The ever-prolific, ubiquitous Drake returns with yet another project, playlist-album âMore Life.â More Life features a star-studded guest list.
Drake is quite the prolific musician, without question. Equally adept at rapping at singing, his balancing act as an artist doesnât change on latest project, More Life. More Life isnât billed as an album, but rather a playlist. Perhaps whatâs interesting about this playlist is the fact that it is commercially available whereas many playlists are streaming only. Truly, More Life does sound more like a playlist than an album, but it has its triumphant moments.
âFree Smokeâ
â âFree Smokeâ kicks off More Life in electrifying fashion. Following a sample-driven introduction, hard drums and ferocious rhymes by Drake take over. It is great to hear him come out swinging, initially giving More Life punch.  Essentially, he raps about his come-up, giving the opening banger more authenticity.
âYeah, I couldnât get a bill paid You couldnât buy the real things I was stayinâ up at yo place Tryinâ to figure the whole thing out... But we all so spoiled now More life, more everything.â
âNo Long Talk,â featuring British rapper Giggs, finds Drake employing Jamaican patois, for better or worse. This is an acquired taste â some will love it while others will hate it. Ultimately, itâs no harm, no foul. Â Positively, the MC keeps things edgy, with tough-minded rhymes matching malicious-sounding production work.
âPassionfruitâ
Standout â âPassionfruitâ has a smoother sound than either âFree Smokeâ or âNo Long Talk,â employing the vibe of âHold On, Weâre Going Home.â Like âHold On,â Drake sings as opposed to rapping. This marks the return of the more sensitive side of the musician, which he delivers effectively. The âJorja Interludeâ follows, contrasting the passionate âPassionfruitâ with more oomph. Even so, the production still has a cool, calm, and collected sound, aided by harmonica (Stevie Wonder).  Â
âGet Together,â featuring Black Coffee and Jorja Smith, is another tropical-infused urban-pop record from Drake. These records tend to be polarizing. Considering that âGet Togetherâ is positioned in the same vein as âOne Dance,â itâs another potential love it or hate it moment. Ultimately, itâs great background music, but perhaps a bit too sleepy to necessarily be a truly memorable, cutting edge Drake record. Still, the groove is undeniable.
âMadiba Riddimâ keeping things tropical. To the credit of the record, like âGet Together,â the groove is infectious AF. Drizzy reflects on a lack of trust since acquiring fame. Essentially, on the hook, he suggests he needs to learn how to love again.
âI cannot tell who is my friend I need distance between me and them Gonna have to teach me how to love you again God knows Iâm trying God knows Iâm trying for you.â
âBlemâ continues Drakeâs fixation on the Islands â being from âthe 6â and all â with similar results. âBlemâ is enjoyable, without necessarily showing innovation or progression. One thingâs for sure â he âBlem for real/ I might just show how I feel.â
â4422â
â â4422â brings Sampha ( âBlood On Meâ) along for the ride. Actually, Drake never appears on the record. As always, Sampha blesses the track with his distinctive, beautiful vocals. Drake returns hard on â âGyalchester.â This toughness had been missing throughout much of More Life, particularly during the tropical stretch. Clearly, heâs cocky and confident, confirmed by the hook:
âHermĂ©s link, ice-blue link Tat on my ribs like I do not know what permanent is They want me gone, wait for the kicker Bury me now and I only get bigger Thatâs word to my n*gga.â
âSkepta Interludeâ features Skepta, naturally, another British rapper. Quavo and Travis Scott join Drake for â âPortland,â among the crĂšme de la crĂšme of collaborative moments from More Life. Sure, the looped flute synth can annoy quickly, but it does give the record personality. Naturally, all three rappers brag about their status in the rap game.
Another collaboration, âSacrifices,â follows, featuring 2 Chainz and Young Thug. A lengthier record, the three rappers dabble in various topics, which includes sacrifices, but also material things and of course, sex. Drake maintains the sanctity of the topic more than his colleagues.
âNothings Into SomethingsâÂ
âNothings Into Somethingsâ may not be brand new, but it is familiar from Drake weâve yet to hear at this point on More Life. This is lethargic, moody Drake at his best on this brief joint. Another smooth joint, âTeenage Feverâ follows, with the Drizzy singing about his feelings about her. At one point, he finally utters the titular lyric: âThis shit feels like teenage fever.â Love is the M.O., clearly.
âKMTâ then changes the complexion of More Life again, featuring Giggs for the second time. On the lengthier âLose You,â Drake deserves credit for his clever rhymes, which include references to R. Kellyâs âIgnition Remixâ and spiritual âThis Little Light of Mine.â As familiar as it may sound, âLose Youâ isnât brand new. Heâs released many songs with the same confessional, reflective vibe. Ultimately, itâs successful.Â
â âCanât Have Everythingâ features a stellar beat, which allows Drizzy to flex effortlessly. As the title suggests, Drake wants it all, but in life you âcanât have everything.â At the end, his mom leaves a voicemail in which sheâs concerned with his trust issues, a prominent theme of his music.
âGlowâ
On âGlow,â Drake is assisted by Kanye West. This is an interesting record if a bit scattered. The sound is captivating, particularly the bright, glowing vocals of West. Is this a hit? Not quite, but itâs intriguing enough to spin a couple of times. âSince Way Backâ follows, marking another collaboration between Drake and PARTYNEXTDOOR. Thereâs nothing rushed about âSince Way Back,â which is slow in pace and clocks in at over six minutes. Both artists are infatuated with a girl who is ultimately bad news. Itâs not the second coming but plays to the strengths of both artists.
âFake Loveâ
â âFake Loveâ is another enjoyable, respectable offering from Drake. Ultimately, it is another example of the notion of âNo New Friends,â a prominent topic for the rapper. Besides tackling fakes, it is also a flex-fest for the superstar by all means.  The hook sums up the sentiment of the entire song:
âIâve been down so long it look like up to me/ they look up to me I got fake people showinâ fake love to me Straight up to my face, straight up to my face.â
Drake goes on to pop-rap/quasi-sing on the verses, specifically addressing females seemingly. Beyond familiarity lyrically, the production is also standard fare for the artist. It suits him stylistically. It doesnât add the element of unpredictability, but he doesnât necessarily need unpredictability considering his current level of success. The vibe is desirable by all means.
âIce Meltsâ features Young Thug for the second time on More Life. The tale imparted this round is about a girl who Drake is into, but comes off as ice cold. Her coldness is attributed to coming out of a bad relationship in which she was treated as she should be. Nonetheless, Drake asserts, âI still need some satisfaction / A little less talk and a little more actionâŠâ Young Thug doesnât get his own verse, but rather provides the hook that supports Drakeâs assessment on the situation.
The album concludes with âDo Not Disturb.â âDo Not Disturbâ is the summation â the outro for More Life. Interestingly, Drake suggests taking time off and return in 2018. Could More Life be his only project in 2018? If it is, itâs understandable â heâs been putting in serious work over the course of 2015 and 2016.
Final Thoughts
So, how does More Life stack up? Arguably, More Life is stronger than Views, even if it is a playlist as opposed to a proper studio album. More Life is bloated, just like the effort that precedes it, but it is a better-rounded project. Itâs not perfect by any means, but thereâs lots to like or minimally respect about it.
â Gems: âFree Smoke,â âPassionfruit,â â4422,â âGyalchester,â âPortland,â âCan’t Have Everythingâ & âFake Loveâ
Drake âą More Life âą Cash Money âą Release: 3.18.17
Photo Credit: Cash Money
