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“Songs That Require Sharp Sight to See, Vol. 1” features 13 sight-driven songs courtesy of Billie Eilish, Dustin Lynch, Fantasia, Ghost, and Wiz Khalifa.
![“Songs That Require Sharp Sight to See, Vol. 1” [Photo Credits: 19 Recordings Limited, Atlantic, Big Loud, Broken Bow, Columbia, Darkroom, Def Jam, Getting Out Our Dreams, Interscope, Loma Vista, Make Noise, Pexels, Pixabay, Warner Bros.]](https://themusicalhype.com/wp-content/plugins/accelerated-mobile-pages/images/SD-default-image.png)
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Hey, hey – HEY! Please, please, PUH-lease make sure that your SIGHT is SHARP AF so that you can SEE these songs!!! Yeah, that made no sense whatsoever. What does make sense is that the 13 songs that comprise Songs That Require Sharp Sight to See, Vol. 1 all feature some form of the word ‘see’ in the song title. It’s that simple. Musicians contributing to this excellence in sight include the likes of Billie Eilish (“you should see me in a crown”), Dustin Lynch (“Seein’ Red”), Fantasia (“When I See U”), Ghost (“See the Light”), and Wiz Khalifa featuring Charlie Puth (“See You Again”) among others. Without further ado, here are Songs That Require Sharp Sight to See, Vol. 1.
1. Billie Eilish, “you should see me in a crown”
WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? • Darkroom / Interscope • 2019
Even though she’s not screaming aggressively, her teenage angst is in full force, aided by sleek, electronic-infused production. The best example comes on the chorus, the crowning achievement:
“You should see me in a crown
I’m gonna run this nothing town
Watch me make ‘em bow
One by one by one / One by one by…”
Impressively, Eilish doesn’t have to be profane to frighten you with her attitude. She just relies on her mesmerizing instrument, alluring songwriting, and laser-sharp production. At the end, the synths really pop, further amplifying the excellence of the record.
2. Ghost, “See the Light”
Prequelle • Loma Vista • 2018
In the context of Prequelle, “See the Light” begins much kinder and gentler compared to “Rats” and “Faith.” “Many a rat I have befriended / And so many a thorn stood between,” Cardinal Copia (Forge) sings on the first verse. After showcasing poise and restraint on the verses, him and Ghost turn up on the pre-chorus and chorus sections. “Drink me, eat me,” he sings with incredible assertiveness (he rolls the R on “drink”), continuing, “Then you’ll see the light.” Clearly, the communion is a bit sketchy, and the band isn’t exact in their intent, which actually makes things more intriguing. Beyond the most dynamic parts of “See the Light,” there are superb musical touches, such as the keyboard that appears on the second verse, accentuating the vocals.
3.Nicki Minaj, “Come and See About Me”
Queen • Cash Money / Young Money • 2018
“Come, come see about me / Come, come see about me / Know it can’t always be about me / Just come, come, see about me…” After a four-year hiatus between albums, Nicki Minaj returned in 2018 with her highly-anticipated, fourth studio album, Queen. The lengthy effort is comprised of 19 tracks, clocking in at 70 minutes. While not every song on Queen was made equal by any means, “Come See About Me” marks one of the better moments.
“…You know I’m still trying to find where we went wrong at.” Following the “2 Lit 2 Late Interlude,” Nicki Minaj superbly showcases her personal, vulnerable side on “Come See About Me” – “Love’s always love, you can’t fake it / So please don’t try to deny me of that, no.” Not only is this one of the better moments from Queen as aforementioned, arguably, this is her best singing performance of the LP. The chorus, excerpted above, is relatively simple, but incredibly memorable.
4. Kids See Ghosts, “Kids See Ghosts”
Ft. Yasiin Bey
KIDS SEE GHOSTS • Getting Out Our Dreams / Def Jam • 2018
The title track features one of the better beats of the LP. Shifting the focus to the legend that appears on the record, Yasiin Bey (aka Mos Def), he delivers the hook throughout the course of the record, save for post-first verse. He also drops a notable bridge. Kid Cudi shines (verse one), while Kanye West impresses with his flow – he’s got some bars on the second verse.
“I like breakfast in bed, but I love breakfast and head
For anybody who said that I was better off dead
Told ‘em, ‘Don’t ever believe nothin’ that you ever read.’”
5. Mason Ramsey, “The Way I See It”
Famous (EP) • Big Loud / Atlantic • 2018
“The Way I See It” definitely doesn’t sound like the type of record one associates with a pre-teen. It doesn’t matter because Ramsey sounds incredibly impressive, exhibiting the appropriate, characteristic attitude to successfully pull it off. That includes the signature country twang –southern to the core. Clearly, his musical aptitude is ‘off the charts’ as he nails the technical aspects of this record. Sure, someone older and more seasoned could do wonders with it, but “The Way I See It” him well, particularly the pre-chorus and chorus.
6. Rich Brian, “See Me”
Amen • 88rising / EMPIRE • 2018
The production of “See Me” has a mellow, appealing, synth-driven sound. Don’t call it soft though – Rich Brian still packs a punch. He lays a wordy, but appealing hook at the top of the record. Following the hook, things get a bit non-standard regarding the form, with a bridge. Later, the second and final iteration of the bridge precedes chorus, rather than following it. The meat arrives with the sole verse, where Brian ‘does the damn thing.’ His rhymes encompass sex, money, and hunger.
“I’m on the road and I’m lovin’ my bunk
Still missin’ home, but I’m havin’ my fun, uh
I would never quit, I’m too legit
Indonesian MC Hammer in this bitch.”
7. Tyler, the Creator, “See You Again”
Ft. Kali Uchis
Flower Boy • Columbia • 2017
Thankfully, Flower Boy gives us quite a soulful record that perfectly fits on this playlist, “See You Again.” The smooth vocals that grace the first verse are Tyler, the Creator singing. The vibe is fitting. He gets an assist from Kali Uchis on the chorus, where he also sings.
“Can I get a kiss?
And can you make it last forever?
I said I’m ‘bout to go to war
And I don’t know if I’ma see you again.”
It’s not all singing from the MC, who drops a verse of bars as well. Even with the anchoring hard drums, there’s a softer vibe here than we’re accustomed to hearing from TTC. It’s a good look all in all; an alluring sight if you will.
8. Vivian Green, “Stop Sleeping (See the Light)”
VGVI • Make Noise • 2017
“Stop Sleeping (See the Light)” is by far the most progressive song from VGVI. The production is a mix of the neo-soul associated with Green, as well as neo-disco, dance, and the more modern urban contemporary sound. Less traditional but meaningful, as “Stop Sleeping” progresses, it becomes more endearing. The message is on-point – perfect for the turbulent times facing America, specifically black men and women. This is an anthem all about being ‘woke’ to what’s going down in society. “Stop sleeping / Stay up / Everybody stay up!” Fittingly, in addition to appearing on this sharp-sighted affair, “Stop Sleeping (See the Light)” previously appeared on the playlist 11 Songs That Center Around Sleep and even more recently, 13 Songs That’ll Make You Stop What You’re Doing.
9. Dustin Lynch, “Seein’ Red”
Current Mood • Broken Bow • 2017
“Seein’ Red” has some modern touches but doesn’t alienate a purist country audience. From the jump, it is energetic, featuring a driving, rhythmic groove. Interestingly, it’s set in a minor key, giving it a notably darker sound. Dustin Lynch plays off of the edginess well, giving a commanding, expressive vocal performance. It’s fun, energetic, and sexy without crossing any lines.
“I’m talking red hot, red kiss
Falling off your lips
I’m talking red hot, red dress
Hanging off your hips
I’m talking backseat heartbeat
Pounding in my chest
I’m seein’ red, I’m seein’ red.”
10. Kim Burrell & Pharrell Williams, “I See a Victory”
Hidden Figures: The Album • Columbia • 2016
“I See a Victory” is an intriguing mix of contemporary gospel and urban contemporary. Call it the rare gospel record including 808s. Williams’ production is unique and intriguing as always. Burrell delivers a lovely, nuanced vocal performance, perfectly suited for this cut with her commanding vocal presence. Furthermore, she receives sound support from the choir. The bridge is handled by the choir, allowing her to perform her signature, golden, jazzy runs. The chorus – excerpted above and continued below – is the centerpiece of “I See a Victory.”
“…They’ll be signs on top of signs
Just so you know the history
It’s saying victory is with me.”
11. Idina Menzel, “I See You”
Idina. • Warner Bros. • 2016
Honestly, “I See You” begins predictably, trending a bit on boring side. Still, even if “I See You” has a little bit of that ‘middle of the road’ characterization attached to it, it’s certainly uplifting and inclusive from the jump. Following a lighter first verse, the drums and overall production are fuller during the second verse. Menzel’s vocal strength on the chorus, the centerpiece, is excellent. As referenced above, everybody is included:
“Here’s to the lonely
To the broken-hearted
I want you to know I feel your pain
Here’s to the hopeless
The almost forgotten
To those who got lost along the way
I see you…”
It may be ‘middle of the road’ to a certain extent, but Menzel “Bring(s) it on Home” by the end, showing off her commanding pipes.
12. Wiz Khalifa, “See You Again”
Ft. Charlie Puth
Furious 7 (Original Motion Picture Soundtrack) • Universal Studio / Atlantic • 2015
What isn’t there to like about this song? Wiz Khalifa compels with his agile flow and respectable lyrics over the course of two verses, adding a refrain/pre-chorus to the mix prior to the chorus. Of course, the chorus is where Charlie delivers the most memorable part of the song, while also adding a bridge and post-chorus section. Also, Puth co-produces alongside Andrew Cedar, Franke, Kevin Weaver, and Mike Caren. Yeah, there’s no far-sightedness, near-sightedness, or short-sightedness on this pop gem.
“We’ve come a long way from where we began
Oh, I’ll tell you all about it when I see you again
When I see you, again.”
13. Fantasia, “When I See U”
Fantasia • 19 Recordings Limited • 2006
“When I See U” checks off all boxes, period. This is a sound, well-written, well-performed contemporary R&B record. Fantasia sings superbly, whether she’s highlighting the gorgeous melodic line or soulfully ad-libbing. The production (Midi Mafia and Mzmeriq) is nicely balanced – colorful and lush, but not overdone in the least. The songwriting is catchy, relatable, and pretty straightforward. As aforementioned, Fantasia has a crush – who can’t relate to that? The chorus marks the crowning achievement:
“You’re always on my mind
When you come around, I get shy
When I see you, when I see you
Never know when you might walk by
So, I gotta be right on time
When I see you, when I see you.”
[Photo Credits: 19 Recordings Limited, Atlantic, Big Loud, Broken Bow, Columbia, Darkroom, Def Jam, Getting Out Our Dreams, Interscope, Loma Vista, Make Noise, Pexels, Pixabay, Warner Bros.]
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