Reading Time: 4 min read

4 out of 5 stars

Bruce Springsteen, High Hopes Ā© ColumbiaHigh Hopes may not be the best or most memorable Bruce Springsteen album, but it’s still pretty doggone good.

When the word ā€˜unreleased’ gets thrown around alongside ā€˜new album’, often critics and fans alike find themselves prejudging the album release.  Frequently, it seems that albums featuring previously unreleased, unheard material and covers (reinterpretations) tend to be so-so or a perfect target for criticism compared to the artists best work.  On High Hopes, Bruce Springsteen, aka ā€œThe Bossā€ has put himself into the arduous position of releasing unreleased material.  Thankfully for The Boss, ever the consummate pro, High Hopes holds up much stronger than many albums of similar class.  Springsteen doesn’t supersede his best work, classic or contemporary, but he still delivers a captivating effort nonetheless.  Perhaps Springsteen’s prime has long been gone, but the dude’s still got it!


ā€œHigh Hopesā€

ā€œHigh Hopesā€ opens the album with ā€˜tremendous’ hopes, even if the tonal center is firmly planted in a minor key.  The Tim Scott McConnell (aka Ledfoot) cover is given an electrifying performance thanks to Springsteen’s enthusiastic and assertive pipes, Tom Morello’s slick guitar contributions, and a brilliant horn arrangement.  Having gospel-tinged backing vocals doesn’t hurt The Boss’ cause either.

ā€œHarry’s Placeā€ proceeds, penned solely by Springsteen.  Springsteen definitely has some youthful swagger about him, even at 64: ā€œYou don’t fuck with Harry’s money you / Don’t fuck with Harry’s girls these are the rules, this is the worldā€¦ā€ (Verse two).  Oh no you didn’t Bruce!  Tom Morello once more joins Springsteen for the fun, as do the Atlanta Strings.  The late, great Clarence Clemons also appears, in all his ā€˜saxophonic’ glory.


ā€œAmerican Skin (41 Shots)ā€

ā€œAmerican Skin (41 Shots)ā€ is one of the heaviest moments of High Hopes, finding Springsteen covering himself.  The thoughtful, chilling cut first appeared on Springsteen’s live album, Live in New York City from 2001.  Prior to its appearance on High Hopes in studio form, Springsteen has dedicated the song to Trayvon Martin.  This dedication is appropriate, given the tough, disturbing tone of the lyrics:

ā€œIs it a gun, is it a knife, is it a wallet, this is your life
It ain’t no secret, it ain’t no secret, no secret my friend
You can get killed just for living in your American skin...ā€

Meaningful, superbly produced, and memorable by all means, ā€œAmerican Skin (41 Shots)ā€ is a personal favorite.

ā€œJust Like Fire Wouldā€ may have a difficult act to follow, but it brings the heat sensationally itself.  Another cover song it may be (courtesy of Australian rock band The Saints from 1987 effort All Fools Day), Springsteen delivers it superbly.  If ā€œAmerican Skinā€ lacked enthusiasm given its dark tone, ā€œJust Like Fire Wouldā€ is filled with jubilance. Springsteen confidently proclaims, ā€œJust like fire would, I burnā€¦ā€ in his signature gruff tone.  Strings add a lovely touch.


ā€œDown In The Holeā€

ā€œDown In The Holeā€ follows, opening mysteriously and hauntingly.  The sound contrasts previous numbers up until this point, probably credited in part to Brendan O’Brien’s production work. In addition to Clarence Clemon’s tenor, violin and organ drive a timbre change. ā€œHeaven’s Wallā€ opens with a bang; with its infectious, ruckus percussive groove and inspired backing vocals singing ā€œRaise your handā€, a recurrent key lyric throughout.  Tom Morello continues to impress on lead guitar, adding more punch to this upbeat cut.  Lyrically, ā€œHeaven’s Wallā€ doesn’t possess Springsteen’s best songwriting, but it still is infectious and feel-good.

ā€œFrankie Fell In Loveā€ has more lyrical depth and contrast, relying less on repetition to drive it home.  Love is clearly in the air, but Springsteen also expands the scope beyond Frankie’s romantic love. Springsteen references world peace as well.  ā€œFrankie Fell In Loveā€ has that folk-rock quality that The Boss does better than any other.  ā€œFrankieā€ frankly, stands out. ā€œThis Is Your Swordā€ is inspiring if nothing more: ā€œThis is your sword, this is your shield / this is the power of love revealed / Carry it with you wherever you go / And give all the love that you have in your soul.ā€ In addition to uplifting lyrics and timely musical punches to match the lyrics, it never hurts to have some accompanying Uilleann Pipes, right?


ā€œHunter Of Invisible Gameā€

ā€œHunter Of Invisible Gameā€ slows the pace down, finding the Boss taking a more tender, thoughtful vocal approach.  Maybe Bruce isn’t a true balladeer, but his attention to each word and each nuance here is something to behold.  Again, the production and arrangement solidly support the veteran, specifically the acoustic guitars and The Atlanta Strings.  ā€œHunter Of Invisible Gameā€ is nothing short of touching.  If Springsteen got away with fooling greener listeners with ā€˜oldie’ ā€œAmerican Skin (41 Shots)ā€, he couldn’t hope to do so on ā€œThe Ghost Of Tom Joadā€, the title track from Springsteen’s Grammy-winning 1995 effort.  ā€œThe Ghost Of Tom Joadā€ is nothing short of spirited in its 2014 version.  Perhaps another Springsteen cover of himself is one too many, but it hurts very little when the quality is first rate.

Of ā€œThe Wallā€ Springsteen writes in the liner notes: ā€œā€¦is something I’d played on stage a few times and remains very close to my heart…the song appeared after Patti and I made a visit to the Vietnam Veteran’s Memorial in Washington. I was inspired by my memories of Walter Cichon.ā€  ā€œThe Wallā€ very much falls in the singer/songwriter category given its poetic lyrics.  The album ends with Springsteen covering ā€œDream Baby Dreamā€, courtesy of band Suicide (it appeared on their second album).  The unique timbre, created by strings, guitar, and synths truly makes this cut special.


Final Thoughts

Overall, High Hopes isn’t Springsteen’s best album, nor is it merely average.  Vocally, Springsteen can still deliver a rousing performance, and the production throughout High Hopes is quite compelling.  Perhaps the fact the album isn’t completely new is a bit of a bummer, but there is plenty of quality material to tide casual and hardcore Springsteen fans alike.

Gemsā€œHigh Hopes,ā€ ā€œAmerican Skin (41 Shots),ā€ ā€œJust Like Fire Would,ā€ ā€œFrankie Fell In Loveā€ & ā€œHunter of Invisible Gameā€

4 out of 5 stars


Bruce Springsteen • High Hopes • Columbia • US Release: January 14, 2014
Photo Credit: Columbia

 


the musical hype

the musical hype (Brent Faulkner) has earned Bachelor's and Master's degrees in music (music education, music theory/composition respectively). A multi-instrumentalist, he plays piano, trombone, and organ among numerous other instruments. He's a certified music educator, composer, and freelance music blogger. Faulkner cites music and writing as two of the most important parts of his life. Notably, he's blessed with a great ear, possessing perfect pitch.