Jay Rock, Shit Real | Track Review 🎵
West Coast rapper Jay Rock enlists Detroit rapper Tee Grizzley for his tough, ‘trill’ new addendum to Redemption, “Shit Real.”
Songs (singles + tracks) of various styles are reviewed in this section of The Musical Hype. Songs are assigned a rating between 0 and 5 stars.
West Coast rapper Jay Rock enlists Detroit rapper Tee Grizzley for his tough, ‘trill’ new addendum to Redemption, “Shit Real.”
Perhaps Gucci Mane, assisted by Quavo won’t change any lives with single “BiPolar,” but he definitely entertains on this banging flex-fest.
The ever-distinct Canadian singer/songwriter Grimes returns with a ‘powerful’ new single, assisted by American singer HANA, “We Appreciate Power.”
Perhaps the lethargic flow and distinct voice of rapper Kodak Black will appeal to some on “Calling My Spirit,” the record falls short by my estimation.
Post-Tranquility Base Hotel & Casino, Alex Turner and Arctic Monkeys return with another fantastic new single, “Anyways,” in a similar vein.
Mark Ronson, assisted by Miley Cyrus (vocals) and Jamie xx (production), delivers a stellar, retro country-pop record with “Nothing Breaks Like a Heart.”
With the announcement of his sophomore album, ‘Icarus Falls,’ ZAYN drops his seventh advance single, “Rainberry,” which has its moments.
LA alternative band Badflower delivers an energetic, anxiety-driven single on “X ANA X,” the 2nd advance single from their 2019 debut album, ‘OK, I’M SICK.’
LA alternative band Badflower delivers an incredible honest, chilling record about depression & suicide on “Ghost,” an advance single from ‘OK, I’M SICK.’
British singer/songwriter Sam Fender shines on single “Poundshop Kardashians” thanks to energetic production work and socially-charged songwriting.
Despite bringing some darkness and energy on single “Dark Things,” Chicago rapper Vic Mensa misses the mark, amplified by an overabundance of autotune.
‘Rough around the edges’ R&B musician K. Michelle keeps things clean, delivering an authentic, powerful, heartbroken ballad with “Save Me.”