Grammy-winning Americana collective Jason Isbell and the 400 Unit release one of the very best albums of 2020, Reunions.
After a three-year hiatus, one of the best musicians in the game has returned. No, weâre not talking about a hip-hop musician, but rather, a Grammy-winning rock/Americana musician, Jason Isbell. Specifically, him and his Grammy-winning collective Jason Isbell and the 400 Unit is back with a brand-new studio album, Reunions. Reunions arrived three years after the successful The Nashville Sound, which marked my first listening experiences with Isbell. Reunions is another spectacular addition to the musicianâs discography. There are no missteps whatsoever among the 10 tracks that grace this album.
âWhatâve I Done to Helpâ
âWhatâve I done to help? / Whatâve I done to help? / Somebody save me / Whatâve I done to help? / Whatâve I done to help? / And not myself?â Reunions kicks off in truly epic fashion with â âWhatâve I Done to Help.â The six-and-a-half-minute-plus juggernaut features a heaping dose of rhythmic acoustic guitar (electric too), strings, and ample soulfulness from Jason Isbell. Further contributing to the epic nature of the opener is a simple but incredibly catchy and effective chorus (aforementioned), and strong, personal and introspective songwriting overall. How is it personal? Isbell speaks about past missteps:
âSee, Iâve made mistakes that I canât erase Some of the love Iâve lost will not come back to me ...She didnât deserve it, nobody ever deserves it But I cut anchor and I drifted out to sea And you found me busted and somehow you trust I was not what I could be.â
âWhatâve I Done to Helpâ is definitely a hard act to follow, but the gorgeous â âDreamsicleâ is more than up to the task. Once again, Jason Isbell delivers a marvelous, poetic chorus, deeper and even more potent than the glorious centerpiece gracing âWhatâve I Done to Help.â Of course, besides the chorus, the three verses are all thoughtfully penned, capturing some truly sad situations. On the first verse, it comes from the perspective of a frequently moving child. The second verse, Mama is sad, and the child wants Daddy to come home â âWe need help.â On the third and final verse, the child looks ahead to the freedom from this unfortunate tale: âBroken glass and broken glass / Iâll be 18 four years from now / With different friends in a different town / Iâll finally be free.â
âOnly Childrenâ
The harmonized vocals on âOnly Childrenâ is certainly a thoughtful, musical touch. The overall sound of the record is sound â nothing too crazy or overly flashy. The songwriting continues to be quite sweet, with varied choruses following the verses and bridge. Perhaps âOnly Childrenâ doesnât eclipse the one-two punch of âWhatâve I Done to Helpâ and âDreamsicle,â but itâs certainly consistent to the nth degree.
âOverseasâ keeps the momentum going strong, with some assertive electric guitar action assisting the cause. Between the final chorus sections (once more varied), the listener is blessed with a pretty sick, bluesy guitar solo. Also, noteworthy is the harmonic progression, which is straightforward overall, but has a few tricks up its sleeve. Of course, Isbellâs ace in the hole remains his songwriting abilities.
âRunning with Our Eyes Closedâ feels very natural, initiating with a simple, cymbal-fueled groove, that gradually evolves into something more substantial without overstepping. The guitars definitely roar more on during the chorus. (âRunning with our eyes closedâ), but thereâs still that great sense of balance. One of the biggest musical surprises is the use of synths, which occurs briefly during the bridge section, before The 400 Unit returns to a more traditional, Americana, rock sound. Once more, this is another well-rounded number, though not necessarily the first track that comes to mind when reflecting on Reunions.
âRiverâ
â âRiverâ embraces more of that âcountrifiedâ Americana sound. Some folks might say Americana and country music are synonymous, but I donât agree with that argument, even if there are clear parallels. Anyways, this more countrified approach is a great choice on Jason Isbellâs end, infusing great vocal personality. Also, the use of piano and organ adds a hint of southern gospel sensibility, which definitely feels right and supports the recurring lyrics, âThe river is my savior.â âRiverâ is among the crĂšme de la crĂšme of Reunions.
âBe afraid, be very afraid / But do it anyway / Do it anyway.â Promo single â âBe Afraidâ remains quite successful within the context of Reunions. Isbell is incredibly authentic and relevant, speaking on the importance of using the artistic platform properly. Using that platform correctly, he believes, is conveying whatâs happening in the world and ultimately being courageous in sharing your voice, even if itâs scary. In Jasonâs eyes, musicians have a responsibility to stand up for right, share their beliefs, and be authentic as opposed to fake. Beyond the chorus, there are other lyrical gems. He brings personal aspects in, such as his daughter, who heâs mentioned in the past. He embraces activism in a number of instances. âWe donât take requests / We wonât shut up and sing,â he sings, adding, âTell the truth enough youâll find it rhymes with everything.â
âSt. Peters Autographâ
Entering homestretch of Reunions, Jason Isbell and the 400 Unit continue to impress. â âSt. Peters Autographâ is quite the about face compared to âBe Afraid.â Itâs a much more somber record, conveyed both musically and lyrically. Isbell asks on the first verse, âWhat do I do to make you smile / You been hurting for a while.â We get more clarity on the second verse about the situation, when Jason sings, âNow youâve lost another friend / Who couldnât stay to see the end / He had somewhere else to beâŠâ Essentially, Isbell wants to be a comfort to his wife, whoâs longtime friend, Neal Casal, committed suicide in 2019. The song is another superb moment from the album.
Thankfully, after a âsadderâ moment, Jason Isbell totally rocks out on the thrilling penultimate cut, â âIt Gets Easier.â His voice is incredibly clear and assertive. The way he digs in â the energy he brings â is awesome. Likewise, the musical backdrop takes on this same energy, totally fueling the fire. The lyrics continue to compel, as they have throughout the course of Reunions, with the chorus being the crowning achievement:
âIt gets easier, but it never gets easy I can say itâs all worth it, but you wonât believe me Hold down your liquor or swallow your pride Youâd rather keep it inside It gets easier but it never gets easy.â
Isbell concludes the album with another âcountrifiedâ Americana joint, âLetting You Go.â In this compound duple meter ballad, we get a bit more twang and of course, more feels. Itâs a fitting closer, but I wouldnât have lamented in the least had âIt Gets Easierâ served as the coda.
Final Thoughts
Jason Isbell is one of the best singer/songwriters of modern times, period. He continues to excel at his craft on Reunions, an album that took me far longer to review than it should. Is Reunions among the best albums of 2020? You bet. What makes this a superb effort is first and foremost the songwriting, but also great vocals, strong production by Dave Cobb, and overall great musicianship exhibited by The 400 Unit itself. While I wouldnât characterize Reunions as a game changing album, itâs definitely a very good one that could very well earn Isbell additional Grammys.
â Gems: âWhatâve I Done to Help,â âDreamsicle,â âRiver,â âBe Afraid,â âSt. Peterâs Autographâ & âIt Gets Easierâ
Jason Isbell and the 400 Unit âą Reunions âą Southeastern âą Release: 5.15.2020
Photo Credit: Southeastern