Selena Gomez, Lose You to Love Me | Track Review 🎵
Pop singer Selena Gomez returns in reflective mode on single, “Lose You to Love Me” where she parts ways with a lover to ultimately learn to love herself.
Songs (singles + tracks) of various styles are reviewed in this section of The Musical Hype. Songs are assigned a rating between 0 and 5 stars.
Pop singer Selena Gomez returns in reflective mode on single, “Lose You to Love Me” where she parts ways with a lover to ultimately learn to love herself.
Grammy-nominated pop artist Kesha returns ready for the HIGH ROAD on her energetic, infectious single, “Raising Hell,” featuring Big Freedia.
Marilyn Manson uniquely covers traditional classic “God’s Gonna Cut You Down,” popularized in 2006 posthumously by country icon, Johnny Cash.
Grammy-nominated pop star Katy Perry continues to try to reclaim her mojo on single “Harleys in Hawaii,” co-written and co-produced by Charlie Puth.
Camila Cabello makes it pretty ‘easy’ to relate to “Easy,” her fourth single slated to appear on her highly anticipated sophomore album, Romance.
Rappers French Montana and Juicy J, assisted by Logic and a select few lines courtesy of A$AP Rocky, drop one of the worst songs of 2019 with “Twisted.”
British Heartthrob Harry Styles reignites speculation regarding his sexuality on his unique, unexpected, yet intriguing 2019 pop single, “Lights Up.”
Veteran punk rock collective Anti-Flag comeback strong calling out hypocrisy and a false sense of patriotism on their single, “Christian Nationalist.”
Grammy-winning country musician Maren Morris taps Irish singer/songwriter Hozier for a thrilling duet version of “The Bones” from her 2019 album, GIRL.
Breakout rapper Juice WRLD, assisted by YoungBoy Never Broke Again and producer Nick Mira drops a banger with his post-Death Race for Love single, “Bandit.”
Alt-pop standout Halsey brings enigma, poetry, and allure on “clementine,” the third advance single from her third studio album, MANIC.
Highly Suspect returns with “Tokyo Ghoul,” a hip-hop-tinged third single from MCID, their long-awaited, highly anticipated third studio album.