Breakout British pop-soul artist Sam Smith makes a solid comeback with his highly-anticipated sophomore album, âThe Thrill of it All.â
After a three-year hiatus, breakout British pop-soul artist Sam Smith returns. Smith is blessed with the voice of an angel. While characterizing him as âthe male Adeleâ is an overstatement, honestly, itâs not that far-fetched. Living up to the excellence of his Grammy-winning debut album, In the Lonely Hour is a tough task. However, Smith does well for himself throughout the course of The Thrill of it All.
âToo Good at Goodbyesâ
Initially, Smith is accompanied by piano on opener and promo single, âToo Good at Goodbyesâ. One lonely chord precedes the beginning of Smithâs vocal performance. As always, he sounds absolutely gorgeous, showing off his unique vocal tone and brilliant falsetto. Like his best work, âToo Good at Goodbyesâ is (1) a ballad and (2) centered around love.
Structurally, the pre-chorus serves as a key section:
âAnd every time you hurt me, the less that I cry And every time you leave me, the quicker these tears dry And every time you walk out, the less I love you Baby, we donât stand a chance, itâs sad but itâs true.â
âSay It Firstâ is more contemporary sounding compared to the opener. Even so, it doesnât compromise or change Smith. Artistically, he remains fundamentally the same. âSay It First,â in effect, is a mid-tempo ballad, the wheelhouse of pop musician. Â
âOne Last Songâ precedes âToo Good at Goodbyesâ in regards to sound. Throwback soul vibes are alive and well in regards to the harmonic progression, production, and Smithâs heartfelt, hard-hitting vocals. The production, specifically, incorporates vintage background vocals, horns, strings, and piano, all part of the soul idiom. âOne Last Songâ ends up being one of the best moments.  âMidnight Trainâ increases the tempo, balancing out pop and soul soundly. As always, Smith exhibits exceptional command and control, pulling back and pushing at the right moments.
âBurningâ
âBurningâ, a ballad, commences beautifully, with Smith singing the chorus a cappella. After setting the tone, piano accompaniment enters, performing an interlude. On the first verse, Smithâs emotional, but in the same token, matches the poise of the production. He begins to pick up more steam on the pre-chorus, eventually leading into the stunning chorus.
âFunny how time goes by Had respect for myself That river ran dry You reach the limit I wasnât enough Itâs like the fire replaced all the love.â
On the second verse, Smith is more liberal with his vocal performance. By the second pre-chorus, he begins to hit his âsweet spot,â flaunting his sick falsetto. Essentially, by the final chorus, with Smith letting loose, supported by soulful backing vocals.
Much of The Thrill It All sounds familiar in regards to Sam Smith establishing a sound and vibe. âHIMâ maintains that familiarity, but also exhibits a âdifferent look.â That different look goes beyond the high-flying, robust choral vocals backing him.  Smith is both spiritual, praying to God, and opens up about his sexuality.
âHoly father, we need to talk I have a secret that I canât keep Iâm not the boy that you thought you wanted Please donât get angry, have faith in me.â
The message goes beyond Smithâs own status as a gay man; itâs all encompassing. This is crystal clear on the chorus.
âDonât you try and tell me that God doesnât care for us It is him I love, it is him I love.â
âBaby, You Make Me Crazyâ
âBaby, You Make Me Crazyâ is a fine mid-tempo soul cut. Among the highlights are Smithâs signature falsetto, and the appearance of the famed The Dap-King Horns. The vocal tone is simply gorgeous here, particularly the pre-chorus and chorus. Love and heartbreak remain the M.O. on âNo Peaceâ featuring YEBBA. Here, the vocal chemistry is quite strong. âNo Peaceâ gives Smith another respectable, sound, and enjoyable record. On âPalace,â heâs chocked full of emotion over lost love. Itâs a predictable script in regards to Smith, but like so many songs about broken love, itâs authentic and worthwhile.
âIâm gonna miss you Iâm still there Sometimes I wish we never built this palace But real love is never a waste of time, mmm.â
âPrayâ
On ballad âPrayâ Smith returns to religion.
âYou wonât find me in church, reading the Bible I am still here and Iâm still your disciple Iâm down on my knees, Iâm begginâ you, please Iâm broken, alone and afraid.â
He expresses his skepticism towards religion and the existence of God, yet feels the need to pray and try to believe in something.
âIâm young and Iâm foolish, Iâve made bad decisions I block out the news, turn my back on religion⌠Lately, that shit ainât been gettinâ me higher I lift up my head and the world is on fire Thereâs dread in my heart and fear in my bones And I just donât know what to say Maybe Iâll pray⌠I have never believed in You, no But Iâm gonna pray.â
âNothing Left for Youâ
The love pain is real on âNothing Left for You.â Smith believes heâs done with love, thanks to foolish relationship. On the dramatic chorus, he sings:
ââCause I gave my heart to a goddamn fool I gave him everything Now thereâs nothing left for you.â
Introspection continues on the thrilling title track, âThe Thrill of it All.â Perhaps itâs not the crème de la crème of a stacked album, itâs another thoughtful, relatable, and well-rounded moment. Reflection and authenticity continues to rule the roost on âScars,â a song where Smith addresses his mother and father in separate verses and choruses. âOne Day at a Timeâ concludes fittingly, progressing forward in life and love, one day at a time.Â
Final Thoughts
All in all, Sam Smith âbrings the heatâ on The Thrill of it All. He serves up incredible vocal performances throughout, chocked-full of sincerity and emotion. Not every song is a âhitâ, but all of them are generally well-rounded and reflect personal feelings on Samâs end of things. While The Thrill of it All isnât a groundbreaking affair, itâs a consistent and thoughtful one.
Gems: âToo Good at Goodbyes,â âOne Last Song,â âBurning,â âHIM,â âBaby, You Make Me Crazyâ & âPrayâ Â
Sam Smith â˘Â The Thrill of it All ⢠Capitol ⢠Release: 11.3.17
Photo Credit: Capitol
