Kanye West is one of the most polarizing musicians of recent times. Since the genesis of âMr. Westâ occurred in 2004 with The College Dropout, the gifted rapper/producer always has something to say. So many times West has stuck his foot in his mouth, whether it was the criticism of former president George W. Bush, or interrupting Taylor Swiftâs acceptance speech at the MTV VMAs. Westâs controversies seemingly went on the uptick upon marrying Kim Kardashian. Subjective? Yes, but is it really that subjective?
This brings us to âFamous,â the first available single off of the oddly rolled out The Life of Pablo. When TLOP was released, âFamousâ was a source of controversy, particularly for the lyric:
âI feel like me and Taylor might still have sex / Why? I made that b*tch famous / I made that b*tch famousâ
The lyric is clearly in distasteful, even if arguably, West indeed did amplify Swiftâs fame because of his erratic, childish behavior. Taylor Swift wouldnât have needed his help obviously, but the infamous incident fueling this lyric certainly elevated her superstardom. The most offensive part of the lyric is the reference to sex â it would never happen in a trillion years.
âFamousâ has other eyebrow-raising moments right after the Taylor Swift jab:
âFor all the girls that got d*ck from Kanye West / If you see âem in the streets give âem Kanyeâs best / Why? They mad they ainât famous / they mad theyâre still nameless.â
West does come off as the asshole heâs referenced himself to on âPowerâ and âRunawayâ (My Beautiful Twisted Dark Fantasy).  Regardless, the song does speak upon what can happen upon becoming famous. West exemplifies what NOT to do.
With the song being a talking point itself, the video only intensifies its status. Kanye West fan or not, the execution is nothing short of creepy. Â True art does make a statement, with shock value being part of the formula. True art doesnât have to shock either to be considered true art.
Perhaps to some, Westâs use of nude wax models of celebrities is artistic. But to many of us, upon seeing the models in action in the bed, we ask, âWTF?â
The 10-minute video for âFamousâ is unsettling, uncomfortable, and disgusting. Even the portion featuring musical accompaniment is strange.  When there is no music, things grow quirkier with the sounds of sleep, among other things. What is the plot? What is the point? How do replicas of nude celebrities illustrate the message of âFamousâ beyond merely being famous?
âFamousâ is a highlight from The Life of Pablo without question (NOTE: the â4-starâ review is attributed to the song, not the video). No, it doesnât have the same emotionally moving quality of âUltralight Beam,â but itâs a key moment. As for the music video, Mr. West went too far left of center. âBound 2â (Yeezus) was cutting-edge itself, but âFamousâ is TOO MUCH.

