Reading Time: 4 min read

4.5 out of 5 stars

Jazmine Sullivan, Reality Show Ā© RCAThree albums in, Grammy-nominated R&B singer/songwriter Jazmine Sullivan shows that she is the model of consistency on Reality Show.

Things don’t feel right when there’s a void. Ā Throughout R&B music, voids occur frequently. Jazmine Sullivan isĀ one of the most soulful, complete musicians of present times. One taste of her voice and it’s difficult to resist being hypnotized and mesmerized by her effortless, immense skill. After five years off, Jazmine Sullivan returns strong with herĀ third album, Reality Show.


ā€œDumbā€

Reality Show opens with a bang with ā€œDumb,ā€ featuring Philly rapper Meek Mill. Sullivan just calls him like she sees him – ā€œI know you know you ain’t rightā€ – later finding security in her own intellect and read on her man’s dumbness. Maybe it sounds simple, but the soap opera – reality show – Sullivan deliversĀ a spot-on, brilliant opener.

Keeping the ferociousness afire, ā€œMascaraā€ opens with quite the salvo: ā€œYeah my hair and my ass fake, but so what?ā€ Keeping things ā€˜all the way real,’ Sullivan sings on the chorus, ā€œSo I never leave the house without makeup on / I keep mascara in my pocket if I’m running to the market / cause you never know who’s watching you / so I got to stay on!ā€ Much like ā€œDumb,ā€ maybe the literalness of ā€œMascaraā€ seems simplistic, but the bigger message is one of women’s insecurities with physical appearance. Therefore, ā€œmascaraā€ – both literally and figuratively – make her feel better or atone for insecurities.

It’s clear on the unapologetic ā€œBrand Newā€ that Sullivan has added more ā€˜bite’ to her approach. Still maintaining the soulfulness of her previous work, ā€œBrand Newā€ indeed looks to the present – hip-hop infused contemporary R&B – as its stylistic base. Still even as ā€œBrand Newā€ has Sullivan expanding her scope, it’s the sharp songwriting and feistiness that truly captivates the listener, as Sullivan writes off people with newfound fame who forget from whence they came. There’s no better way to say it than Jazmine does: ā€œWell baby f-ck you and then the new crew that you’re rollin’ with.ā€


ā€œSilver Liningā€

On ā€œSilver Lining,ā€ Jazmine is looking up, despite the misfortunes and burdens that life can bring. Over vintage sounding production, Sullivan explores different facets of her voice, sometimes residing in her lower register, while also striking gold with her powerful upper register. If much of Reality Show felt like ā€˜new’ Sullivan up until this point, ā€œSilver Liningā€ is a throwback to Fearless or Love Me Back.

ā€œI’mma rock this bitch till the wheels fall offā€¦ā€ Whoa! ā€œ#HoodLoveā€ may sport a hash tag as well as liberal uses of the n- and b-words, but the high-flying diva is clearly ā€˜on’ to the nth degree. Both soulful and resolute, Sullivan continues to deliver her point without question. She’s gentler in her language on ā€œLet It Burn,ā€ but she continues to assert herself via the combination of strong lyrics and gut-wrenching vocals. ā€œYou feel that fire, just let it burn,ā€ she sings on the memorable, prudent refrain, ā€œThere’s no runnin’ when it’s your turn.ā€


ā€œVeinsā€

ā€œVeinsā€ sports one of the most unique ā€˜vibes’ of Reality Show. There is a hypnotic quality about it, which is supported by the messaging – one of the ā€˜addiction’ to love. Likened to drug addiction, it’s not a new concept, but its well executed, particularly with the modern, somewhat off-kilter R&B production. If ā€œVeinsā€ is arguably ā€˜untraditional,’ ā€œForever Don’t Lastā€ is a return to traditional fare. Not a reinvention of the wheel or the soul script, ā€œForever Don’t Lastā€ is like Sullivan flexing her guns (biceps of course!).

Going further back in the musical timeline – think 1950s – ā€œStupid Girlsā€ is unlike anything in Jazmine Sullivan’s discography. Given her boldness throughout Reality Show, this marriage between ultra vintage and über feistiness (isn’t that even a thing?) unleashes a brilliant union. Then to further thrill or off-put listeners, she switches gears completely on ā€œStanley,ā€ a neo-disco song that is equally edgy. Like ā€œStupid Girls,ā€ this resembles nothing else from Sullivan’s past.

On ā€œMasterpiece (Mona Lisa),ā€ Sullivan has embraced her beauty and found her confidence and swagger. ā€œEvery part of me is a vision of a portrait of Mona, Mona Lisa,ā€ she sings on the chorus, ā€œEvery part of me is beautiful / and I finally see I’m a work of art / a masterpiece.ā€ ā€œMasterpieceā€ isn’t necessarily the preeminent song from Reality Show, but it truly ranks among the most thoughtful. Smartly, Sullivan concludes Reality Show up-tempo, courtesy of the groovy, feel-good ā€œIf You Dare.ā€


Final Thoughts

Three albums in – specifically five years between album two and album three – Jazmine Sullivan is the model of consistency. Rarely do you find an R&B artist in particular that continues to set her apart from the pack. As different as Reality Show is in comparison to Fearless or Love Me Back, it arrives as equals to those splendid affairs. Home run – by all means.

Gems: ā€œDumb,ā€ā€œMascara,ā€ā€œ#HoodLove,ā€ā€œLet It Burn,ā€ā€œForever Don’t Lastā€ &Ā ā€œStupid Girlsā€

4.5 out of 5 stars


Jazmine Sullivan • Reality Show • RCA • US Release: 1.13.15
Photo Credit:Ā RCA

 


the musical hype

The Musical Hype (he/him) has earned Bachelor's and Master's degrees in music (music education and music theory/composition, respectively). A multi-instrumentalist, he plays piano, trombone, and organ among numerous other instruments. He's a certified music educator, composer, and freelance music blogger. Music and writing are two of the most important parts of his life.