the previous cut, he’s had a satisfying one here. Quite important!


Final Thoughts šŸ’­

All in all, the return of Stromae is awesome. Multitude is a well-rounded album from start to finish.Ā  Paul Van Haver is a capable performance, delivering assertive, commanding vocals whether rapping or singing.Ā  The songs have relatable and interesting themes – another big selling point. Ā Arguably, the biggest pro for Van Haver and Multitude is – drum roll please – the production! There’s never a miss when it comes to the backdrop! Ultimately, Multitude is a must-hear.

https://media.giphy.com/media/Q7zO6nPCi7GSVZB1Wv/giphy.gifĀ 

🤩 Gems šŸ’Ž: ā€œSantĆ©,ā€ ā€œFils de joie,ā€ ā€œL’enfer,ā€ ā€œDĆ©clarationā€ & ā€œMauvaise journĆ©eā€Ā 

4 out of 5 stars


šŸŽ™ Stromae • šŸ’æ Multitude • šŸ· Monsaert Label / Universal Music France • šŸ“… 3.4.22
[šŸ“·: Monsaert Label / Universal Music France]

 


the musical hype

The Musical Hype (he/him) has earned Bachelor's and Master's degrees in music (music education and music theory/composition, respectively). A multi-instrumentalist, he plays piano, trombone, and organ among numerous other instruments. He's a certified music educator, composer, and freelance music blogger. Music and writing are two of the most important parts of his life.