Songs (singles + tracks) of various styles are reviewed in this section of The Musical Hype. Songs are assigned a rating between 0 and 5 stars.
Glass Animals outdoes itself on single “Youth.” “Youth” is cleverly penned, exceptionally produced, and superbly performed when it’s all said and done.
Bastille exceeds expectations on second ‘Wild World’ promo single, “Fake It.” There is nothing fake about the song – it’s legit.
Pop singer/songwriter Andy Grammer returns with another potential [chivalrous] hit with subtle, yet enjoyable single, “Fresh Eyes.”
![Shawn Mendes, Illuminate [📷 : Island]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2017/10/shawn-mendes-illuminate-island.jpg?resize=360%2C240&ssl=1)
After spoiling us on “Ruin,” Canadian teen singer/songwriter Shawn Mendes comes back down to earth to deliver intimate single, “Three Empty Words.”
Flo Rida Embraces the art of recycling on latest pop-rap single, “Zillionaire.” Though predictable, “Zillionaire” has all the ingredients to become a hit.
Justin Moore builds a compelling case for his forthcoming album ‘I Kinda Don’t Care’ with exceptional pre-release single, “Somebody Else Will.”
The Chainsmokers deliver another potential hit with the help of alternative-pop darling Halsey on “Closer.”
![Mac Miller, The Divine Feminine [📷: Warner]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2016/09/mac-miller-the-divine-feminine-warner.jpg?resize=360%2C240&ssl=1)
Mac Miller delivers a gem with soulful, introspective single “Dang!”, the promo single for Miller’s fourth studio album, The Divine Feminine.
Kenny Chesney returns strong with pop superstar P!nk on duet, “Setting the World On Fire.” “World” successful balances country and pop sensibilities.
Urban Pop singer JoJo makes a fierce comeback with brash, ‘unapologetic’ single “F*ck Apologies.,” featuring Wiz Khalifa.
Party Favor drops enjoyable single “Give It To Me Twice” with the assistance of Sean Kingston and up-and-comer Rich The Kid.
At this point in his career, Tyga could use a shakeup in methodology. “Trap Pu**y” is yet another record that distastefully dabbles in misogyny.
