Machine Gun Kelly successfully shifts from hip-hop to pop-punk on his fifth studio album, Tickets to My Downfall.
The last, full-length Machine Gun Kelly project that I indulged in was BINGE, released in 2018. A horrid tape, it featured one song of note, âRap Devilâ, in which the rapper took shots at Eminem. Given its godawful quality, it made me skip Hotel Diablo, which, per select critics, was a much strong project than BINGE or bloom (2017). After neglecting Hotel Diablo, I decided to see what Kells was serving up on Tickets to My Downfall, an about face given he trades rap for pop-punk. All in all, itâs not a far-fetched shift, and there are some fine moments. The second coming itâs not, but, ultimately successful.
âtitle trackâ
Machine Gun Kelly sets the tone with âtitle track,â which begins slower. âI sold some tickets / to come see my downfall / It sold out in minutes,â he sings on the first verse, before a fitting âAyy, fuck itâ kicks up both tempo and energy. From, there, Kells does a great job of amplifying the punk-ness, or at least the stereotypes of punk with self-deprecation and such: âIf Iâm a painter, Iâd be a depressionist.â
He follows up âtitle trackâ with âKiss Kiss,â a record where excess rules the roost. âGet me a drink and cigarette,â he asserts on the first verse, continuing, âI just need to go out âcause I can sleep when Iâm dead.â Pop-punk, indeed. Machine Gun Kelly just shows his deck without the least bit of disguise, capped off by the âKiss-kiss, kiss-kiss the bottle all nightâ chorus. âDrunk faceâ keeps the Downfall ripe, including wasted youth, unhealthy love, and of course, substance abuse. Kells admits his mistakes and regrets, promising âIâll grow up next summer.â That, of course, is if his downfall doesnât come first!
âBloody Valentineâ
âBloody valentineâ ranks among the best moments from Tickets to My Downfall. Pros include energy, intensity, and the continual throwback to a different era. Travis Barker, whoâs been behind the boards throughout, definitely helps make âBloody Valentineâ sound much like blink-182. âIn my head, in my head / Iâm callinâ you âgirlfriend,â what the fuck?â Machine Gun Kelly, who has showcased relationship and trust issues in the past, seems to be desiring more when it comes to relationships. While heâs a bit apprehensive on âBloody Valentine,â he also has feelings for her, and heâs willing to âlet down his guard,â and embrace whatever this experience may be. The lyrics suggests a fun night more than concrete commitment. The centerpiece is the chorus:
âI donât do fake love But Iâll take some from you tonight I know Iâve got to go But I might just miss the flight I canât stay forever, letâs play pretend And treat this night like itâll happen again Youâll be my bloody valentine tonight.â
Worth noting, when âbloody valentineâ was released as a single, there was speculation about who this song is about. Weâll leave that at that.
Following âbloody valentine,â Machine Gun Kelly brings some collaborations into the mix. Heâs joined by Halsey on the spirited âforget me too.â Halsey definitely exhibits a different side than weâre used to, projecting her voice tremendously and filled with attitude. âMy bad dreams are silk screened,â she sings on the second verse, adding, ââCause I taste blood when you bleed / Itâs eating me alive.â Woo! Of course, Kells is turned-up too, reminiscing back on a totally unhealthy relationship. Hip-hop isnât totally absent on Tickets to My Downfall, with Trippie Redd guesting on the brief âall I know.â Of course, all you need to know from Kells is, well, heâs ignorant⌠per his lack of knowing! Trippie Redd is in a similar boat, on his melodically delivered verse (âDonât know who to call, I donât know (yeah), I donât knowâ).
âlonelyâ
On âlonely,â Machine Gun Kelly does a fine job of capturing pain that heâs experienced. Heâs lost a lot of family in his life, and even in instances where itâs not been smooth sailing, you can tell that naturally, itâs affected him. The pop-punk medium is definitely a perfect means to capture this angst and loneliness, as well to serve up some colorful songwriting, and more f-bombs (goes with the territory).
From there, we get a couple of shorter cuts beginning with âWWIII.â Machine Gun Kelly definitely âkeeps the same energy,â in this profanity-laden one-minute joint. âAt least / Make it look good while youâre lying to me,â he sings on the chorus, continuing, âGoddammit, Iâm trying to find inner peace / But itâs World War III.â âKevin and barracuda (interlude)â follows, featuring Pete Davidson and one line from Kellsâ current girlfriend, Megan Fox. Itâs definitely a wacky interlude, yet fittingly prefaces whatâs to come.
âConcert for aliensâ
âGet me off this rollercoaster!â âConcert for aliensâ is the joint prefaced by the unique âKevin and barracuda (interlude).â One of the standouts from Tickets to My Downfall, the guitars roar, the drums pummel, and Machine Gun Kelly is turned TF up. âConcert for aliensâ is another instance of great 90s-00s nostalgia. The verses are spirited to the nth degree, while the sing-along chorus is simply irresistible. The same can be said of the post-chorus!
âSOS (Iâm callinâ) SOS, Iâm calling out SOS (Iâm fallinâ) SOS, Iâm falling now.â
Adding to the charm of âConcert for aliensâ is the ending, where Kells admits, âFuck, I said the wrong lyric / Ooh, keep that.â Indeed!
He follows up with another elite moment, âMy exâs best friend.â Naturally, him and featured guest blackbear are a perfect match. Both artists have that rock energy (not to mention ample tattoos). Again, the listener is treated to a pretty rad chorus. Worth noting, âmy exâs best friendâ doesnât keep it in the rock lane, with hip-hop coming into play, particularly during bearâs verse. The results are successful.
âJawbreakerâ
Following âconcert for aliensâ and âmy exâs best friendâ is no easy task. âJawbreakerâ doesnât live up to either in my opinion but give Machine Gun Kelly credit for maintaining energy and personality. âJawbreakerâ is ultimately brief and inoffensive, with a pinch of fun. Rising hip-hop artist Iann Dior joins in on ânothing inside.â Like Trippie Redd earlier on âall I know,â Dior keeps it melodic, complementing Kells well. Like the majority of Tickets to My Downfall, the spirit it high.
âBanyan tree (interlude) serves as the penultimate track on most editions of Tickets to My Downfall. Here, Kelly lets us into his relationship with Megan Fox, infusing some positivity into the album. Tickets concludes with âplay this when Iâm gone,â a song addressed to his daughter. âI wrote you this song to keep when Iâm gone,â he sings on the chorus, continuing, âIf you ever feel alone / Youâre gonna cry and baby, thatâs alright, itâs alright.â âBanyan treeâ and âpaly this when Iâm goneâ certainly feel different compared to much of the rest of the album.
Final Thoughts
All said and done, Machine Gun Kelly definitely has some great moments on Tickets to My Downfall. This pop-punk turn is successful and again, doesnât feel too far-fetched. Sometimes, artists step outside of their box with suspect results (G-Eazy, Everythingâs Strange Here for example). In this case, it works. Again, Tickets to My Downfall isnât the second coming, but there are plenty of things to like.
Gems: âbloody valentine,â âforget me too,â âlonely,â âconcert for aliensâ & âmy exâs best friendâ
Machine Gun Kelly ⢠Tickets to My Downfall ⢠Bad Boy / Interscope ⢠Release: 9.25.20
Photo Credits: Bad Boy / Interscope