Xscape proves to be a âmuch better than expectedâ posthumous album by Michael Jackson.
Being honest, unless Michael Jackson released another Thriller, posthumous album Xscape wouldn’t supersede his best. Xscape isn’t a slouch; the eight-track album is sound and worthy of spins. Arguably, the project showcases a contemporary Michael Jackson LP.
âLove Never Felt So Goodâ
âLove Never Felt So Goodâ kicks off Xscape, with classicism.  The track doesnât feel anachronistic but preserves a neo-disco sound popular in the 80s.  “Love Never Felt So Good” is originally from the 80s.
The production is tasteful and lush, giving this unreleased track fresh life. Sunny and optimistic,  âLove Never Felt So Goodâ  never reaches the level of Jacksonâs classics. It is, however,  a noteworthy addition to his collection.
âChicagoâ has a difficult act to follow, but holds its own.  More than the opener,  the sound is contemporary. Still, the vintage appeal of Jackson and end of the New Jack swing era is apparent.
âLoving Youâ hails from the Bad era.  âLoving Youâ features the modern production tricks of Timbaland and co-producer Jerome âJrocâ Harmon. The balladry reminisces back to âI Just Canât Stop Loving Youâ, notably the harmonies. Still, “Loving You” feels fresh in 2014.  The lushness of  creates a romantic vibe.
âA Place With No Nameâ
âA Place With No Nameâ arrives from the Invincible era, but sounds older than âChicago,” from the same period. It contains a portion of âA Horse With No Name,â a 70s song. âA Place With No Nameâ features the script listeners characterize Jackson with. There is a sense of familiarity with âA Place With No Homeâ that naturally elevates this track up a peg or two on the listening hierarchy.
âSlave To The Rhythmâ hails from the heart of New Jack Swing, Jacksonâs Dangerous era. âSlave To The Rhythmâ definitely has the elements that made a joint like âJamâ or âIn The Closetâ a success. Even with Timbalandâs updates, he doesnât complete “gut” the new-jack sound.
“Do You Know Where Your Children Are”
âDo You Know Where Your Children Areâ is definitely a Jackson record, with a pronounced socially conscious message front-and-center. âDo you know where your children are?â he asks on the chorus.
ââŠIf they are somewhere out on the street / just imagine how scared they are.â
David Williamsâ electric guitar solo towards the end of the cut definitely signals that 90s sound that Jackson bought into on both Dangerous and the more underrated History. A highlight here is the gargantuan drums and the impact of the hits.
“Blue Gangsta”
âWhat you gonna do / you ainât no friend of mine / the blue gangsta.â No track may have more swagger than the slick “Blue Gangsta,” which opens incredibly mysteriously before settling into mean-sounding contemporary R&B. Timbaland delivers some of his most inspired production work, truly updating the original.
The final funky brass hit is an incredibly thoughtful production choice. Besides a killer groove and superb palette of sounds, vocally Jackson sound impressive, particularly his biting, gritty upper register. The feistiness of the pop star truly shines through here; you could totally envision Jackson âeating upâ this cut when he originally recorded it.
The final funky brass hit is an incredibly thoughtful production choice. Besides a killer groove and superb palette of sounds, vocally Jackson sound impressive, particularly his biting, gritty upper register. The feistiness of the pop star truly shines through here; you could totally envision Jackson âeating upâ this cut when he originally recorded it.
âXscapeâ
Title track âXscapeâ concludes the standard edition of the album. A cut about escapism , âXscapeâ seems optimistic, but not without pain or disillusionment.   Unsurprisingly, the production work continues to be impressive, this time at the hands of Rodney Jerkins, a seminal part of Invincible.
âEverywhere I turn, no matter where I look / the systemâs in control, itâs all ran by the bookâŠâ
âXscapeâ only has one flaw of note. Jacksonâs lower vocals on the verse are coarse in sound as if he was rushed, playing less attention to accurate pitch. Once he gets into his upper register, âitâs all goodâ.
The deluxe edition of Xscape features original versions of the standard tracks, as well as the duet version of âLove Never Felt So Goodâ featuring Justin Timberlake.  The deluxe edition also comes with a DVD – a documentary about the project. After listening to the original versions, it makes sense why producers opted to enhance the material with new mixes and more development.
Final Thoughts
The originals are solid overall but donât necessarily have the pizzazz that the newer mixes do. Additionally, some of the originals sound âdatedâ (contextually) compared to todayâs music. Sure, they everything sounds very MJ like, but there is a draw to the slick production work courtesy of Timbaland, Jerome âJrocâ Harmon, Rodney Jerkins, and Stargate. Wouldnât a truly contemporary Michael Jackson sound, well, modern? I think so.
Ultimately, Xscape proves to be a âmuch better than expectedâ posthumous MJ album. It doesnât fall into the same league as Jacksonâs âBig 3â albums (Off The Wall, Thriller or Bad), but it certainly is a welcome addition to the pop starâs discography. Each of the eight songs are worthwhile â none misses the mark. Even being nitpicky, itâs hard to deny this is more of the MJ caliber album desired when Michael arrived in December 2010. Personally, this is how I wouldâve envisioned Michael Jacksonâs sound evolving past his prime, had he lived. Xscape receives my blessing.
Gems:Â âLove Never Felt So Good,â âA Place With No Name,â âDo You Know Where Your Children Areâ & âBlue Gangstaâ
