Viral teen singer Keedron Bryant shines on his debut EP, fitting named after the hit that made him famous, I Just Wanna Live. Â
âIâm a young black man / Doing all that I can / âŠIâm being hunted as prey / My people don’t want no trouble / Weâve had enough struggle.âA moving, viral clip can indeed do big things. Keedron Bryant, a Florida teen R&B/gospel singer is a living testament to this. The 13-year old went viral thanks to a song written by his mom (Johnnetta Rayshele Bryant) that perfectly captures the feelings of the black community, particularly black males, given so many incidents of racial injustice, inequality, and police brutality. Bryant would land a major-label record deal with Warner, which is absolutely impressive given both his age and the impact of âI Just Wanna Liveâ itself. Fittingly, his debut EP is also named I Just Wanna Live and features three versions of the moving anthem.
âI Just Wanna LiveâÂ
Normally, I move sequentially, track by track on album reviews, but this time Iâm going to focus on the centerpiece, â âI Just Wanna Live.â The main version of the record commences the album, as to be expected. Keedron Bryant sounds absolutely amazing, much more mature and seasoned beyond his 13 years.  His tone is gorgeous, while the ad-libs and runs only amplify the authenticity, emotions, and investment into the record. Additionally, Dem Jointz gives Bryant a soulful backdrop thatâs both modern yet throwback. It can fly in both R&B and contemporary gospel circles.
Where I break the sequence in this review is skipping to the penultimate and concluding cuts, both remixes of âI Just Wanna Live.â The penultimate version features Andra Day, Lucky Daye, and IDK. In case you were wondering how the 13-year old received an âexplicitâ label, well itâs not him but his collaborators who keep it real.  Likely, it is this version that is to draw attention given the personnel but Bryant actually âholds things downâ just fine by himself. Still, this is a welcome contrast to the original.  As good as the original version is, arguably, it is the closer, dubbed â âGospel Spirit Mixâ that feels the best Keedron. Here, his gospel roots shine through effortlessly and he shows just how prodigiously gifted he is. Hearing his soaring lead over that backing gospel choir gives chills.
âTalk About Itâ
âI Just Wanna Liveâ is the big story from I Just Wanna Live â itâs 3/8 of the album. That said, if there was a fear that Bryantâs viral hit would be the sole attraction, FEAR NOT. â âTalk About Itâ may not be on the same level as the title track but it marks another sensational, fresh moment for Keedron. Again, thereâs a balance of old- and new- school (funk, gospel, soul), which perfectly suits this young man who clearly sings more like soul and gospel singers of old. I love how the writers/producers ensure Bryant still sounds young; he is only 13 after all.
âU Got Thisâ follows, keeping things on the âup and upâ for Keedron. Itâs all positive, uplifting vibes without sounding corny. There is always a balancing act with underage musicians about how you position them where audience is concerned. Again, thereâs a different level of maturity with Bryant, yet you also donât want to strip his youth too early. âU Got Thisâ balances well and can speak to people his age as well as those older who love a little inspiration sprinkled into their R&B or visa verse (R&B sprinkled into their contemporary gospel).
âResurrectionâÂ
âWalk into the light, and I come alive / I donât ever die / Resurrection.â Outside of âI Just Wanna Live,â the album keeps on thriving. Dem Jointz continues to stitch up amazing production on â âResurrection.â Again, we get a mix of contemporary gospel, R&B, and even a dash of hip-hop. Notably, Bryant and his mom cowrite on this powerful number, which speaks to the depth of talent that has been discovered. This record is catchy, energetic, and powerful, while sounding far different from what we currently hear no the radio. Â
âKings & Queensâ brings in The Bryant Family for a terrific throwback soul joint. Co-written by Marsha Ambrosius, itâs no wonder that this regal record sounds like it wouldâve been a surefire hit during the neo-soul era. Even past that era, this is a chill, positive, and uplifting record you wonât feel the slightest bit guilty playing on repeat. Finally, thereâs âNever Could Say Goodbye,â which is definitely âinspiredâ by the soul staple sung by Gloria Gaynor, Isaac Hayes, and The Jackson 5. Here, Bryant is totally on the R&B wavelength, sounding young, fresh, and enthusiastic as he considers âyou my best friend.â  Worth noting, Harmony âH-Moneyâ Samuels joins Dem Jointz behind the boards, which is truly decadent ear candy.
Final Thoughts
Keedron Bryant is definitely one to watch.  Warner Records truly signed an artist with an incredibly high ceiling, period.  Bryant could be the next great soul singer, or, he may stick exclusively with contemporary gospel. Or maybe, he balances both, like so many musicians have managed effectively in the past. Regardless, Iâm personally excited to see how Bryant blossoms. I Just Wanna Live is a fantastic start.
â Gems: âI Just Wanna Live,â âTalk About It,â âResurrectionâ & âI Just Wanna Live (Gospel Spirit Mix)â
Keedron Bryant âą I Just Wanna Live âą Warner âą Release: 9.11.20
Photo Credit: Warner
