Rappers Killer Mike and El-P outdo themselves on their third collaborative album, Run the Jewels 3.Â
Sometimes, the best albums arenât the albums expected to be commercial successes. Run the Jewels, comprised of rappers Killer Mike and El-P, isnât a household name. That said, Run the Jewels has developed a reputation as a superb rap duo to the true hip-hop enthusiast. Although RTJ leads an underground career, their third album, Run the Jewels 3, is truly special.
âDownâ
âDownâ kicks off Run the Jewels 3 in promising fashion. Both Killer Mike and El-P deliver fiery verses. Even so, it is the hook, featuring Joi, that makes âDownâ shine.
âMy, my, yâall I coulda died, yâall A couple times I took my eyes off the prize, yâall I know a few people pray for my demise, yâall But like cream, I had to rise, I had to rise, yâall.âÂ
âTalk to Meâ ends up being more electrifying than the opener. Killer Mike sheds through the first verse formidably. El-P has a tough act to follow, but he matches the intensity of his partner in crime. Hook-less, âTalk to Meâ doesnât need a hook â it just feels right. â âLegend Has Itâ loses no luster, keeping Run the Jewels 3 hot. Unlike âTalk to Me,â âLegend Has Itâ musters up a hook. Even so, the most intriguing aspect of the joint is how Mike and El-P trade bars.
âCall TicketronâÂ
With superb production characterizing Run the Jewels 3, â âCall Ticketronâ offers one of the best moments. Anchored by a thudding beat and hyper-rhythmic synths, âCall Ticketronâ is insaneâŠand brilliant. âBumaye!â â âHey Kids (Bumaye)â amplifies the eccentricity, bringing Danny Brown along for the ride. Following top-rate verses from Mike and El-P, Brown drops his signature coarse rap vocals and jagged rhymes.
âWord architect, when I arch the tech, Iâll part yaâ neck Got bars on deck, that Xanax flow, make you nod your head Like a gram of blow, you inject My words infect like insects havinâ incest, Iâm in check, like pay Day on a Thursday and itâs a Wednesday.â
âStay Goldâ
â âStay Goldâ features one of the hottest hooks of the album:
âI got a bad girl I got a brain-with-an-ass girl She got a mean bop, I got a lean to the way I walk And they get it like gold G-O-L-D G-O-L-D, itâs goldâŠâ
Interestingly, the first portion of the hook also kicks off El-Pâs verse, which is a flex-fest encompassing sex and cockiness. Killer Mike elevates the sex to the nth degree on the second verse. Among his best lines references Stockholm syndrome:
âWeâre the crooks, weâll run the jux and kidnap mom from Jazzercise Get Stockholm syndrome when she get home, momâs like, âI like those fuckinâ guys.ââ
âDonât Get Capturedâ follows maliciously, featuring dramatic production and equally blunt rhymes. Politically and socially charged, the record deals with the prevalence of racism and gun violence. Follow- up â âThieves! (Screamed the Ghost),â featuring Tunde Adebimpe (TV on the Radio), easily ranks among the crĂšme de la crĂšme. An incredibly clever, heavy song, âThieves!â covers racial injustice. Run the Jewels masterfully capture the sentiment of the aftermath such murderous injustices:
âStarted with folks just crying Nothing but broken hearts, sobs, and the shriek of sirens Right at the spot when the bloodâs still dryingâŠâ
â2100âÂ
â2100â (featuring Boots) is complex. The song references the flaws of the world, but also incorporates positivity at times, in spite of the cruelty. Boots embraces âhopeâ at the end, singing: âSave my swollen heart / Bring me home from the dark / Take me up, take me up, take me upâŠâ On the ferocious âPanther Like a Panther,â El-P and Killer Mike clearly donât give a… After El-P nails the opening verse, Mike drops some of his most aggressive, risquĂ© rhymes. He takes a masterful shot at the Grammys: âAnd I refuse to play humble as thought my dick itty bitty / I got banana dick, your bitch go apeshit if she it.â From there, he unloads on the preacherâs wifeâŠ
âI put my hand up her skirt and then we prayed for a purpose I baptized her in Jesus name, left her shakinâ and squirtin.ââ
Trina adds the icing on top, helping the boys deliver a sick hook, characterized by three simple words: âIâm the shit.â There is nothing calm about the flex-fest of âEverybody Stay Calm,â once more finding Mike and El-P spitting mad game and trading verses. âOh Mamaâ ranks among the funkiest joints of Run the Jewels 3. Unapologetic, El-P and Killer Mike trade some of their hardest rhymes of the album. As awesome as âOh Mamaâ is, the crowning achievement follows. Â
âThursday in the Danger Roomâ
â âThursday in the Danger Roomâ featuring saxophonist Kamasi Washington is arguably the best song from Run the Jewels 3. Lyrically, Mike and El-P knock it out of the park, detailing the utter devastation and emptiness left by losing someone special to death. Washingtonâs superb sax playing further amplifies the emotion of the exceptional penultimate cut. Closer âA Report to the Shareholders / Kill Your Mastersâ isnât shabby in the least, concluding the album magnificently. âKill Your Mastersâ is arguably the best part of the two, featuring a sweet verse from Zack de la Rocha.Â
Final ThoughtsÂ
All in all, Run the Jewels ânail itâ on Run the Jewels 3. Simply put, Killer Mike and El-P never miss. Every song offers something truly rewarding to the listener. Sure, Run the Jewels 3 wonât receive the commercial attention it deserves, but critically, itâs magnificent.
â Gems: âLegend Has It,â âCall Ticketron,â Hey Kids,â âStay Gold,â âThieves (Screamed the Ghost)â & âThursday in the Danger Roomâ
Run the Jewels âąÂ Run the Jewels 3 âą Run the Jewels âą Release: 12.25.16 / 1.13.17
Photo Credits: Run the Jewels
