Following a two-year hiatus between proper âsoloâ albums, Future returns with the enjoyable, well-rounded âFuture Hndrxx Presents: The WIZRD.â
If you havenât already noticed, Atlanta rapper Future never seems to be out of the spotlight for very long. Heâs one of the most ubiquitous rappers in the game in regard to releasing his own projects as well as collaborating with others. While heâs released at least one project every year since 2014, Future Hndrxx Presents: The WIZRD marks his first proper solo album in two years (FUTURE and HNDRXX, 2018). All in all, itâs an enjoyable, well-rounded effort from the autotune-loving rapper.
âNever Stopâ
â âNever Stopâ kicks off The WIZRD in surprisingly mellow fashion. Future eats it up, embracing a full-on, melodic approach. What does he spit about? His come-up in the rap game. Among the memorable lines:
âCame from whippinâ out the bowl, Tom Ford suit and tie Get my grandma to serve my dope, that ainât a lie You can tell Iâve been broke when you look into my eyes Nobody done noticed till the jet was in the sky.â
If âNever Stopâ was too mellow for some, the brief but effective âJumpin on a Jetâ is your typical Future banger.  Heâs repetitive, leans into his autotune, and continues to be chocked-full of swagger. On the even shorter follow-up âRocket Ship,â he asserts, âIâve been poppinâ since my demos, bitch.â This serves as the opening line from the chorus, the best moment from this particular record. No, he doesnât offer anything transcendent, but listeners are blessed with a sensational flow, and the aforementioned chorus (âIce on both arms, got me in galaxy / Louis V throw-on, got me arrogant, yeahâ). âTemptationâ adds a couple more seconds to the duration, not to mention featuring two verses. One has to raise eyebrows when he raps, âHeard that bitch makinâ up rumors / She gave more head than a tumor.â WowâŚ
âCrushed Upâ
âPlain Jane, Jackie Chan, Richard Mille / You gonâ be the one bust it down, I can see it.ââ âCrushed Upâ doesnât find Future switching up his style, yet, he remains âin the zone.â Set in a minor key, the record is anchored by archetypical trap percussion and surrounded by lovely, âgangstaâ synths. The chorus, which follows the aforementioned intro, keeps things basic AF: âDiamonds in the face crushed up, I can see it.â This is what weâve come to expect from the Future, and he doesnât divert from the script whatsoever. His verses are filled with materialism and drugs. Heâs so confident that at one point, he asserts, âI just put my whole damn arm in the fridge.â âCrushed Upâ isnât game changing, but enjoyable enough.Â
The hits keep on coming after the familiar âCrushed Up.ââ âF&Nâ (named after a gun, shocker) benefits from its dark, minor key production, anchored by the best beat the trap has to offer. Split into two parts, the switch-up helps to make âF&Nâ one of the best and most distinct offerings from The WIZRD. The flow is sick, with Future delivering some of his most electrifying bars of the effort. He keeps up the hot streak on the short but sweet  â âCall the Coroner,â asserting, âI wanna live like a drug lord, but I wanna be glorious.â  Heâs also âonâ on another quickie, â âTalk Shit Like a Preacherâ where he references sex, money, material, and all things flex. âF&Nâ is the most elite of this bunch, but âCall the Coronerâ and âTalk Shit Like a Preacherâ are no slouches.
âPromise U Thatâ
âPromise U Thatâ slackens the pace and extends the length â well, beyond three minutes that is. Future puts the flexing aside, at least long enough to focus on matters of the heart⌠or the bedroom. The production is gorgeous â a luxurious, southern rap slow jam at its best. âStick to the Modelsâ sounds like Future ala Pluto, with some similarities to say, âSame Damn Time.â Sure, âSame Damn Timeâ goes harder, but this is a good look for the rapper. The hook is fire, while the verses arenât deep, yet incredibly entertaining.
âI got two blonde snow bunnies Sendinâ me pics to the âGram I got some bitches, they lininâ up They wanna fuck me just âcause who I am.â
âSwag overdose (yeah), swag to the most / Body bag Dior, as well as Saint Laurent / Balenciaga, run it up (Balenciâ), pop collar with a slutâŚâ Future keeps it âshort and sweetâ on âOverdose,â the 11th track from Future Hndrxx Presents: The WIZRD. On âOverdose,â itâs safe to say he remains true to self. The backdrop suits the trap, autotune-loving Atlanta rapper. Providing the fuel for the fire for Future are looped apocalyptic-sounding synths, anchored by sleek, trap percussion. Unsurprisingly, heâs turnt up to the nth degree.
âKrazy But Trueâ
âThey jumped on my wave before they throwed Max in the cage.â âKrazy But Trueâ finds Future âfeeling himselfâ and acknowledging his influence on the current generation of rappers.  Even though heâs confident (âIâm fresher than them every dayâ), he also seems to highlight his individuality â what makes him unique. â âServin Killa Kamâ adds a bit more edge to The WIZRD, with more banging beats, not to mention some lovely âkeysâ within the backdrop.  Future is aggressive â locked-in and turned up.
Long after âTalk Shit Like a Preacher,â the listeners get another âreligiousâ cut, â âBaptiize.â The content of âBaptiizeâ is unlikely to grace your ministerâs Sunday sermon, particularly when Future asserts, âWent and baptized my wrist in VVS,â sigh. Despite the blasphemy, thereâs lots to âeat upâ about this joint, including Future sampling himself (âSlave Masterâ) and the banging second part of the record.
âUnicorn PurpâÂ
âGave that Phillipe to that lil bitty bitch and I made her a monster.â If you hadnât noticed, much of The WIZRD is dominated by Future himself. Finally, by banger â âUnicorn Purp,â the 15th track, there are some featured guests. Future remains the star, dominating the majority of the record, with ad-libs courtesy of the ever-idiosyncratic Young Thug. Young Thug also gets his time to shine, with ad-libs provided by Gunna. The results are strong. âGoin Dummiâ naturally has a tough act to follow but benefits from its sleek production if nothing else. There are no brand-new or grand statements issued, but itâs respectable.
âFirst Offâ marks the second and final record to feature a guest. Travis Scott is a perfect match for Future â two distinct hip-hop personalities you might say. Arguably, the crowning achievement of the record is the pre-chorus, where Future asserts, âYeah, Iâm back on the Forbes, shit crazy / I make more than Dwayne Wade, baby.â Follow-up âFaceshotâ gives the rapper another banger, which goes off without a hitch. He remains confident on the penultimate record âAinât Coming Back,â while âTricks on Meâ delivers the hella memorable lyric, âIâm Future Hendrix, but Iâm not a guitarist.â
Final ThoughtsÂ
All in all, Future Hndrxx Presents: The WIZRD is a well-rounded, enjoyable album by Future. There are plenty of hits, and he successfully captures all different facets of himself. Does he ever go extremely deep beyond the expected? No, but again, we donât expect that from a rapper whose rhymes are fueled by drugs, material, and shallowness. The biggest rub in regard to this album is it runs long, even with the number of shorter songs on it.  Still, itâs no deal breaker.Â
â Gems: âNever Stopâ âCrushed Up,â âF&N,â âCall the Coroner,â âTalk Shit Like a Preacher,â âStick to the Models,â âServin Killa Kam,â âBaptiizeâ & âUnicorn Purpâ
Future â˘Â Future Hndrxx Presents: The WIZRD ⢠Epic ⢠Release: 1.18.19
Photo Credit: Epic
