West Coast rapper Schoolboy Q delivers a dark, intriguing fourth album with âBlank Face LP.âÂ
Ambitious and moody are two adjectives that soundly characterize Blank Face LP, the fourth album from ScHoolboy Q. A follow-up to the superb (if difficult) Oxymoron, Blank Face LP digs deeper, trends grimier, and is even more arduous. As polarizing as Blank Face LP is, it’s among the yearâs better albums. Essentially, Blank Face LP isnât an album that the listener fully grasps the first listen. This is a lengthy, jam-packed album that requires patience and allowance of time to sink in.
âTorcHâ
Opener âTorcHâ is a demanding listen. Grimy, disjointed, and unapologetic, it sets the tone of the album. âThis that âfuck the blogsâ / The after-bell, we hang in halls / underage, smokinâ weed and alcohol,â ScHoolboy Q raps, later proclaiming, âI ainât been right since out the cervix.â â âLord Have Mercyâ is slightly more accessible, featuring soulful production courtesy of Swizz Beatz. Essentially, Q asks The Most High for mercy based upon the deeds committed:
âNever, ever ever get caught tellinâ on my niggas Iâm a gangbanger, deadbeat father and drug dealerâŠâ
As respectable as âLord Have Mercyâ is, it clocks in under two minutes.
â âTHat Partâ (featuring Kanye West) is the most commercial statement at this juncture. Even so, âTHat Partâ isnât a pop-crossover hit per se; itâs quirky and distinct. The hook is catchy, the production dark and striking to the ear, while Kanye West is the perfect collaborative match for Q here.
âMe no conversate with the fake, that part All my bitches independent bitches, that part I just want the paper, that part All my bitches flavored That part, that part, that part, that part.â
âGroovy Tony / Eddie Kaneâ
Two-parter â âGroovy Tony / Eddie Kaneâ continues the immersion into maliciousness, amplified by the Jadakiss collaboration. Expectedly, Q references âBlank Faceâ â a character with the ability to hustle and kill without the least bit of remorse. Interestingly, ScHoolboy Q makes a pop cultural reference to Eddie Kane, Jr. on the second part of the song. Another two-parter, âKno Ya Wrongâ (featuring Lance Skiiiwalker) follows. Q addresses fake friends â those merely looking for handouts.
The explosive â âRide Outâ (featuring Vince Staples) ranks among the crĂšme de la crĂšme of Blank Face LP. More accessible without being a commercial sellout, âRide Outâ has all the qualification certifying it as a surefire banger â hard beat, hellish production, and fiery rhymes. Sunny is an imperfect adjective for âWHateva U Wantâ (featuring Candice Pillay), but itâs sunnier than âRide Out.â Follow-up âBy Any Meansâ deserves recognition for one reason â it features Kendrick Lamar. Recognition goes beyond that, but itâs awesome when Black Hippies come together.
âDope Dealerâ
Highlight â âDope Dealerâ keeps it in Cali, featuring Bay area vet E-40. As brutally honest as âDope Dealerâ is, the hook is infectious. Arguably, the infectious hook parallels the infectiousness of hustling, making more money despite the means. Q âkeeps it 100â on the valedictory â âJoHn Muir,â where he depicts an adolescent experience much different from many.
âBellinâ through the motherfuckinâ street, yâallâŠthree different pagers blowinâ up because Iâm crackinâ Tryna turn a dollar to a million... Hoover with my motherfuckinâ locs, steel⊠I was out here sellinâ dope at 14, what it do? I was out here fuckinâ hos at 14, what it do?â
Tyler The Creator produces the jazz-infused, G-Funk joint âBig Bodyâ featuring Tha Dogg Pound. âBig Bodyâ lightens the mood, but certainly doesnât go soft in the least.  Jazziness continues to impact on the soulful âNeva Changeâ (featuring SZA). âStr8 Ballinâ doesnât tread new ground, but continues to find Q on autopilot.
Both âBlack THougHtsâ and âBlank Faceâ (featuring Anderson .Paak) gives Blank Face LP more oomph. Neither record is predictable or expected, which separates it from more traditional records that precede (âNeva Changeâ and âStr8 Ballinâ). âBlank Faceâ isnât far-fetched from opener âTorcHâ given its quirkiness, but by this point, it makes more sense.
Penultimate number âOvertimeâ features Miguel & Justine Skye, contrasting the vibe of the majority of Blank Face LP. It remains in dark and set in minor, but clearly, sex is the M.O. Q has references sex a couple of times throughout Blank Face LP, but itâs not a major theme. Atonement arrives in exceptional closer âTookie Knows IIâ (featuring Traffic & TF).
Final Thoughts: Â
All said and done, ScHoolboy Q delivered on Blank Face LP. To reiterate, it takes a couple of listens for everything to âsink in,â but thereâs plenty of greatness to take in. There are few flaws throughout the album, though âOvertimeâ is a question mark. Regardless, one of the yearâs most intriguing efforts.
â Gems: âLord Have Mercy,â âThat Part,â âGroovy Tony/Eddie Kane,â âRide Out,â âDope Dealerâ & âJoHn Muirâ Â
ScHoolboy Q âą Blank Face LP âą Interscope âą Release: 7.8.16
Photo Credit: Interscope
