J. Cole, Born Sinner | Album Review 💿
J. Cole delivers a superb effort on his sophomore album, Born Sinner. The album concept remains intact and accessible throughout the effort.
J. Cole delivers a superb effort on his sophomore album, Born Sinner. The album concept remains intact and accessible throughout the effort.
’13,’ the comeback album by iconic metal band Black Sabbath, stands extremely tall. It’s pessimistic, atheistic, and Mephistophelean. Rock on.
On his sophomore album ‘Watching Movies With the Sound Off,’ Mac Miller showcases more maturity compared to his debut album – album cover art aside.
Comic rap trio The Lonely Island both allure and offend on their third studio album, ‘The Wack Album.’ Andy Samberg and company are both unapologetically stupid and incredibly hilarious.
George Benson sounds nowhere near 70 on his latest studio album, ‘Inspiration – A Tribute to Nat King Cole.’ ‘Inspiration’ is consistent from top the bottom.
John Fogerty returns with a star-studded affair on ‘Wrote a Song for Everyone,’ covering his own classics.
On ‘More Than Just A Dream,’ Fitz & The Tandrums deliver a fine album that appeals to an eclectic fan base. It’s Soulful, yet forward thinking.
‘Random Access Memories,’ the thrilling new Daft Punk album, can be likened to your favorite team winning the national championship.
Indie rock darlings Vampire Weekend return as an older, more mature band on their superb third studio album, ‘Modern Vampires of the City.’
‘Jake Bugg,’ the self-titled debut LP by the Brit singer/songwriter is a highly recommended effort for traditional-, indie-, folk- or garage-rock fans.
French alternative rock collective Phoenix never miss a beat on Bankrupt! a compelling follow-up to their Grammy-winning 2009 LP, Wolfgang Amadeus Phoenix.
Fantasia delivers an enjoyable fourth studio album with ‘Side Effects of You.’ It’s imperfect, but all in all, well-rounded.