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Rock singer/songwriter Ryan Adams assembles a fantastic heartbroken, post-divorce gem on his latest LP, âPrisoner.â
Rock singer/songwriter Ryan Adams experienced a resurgence upon the release of his Grammy-nominated self-titled album in 2014. Adams experienced some success once more the following year, covering Taylor Swiftâs Grammy-winning album, 1989. Now after a couple of years off, and a divorce under his belt, he drops a formidable divorce album, Prisoner. Prisoner ranks among the elite albums released in 2017.
âDo You Still Love Me?â
â âDo You Still Love Me?â opens mysteriously and exhibits sensitivity. The use of organ pad is prudent. That sensitivity is short lived, with guitar interjections intensifying the emotion. Eventually, those interjections develop into Ryan Adamsâ familiar musical sound. The pacing and development of the record is superb. Adams begins his vocal performance tenderly. Like the progression of the song itself, he eventually embraces an assertive, gritty approach.
âPrisonerâ
After the exceptional opener, title track â âPrisonerâ keeps the momentum afloat. From the jump, the lyrics and topic are accessible â highly relatable. Adams sings on the first verse: âFree my heart / Somebody locked it up / Still waiting on parole / I can taste the freedom just outside that doorâŠâ Essentially, on this straightforward rock-pop record, he touches on the power of love â sheer infatuation. He sums up these feelings on the simple, yet memorable refrain:
âI know our love is wrong I am a criminal Mmm, I am a prisoner Mmm, I am a prisoner For your love.â
Well produced, âPrisonerâ embodies the spirit of rock and singer/songwriter. The dash of harmonica is like the cherry on top.
âDoomsdayâ Â
â âDoomsdayâ helps Prisoner retain its hot status.  The harmonica rears its head once more, this time at the top of the record. Love continues to encompass the rocker. Adams is more enthused about the relationship than his lover, who is clearly drifting â or unimpressed. âCan you stand and face your fears, my love?â he asks on the second verse. Later, he confirms his dedication, adding, âI could stand in just one place, my love / And never move.â
Adamsâ loneliness comes to head on â âHaunted House,â a magnificent record that edges âDoomsdayâ in greatness. In tune with the prevalence of love that encompasses prisoner, âHaunted Houseâ expands the script slightly, extending his loneliness to dwindling friends. He also wants âher,â but is slightly less specific on this song. On the first verse he states, âItâs the last house at the end of the block / My friends all disappear one by one.â
âSilver and Shakeâ
âI pick up my phone and I shiver and I shake.â On âShiver and Shake,â a broken relationship â presumably his divorce â has Adams on edge. He struggles to move beyond her âloving touchâ and her âembrace.â By the end, he comes to an important realization: âBut if I wait here any longer Iâm gonna fade away.â The brokenness and emptiness continues on âTo Be Without You,â where Adams ends each verse with the lyric, âNothing really matters anymore.â Once more, he depicts the rollercoaster ride of divorce â losing someone you love or once loved. Heâs bitter on âAnything I Say to You Now,â where he characterizes his words as pointless â nothing but meaningless trash. The one thing he canât say is goodbye, which has been the case all album.
âBreakdownâ continues the pleasant, easy-going nature of Prisoner. Itâs emotional, but impressively, Adams continues to eschew ornate language in favor of simplicity. Would a few more poetic words amplify the intensity? Perhaps, but we get it. We feel you Ryan.
âOutbound Trainâ Â
The rhythmic acoustic guitar sets â âOutbound Trainâ off to a hot start. Add a sense of helplessness lyrically, and Adams exceptionally erects his delicate state.
âHow am I supposed to know When itâs time to go In the middle of the night When Iâm all alone?â
Essentially, everything has come crashing down given the end of them. Heâs completely unsure of what-to-do and where-to-go next.
âThe cars donât move in the middle of the night Lost inside the void of the fading tail lights I swear I wasnât lonely when I met you, girl.â
On âBroken Anyway,â there seems to be a shift in perspective. Adams is still perturbed, but he seems to acknowledge the flaws of the relationship. The edge is legit on penultimate record âTightrope,â where Adamsâ vocals sound particularly expressive, flawed, and authentic. No, this isnât a pitch perfect performance, but the emotional investment is impressive. The saxophone solo doesnât hurt either, seemingly out of nowhere.  Questions about his state of mind continue to dominate on the reflective âWe Disappear,â where Adams still hasnât quite found peace. Â
Final ThoughtsÂ
Ultimately, Ryan Adams delivers a fantastic album with Prisoner. He authentically captures the feelings of uncertainty, regret, and loneliness following a break-up â in his case divorce. The simplicity of the lyrics make Prisoner relatable to everybody, not just his own situation.
â Gems: âWould You Still Love Me?â, âPrisoner,â âDoomsday,â âHaunted Houseâ & âOutbound Trainâ
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Ryan Adams âą Prisoner âą PaxAmericana /Blue Note âą Release: 2.17.17
Photo Credits: PaxAmericana /Blue Note

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