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Otis Redding, (Sittin’ On) the Dock of the Bay: Throwback Vibez No. 208 (2025) [📷: Brent Faulkner / The Musical Hype; Atlantic; AcatXlo, OpenClipart-Vectors, Speedy McVroom from Pixabay]In the 208th edition of Throwback Vibez (2025), we recollect and reflect on (Sittin’ On) the Dock of the Bay” by Otis Redding.

The vibes, the vibes, those Throwback VibezThrowback Vibez is a column that celebrates awesome songs from the past.  The records that grace this column are older, but that doesn’t necessarily mean they’re ancient – no fossils 🦴! All genres of music are welcome. In the 208th edition of Throwback Vibez (2025), we recollect and reflect on (Sittin’ On) the Dock of the Bay” performed by Otis Redding.

“Sittin’ in the mornin’ sun / I’ll be sittin’ when the evenin’ come.”
Iconic lyrics, period. Otis Redding (1941 – 1967) may have been short-lived, but his gargantuan influence on soul music is undeniable. Among the crème de la crème of his musical catalog is the beloved, unforgettable (Sittin’ On) the Dock of the Bay.  In the first verse of the classic, which commences his posthumous, 1968 album, The Dock of the Bay, Redding continues, “Watching the ships roll in / And then I watch ‘em roll away again, yeah.” Yeah, indeed, Otis! (Sittin’ On) the Dock of the Bay” earned Redding his sole top 10 hit… posthumously.  “Bay” spent four weeks at number one on the Billboard Hot 100. Redding wrote this undeniable masterpiece with guitarist and producer Steve Cropper (1941 – 2025). 

Otis Redding, The Dock of the Bay [📷: Atlantic]So, what makes (Sittin’ On) the Dock of the Bay” the cat’s meow? Otis Redding’s once-in-a-lifetime soulful voice is a big reason.  He sounds authentic as he sings, bring ample expression and nuance to his performance.  The melodies are tuneful throughout the verses and especially the crowning achievement, the chorus.

“I’m sittin’ on the dock of the bay

Watching the tide roll away

Ooh, I’m just sittin’ on the dock of the bay

Wastin’ time.” 

The lyricism is spot-on throughout, too.  In the second verse, he mentions leaving Georgia (his home) for San Francisco for better opportunities.  In the third verse, he misses home fiercely, asserting, “And this loneliness won’t leave me alone / It’s two thousand miles I roamed.” Georgia and San Francisco feel like worlds apart.  Beyond the vocals and songwriting, the arrangement and production are fabulous, too.  The rhythm section, comprising piano, guitars (acoustic and electric), bass, and drums, is locked in, while horns provide a lift with their bite. (Sittin’ On) the Dock of the Bayis not only one of Redding’s most renowned songs, but it ranks among the greatest soul records of all time. Honestly, it’s one of the best records, regardless of genre, all time.  The sheer brilliance of music – encompassing singing, songwriting, and production – speaks for itself without the need for extensive analysis. 


Otis Redding » The Dock of the Bay » Atlantic » 1968
Otis Redding, (Sittin’ On) the Dock of the Bay: Throwback Vibez No. 208 (2025) [📷: Brent Faulkner / The Musical Hype; Atlantic; AcatXlo, OpenClipart-Vectors, Speedy McVroom from Pixabay]

 


the musical hype

The Musical Hype (he/him) has earned Bachelor's and Master's degrees in music (music education and music theory/composition, respectively). A multi-instrumentalist, he plays piano, trombone, and organ among numerous other instruments. He's a certified music educator, composer, and freelance music blogger. Music and writing are two of the most important parts of his life.

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