Singer, songwriter, and actress Olivia Rodrigo shines on her awesome, consistent, electrifying, and unapologetically Gen-Z debut album, SOUR.
One of the most highly anticipated albums of 2021 comes from none other than singer, songwriter, and actress đ Olivia Rodrigo. Rodrigo quickly warmed up our playlists in January of 2021, unleashing her dominant no. 1 hit, đ” âdrivers licenseâ.  This was all she needed to build up buzz, though sheâd go on to release two more fine advance singles (đ” âdĂ©jĂ vuâ and âgood 4 uâ).  Early signals indicated Rodrigo was on her way to legit superstardom.  Her awesome debut album, đż SOUR â a Gen-Zerâs dream â confirms this.Â
âBrutalâ
âWhereâs my fucking teenage dream? / If someone tells me one more time / âEnjoy your youth,â Iâm gonna cry.â Woo! â đ” âBrutalâ ends up being a terrific opener on SOUR. Here, we get âbrutalâ honesty from Rodrigo.  I love the attitude and spunk that she brings to the track. The sound perfectly encapsulates Gen-Z and sets the tone for SOUR.  The chorus is epic, highlighted by the line, âGod, itâs brutal out here.â She keeps the momentum rolling on the ballad â đ” âtraitor,â delivering emotional and expressive vocals as she confronts her âbetrayer.â âAnd ainât it funny how you ran to her / The second that we called it quits?â she sings on the pre-chorus, adding on the chorus, âLoved you at your worst but that didnât matter.â Truly brutal, and much like âBrutal,â I love the way Rodrigo is so honest and open about her feelings. Very emo.Â
Oliva Rodrigo totally compels on her no. 1 single, â đ”âdrivers licenseâ written by herself and đŒ â Daniel Nigro, who also produces. While she should totally be stoked here â she gets her driverâs license after all â sheâs bummed. âToday I drove through the suburbs / Crying âcause you werenât around.â The guy she desired to be with is with someone else, and that person makes her totally insecure. On the third verse, she continues her lament, expressing how âAll of my friends are tired / Of hearing how much I miss you.â She sums up her feelings superbly on the chorus, asserting at the end, âI guess you didnât mean what you wrote in that song about me / âCause you said forever, now I drive alone past your street.â She also gets totally in her feelings on the bridge: âCanât drive past the places we used to go to / âCause I still fuckinâ love you, babe.â âDrivers Licenseâ is a bop thanks to the songwriting, solid production and of course, an emotional, strong vocal performance.
â1 step forward, 3 steps backâ Â
The first time I heard đ” â1 step forward, 3 steps back,â I found it familiar.  Why? Hmm â something about those rhythmic piano lines.  â1 step forward, 3 steps backâ is familiar because it actually interpolates the đ Taylor Swift song, đ” âNew Yearâs Dayâ from her 2017 album, đżreputation. The results are nothing short of compelling, continuing the consistency and excellence of SOUR. Besides the great sound, we get another emotionally driven performance from Rodrigo and great, heartfelt lyrics to work with. âIâm the love of your life until I make you mad,â she sings on the chorus, continuing, âItâs always one step forward and three steps back.â
On â đ” âdĂ©jĂ vuâ, Rodrigo discusses her exâs new relationship, ultimately asking the question, âDo you get dĂ©jĂ vu when sheâs with you?â Daniel Nigro continues to nail the production work. There is lushness throughout, but it should be noted Nigro picks things up mightily as the record progresses, with the ending being particularly grand. Rodrigo sings relatively calm, cool, and collected on both of the verses. By the chorus, she goes all đł Emeril Lagasse on us and âkicks things up a notch,â which is pretty awesome. I love her falsetto in particular â itâs quite beautiful. After the chorus, the production begins expanding including the addition of rhythmic drum programming â FTW! Of course, itâs not all sound that stands out as there are some nice lyrical moments as Rodrigo deep dives into her exâs new relationship including, âWatching reruns of Glee / Beinâ annoying, singinâ in harmonyâ and âAnd I bet she knows Billy Joel / âCause you played her âUptown Girlâ.â Woo!
â đ” âgood 4 uâ gives âdrivers license,â the crowning achievement of SOUR, a run for its money. Written once more by Rodrigo and Nigro, Nigro produces alongside đ Alexander 23. Nigro and Alexander 23 craft a lit pop-punk oriented backdrop filled with angst. Rodrigo matches the intensity, bringing ample personality via her angst-filled Gen-Z teenage persona!  Furthermore, she has the songwriting to sell via her performance, dabbling in that ever-relatable topic of heartbreak. The best moment is the chorus where sheâs âCryinâ on the floor of my bathroom / But youâre so unaffected, I really donât get it / but I guess good for you.â Â
âEnough for youâ
The first six songs on SOUR are all strong. Following up one of the very best songs, âgood 4 u,â is quite a tall task. Of course, Olivia Rodrigo is up to the task on another compelling ballad, đ” âenough for you.â Here, Rodrigo provides a mix of tenderer vocals and more belted, powered vocals that capture her mood.  Of course, the topic of choice is matters of heart as she speaks of her inability to be enough for him. However, Olivia asserts on the bridge, âSomeday Iâll be everything to somebody else / And theyâll think that I am so exciting.âÂ
Yet another ballad follows with â đ” âhappier.â Of course, itâs another home run. Compared to âenough for you,â thereâs a bit more groove, thanks to that lilting compound duple meter. Early on, within the narrative, Rodrigo highlights her breakup â we knew it was coming. Anyways, she goes on to send her well wishes â at least to a certain extent.
âOh, I hope youâre happy But not like how you were with me Iâm selfish, I know, I canât let you go So find someone great, but donât find no one better I hope youâre happy, but donât be happier.â
While the sentiment of the aforementioned chorus is very Gen Z in spirit in Rodrigoâs hands, you donât have to be that young to relate to the feelings being sung about. Adding to the excellence of âhappierâ is the production, which is quite lush including the use of some strings.
âJealousy, jealousyâÂ
âI kinda wanna throw my phone across the room / âCause all I see are girls too good to be true.â WOO! Olivia remains âsour,â with đ” âjealousy, jealousy.â  Even though sheâs not in a good place, the song itself is pretty rad⊠not sure that Gen-Z use âradâ anymore but whatever⊠bad ass? Anyways, the script is rinse and repeat for Rodrigo but in the best and most positive way possible. She has a potent groove behind her, is chocked-full of attitude and feistiness, and honestly, continues to deliver ultra-relatable material whether youâre her age or have been her age and remember such jealousy.
âThe things I did / Just so I could call you mine / The things you did / Well, I hope I was your favorite crime.â Penultimate cut, đ” âfavorite crimeâ features some of the most beautiful vocals and harmonies from Rodrigo the entire album â NO CAP! Here, she sings about the âcrimesâ she committed to get him to be hers.  Of course, ultimately, things didnât work out and sheâs clearly bothered. âItâs bittersweet to think about the damage that weâd do,â she sings on the bridge, continuing, ââCause I was goinâ down, but I was doinâ it with you.â She concludes SOUR with the thoughtful đ” âhope ur ok,â which references the plight of some LGBTQ+ individuals, dysfunctional family units, and honestly some truly insightful, realistic happenings. This is the perfect closer to a truly well-rounded debut album. âHope ur okâ definitely gives chills â those goosebumps.
Final Thoughts đ
I expected Olivia Rodrigo to impress on her debut album, period. That said, SOUR far exceeded my expectations. I love the script she delivers throughout the course of the album. Furthermore, I love the consistency shown throughout the course of 11 songs where there is literally NO miss. From the moment SOUR commences, it is truly a superb, utterly thrilling, and ear catching pop album.  Geeked? Totally geeked about SOUR!Â
â Gems đ: âBrutal,â âtraitor,â âdrivers license,â âdĂ©jĂ vu,â âgood 4 uâ & âhappierâ
đ Olivia Rodrigo âą đż SOUR âą đ· Geffen âą đ 5.21.21
[đ·: Geffen]
