The thrilling Letter to YouĀ marks the best Bruce Springsteen album in years, surpassing The Bossā 2019 LP, Western Stars.
The Boss ā š Bruce Springsteen ā is 71 years young.Ā He definitely doesnāt sound like a man in his 70s on his 20th studio album, šæ Letter to You. Ā The Boss, in all honesty, is on autopilot from start to finish. Ā Letter to You rocks, reflects, and most of all, reminds us why Springsteen has been the man for so many years.
āOne Minute Youāre Hereā
āBig black train cominā down the track / Blow your whistle long and long,ā Springsteen sings on the opener, šµ āOne Minute Youāre Here.ā Ā He continues the first verse, singing, āOne minute youāre here / Next minute youāre gone,ā the titular lyric, and a key, recurrent line throughout the course of the song.Ā Clearly, Bruce remembers and laments those heās lost in his life, particularly close musical colleagues (more to come later). Ā He keeps things simple, but itās an incredibly effective start to Letter to You.Ā
ā šµ āLetter to Youā kicks off with an unapologetic rock intro; thereās definitely some spunk! The production (š Ron Aniello) is great overall. I love the musicianship exhibited from start to finish.Ā That includes strong vocals by Bruce, who doesnāt miss a beat. Two consecutive verses occur prior to the chorus. The songwriting is solid, maintaining the simplistic bar set by āOne Minute Youāre Here.ā Still, itās telling and quite thoughtful. The chorus is strong, highlighting the titular lyrics:
āIn my letter to you I took all my fears and doubts In my letter to you All the hard things I found out In my letter to you All that I found true And I sent it in my letter to you.ā
An instrumental follows the chorus, providing nice contrast and a great opportunity for the band to flex. One final verse and chorus conclude this standout ultra-successfully. šµ āBurninā Trainā keeps the energy high and the tempo quick.Ā Furthermore, Springsteen continues to be assertive, fully in command from a vocal standpoint.Ā Like the duo that precedes it, the chorus is constructed via the titular lyric (āTake me on your burninā trainā).Ā Nothing wrong with that ā it works without a hitch!
āJaney Needs a Shooterā
As consistent and enjoyable as āBurninā Trainā is, ā šµ āJaney Needs a Shooter,ā one of many older written songs, is an absolute juggernaut.Ā Not only is it one of the songs to beat on Letter to You thanks to consummate musicianship, itās also just shy of seven minutes in duration.Ā Itās time well spent, listening, with The Bossā ripe, gritty pipes, a heaping dose of rock organ, and of course, ample guitar.Ā Here, the songwriting is definitely stepped up a notch, as Bruce imparts a powerful, totally captivating narrative. Ā This is apparent from the start:
āWell, Janeyās got a doctor who tears apart her insides He investigates her and silently baits her sighs He probes with his fingers but knows her heart only through his stethoscope His hands are cold and his bodyās so old Janey turns him down like dope.ā
Even with more focused lyricism, Springsteen manages to give us another catchy, memorable chorus.Ā The band is at their best here.
āJaney Needs a Shooterā may be a tough act to follow, but Bruce Springsteen definitely isnāt done just yet. No sir! He continues to āshine like a beaconā via šµ āLast Man Standing,ā yet another high-flying number where the music is electric. Furthermore, he definitely doesnāt sound like a man anywhere near 70.Ā Notably, he remembers his late band member, š George Theiss, from š The Castiles. Arguably, ā šµ āThe Power of Prayerā is even better (Of course they say, prayer is the key of heaven). Anyways, Springsteen is reminiscent over the course of three verses, while also making lite spiritual references.Ā He doesnāt quote scripture or go extremely deep, but he admits his Catholic upbringing influences his writing, specifically this song.
āHouse of a Thousand GuitarsāĀ
Moving on from and ultimately surpassing āThe Power of Prayer,ā Springsteen invites us all into ā šµ āHouse of a Thousand Guitars.ā I definitely want a ticket! Where, oh where is this House of a Thousand Guitars? Sadly, there is no such place, but Bruce is certainly convincing, and the songwriting suggests a place where thereās some special community ā a ācongregationā of sorts. Ā Again, thereās a hint of spiritual without explicitly referencing the Biblical or church itself, even if weāre given the lyric, āBells ring throughout churches and jailsā early on. āHouseā is another masterfully penned number, ranking right near the top of Letter to You.
If you thought the faith would cease post-āHouse of a Thousand Guitars,ā you were dead wrong. On šµ āRainmaker,ā spirituality continues to show up in a big way, even more explicitly than before to be honest.Ā Prime examples include āWeāve been praying but no good comesā and āHands raised too Yahweh to bring the rain down.ā While divine intervention is definitely needed, the rainmaker referenced here is clearly a false prophet thatās counterproductive at best.Ā The chorus sums it up best: āSometimes folks need to believe in something so bad, so bad, so bad / Theyāll hire a rainmaker.ā Indeed Bruce Springsteen, indeed!
Fittingly, ā šµ āIf I Was the Priestā follows, continuing to amplify faith and spirituality.Ā Jesus appears on the first verse, with the Virgin Mary and the Holy Ghost appearing on the second verse. Thereās that Catholicism in play. That said, Springsteen also adds another prevalent theme, the west, coming up with quite the compelling gem.Ā Worth noting, this narrative cut is early Bruce Springsteen, originally written 50 years prior to its appearance on Letter to You. Despite its age and somewhat novel status, the nearly seven-minute cut fits perfectly on this album. Ā Once again, the vocals are š„, as is the band ā š«š©!
āGhostsā
On ā šµ āGhosts,ā Springsteen is reminiscent once more, again remembering Theiss and his early professional band, The Castiles.Ā Less spiritual to a great extent, that doesnāt mean that Bruce leaves faith behind. āRock of ages lift me somehowā is very rock n roll, but also hearkens back to the beloved hymn, āRock of Ages.ā Also, worth noting, Springsteen references the aforementioned āLast Man Standing,ā asserting, āIām the last man standing now.ā
Forget any notions of simplistic songwriting on šµ āSongs for Orphans.āĀ The big takeaway from the penultimate record is how elite the lyricism is. It makes sense considering this is another old Springsteen song.Ā Thereās just a higher, sharper level of lyrical craft here, where each verse feels absolutely perfect; utterly sublime.Ā The sound of the record is awesome as well, capturing those vintage āBruceā days.Ā ā šµ āIāll See You in My Dreamsā caps things off marvelously. Springsteen is still reflective, reminiscent, and totally in his head.Ā While thereās no true resolution for losses, he does seem to have found peace:
āIāll see you in my dreams when all our summers have come to an end Iāll see you in my dreams, weāll meet and live and laugh again Iāll see you in my dreams, yeah around the river bend For death is not the end And Iāll see you in my dreams.āĀ
Final Thoughts šĀ
Cutting straight to the chase, Letter to You is the best Bruce Springsteen album in years.Ā šæ Western Stars was a winner mind you but Letter to You is in a different league ā on a different plane.Ā What makes it so great? Lots of things.Ā Powerful vocals, elite musicianship, terrific lyricism, and digging back into the catalog, bringing old, previously unreleased songs to life. I dare you find one bad song on this album.Ā You canāt because there isnāt one.Ā The Boss is truly a boss on Letter to You, period.
ā Gems š: āLetter to You,ā āJaney Needs a Shooter,ā āThe Power of Prayer,ā āIf I Was the Priest,ā āGhostsā & āIāll See You in My Dreamsā Ā
š Bruce Springsteen ⢠šæ Letter to You ⢠š· Bruce Springsteen ā¢Ā š10.23.20
[ š·: Bruce Springsteen]
