Hip-hop newcomer Jidenna delivers an ambitious, enjoyable debut album with âThe Chief.â
Jidenna first created a buzz back in 2015 with a single entitled âClassic Man.â After experiencing success generated from the single, the newcomer sort of faded into the background. He quietly began to assemble together an album promo campaign, with one of his early offering being âLittle Bit Moreâ, a song that appears on his debut The Chief. While several singles were issued ahead of The Chief, the album arrives somewhat quietly. It shouldnât be quiet at all as The Chief showcases ample potential from the Nigerian-American rapper-singer.
 âChief Donât RunâÂ
âA Bullâs Taleâ begins with an intro, spoken in the Nigerian dialect. After the intro sets the tone, Jidenna begins to impart the hard-nosed tale. As an opener, âA Bullâs Taleâ is a bit clunky. Even so, the ambition and aggressiveness of the rapper shouldnât be underrated. â âChief Donât Runâ once more plays on the rapperâs Nigerian roots.  Jidenna keeps the hook simple â one repeated lyric: âOh the chief donât run.â The rhymes are confident, evidenced when he spits:
âItâs my time, hit the gong out here They gonâ need to build a bigger wall out here.â
Throughout the verses, keeps it real, all against fiery production work. Â
On âTrampoline,â the lyrical depth is real:
âThe lady ainât a tramp Just cuz she bounce it up and down like a trampoline."
Okay, so the depth of lyricism is suspect, but Jidenna gets his point across on the sexually-driven hook. For good measure, thereâs a tacked-on interlude which references sex, specifically sperm, range, and pregnancy. Wow. Just wow.
âBambiâ
â âBambiâ is arguably the best song from The Chief up to this point. Rather than rapping, Jidenna sings, giving the album a different look. While everyone whoâs been following the âClassic Manâ knew he possessed both singing and rapping abilities, this is the first instance he focuses exclusively on singing. The only time he drifts from singing is the bridge, and there, he pop-raps briefly. Ultimately, it is a fantastic record that once more plays superbly into his Nigerian roots.
Two-part song âHelicopters / Bewareâ follows. At over six minutes in duration, itâs an ambitious listen. On âHelicopters,â Jidenna flaunts his toughness, even if it comes by way of The Lion King:
âI donât fuck around, donât play no games Iâmma Lion King, awimbaweâŠâ
On the second part of the record, âBeware,â Jidenna urges, âYoung nigga, beware.â The tone definitely changes, with âBewareâ sounding more mysterious and unsettling. Furthermore, the tempo is slower.
âLong Live the Chiefâ
Things start to heat up, even more, beginning with â âLong Live the Chief.â The brief record is among the crĂšme de la crĂšme of The Chief. âLong Live the Chiefâ gives Jidenna edgy production work to spit tough, unapologetic rhymes over. One of his best rhymes is addressing his fashion style:
âNow they say, âJidenna why you dressing so classic?â I donât want my best dressed day in a casket.â
Adding to the accomplished track is the catchy hook:
âNiggas fighting over rings Niggas wanna be the king, but Long live the chiefâŠâÂ
âLiving like a Rolling tone, but Iâm quite a Beatle.â Ah, bombastic Interlude â â2 Pointsâ follows, adding an exclamation point. Once more, Jidenna boasts a mean flow. â2 Pointsâ precedes another gem, âThe Let Outâ featuring Nana Kwabena.  On âThe Let Out,â Jidenna focuses on picking up girls at âthe let outâ â after the club closes:
âYeah, Iâm running late so just meet me at the let out Yâall tryna get in but Iâm tryna get out⊠Preying on a fox, yeah a fox with her tail out Ooh I canât wait, I canât wait until they get out We be fresh as hell when we meet up at the let out.â
âSafariâ
âSafariâ showcases some of the cleverest lyrics by Jidenna. Safari is a play on words â a literal African safari, the internet browser, and of course, sex.  Heâs assisted by Janelle MonaĂ©, St. Beauty, and Nana Kwabena. Even so, Jidenna is, far and away, the star â the focal point. âSafariâ may not be the best of The Chief, but it is another winning moment without question.In addition to âSafari,â âAdaoraâ gives Jidenna another worthwhile moment. âAdaoraâ is in the same lane as âBambi,â if a shade less compelling.
âLittle Bit MoreâÂ
Initially, when â âLittle Bit Moreâ was released, it felt a bit underwhelming. Contextually, the record is more alluring. The production is a pro, fitting the consistent international music cues appearing throughout The Chief. Is âLittle Bit Moreâ the second coming? No, but respectable.
âSome Kind of Wayâ gives the rapper a slick club joint. Itâs sound, but not necessarily among the elite.  âWhite N*ggasâ is the most socially-conscious record of The Chief. Here, Jidenna hypothetically flips black and white roles, making whites the victims of situations that typically affect blacks. Itâs controversial, but give him credit for making a statement that resonates.  âBully of the Earthâ uniquely concludes The Chief, with Jidenna referencing his father, former President Obama and seemingly, President Trump.
Final ThoughtsÂ
Ultimately, Jidenna exceeds expectations on The Chief. As aforementioned, early promo single âLittle Bit Moreâ did little to draw interest to the rapperâs upcoming project. But after taking the leap of faith and listening to the album, it is clear that Jidenna has a bright future. The Chief may not be perfect, but it is definitely a pretty doggone, good album.Â
â Gems: âThe Chief Donât Run,â âBambi,â âLong Live the Chief,â â2 Points,â âThe Let Outâ & âLittle Bit Moreâ
Jidenna âą The Chief âą Epic âą Release: 2.17.17Â
Photo Credit: Epic
