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Songs That Are OKAY Through and Through, Vol. 1 (2025) [๐Ÿ“ท: Brent Faulkner / The Musical Hype; VICO ORTIZO from Pexels; AcatXlo, Clker-Free-Vector-Images from Pixabay]Songs That Are OKAY Through and Through, Vol. 1 features songs by Doja Cat, Joey Valence & Brae, Katy Perry, Tate McRae, and Whitney Houston. 

According to the late, great Whitney Houston, โ€œItโ€™s Not Right But Itโ€™s Okayโ€.  Fair enough.  As for Demi Lovato, she lets everyone know that it is โ€œOK Not to Be OKโ€. True. For Olivia Rodrigo, the hope is that you are okay.  The common word between all three songs is okay. The criterion for Songs That Are OKAY Through and Through, Vol. 1 is that every song must feature okay in the song title.  Many songs meet this criteria, hence why this playlist is the first of forthcoming volumes.  Songs That Are OKAY Through and Through, Vol. 1 features songs by Doja Cat, Joey Valence & Brae, Katy Perry, Tate McRae, and Whitney Houston. So, without further ado, join the โ€˜more than okay experienceโ€™ that is Songs That Are OKAY Through and Through, Vol. 1!


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1. Tate McRae, โ€œItโ€™s ok Iโ€™m okโ€ 2. Joey Valence & Brae, โ€œOKโ€ 3. Katy Perry, โ€œOKโ€  4. Teezo Touchdown, โ€œOKโ€
5. JT, โ€œOKAYโ€ 6. Wallows, โ€œOKโ€ 7. Doja Cat, โ€œOKLOSERโ€ 8. AJR, โ€œOK Overtureโ€
9. Olivia Rodrigo, โ€œhope ur okโ€ 10. Marshmello & Demi Lovato, โ€œOK Not to Be OKโ€ 11. Whitney Houston, โ€œItโ€™s Not Right But Itโ€™s Okayโ€  

 


1. Tate McRae, โ€œItโ€™s ok Iโ€™m okโ€

So Close To What // RCA // 2025 

Tate McRae, So Close To What [๐Ÿ“ท: RCA]โ€œHe ainโ€™t just a pretty-faced talker /โ€ฆ Youโ€™re seeinโ€™ one-sided / You got him right now.โ€ Oh, snap, Tate McRae! The Gen-Z musician warns her exโ€™s new girlfriend to beware in โ€œItโ€™s ok Iโ€™m okโ€, a single from her 2025 album, So Close To What. In the pre-chorus, she makes it clear she doesnโ€™t miss him because heโ€™s no good! Her exact words: โ€œTake him, heโ€™s yours.โ€ McRae, Ilya, Ryan Tedder, and Savan Kotecha penned the single. Ilya produced it. โ€œItโ€™s ok Iโ€™m okโ€ is relatively brief.  With its quick pace and simple message, thatโ€™s enough time for Tate McRae to convey her points.  In the second verse, she drops an f-bomb (โ€œWas such a romantic (Romantic) / You got me like, โ€˜Fuck thatโ€™โ€). In the chorus, which is uncomplicated save for its rhythm, she asserts, โ€œItโ€™s okay, Iโ€™m okay, had him in the first place / itโ€™s okay, Iโ€™m okayโ€ฆโ€ The songwriting isnโ€™t game-changing but works sufficiently. Beyond the lyrics, the accompaniment thrives off a sweet percussive groove โ€“ the beat bangs.  Also, the minimalist vibes are successful, specifically tasty keyboard and synths.  The melodies are rhythmic, with the pre-chorus featuring an interesting jump between octaves.  McRae is feisty and playful with her vocal performance, which suits the theme of this enjoyable, mostly inoffensive song (looking at you, f-bomb ๐Ÿ˜‰).

Appears in ๐Ÿ”ป:

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2. Joey Valence & Brae, โ€œOKโ€

NO HANDS // JVB // 2024

Joey Valence & Brae, NO HANDS (Deluxe Edition) [๐Ÿ“ท: JVB]โ€œWhat you got? I got it goinโ€™ on (Okay).โ€ Word! Joey Valence and Brae (Braedan Lugue) bring the energy and swagger to โ€œOKโ€. โ€œOKโ€ is the eighth track on the duoโ€™s colorful 2024 album, NO HANDS. The song features old-school hip-hop production by Valence, Patrick Nissley, and Lucas Banker. This marks one of many selling points regarding the sub-two-and-a-half-minute cut. The biggest selling point is the fun, unforgettable rhymes. Valence draws first blood in the first verse. His confidence is through the roof: โ€œI got the big stacks, Iโ€™m pushinโ€™ stacks / Uh, new outfit, you wish you had it on / Omnitrix on the wrist, gotta keep it on.โ€  Woo! Brae โ€˜brings the heatโ€™ in the second verse, where he spits, โ€œSo much drip Iโ€™m slippinโ€™, someone please call a plumber / Baby blue, top hat and cane, Dumb and Dumber (Okay) / Whipped cream-color whips, thatโ€™s pimp / White Nissan, thatโ€™s a cool whip.โ€ I mean, Grammy-winning rapper Doechii touted a โ€œNissan Altimaโ€, so, fair assessment of a cool whip. In the third verse, with contributions from both, there are references to Michael Jackson (โ€œIโ€™m too smooth like MJโ€), Chick-fil-A (โ€œGot sauce like Chick-fil-Aโ€), and Judge Judy (โ€œBoss bitch like Judge Judy). Ultimately, โ€œOKโ€ isnโ€™t deep or transcendent, but it is highly entertaining, like, OKAY!!!

Appears in ๐Ÿ”ป:

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3. Katy Perry, โ€œOKโ€

1432 // Capitol // 2024 

Katy Perry, 1432 [๐Ÿ“ท: Capitol]โ€œHey, itโ€™s gonna be okay / Iโ€™m always gonna be around / No matter if youโ€™re up or down.โ€ Good to knowโ€ฆ I think! Following a disastrous album cycle with 143, Grammy-nominated pop artist Katy Perry released a deluxe version, titled 1432. There is one thing working in Perryโ€™s favor, however.  โ€œOKโ€, the 15th track from the deluxe isโ€ฆ okay.  Like many pop songs, โ€œOKโ€ has a lots of songwriters (eight), and is produced by Dr. Luke and Vaughn Oliver. The chorus, the first section heard in โ€œOK,โ€ is tuneful.  She continues singing, โ€œHey, what did I say? / Iโ€™m never gonna let you drown / No matter if youโ€™re up or down.โ€ Is the writing the most poetic? No, but Perry makes her point loud and clear.  In the verses, matters of the heart lead through thick and thin.  โ€œLetโ€™s make a toast to / Everything weโ€™ve been through,โ€ she sings in the first verse, adding, โ€œโ€˜Cause I donโ€™t always like you / But Iโ€™m always gonna love you.โ€ Similarly, in the second, she sings, โ€œIf we just keep goinโ€™ / The road is gonna open.โ€ Vocally, Perry sings well โ€“ no qualms there.  The production separates itself from other songs, which is a positive. Ultimately, the groove, prominent bass line, and guitars are pleasant.  Again, โ€œOKโ€ is okay.

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4. Teezo Touchdown, โ€œOKโ€  

How Do You Sleep At Night? With You // Not Fit For Society / RCA // 2024

Teezo Touchdown, How Do You Sleep At Night? With You [๐Ÿ“ท: Not Fit for Society / RCA]โ€œUh-huh, okay / Iโ€™m gonna do it anyway.โ€ Word, Teezo Touchdown! The keyword is okay, which is stylized as โ€œOKโ€ on the opening track from the rapperโ€™s 2024 album, How Do You Sleep At Night? With You. Brief, clocking in under two minutes, โ€œOKโ€ is incredibly fun. It thrives off rock-oriented production  courtesy of Justin Raisen and SADPONY (Jeremiah Raisen). The guitars are sick! Rap-wise, Teezo delivers a compelling cadence and flow.  In the first verse, he memorably raps, โ€œMy life is a movie where everybody hand I shake ends up in the credits.โ€ OK! โ€œSometimes, I wanna scream alone / Sometimes I just wanna be / Subliminal, but thatโ€™s not really up to me,โ€ he raps in the second verse, continuing, โ€œPlease stay out of my business / Everybody has their own company.โ€ Word! Teezo exhibits plenty of personality on this intriguing intro track.

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5. JT, โ€œOKAYโ€

City Cinderella // Quality Control Music, LLC / UMG Recordings, Inc. // 2024 

JT, City Cinderella [๐Ÿ“ท: Quality Control Music / Motown]โ€œIโ€™m pretty than a motherfucker, hoes be lookinโ€™ okay (Yeah) / She think that she fuckinโ€™ with me, is this bitch okay?โ€ Ooh-wee, JT.  Once more, the keyword is โ€œOKAYโ€, which happens to be the title of the 11th track from the rapperโ€™s 2024 mixtape, City Cinderella. โ€œOKAYโ€ clocks in under three minutes.  It was produced by Akachi and Shawn Ferrari. Notably, the banger samples โ€œTrap or Dieโ€ by tough-minded rapper Jeezy featuring H-town rap veteran, Bun B.  โ€œOKAY,โ€ hence, is gritty, hard-nosed, and tough AF.

The musical accompaniment is brassy and malicious sounding.  JT matches the energy with her bold, unapologetic rhymes.  This begins with the intro (โ€œWhere my bad bitches at?โ€) as well as the chorus excerpted above.  Her cadence and flow kick ass and take names. โ€œDown South bad bitch, this skreet shit so ratchet / Call me JT, a.k.a. The Soul Snatcher (Okay).โ€ OK, JT, we hear you talking that shit in the first verse.  One of the most memorable lyrics from โ€œOKAYโ€ occur in the second verse, where she seems to be throwing shade at a fellow female rapper: โ€œShe ate crab legs, now her whole tooth missinโ€™ / Cheap ass veneers, you stay talkinโ€™ shit.โ€ Oh, snap! Ultimately, โ€œOKAYโ€ is a winner from JT.  Itโ€™s more than okay! Notably, โ€œOKAY (Remix)โ€ concludes the mixtape featuring Jeezy, the artist sampled.

Appears in ๐Ÿ”ป:

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6. Wallows, โ€œOKโ€

Remote (Deluxe) // Atlantic // 2021 

Wallows, Remote (Deluxe) [๐Ÿ“ท: Atlantic]Wallows, comprised of Dylan Minnette, Cole Preston, and Braeden Lemasters โ€“ dropped a groovy alternative smash with โ€œOKโ€.  On โ€œOK,โ€ Minnette shows off the beauty of his pipes, including some falsetto, sigh.  Besides the skills of the actor/singer himself, the melody, particularly on the chorus, is quite tuneful.   

โ€œThereโ€™s no need to explain 

I know what you gonna say 

โ€˜Cause you say, โ€˜Goodnight,โ€™  

If you think thatโ€™s alright 

Thereโ€™s no need to explain 

I know that we can relate 

Can we get up and try to feel okay again?  

Can we get up and try to feel okay again?โ€

Later, the bridge is incredibly distinct โ€“ gimmicky and a bit novel. Thematically, โ€œOKโ€ encompasses insecurities in a relationship, and ultimately embracing it, per a newsletter from the band.  While all of thatโ€™s worth noting, arguably, itโ€™s the sound and vibe that truly makes โ€œOKโ€ a treat.  Musically, there are so many pros.  The colorful palette comprised of keyboards, synths, and guitar is sweet. The awesomeness of the groove goes without saying. The harmonic progression isnโ€™t incredibly complex, but a couple quirks give make it a major player in the songโ€™s overall success. โ€œOKโ€ thrives off strong vocals, colorful production and musical elements, and thoughtful, relatable songwriting. 

Appears in ๐Ÿ”ป: 

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7. Doja Cat, โ€œOKLOSERโ€

Scarlet 2 CLAUDE // Kemosabe / RCA // 2024

Doja Cat, Scarlet 2 CLAUDE [๐Ÿ“ท: Kemosabe / RCA]โ€œI say okay, okay, loser (Okay, loser) / We go way, way back, I wonโ€™t say, โ€œOkay, boomerโ€ (Okay, okay),โ€ Grammy-winning artist Doja Cat raps in the chorus of โ€œOKLOSER,โ€ the fourth track on Scarlet 2 CLAUDE.  She continues, colorfully spitting, โ€œAinโ€™t shit sweet, I brush my teeth, but still my tooth hurt (Still my tooth hurt, hey, hey) /You cannot come to the cookout, get your hand up out the cooler (Cooler, bitch).โ€ Clocking in under three minutes, Doja Cat jam packs the record.  Her rhymes are entertaining as hell, namely not being invited to the cookout. โ€œI put the verse in the motherfuckinโ€™ โ€˜ace / I put the grr in they motherfuckinโ€™ top teeth,โ€ she raps in the first verse. She โ€˜bitesโ€™ in the second verse, โ€œAnd I said loser, loser, loser / Why the fuck these bitches always cominโ€™ out the woodwork?โ€ As always, her cadence and flow are on point.  Making โ€œOKLOSERโ€ a strong showing beyond the rhymes and personality she infuses is a colorful music backdrop produced by Yeti Beats, Carter Lang, Jasper Harris, Jared Solomon, and Kevo. Ultimately, โ€œOKLOSERโ€ is a confident, super fun joint.

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8. AJR, โ€œOK Overtureโ€

OK ORCHESTRA // BMG Rights Management // 2021 

AJR, OK ORCHESTRA [๐Ÿ“ท: AJR Productions / S-Curve]On their fourth album, OK ORCHESTRA, AJR (Jack Met, Ryan Met, Adam Met) have some enjoyable, intriguing moments and plenty of creative musical ideas.  As is often the case, however, sometimes, their hipster millennial alt pop script is, um, overdone.  That said, โ€œOK Overtureโ€ is an intriguing start to the album, as well as an interesting, standalone โ€˜OKโ€™ cut. โ€œOK Overtureโ€ begins introducing instruments and specific song features โ€“ you must hear it to fully understand. Regardless, itโ€™s a unique way to commence the album โ€“ very AJR. If nothing else โ€œOK Overtureโ€ is ambitious and all over the place. Sort of like an orchestral overture from a Broadway musical, it features parts of songs featured on the album, which is creative.  The thing is, if youโ€™re not into the vibe of the overture, you probably wonโ€™t be into OK ORCHESTRA either ๐Ÿคท. 

โ€œMy friends always pay for my drinks 

I canโ€™t afford no nice things 

But I hope my bank account gets so low 

Even zero 

So next year  

When I buy that first beer 

Iโ€™ll be a goddamn hero.โ€ 

Appears in ๐Ÿ”ป: 

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9. Olivia Rodrigo, โ€œhope ur okโ€

SOUR // Geffen // 2021

Olivia Rodrigo, Sour [๐Ÿ“ท: Olivia Rodrigo / Geffen]โ€œI knew a boy once when I was small / A towhead blond with eyes of salt /โ€ฆ His parents cared more about the Bible / Than being good to their own childโ€ฆโ€ Olivia Rodrigo witnessed her debut album, SOUR, earned several Grammys, including Rodrigoโ€™s biggest win being the Grammy for Best New Artist.  The teen concludes her debut LP with a thoughtful record, โ€œhope ur okโ€. Rodrigo wrote โ€œhope ur okโ€ with Daniel Nigro, who also produces the record.  

โ€œAnd somehow, we fell out of touch 

Hope he took his bad deal and made a royal flush 

Donโ€™t know if Iโ€™ll see you again someday 

But if youโ€™re out there, I hope that youโ€™re okay.โ€  

โ€œHope ur okโ€ references the plight of some LGBTQ+ ๐Ÿณ๏ธโ€๐ŸŒˆ individuals. It also references dysfunctional family units, and honestly, some truly insightful, realistic happenings.  This is the perfect closer to a truly well-rounded debut album.  โ€œHope ur okโ€ gives chills โ€“ those goosebumps.  

Appears in ๐Ÿ”ป 

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10. Marshmello & Demi Lovato, โ€œOK Not to Be OKโ€

โ€œOK Not to Be OKโ€ // Joytime Collective // 2020 

Marshmello & Demi Lovato, "OK Not to Be OK" [๐Ÿ“ท: Joytime Collective]DJ Marshmello collaborates with Grammy-nominated pop singer Demi Lovato on โ€œOK Not to Be OKโ€. The brief number features a fantastic opening with an enigmatic, almost somber synth. The sound isnโ€™t dark, but sort of reflective in tone. Beyond the opening and first verse, the production is bright by Marshmello, with strong results. Of course, it is those fine, compelling vocals by Lovato that sell โ€œOK Not to Be OK.โ€ Those vocals are perfectly suited given the theme of this song.  

โ€œWhen youโ€™re high on emotion 
And youโ€™re losing your focus 
And you feel too exhausted to pray 
Donโ€™t get lost in the moment 
Or give up when youโ€™re closest 
All you need is somebody to say 

Itโ€™s okay not to be okayโ€ฆโ€ 

As always, Lovato sounds expressive and quite nuanced. Thereโ€™s excellent use of vocal layering, whether its backing vocals, soulful ad-libs, or etc. Furthermore, there are some tasteful electro-pop vocals effects during the pre-chorus that donโ€™t take away from Lovato.  Both the pre-chorus and chorus are epic, latching the first time you hear them.  Also, on Marshmelloโ€™s end, I must compliment the use of the rhythmic guitar during the chorus/drop. Ultimately, thereโ€™s lots to like about โ€œOK Not to Be OK,โ€ including the messaging.  We try to achieve perfection, and we often fall short and beat ourselves up.  Basically, we donโ€™t have to be perfect, weโ€™re allowed to make mistakes, and mistakes teach us lessons.  

Appears in ๐Ÿ”ป 

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11. Whitney Houston, โ€œItโ€™s Not Right But Itโ€™s Okayโ€

My Love Is Your Love // Arista // 1998

Whitney Houston, My Love is Your Love [๐Ÿ“ท: Arista]โ€œItโ€™s not right, but itโ€™s okay / Iโ€™m gonna make it anyway / Pack your bags, up and leave / Donโ€™t you dare come runninโ€™ back to me.โ€ Ooh-wee! The late, great Whitney Houston (1963 โ€“ 2012) released the biggest hits of her career in the 1980s and 1990s. โ€œItโ€™s Not Right But Itโ€™s Okayโ€ arrived as the opening track from her fourth studio/comeback album, My Love Is Your Love, released in 1998.  My Love Is Your Love debuted modestly at number 13 on the Billboard 200, but was eventually certified quadruple platinum by the RIAA. โ€œItโ€™s Not Right But Itโ€™s Okayโ€ was a big hit, peaking at number four on the Billboard Hot 100 in 1999. In 2019, the single was certified platinum.  Houston won her sixth and final Grammy award for the song (Best Female R&B Vocal Performance) at the 42nd Annual GRAMMY Awards. Toni Estes, Isaac Phillips, Fred Jerkins III, Rodney Jerkins, and the late LaShawn Daniels penned the gem. Rodney Jerkins produced it. 

โ€œItโ€™s Not Right But Itโ€™s Okayโ€ gave Houston a contemporary R&B record. Although firmly planted in R&B, but, like so many Whitney songs, had pop crossover written all over it.  On the spirited third single from  My Love Is Your Love, Houston confronts her manโ€™s infidelity.  Suspicious, she asks of his night out with the boys, โ€œIf six of yโ€™all went out, ah / Then four of you were really cheap, yeah / โ€˜Cause only two of you had dinner / I found your credit card receipt.โ€ Oh, snap! In the second verse, he gets in even deeper trouble when his phone rings: โ€œYou said it was one of your friends, down on 54th street, boy / So why did 213 show up on your caller I.D.?โ€ Whitney is not going to take his BS.  After determining โ€œ[He wasโ€ making a fool of [her],โ€ she tells sends his trifling ass out the door in the unforgettable chorus. Excerpted earlier, she adds, โ€œIโ€™d rather be alone than unhappy.โ€ Amen, sis! As always, Houston sounds remarkable singing this song.  The melodies are tuneful, and she adds her own spice with her nuances and celestial runs.  The musical accompaniment is classy (itโ€™s the mallet percussion for me). Itโ€™s tailored for her once-in-a-lifetime voice โ€“ a voice gone far too soon.  Pushing 30 after its release, โ€œItโ€™s Not Right But Itโ€™s Okayโ€ remains fresh โ€“ a bop for the ages!

 

Appears in ๐Ÿ”ป:

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Songs That Are OKAY Through and Through, Vol. 1 (2025) [๐Ÿ“ท: Brent Faulkner / The Musical Hype; Arista, Atlantic, BMG Rights Management, Capitol, Geffen, Joytime Collective, JVB, Kemosabe, Not Fit For Society, Quality Control Music, LLC, RCA, UMG Recordings, Inc.; VICO ORTIZO from Pexels; AcatXlo, Clker-Free-Vector-Images from Pixabay]

 


the musical hype

the musical hype (Brent Faulkner) has earned Bachelor's and Master's degrees in music (music education, music theory/composition respectively). A multi-instrumentalist, he plays piano, trombone, and organ among numerous other instruments. He's a certified music educator, composer, and freelance music blogger. Faulkner cites music and writing as two of the most important parts of his life. Notably, he's blessed with a great ear, possessing perfect pitch.