Bops from 2025 That Make You Beam with Pride

Reading Time: 51 min read

Bops from 2025 That Make You Beam with Pride features songs by Chappell Roan, David Archuleta, ETHAN, Jake Wesley Rogers, Kisos, Lady Gaga, and RYANN.

Do you know what time it is? It is June 2025. And June signifies Pride month! What better way to celebrate Pride than a list of LGBTQ+ bops from 2025 so far?! Bops from 2025 That Make You Beam with Pride all hail from LGBTQ+ musicians or allies, or the songs have LGBTQ+ related themes. There are many more Pride bops than the 45 appearing on this list, but this is a hearty sampling of some of the year’s most intriguing songs from the LGBTQ+ community. Bops from 2025 That Make You Beam with Pride features songs by Chappell Roan, David Archuleta, ETHAN, Jake Wesley Rogers, Kisos, Lady Gaga, and RYANN. So, without further ado, let’s turn up these rainbow-laden Bops from 2025 That Make You Beam with Pride!

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1. ADONXS, “Kiss Kiss Goodbye”	2. Al Calderon, “Lo100to”	3. Benjamin, “Tommi (seksipommi)”	4. Bentley Robles & ZEE MACHINE, “LOCK ME UP!”
5. Binoy, “POPular”	6. Biscuit Beats, “I Ain’t Gay”	7. Bradley June, “GBF”	8. Chappell Roan, “The Giver”
9. Cloudy June, “if Jesus saw what we did last night”	10. Cub Sport, “This Boy’s in Love” – The Presets cover	11. David Archuleta, “Can I Call You”	12. David Archuleta, “Crème Brulée”
13. Doechii, “Anxiety”	14. ETHAN, “honest”	15. ETHAN, “ONE MORE SONG”	16. Gallipony, “Rather Be Lonely” (Ft. Brandon Flynn & DJ Failure)
17. GRANT KNOCHE, “AUTOPILOT”	18. Hush, “當我們談論愛情 (What We Talk About)”	19. Jake Wesley Rogers, “God Bless”	20. Jake Wesley Rogers, “Hot Gospel”
21. JJ, “Wasted Love”	22. Jordan Firstman, “I wanna see my friends dicks”	23. Kesha, “BOY CRAZY.”	24. Kisos, “Sludge”
25. Klovis Gaynor & The Urinal Cakes, “THE METH SONG”	26. Lady Gaga, “Abracadabra”	27. Lil Nas X, “HOTBOX”	28. Lucy Dacus, “Ankles”
29. Mad Tsai, “One Of The Boys”	30. Manúk & Miggy, “No Brainer”	31. Miley Cyrus, “Something Beautiful”	32. Nxdia, “Boy Clothes”
33. Olly Alexander, “When We Kiss”	34. Omar Rudberg, “I’m Not a Boy”	35. Osvaldo Supino, “new phone”	36. Paisley Heart, “Suck Me Off” (Ft. HOLLYWOULD)
37. Peder Elias, “If I Got a Dollar”	38. Perfume Genius, “It’s a Mirror”	39. Ruben, “Love That Hurts”	40. RYANN, “Boy, Why Don’t You Touch Me?”
41. RYANN, “Housewife”	42. serpentwithfeet, “WRITHING IN THE WIND”	43. Snow Wife, “What Do Girls Do?”	44. Stemin, “By Your Side” – Sade cover
45. ur pretty, “Taste It”

1. ADONXS, “Kiss Kiss Goodbye”

“Kiss Kiss Goodbye” // Warner Music Czech Republic s.r.o. // 2025

“Oh, you seemed so holy, it almost fooled me / Truly, when you said you love me, it almost moved me.” Oh, snap, ADONXS! The dashing , deep-voiced, openly gay Slovak singer (real name, Adam Pavlovčin) piques our ears with his Eurovision Song Contest 2025 single, “Kiss Kiss Goodbye”. Pavlovčin wrote “Kiss Kiss Goodbye” with CHAiLD (LUX), Maella, and Ines Coulon. Ronald Janeček, George Masters-Clark, and Lorenzo Calvo produced it. As the title and the excerpted lyrics from the pre-chorus suggest, matters of the heart play a sizable role. In the first verse, ADONXS mentions two kisses representing love and desperation. “There’s no other place to hide / Only one survives, when the night arrives / Will you be my ride or die?” In the second verse, before asking the same question, he sings, “Caught in a motion, you’re wearing me out / Tainted devotion, heart on the ground.” The section to beat, the centerpiece, is the chorus:

“Kiss, kiss goodbye (Kiss, kiss goodbye)

Kiss, kiss goodbye (Kiss, kiss goodbye)

Now keep your half apologies, drunken apathy

Over and over again

Kiss, kiss.”

ADONXS is fierce AF throughout “Kiss Kiss Goodbye.” His robust bass voice is the sugar, honey iced tea. The melodies he brings to life with his voice, including some falsetto, are nicely contoured and tuneful to the nth degree. The musical backdrop is sleekly produced. Set in a minor key, the dramatic, choral, and orchestral music cues are epic. The keyboards, synths, and programming are top-notch, too. “Kiss Kiss Goodbye” is not an overtly queer song, but it feels like a necessary addition to an ever-growing queer music catalog. ADONXS slays!

Appears in:

ADONXS, Kiss Kiss Goodbye: Beaming with Pride 24 (2025)

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2. Al Calderon, “Lo100to”

“Lo100to” // Al Calderon / Create Music Group // 2025

Al Calderon (Alberto Calderon) is… caliente como la mierda , like, phew ! Beyond his undeniable fineness, the actor and singer is talented. His talents and looks go hand in hand on the steamy joint “Lo100to” (Lo + 100 (cien in Spanish) + to = Lo siento (I’m sorry)). Throw in sexy Spanish lyrics (“Pase lo que pase / Siempre seré tú bebé / Yo sé que te tengo juqueao”) and a video with sexy frat boys (sometimes sans clothing ), and “Lo100to” is titillating to the nth degree. Translating the excerpted Spanish lyrics, it is something to the effect of, “No matter what happens / I’ll always be your baby / I know I’ve got you hooked.” Damn!

The Long Island-bred entertainer gives us Spanglish! In the centerpiece, the chorus, he sings, “Oooh lo siento / Oh boy, you fuck me up / Yo pensaba en ti / Ya no puedo hacerlo,” which translates as “Oooh sorry / Oh boy, you fuck me up / I was thinking of you / I can’t do it anymore.” Ooh-wee! Notably, matters of the ‘same sex’ heart are alive and well, and we would not have it any other way ! While “Lo100to” is brief, it is electrifying. Calderon sings well. He may not break a sweat vocally, but there is no way you won’t be covered in sweat looking and listening to him . Gah-day-um!

Appears in:

Al Calderon, Lo100to: Midnight Heat 26 (2025)

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3. Benjamin, “Tommi (seksipommi)”

“Tommi (seksipommi)” // Warner Music Finland // 2025

“Oh Tommi, Tommi, hey neighbor Tommi / When did you become a sex bomb?” That is a good question, Benjamin (Benjamin Peltonen). Our handsome and talented Finnish pop star has his eyes on his neighbor, who has ‘glowed up’ something fierce. “Tommi (seksipommi)” (“Tommy (Sex Bomb)”) is sung exclusively in Peltonen’s native language, Finnish. Peltonen composed “Tommi” alongside Iivari Suosalo and producer Atso Soivio. “Tommi (seksipommi)” features sleek, pop production work. It is perfect for this gay pop record. Benjamin serves up smooth vocals. Despite being enamored with ‘Tommi,’ it never sounds as if he breaks a sweat. We know he is sweating though (“Oh Tommy…/ You have become a goddamn sex bomb / Would you like to have a sleepover [or go out] again?”). Peltonen sings in his lower register during the verses. In the first verse, everything seems to stop as the hottie walks into the bar. In the second, Peltonen wants him badly. In the pre-chorus, he still can’t believe that Tommi is the same Tommi next door (“Everyone stares at you / I can’t even recognize you”). “Tommi (seksipommi)” features tuneful melodies throughout. The enthusiastic, big chorus is the centerpiece, thanks to Tommi,” of course! There is a fabulous contrast during the bridge, which is energetic and maintains the ‘high-flying’ nature of the record (“We don’t need our moms’ approval / To have fun ‘til sunrise”). Benjamin ‘does the damn thing’ on “Tommi (seksipommi)”. This queer pop single is a surefire gem!

Appears in:

13 Songs That Feature Names, Vol. 6 (2025)

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4. Bentley Robles & ZEE MACHINE, “LOCK ME UP!”

“LOCK ME UP!” // Bentley Robles Music // 2025

So, what happens when Bentley Robles (Bruno Pazzi Robles, he/him pronouns) and ZEE MACHINE (Joe Bissell, he/they pronouns) collaborate? Why, TEARS & GEARZ, of course! Also, sheer queer musical excellence! TEARS & GEARZ presents a short but sweet ditty entitled “LOCK ME UP!” that’s locked in from the beginning. Robles, Joe Bissell, and producer FLORIO (Dominic Florio) penned “LOCK ME UP!” From a sound perspective, the music backdrop is bright. The keyboards and synths are scintillating, while the groove ‘kicks ass and takes names.’ “LOCK ME UP!” ‘locks up’ the fact you’ll be moving your body and grooving hard to it. Robles kicks things off with fabulous singing, including ripe falsetto. He shows off the rhythmic, tuneful nature of the melody, which is constructed with great contour. “Gonna light a match in your apartment,” he sings, adding, “And then smile at the flames.” Whoa! During the pre-chorus, the melody remains tuneful, growing more rhythmic (“‘Cause I can’t even look up at the city / Knowing it won’t have us”). As for ZEE MACHINE, he ‘brings the heat’ in the second verse. Here, Bissell provides contrast while (1) upping the ante and (2) also impressing with some sickening falsetto (“It doesn’t feel like no coincidence / I’ve been in heaven every day that you’ve been gone”). The section to beat is the chorus:

“Someone lock me up

This heartbreak has got me drunk

Don’t know how to get unstuck

Erasing where it was, giving me some kind of rush

I won’t get enough, ‘til there’s nothing left but dust

Nothing left of us.”

Oh, snap! All said and done, ‘TEARS & GEARZ’ entices our ears with the brief but entertaining and potent “LOCK ME UP!”. Can you say #SLAY?!

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5. Binoy, “POPular”

“POPular” // Binoy Zachariah Music // 2025

Ah, Binoy (Binoy Zachariah) – Kenya’s finest! The Los Angeles-based queer musician hails from Nairobi and also has South Asian heritage. Eclectic, fearless, and talented, Binoy ‘brings it’ with every song. “POPular” is no exception! Zachariah, Jason Hines, and Parichay Nathani composed the intriguing bop. Binoy and Tripped N Sat (Hines and Nathani). The production and sound are ear-catching and sleek. The palette is a blend of electronic, pop, and world music. Zachariah has plenty of instrumental fire for his vocal performance! From the jump, he is fierce! He delivers assertive, rapped vocals. “Let’s begin / Long ago / Just a boy / On his own / Never picked / Never chose / That’s a thorn / Not a rose.” He brings ample personality without forcing things – a cool energy. After setting up his underdog status, he portrays himself as a popular boy. “With the shit that you like / Make you dance / Make you grind / Make you lose your fucking mind.” Desiring to be the desired, he asks, “Do you feel / The fantasy?” He expands on the fantasy, one felt by queer and straight individuals worldwide. Is he unreasonable when stating, “I want to be hot / To be sexy / For the boys to line up / And impress me?” No. Have you seen the unattainable perfection of some gay men who are far too hot to even hope to approach? Amid his fantasies, Binoy is incredibly self-aware in this pop song. “I’m grown but I’m still growing / My jealousy is showing,” he asserts, “These thoughts I can’t control them / I just want to be chosen.” The lyrics are relatable to the nth degree. “POPular” is not a traditional pop song. It is a bit all over the place. That is part of the charm and seems intentional. When our minds meander, particularly when it comes to love and lust, we are all over the place. Balancing rapped/chanted vocals and traditional singing, our favorite Kenyan queer musician excels once more.

Appears in:

Binoy, POPular: Beaming with Pride 34 (2025)

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6. Biscuit Beats, “I Ain’t Gay”

“I Ain’t Gay” // Crusty // 2025

“I ain’t gay but I do gay stuff / Like fucking dudes in the back of my truck.” Say what, now?! If you have to say that you’re not gay, or no homo, doesn’t that sound like you are denying being gay, or even an itty bitty bit gay? Also, if you are a man who has sex with other men, there is a label, right? You fit somewhere in the LGBTQ+ community, right? Call it what you want, Biscuit Beats, but asserting non-gayness and proceeding to list the gay sexual acts you partake in makes the argument seem flimsy. No judgement, though! The memorably risqué, NSFW lyrics of “I Ain’t Gay”, an AI country song, continue: “A little ass slap don’t mean I’m queer / I just suck some dick when I drink my beer.” Well, I’ll give you pass with the ass slapping – it happens in sports all the time! But oral sex with the same sex, and denying the gayness of it? Hmm… “I Ain’t Gay” seems hung up on feminine stereotypes and views on homosexuality, hence why the AI singer is anti-gay while partaking in gay acts that he shouldn’t be ashamed of. This un-gay guy is more evidence of how the gay community is not a monolith. He denies a label, yet, ultimately, he is a masculine gay (or bi, pan, etc.) man. The AI singer confirms his masculinity not only by drinking beer but also, loving stereotypical country things: “I love my guns, and I have my rights.” I think this bro is a proud republican! Still, despite loving guns and football, he seems to enjoy balls, if you catch my drift. “I fuck dudes on Friday nights,” he asserts, adding, “And stroke my buddy in the bathroom stall.” To be fair, there is an argument about a mutual masturbation experience not being gay, but still… does it matter regardless? No, it shouldn’t. What’s wrong with being gay? Own it, my guy! Other ear-catching moments include “He grabs my waste, I slap his ass / We’re just two men who like to smash,” and “I suck a dick, but just us two.” “I Ain’t Gay” is, well, very gay – in a masculine way. “I ain’t gay now hear me out / I just like men, and I say it proud!” Word.

Appears in:

Biscuit Beats, I Ain’t Gay: Midnight Heat 37 (2025)

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7. Bradley June, “GBF”

“GBF” // Bona Fide // 2025

“I’m the one you call when you got a secret,” Bradley June sings in the first verse of “GBF”. He adds, “[I’m] The one who picks up any time of the day / You come to me for advice on if he’ll look your way.” Bradley is the gay best friend, of course! As he says himself, “I’ve seen it all.” Facts ! June penned this marvelous pop/rock cut, which features authentic, honest, and sincere songwriting. Sadly, there is pain behind being the gay best friend. He says it best via IG: “I literally took ‘always the bridesmaid and never a bride’ and made it a gay anthem.” Let that set in. Sweet rhythm guitar drives “GBF” from the beginning, giving it that pop/rock singer/songwriter feel. June eats vocally, delivering a beautiful, nuanced performance. The melodies are tuneful during the verses. The songwriting is even more moving, particularly in the second verse, where the plight of being a bridesmaid, the gay best friend, is fully displayed. “And you tell me one day, that I’ll know what it’s like / To feel the rush of a hand when it touches my side,” he sings, continuing, “As if it would be a miracle to think / That someone in this town might actually want me.” Aww… June brilliantly captures how tough it is to be gay, particularly in a smaller town, where you don’t get the same experiences as straight peers. The chorus is the centerpiece, featuring another tuneful melody and more stellar lyrics. Most memorably, June asserts, “No one knows what it’s like to feel their pain / More than the gay best friend / On the sidelines of life’s stage.” Ultimately, Bradley June sings a pitch-perfect song that encompasses the gay experience for many individuals. Some, sadly, never experience being the bride. As he consoles his friend, whom he’s “held [her] hand when it hurts,” he admits, “I’ll do it again.” Hopefully, Bradley, you, and the abundance of gay best friends find their prince. “GBF” is painful to some extent, but also pure pop gold.

Appears in:

Bradley June, GBF: Beaming with Pride 38 (2025)

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8. Chappell Roan, “The Giver”

“The Giver” // Amusement / KRA International Inc. / Island // 2025

“And other boys may need a map / But I can close my eyes / And have you wrapped around my fingers like that.” Oh, snap, Chappell Roan (Kayleigh Rose Amstutz)! The Grammy-winning pop singer/songwriter has been open about her queerness early in her career. “The Giver” is no exception, where she expresses her sexual expertise to the same sex, unlike boys who “may need a map.” It is a clever lyric from the first verse. Amstutz penned “The Giver” alongside Daniel Nigro and Paul Cartwright. Nigro produced the track.

“‘Cause you ain’t got to tell me / It’s just in my nature,” Chappell Roan asserts in the chorus, the centerpiece of “The Giver.” She continues, “So, take it like a taker / ‘Cause, baby, I’m a giver /… Ain’t no country boy quitter / I get the job done.” Damn! The sexual innuendo is ripe throughout “The Giver.” In the second verse, she sings, “Good luck finding a man who has the means / To rhinestone cowgirl all night long.” Roan is referencing the famous Glen Campbell classic, “Rhinestone Cowboy”, and the sexual position, cowgirl. Wow! Amstutz delivers a strong vocal performance throughout “The Giver”. Fittingly, the record has country music cues (fiddle, banjo), which match the various country/ country music references. Also, like many country male musicians, Chappell is confident about her ability to woo the ladies. “The Giver” marks another entertaining, high-flying joint from Chappell Roan.

Appears in:

Bops That Pop: Jan, Feb & March 2025

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9. Cloudy June, “if Jesus saw what we did last night”

“If Jesus saw what we did last night” // Cloudy June // 2025

“If Jesus saw what we did last night…” Uh-oh… this sounds sketchy, Cloudy June. The feminist and queer musician (she identifies as bisexual) continues singing in the chorus of “If Jesus saw what we did last night”, “He’d be comin’ back to life.” Holy shit! She is referencing the resurrection of Jesus, of course. The other miracle cited? “He’d turn water into wine.” Spirituality is prevalent throughout “If Jesus saw what we did last night”, though the most devout and pious may cry foul. I doubt Cloudy June cares. The Berlin singer wrote “Jesus” alongside Cy and Maarten Paul. Philip Strand and Paul produced it.

Sex is the modus operandi of “If Jesus saw what we did last night.” No shit, Sherlock! “When you touch me there, it’s a miracle / Biblical affair,” Cloudy June sings in the first verse. Damn! In the second verse, she asserts, “[I] Can’t escape the feelin’ it’s physical / You’re my prophecy, baby.” Yep, that is a big, heaping dose of blasphemy! In the chorus, she describes their body as holy, claiming, “I’m floatin’ like an angel / You brought me down to my knees.” Amen… I mean, SACRILEDGE! Ultimately, “If Jesus saw what we did last night” is fun and stirs the pot. Cloudy June sings beautifully, expressing her sufficiently and unapologetically expressing her desires. Sex-positive, she speaks to being unashamed to be with who you choose and ‘do’ what you choose. Backed by a dark, minor key, sleekly produced backdrop, “Jesus” sounds celestial… in a dark, twisted way.

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10. Cub Sport, “This Boy’s in Love” – The Presets cover

“This Boy’s In Love” // Cub Sport // 2025

“This time, fight fire with fire / ‘Cause, baby, tonight the world belongs to you and I.” Australian indie-pop collective Cub Sport never ceases to amaze. Over the years, Tim Nelson and company have dropped some surefire bops that more folks need to be buzzing about stateside. In 2025, Cub Sport released a cover of “This Boy’s In Love”, originally recorded by The Presets (Julian Hamilton and Kim Moyes) in their 2008 album, Apocalypso. Nelson produced the Cub Sport version.

If you were naïve of The Presets’ original, you would assume this was a Cub Sport original. In the indie-pop collective’s hands, it becomes a stripped piano ballad, This is starkly different from The Presets’ original, which is quicker, groovier, with electronic instrumentation. Cub Sport maintains a chilling, cool vibe. Besides the piano, light strings enter, but subtlety remains the modus operandi. Nelson sings beautifully, delivering an authentic, nuanced, and tender performance. The chorus is nothing short of divine!

“This boy’s in love, love

This boy’s in love

Under the city

Under the city lights.”

In Nelson’s hands, as a gay married man (bandmate Sam Netterfield is his husband), “This Boy’s in Love” confirms an enduring same-sex relationship, one where, despite being judged for their love, they will remain ‘locked-in’ until the very end. The second verse (“Don’t tell the world what we’ve known”) grows more dynamic, but still never breaks a sweat. The second chorus is significantly louder than the rest of the song. The ‘come down’ is sweet, with Nelson wowing with his ripe falsetto. This radiant, stripped cover of “This Boy’s In Love” does not need to be overanalyzed – it is a stunning song!

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11. David Archuleta, “Can I Call You”

“Can I Call You” // Archie Music // 2025

“Saw you standing there in a crowded room / I didn’t see anyone but you,” the handsome and talented David Archuleta asserts on “Can I Call You”. Archie is ‘taking action’: “I can see my shot and I’m gonna take it,” he asserts in the first verse. He is optimistic that “it’s more than a crush, maybe it’s love.” Our favorite American Idol runner-up makes our ears perk up with “Can I Call You,” which he co-wrote with Michael Blum and Noah Davis. Blum produced it.

“Can I call you? We don’t even need to talk

Don’t need no volume, you can listen to my heart

Boy, you’re the sweetest like peaches

Even if it’s just you breathing that’ll do, oh

Can I, can I, can I call you?

Can I call you?”

The first verse sets the tone. The chorus, the centerpiece, lays it out there. It’s giving a dedicated relationship and monogamy. Even as Archie notes, “‘Cause I’m missing your body” in the second verse, it’s in the context that they are exclusive and separated by distance (“Now you’re back in Atlanta, and I’m home in LA”). If that’s not enough, you should hear Archie in the post-chorus: “In the morning, in the evening, in the middle of the night / ‘Cause I want you, no I need you (I need you, baby).” Ooh-wee, child! The longing! “Can I Call You” continues the liberation and maturation of Archuleta. He sings authentically and beautifully – you buy what he’s selling on this sleekly-produced, groovy pop ballad. It’s sexy without being explicit.

Appears in:

David Archuleta, Can I Call You: Beaming with Pride ️‍ 40 (2025)

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12. David Archuleta, “Crème Brulée”

“Crème Brulée” // Archie Music // 2025

“Oh, no, another man down / Another heart left on the dance floor / Took a bite, now he wants more.” Oh, snap! I’m gagging! I’m ‘shook!’ Woo! David Archuleta, the ‘short king’ with an amazing voice, is also incredibly easy on the eyes. Since coming out, the world has seen a far more liberal, liberated Archie, and that is H-O-T! Speaking of hot, our Latino hottie finally fulfills our fantasies. He quenches our thirst with his flirty, decadent single, “Crème Brulée”. Not only does he sing his cute little ass off, but he also shows off his cuteness in a must-see music video. Did y’all peep that see-through shirt Archie is wearing ? A flirty song deserves flirty cover art , and a titillating music video . Archuleta wrote “Crème Brulée” with Robyn Dell’Unto, and Ryan Nealon. Michael Blum produced it.

David Archuleta is confident from the get-go. Furthermore, he’s gay from the get-go. “Crème Brulée” finds him embracing it unapologetically, with no strings attached. See the second verse: “Poor you, won’t leave my bedroom / Your serotonin on the nightstand / I’m not even tryin’.” Yes, you read and heard right. Our innocent David has had a boy over, and the pleasure was sweet as… The rush begins in the pre-chorus, with “three-word phrases, skipping stages,” and is fully realized in the centerpiece, the chorus:

“Oh, no, there goes all of your clothes

Speaking words, you don’t know

Yo te vuelvo loco, loco

Oh, no, you want me in slow-mo

Snap me like a photo

Yo te vuelvo loco, loco

I can’t help but you don’t wanna wait (Okay)

Now you’ve had a taste of crème brûlée (Yo sé)

Oh, no, there goes all of your clothes

Speaking words, you don’t know

Yo te vuelvo loco, loco.”

Archuleta is even finer hearing him flirt and drop those Spanish bars. As always, his voice is top-notch. He is accompanied by a sleek musical backdrop that ‘ups the ante’ of the sexiness. This newly liberated David Archuleta is a beast. The “Crème Brulée” he serves up is tasty… and makes you feel things .

Appears in:

David Archuleta, Crème Brulée: Beaming with Pride ️‍ 25 (2025)

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13. Doechii, “Anxiety”

Alligator Bites Never Heal (Extended) // Top Dawg Entertainment, LLC / UMG Recordings, Inc. // 2025

“Anxiety, keep on tryin’ me / I feel it quietly / Tryin’ to silence me, yeah.” Wait, Doechii… “Anxiety” sounds familiar for a couple of reasons. Notably, it samples a prominent, Grammy-winning one-hit-wonder, “Somebody That I Used To Know” by Gotye featuring Kimbra. “Anxiety” also sounds familiar because Sleepy Hallow released a song named, “A N X I E T Y”? Notably, Doechii was sampled in the Sleepy Hallow song. Her song dates back to 2019. This is the official, finished version. It was written by Doechii, Luiz Bonfá, and, unsurprisingly, Gotye. Gotye is also credited as the producer.

Doechii delivers a compelling performance over that familiar, indie-pop backdrop that charmed the world ‘back when.’ She sings the chorus, which is one of the best parts of the song (excerpted above). Still, Doechii’s bread is buttered with her rapping. When she begins rapping, her cadence and flow is electrifying. She kicks off the first verse with fun wordplay: “Solo, no mojo / I bounce back, no pogo / Unhappy, no homo / New brands, no logos.” Word! The end of the verse is equally intriguing: “Okay, next thing, my life is a wet dream / I call it a sex scene, the back is a nice tease.” The second verse is alluring as well, referencing Florida, water, and memorably spitting, “No limits, no borders / What’s in that new world order? Marco (Marco), Polo (Polo)…”. In the bridge, she mentions her anxiety, bringing out the anxiousness to a tee in the chorus. Doechii continues to show her range and talent in “Anxiety”.

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14. ETHAN, “honest”

“honest” // Ethan Choryin Luo // 2025

“I’d rather be alone and be myself / Than stay with you and be somebody else / Just being honest / I lost myself in you, you.” Honesty is the best policy, and ETHAN (Ethan Choryin Luo) is being incredibly honest in “honest”. This pop/R&B joint was written by Choryin Luo, Isadora Soliman, SKŸE, and producer Dilyn (Dylan Tarazona). ETHAN produces alongside Tarazona. Commenting about his song in an Instagram post, ETHAN describes it as ‘the moment you realize that you’re finally getting to a place of healing after heartbreak.” The honesty of the songwriting is a huge selling point of “honest.” Despite the fact his ex-boyfriend “found someone new for your pictures,” ETHAN asserts, “It’s not a phase / I’ve never been more over you babe / Finally washed the smell of you outta my sweater / Forgetting memories I thought would last forever.” Word. As always, Choryin Luo serves up sickening vocals that are smooth and sexy. He sounds as if he never breaks a sweat, singing in a cool, calm, and collected manner. He gets a lift from sleek production that features sickening, modern synths and a sweet groove. I adore the rhythmic nature of “honest,” from its musical accompaniment to the fast-paced melodic lines. Also, the melodies are tuneful, particularly the chorus. “Honest” is honestly, pretty good!

Appears in:

N/A

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15. ETHAN, “ONE MORE SONG”

“ONE MORE SONG” // ETHAN // 2025

“And I know when I go out / It could go so wrong / Red eyes, sleep-deprived / But I just numb it all.” Word. Regardless, ETHAN (Ethan Choryin Luo) is headed to the club, specifically the dancefloor, on “ONE MORE SONG”. He penned “ONE MORE SONG” alongside producer klipo. (Johannes Bruun). Choryin Luo makes our ears perk up with his ripe, sexy pipes, particularly his falsetto. This man is sex on the track. He sings over a beautiful, sleek musical accompaniment comprised of a great danceable, thudding beat, warm pads, and synths. He superbly details his ‘going out’ experience: “Barely anybody left here / Staying ‘til it’s just the two of us / I’m seeing stars, stumbling to the bar / ask for another.”

The chorus is quite memorable:

“Last a little longer

Pushin’ it, pushin’ it

‘Til I get what I want

Vision wearing thinner

Pushin’ it, pushin’ it

‘Til the lights come on.”

Ooh-la-la! Somethin’ ‘bout that “pushin’ it” ETHAN gets me hot! Speaking of hot, I’d be remiss not to mention the sensual cover art. Ooh-wee! “ONE MORE SONG” marks another enjoyable gem from the talented musician.

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16. Gallipony, “Rather Be Lonely” (Ft. Brandon Flynn & DJ Failure)

“Rather Be Lonely” // Gallipony // 2025

“Now I really don’t wanna see you anymore,” Gallipony (Matt Gallipoli) asserts in his minor-key pop single, “Rather Be Lonely”. As the title suggests, the incredibly handsome musician would rather be lonely than be with ‘him’ anymore. Gallipoli gets a lift from gorgeous actor Brandon Flynn and DJ Failure. Gallipony penned and produced “Rather Be Lonely” with Flynn and DJ Failure. The results are positive despite Gallipoli’s willingness to be lonely. The sound of “Rather Be Lonely” is one of many selling points. The synths are warm, anchored by a sickening, dance-pop groove. Gallipony serves up beautiful vocals, flaunting his lovely tone. Reiterating his handsomeness, the accompanying music video shows us the muscular, hairy specimen in all his glory. Hot! Note: the single cover art is hot too! Adding to the eye candy is Flynn, who graces the video as Gallipoli’s lover (or ex…). Notably, he delivers a dramatic, spoken-word interlude: “And all these faggots just kept dancing / Where’s your fucking decency / What’s wrong? / You suck my dick, that’s what’s wrong.” Oh, snap! The tension between these two hotties is, well, hot! Ultimately, “Rather Be Lonely” is a fabulous, gay dance-pop bop. Gallipony, Brandon Flynn, and DJ Failure ‘bring the heat!’

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~ Table of Contents ~

17. GRANT KNOCHE, “AUTOPILOT”

“AUTOPILOT” // Grant Knoche Music // 2025

“You keep on pulling me close to the passenger side / Don’t think we’ll make it / Let’s put it on / autopilot.” Gen-Z, Dallas-born, LA-based pop singer, songwriter, and producer GRANT KNOCHE is incredibly talented. Knoche (pronounced ka-no-key if this is your “FIRST HELLO” with him) dropped “AUTOPILOT”, which he wrote with Bendik Møller and Jades Goudreault. He produced it. “Autopilot / Come and touch on my body / I don’t care who’s watching us.” Ooh-wee! That’s hot! Grant brings the ear candy to “AUTOPILOT,” PERIOD!!! The musical backdrop is fire, with a banging beat, colorful synths, and electrifying keys. This is how modern pop should sound. Vocally, KNOCHE sings calmly, coolly, and collectedly. He never breaks a sweat, even though listening to him sing, makes you sweat. Why? The vocal performance is sensual – titillating to the nth degree. KNOCHE never ‘crosses the line’ from a profanity perspective, but sex is sexing in this fun, three-minute bop: “Pulling up to the [gas] station / Hope there’s nobody home / Cause I’m filling up this tank naked / Let’s get this back on the road.” KNOCHE brings a lot to the table, which is fully displayed on “AUTOPILOT”. Also, that shirtless cover art is hot !

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~ Table of Contents ~

18. Hush, “當我們談論愛情 (What We Talk About)”

當我們談論愛情” (“What We Talk About”) // Bin Music International Limited // 2025

Love is complicated to the nth degree. That, my friends, might be an understatement. The complicated complex nature of love is something that gay Taiwanese singer-songwriter, Hush (Chen Pin-he) captures superbly in his single, “當我們談論愛情” (“What We Talk About”). The Mandopop musician articulates his thoughts poetically. The English translation doesn’t perfectly capture the Chinese lyrics, but the essence is there (“We have learned to recognize the tacit understanding in our eyes”). Hush penned this song, which he comments about via IG [translated]:

“If he had said he loved me then, would he have continued to do so until now? I don’t think so, otherwise I wouldn’t be saying such stupid things here.

That false sense of satisfaction, perhaps in the end, will be the same no matter who gives it.”

Passionate love, loving, abnormal love, attachment, unrequited love…what are we talking about when we talk about love?

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A post shared by 𝗛𝗨𝗦𝗛 (@fromhush)

The handsome and talented 40-year-old musician ‘brings the heat’ throughout “當我們談論愛情” (When we talk about love)”. His voice sounds stunning – simply beautiful! He sings with authenticity and incredible sincerity about the wide-ranging emotions of love. “Occasionally, I think of the time I spent with him / I’ve heard a lot about him since then,” he sings [translated] in the first verse. He continues, “I’ve heard a lot about him, how his heart left him / We talk about the different paths that once belonged to each of us.” Later, he honestly asserts, “I’d rather he’d just lie /… At that time, he couldn’t tell the truth / When he did, he was just like everyone else.” Beyond the elite vocals and love-talk, Hush is supported by radiant music accompaniment (piano, guitars, bass, and drums). Even without understanding the Chinese, the plight of love is easily perceptible. Hush “shines bright like a diamond” on “當我們談論愛情” (“What We Talk About”).

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19. Jake Wesley Rogers, “God Bless”

In The Key Of Love // Facet / Warner // 2025

“Momma’s little gun on the back of your head / Got a little drunk, ordered jockstraps on the internet.” Two lines into “God Bless”, Midwest-bred pop singer/songwriter Jake Wesley Rogers is locked in and loaded. The openly gay musician expresses how complicated sexuality is from the pressure of loved ones (such as mom) and desiring to be yourself (those jockstraps, which are gay, gay, gay). Wesley Rogers continues in the first verse from the sixth track of his 2025 debut album, In The Key Of Love, “You taste just like honey on cornbread / I feel so alone when you’re not in my bed.” Regardless of your sexuality, those lines should resonate. Rogers penned this thrilling ballad alongside Greg Wells. Mike Sabath produced it.

From the beginning, Rogers spoils us with his fabulous vocals. His tone is terrific, while his ad-libs and riffs give you chills. He sings authentically and sincerely. The second verse is as impressive as the first. “We’re having car sex in a business park / Like we’re the last couple on Noah’s ark,” he sings honestly and memorably. His ‘bread is buttered’ in the chorus, which excels melodically and lyrically:

“God bless the straight man in a dress

God bless threesomes when I’m celibate

God bless doing mushrooms with an atheist

God bless, it’s a beautiful fucking mess

God bless the trans kid in Texas

God bless the gods that don’t exist

Sometimes I wish it all would end

But, God bless, it’s a beautiful fucking mess.”

Supporting Rogers in the post-chorus are choral vocals, which are everything. They give off gospel vibes. Beyond the singing and songwriting, the musical backdrop is incredible, too. The arrangement and production are never overdone – it is just right. As awesome as the instrumental is, Mike Sabath ensures that the focal point is Jake Wesley Rogers. Is there any way you can listen to the blessing that is “God Bless” and not beam with pride? Nope! It is awesome!

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20. Jake Wesley Rogers, “Hot Gospel”

In The Key Of Love // Facet / Warner // 2025

“When you’re looking out a great, big window / Talking to your therapist / And you say don’t wanna let go / But you don’t wanna exist.” Ooh-wee! That is a lot! Openly gay, Missouri-bred pop singer/songwriter Jake Wesley Rogers released his debut album, In The Key Of Love, in May 2025. He wrote the intriguing “Hot Gospel” alongside producer Dallas Caton.

The instrumental backdrop is a fine canvas for Rogers to paint upon with his voice. His instrument is distinct and incredibly expressive. Jake always brings his ‘A game,’ singing authentically and sincerely. The first verse (excerpted above) sets the tone. Memorably, in the pre-chorus, Rogers mentions his Missouri roots, God, and not needing “to believe to do it well.” Again, do what, Jake? “Do the hot gospel,” of course, he sings in the chorus, continuing, “Do the bad believer / Do the broken healer / Do the saint, do the spell / Do the heaven, do the hell.” The second verse is shorter than the first but remains thought-provoking. “Hot Gospel” closes with an outro where Jake asserts, “I’m going to make the most of this hill / I’m gonna do the hot gospel.” At least part of that hill seems to be God and the conservative nature of Missouri. Rogers is incredibly talented. The entertaining and reflective “Hot Gospel” is a prime example of his elite artistry. It is well-written lyrically and musically (harmony, melody, and instrumentally).

Appears in:

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21. JJ, “Wasted Love”

“Wasted Love” // Warner Music Group Germany Holding GmbH / Manifester Music // 2025

“I’m an ocean of love / And you’re scared of water / You don’t want to go under / So you let me go under.” Poetic matters of the heart – you’ve got to love it! Well, only one side loves… it’s unrequited central, sigh. Something to love, however, is the Eurovision Song Contest 2025 winner, JJ (Johannes Pietsch). The queer Austrian singer/songwriter gags us with his debut single, “Wasted Love”. JJ co-wrote “Wasted Love” with Teodora Špirić and Thomas Thurner. With his distinct, refined ‘high tenor’ vocals, JJ is a countertenor with an operatic background. He shows off his opera skills throughout “Wasted Love,” sung exclusively in English. Beyond his soaring countertenor, JJ brilliantly gives life to the melodies. “When you let me go / I barely stayed afloat,” he sings emotionally in the second verse, adding, “I’m floatin’ all alone / Still, I’m holdin’ on to hope.” The melodies are consistently tuneful, particularly the impressive chorus. “Now that you’re gone / All I have / Is wasted love / This wasted love,” he sings, continuing, “Now that you’re gone / Can’t fill my heart / With wasted love / This wasted love.” Word. Beyond the vocal performance and lyrics, the orchestration and production are sickening. “Wasted Love” features classical and orchestral music cues alongside modern pop and electronic cues. This fusion seems to capture Pietsch’s love of various musical genres, as well as the plight of love. After the first verse sets the tone instrumentally, the second picks up steam with more instrumentation. The ending is adventurous with a tempo increase and digging into dance/electronica. JJ put in serious work on “Wasted Love”, capturing unrequited, ‘wasted love’ like a champ.

Appears in:

JJ, Wasted Love: Beaming with Pride 42 (2025)

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22. Jordan Firstman, “I wanna see my friends dicks”

Secrets // Openly Gay Productions / UMG Recordings Inc. // 2025

“I wanna see my friends’ dicks out at the bar / I wanna see my friends’ dicks, don’t care if it’s hard.” So, even if it’s flaccid, Jordan Firstman wants to see it. Noted. With a title like “I wanna see my friends dicks”, little needs to be analyzed or explained. “I wanna see my friends dicks” is the second track from the actor/comedian/musician’s 2025 debut album, Secrets. The two lines excerpted from the unforgettable chorus provide context, if it was needed, that is. Firstman and producer Blake Slatkin wrote this infectious, outlandish, and risqué pop joint. Beyond co-writing, Slatkin puts in work behind the boards. Is “I wanna see my friends dicks” gay? You bet your D it is!

Yes, “I wanna see my friends dicks” is a gay sex song. There is no denying that! But take this NSFW gay pop single with a grain of salt . It is meant to be fun and carefree. See verse two:

“So go to the bathroom and fluff it up

Whatever you need to do (Mhm)

I just think, I don’t know, it could be fun and cool

To see all seven inches of you (That’s big).”

Well, well, well! Depending on who you are, you are either laughing your ass off or clutching your pearls ! On the bridge, fittingly, Jordan lists, and in some cases, describes his friends’ penises. “Dan’s uncut, Blake is thick / Girthy, hooded, short or long / Come on bro, show me that schlong.” Lawdy! The lyrics thrive off innuendo and, dick, duh! You won’t be able to get “I wanna see my friends dicks” out of your head. I sure can’t!

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23. Kesha, “BOY CRAZY.”

. (PERIOD) // Kesha // 2025

“I’m boy crazy, I’m boy crazy / Crazy boy, I’m so boy crazy.” Can you guess what’s wrong with Kesha? She is “BOY CRAZY.”. “BOY CRAZY.” is the eighth track on her sixth studio album, and first independently released album, (PERIOD). Kesha co-wrote “BOY CRAZY.” with Madison Love and Zhone. She produced this fun, lusty track with Zhone, too. Depth is not the modus operandi on “BOY CRAZY.” This is good old, fun pop. Like many girls (and boys), Kesha can’t stop thinking about boys. In the first verse, Kesha likens boys to cocaine. Ooh-wee, addictive! At the end of the verse, she asserts, “Want to get you all alone / Motherfucker, check your phone / Berlin to Bombay, New York to LA / Tokyo to Tahoe (Let’s party).” It’s giving boys all around the world! In the second verse, “Many men are on the menu (Eat ‘em up like amuse-bouche)” and, “Driving ninety, they been tryna get me in my underwear.” Damn, girl! The centerpiece is the chorus, where Kesha admits, “You’re my fix and you’re my craving / Oh, oh, I’m boy crazy.” And for even more boys, in the post-chorus, she encourages, “Gimme, gimme, gimme all the boys.” There is no doubt what Kesha longs for. She sells it like a champ. Her performance is infectious, passionate, and most of all, horny. “BOY CRAZY.” is a BOP!

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24. Kisos, “Sludge”

“Sludge” // Miller Place // 2025

“And now I’m covered in sludge.” Being covered in a muddy deposit or slushy mass is not ideal, Kisos! The good news is that “Sludge” is another terrific song from the incredibly creative, fearless, and talented queer alt-pop artist. Muddy AF as he may be, Kisos (all pronouns), never ceases to amaze musically. Where does one begin with “Sludge?” It features ear-catching sounds from the beginning. The intro sets the enigmatic and unsettling vibe. Solidifying his “under the gutter,” “thick putrid layers of hatred” situation, is a minor key – good old dark C minor! Amplifying the sludge-fest, Kisos has an intense electronic backdrop supporting him. The synths and programming are fresh. Perfect fuel for a sludgy fire.

The backdrop is sick, as are Kisos’ vocals. The performance is playful and dramatic. This feels right given the theme and lyrics. “I felt your bitterness biting / The first time we touched,” he asserts, continuing, “Constricting my circulation / Nerves going numb.” Deep! When Kisos belts, you truly feel the intensity of his feelings, which are, rightfully, likened to being covered in mud. “The odor is overwhelming / My arms are tired from scrubbing,” he later sings, inquiring, “Did you think no one would notice / Open sores that you’re exposing.” Besides the poetic but devastating lyrics, the melodies are stunning. The contour is sweet, making them tuneful and latching on with ease. Despite this seemingly unbearable situation, Kisos’ falsetto is sweet. Adding to the excellence are powerful, harmonized vocals during the chorus. Also, some instrumental tweaks ‘up the ante’ too (gotta love a change in the beat ). Beyond the chorus, the third verse (the bridge to my ears) is the section to beat:

“You forced sludge into my mouth

I blamed myself for not ripping you out

Forgave the years of abuse

Still make excuses even now.”

Relatable, relatable, relatable. Kisos has us totally gagging by the final chorus of “Sludge”, singing his muddy ass off. This is one of his best songs to date.

Appears in:

Kisos, Sludge: Wacky Wednesday No. 18 (2025)

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25. Klovis Gaynor & The Urinal Cakes, “THE METH SONG”

SAVE ME 4 THE SPANK BANK // klovisgaynor // 2025

New York City-based queer musician, Klovis Gaynor is one of a kind. In 2025, Klovis Gaynor and The Urinal Cakes (Klovis, Brayden Baird, Dane Bundschuh, Josh Hausman, and Larah Helayne) released an ambitious debut album, SAVE ME 4 THE SPANK BANK. The title alone implies the raw and unapologetic nature of Gaynor and company, described on their website as “the sound of crying, the sound of fucking, the sound of banging pianos, distorted guitars, fear, lust, hate, cum, cum & more cum.” One of the most ear-catching songs from SAVE ME 4 THE SPANK BANK is “THE METH SONG”. Not only is cum involved in “THE METH SONG,” but so are drugs: “Meth, PCP, Four Loko / And fuck me!” Holy fuck! Even though this queer punk song is raw and rough around the edges, the musicianship is elite: creative songwriting, an authentic, playful vocal performance, brilliant, distorted guitars, and clever riffs. “THE METH SONG” is weird as fuck (and also, about fucking, too), but that is big part of its charm.

From the beginning, a lot is going on. You see, “THE METH SONG” is one of those epic musical selections where you hear something new with every listen. After listening to this gem several times, I found myself more and more drawn to it. It grows more impressive as Klovis sings about drugs, icky boys, and what sounds like filthy sex. Gaynor delivers a dramatic, emotional, and playful vocal performance. Sometimes, his pitch is flawed. That is intentional and part of the allure. The lyrics are poetic and raw to the nth degree. Klovis dips into spiritual matters, with ample blasphemy, of course! “I know Jesus was a slut / He told me in the shower,” Gaynor sings, continuing, “He showed me with his powerful tool / He made me drink, he made me vomit / Neon green, 4 Loko…” Damn, or maybe, damned… The use of Jesus’ body ‘hits different’ at the hands of Klovis. As ear-catching as the Jesus lyrics are, some of the most memorable moments occur during the centerpiece, the chorus. Here, Klovis shouts. “Old men, older the better! / Strange men, stranger the better! / Love me, know me ‘til I can’t remember / Fuck me, drug me, ‘til I get better!” Wow… speechless ! Also, if you were unaware, “The best lay of your life / Has always been laying down to die.” And that is how “THE METH SONG” ends. Ultimately, it is a breath of musical fresh air, even as filthy, raw, and unrefined as it is.

Appears in:

Klovis Gaynor & The Urinal Cakes, THE METH SONG: Wacky Wednesday No. 20 (2025)

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26. Lady Gaga, “Abracadabra”

MAYHEM // Interscope // 2025

“Like a poem said by a lady in red / You hear the last few words of your life /With a haunting dance, now you’re both in a trance / It’s time to cast your spell on the night.” Well, that’s fascinating, Lady Gaga (Stefani Germanotta)! The award-winning singer, songwriter, and actress put her dancing shoes on in “Abracadabra”, the ‘magical’ third single from her seventh studio album, MAYHEM. Lady Gaga, watt (Andrew Watt), Cirkut (Henry Walter), John McGeoch, Pete Edward Clarke, Steven Severin, and Siouxsie (Susan Janet Ballion) penned “Abracadabra.” “Abracadabra” interpolates “Spellbound” by Siouxsie and the Banshees. Gaga, watt, and Cirkut produced it.

“Abracadabra” features some sickening dance music cues. An electrifying groove helps “Abracadabra” cook. Also, the darker tilt of the song, alongside the minor key, makes it compelling. As always, Lady Gaga brings her ‘A game,’ delivering a personality-laden performance, showing off her powerful pipes. The songwriting is intriguing. “Pay the toll to the angels / Drawin’ circles in the clouds,” she sings in the first verse, continuing, “Keep your mind on the distance / When the devil turns around.” Word. In the refrain, she asks to “Save me from this empty flight / In the game of life.” Life is a key component of “Abracadabra.” Melodically, the song is colorful, particularly with accidentals that give it a Dorian flavor. The section to be is the Infectious, tuneful chorus with some nonsensical syllables in the mix:

“Abracadabra, amor-oo-na-na

Abracadabra, morta-oo-ga-ga

Abracadabra, abra-oo-na-na”

In her tongue she said, ‘Death or love tonight’.”

In “Abracadabra”, Lady Gaga remains true to herself and the artist we’ve come to know and love. It is another welcome addition to her catalog.

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27. Lil Nas X, “HOTBOX”

“HOTBOX” // Columbia // 2025

“Bitch!” Woo! Following the profane, tone-setting ‘female dog’ utterance, Lil Nas X (Montero Lamar Hill) drops an infectious, irresistible chorus on his fun, unapologetic single, “HOTBOX”. “Hit me with your lovin’ / Boy, I know you wanna / Pick me up and love me / I’ll be waitin’ on you.” Oh, snap! The Grammy-winning, out-and-proud rapper/singer is ‘on 10’ early on “HOTBOX.” He’s supported by unique, kick-ass production courtesy of Take A Daytrip, Omer Fedi, and Ojivolta. Beyond a sickening beat and synths, the listener is treated to guitar – that’s all Omer!

Beyond his singing in the chorus, Lil Nas X raps assertively in the verses. His bars are infused with personality and the universal, three-letter-word, sex. “I got my bitches in the back, and my bros in the front leadin’ / He keep lookin’ at me, I’ma make that boy a whole eater,” Nas X raps in the first verse, continuing, “I’ma fuck his friend too, baby, I’m a whole cheater / We can go to France, Eiffel Tower.” Holy shit! Nas X is equally aggressive rapping in the second verse:

“He said, ‘Let’s hit the back, hit the back, hit the backroom

You be the carpet, I be the vacuum

We can get it in, we can get it on’.”

Hoover, huh? Anyways, the bridge is a blast, too: “All that ass on your body, put some bounce on it.” Ooh-wee! Ultimately, Lil Nas X brings the fuckin’ heat (literally) on “HOTBOX”.

Appears in:

Bops That Pop: Jan, Feb & March 2025

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28. Lucy Dacus, “Ankles”

Forever Is A Feeling // Lucy Dacus / Geffen // 2025

“What if we don’t touch? / What if we only talk / About what we want and cannot have?” Grammy-winning singer/songwriter Lucy Dacus establishes a high bar on “Ankles” early on. “And I’ll throw a fit / If it’s all I can do,” she continues singing in the love-oriented first verse. “Ankles” is a promo single and the third track from Dacus’ fourth studio album, Forever Is A Feeling. Dacus penned it, producing alongside Blake Mills.

“Ankles” features an ear-catching, driving, rhythmic strings from the onset. Besides the strings, plenty of excellent rhythmic lines contribute to the colorful vibes of the musical accompaniment. “Ankles” is anchored by a solid groove. The backdrop is perfect for Dacus, who delivers a cool, calm, and collected vocal performance. She never gets too high or too low. She never sounds like she never even thinks of breaking a sweat. Expectedly, the songwriting is top-notch. “Agent of chaos, angel of death / One of three ancient fates,” she sings the poetic lyrics in the second verse, adding, “Playing with your scissors again.” Beyond radiant vocals and elite songwriting, the melodies are tuneful, particularly during the chorus:

“Pull me by the ankles to the edge of the bed

And take me like you do in your dreams

I’m not gonna stop you

I’m not gonna stop you this time, baby.”

The excellence of “Ankles” speaks for itself. Dacus continues to be one of the best songwriters of the 21^st century.

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29. Mad Tsai, “One Of The Boys”

“One Of The Boys” // Mad Tsai // 2025

“Sweat dripping on my lips / Good god, you’re so masculine,” the smoking hot and talented Mad Tsai sings in “One Of The Boys”. He continues in the first verse, “Hate to say but I love it / You got me going when we’re wrestling.” Tsai penned this boy-centric pop joint with Maria Landi, and producer, Tele Fresco. One of the big takeaways from this is how he highlights masculinity. The bisexual pop artist hates to admit he enjoys their more heteronormative interactions. He’s not wrong when he adds, “We can talk about girls,” but Tsai sees more potential for them. In the tuneful, simplistic chorus, he sings:

“I’m just one of the boys

Boys, boys, boys, boys

You can make me your toy

Toy, toy, toy, toy

Baby you can just close your eyes and enjoy

I’m just one of the boys

Boys, boys, boys, boys, boys.”

Other masculine things include watching ballgames, frat house shenanigans, and working out. Notably, there is great talk-singing during the bridge. Here, Tsai showcases ample personality (“Baby slick your hair back / No shirt with my baseball bat / Boy if I pitch, can you catch?”). Beyond the entertaining lyrics, “One Of The Boys” thrives off its modern pop sound: groove, synths, guitar, etc. Another selling point outside of the music is the sexy cover art. Mad Tsai showing off the midriff will never not be sexy! “One Of The Boys” = another winning pop bop from Mad Tsai!

Appears in:

11 Songs Associated with Number One, Vol. 3 (2025)

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30. Manúk & Miggy, “No Brainer”

“No Brainer” // Manúk // 2025

Cutting straight to the chase, it is easy to be enamored by Manúk (Juanmanuel Kornisiuk) – prepare to swoon! The gay Argentinian artist based in Sydney, Australia, is ‘perfect’: toned, tatted, and super-handsome. Ooh-wee! Not only does he hit all the right notes with his looks and body, but he also does so being a talented singer. Manúk unveiled a surefire bop in “No Brainer”. He penned this pop track while Miggy produced it. From the beginning, “No Brainer” brings out the beloved ‘chipmunk soul’ sound. While there is a dash of throwback vibes, all in all, the production is sleek, contemporary R&B and pop. Stylistically, Manúk lands somewhere between both styles. Kornisiuk’s vocals are silky smooth. He sounds suave to the nth degree. Upping the ante are tuneful, rhythmic melodies which Kornisiuk navigates with ease. It doesn’t sound like he breaks a sweat, though if he did… Moving on, the section to beat is the memorable chorus, which plays out something like this:

“It’s a no-brainer

Get love drunk, do it no chaser

Always call me when you’re looking for favors

On time, but you want it for later (later).”

Manúk is piping hot. Not only physically, but musically, he brings it on “No Brainer”.

Appears in:

N/A

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31. Miley Cyrus, “Something Beautiful”

Something Beautiful // MCEO Inc. / Columbia // 2025

“Tell me something beautiful, yeah, tonight / Until your lips turn blue.” Miley Cyrus ‘comes out swinging’ on “Something Beautiful”, the second track from her ninth studio album, Something Beautiful. “Beautiful” finds Cyrus delivering stunning vocals with a top-notch tone and gorgeous balladry. If you are musically eclectic, “Something” thrives off sounds associated with various genres, including pop, rock, jazz, and R&B. Each section embraces a different stylistic identity while meshing seamlessly when it’s all said and done. “Something Beautiful” features poetic, ear-catching lyrics. “Ah, water to red wine, kissing to kill time / Oh my, yeah / Ah, watching the doves cry into the sunrise,” Cyrus sings in the first verse. In the second, she asserts, “I drown in devotion (Devotion), as deep as the ocean (The ocean) / So don’t let me go, no, no, no.” Marvelous, jazzy touches (horns, harmonic progression) occur during the varied pre-choruses (“Flash, bang, spark / Lighting up the dark / Bomb, bomb”). This section differentiates itself from the verses. During the chorus, there are some experimental cues (big distorted, noisy guitars). Cyrus’ vocals are distorted and even more playful:

“Boy, I’m losing my breath, yes

Boy, you’re marking up my necklace

Boy, I’m losing my breath

I’m undressing, I’m confessing that I’m so obsessed, yes.”

The loud, distorted section continues into the outro, expanding its wildness (“Eat my heart, break my soul / Take my parts, let me go…”). So much can be said regarding “Something Beautiful”. It is a beautiful, epic song from Miley.

Appears in:

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32. Nxdia, “Boy Clothes”

“Boy Clothes” // Bxdger // 2025

“Help me out / I’m just tryna get directions to your boyfriend’s house.” Whoa, whoa, whoa! Why, Nxdia (Nadia Ahmed)? According to the Egyptian Sudanese alt-pop musician, “There’s something that we haven’t really talked about / I wonder what he’s thinkin’ when we mess around / When we’re hanging out.” Sounds messy! What is not messy regarding song quality is “Boy Clothes” written by Nxdia, Orlando Giannini, and producer, Danny Casio. This two-and-a-quarter-minute-long song is engaging from the get-go.

I love the gradually accelerating bass line accelerates at the beginning. Nxdia offers playful vocals. Initially, the vocals are ‘talked’ with a smoky timbre. However, Nxdia’s vocals grow more dynamic and distorted during the pre-chorus. While the scandalous excerpted lyrics are interesting, more interesting is how Nxdia navigates gender dysphoria. That is what makes “Boy Clothes” the bop that it is. In the pre-chorus, the nonbinary musician (any pronouns) expresses her desires for the things he enjoys and uses: “…I want all the other boys that call me by my name / I use his V05, I wear his aftershave / I feel fantastic, and I don’t behave.” Why can’t girls use V05, aftershave, and not behave? In the second verse, exploring gender, Nxdia asserts, “Threw my dresses on the street / Used to smell sweet / Now they smell like gasoline.” “Boy Clothes” may be brief but it is quite thought-provoking. Anyone exploring gender identity or defying gender stereotypes can take a page out of Nxdia’s book. Notably, Nxdia had top surgery.

View this post on Instagram

A post shared by Nxdia (@nxdiamusic)

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33. Olly Alexander, “When We Kiss”

Polari // Universal Music Operations Limited // 2025

“Lie next to me / We can make a choice, change our destiny (When we kiss).” The words that Olly Alexander sings that pique the most interest are lie (as in bed) and kiss. Those lyrics from “When We Kiss” suggest an intimate experience. We love sex! “When We Kiss” is the ninth track from Polari, the first album credited under Alexander (formerly Years & Years). The song features incredibly sleek production work by Danny L Harle. The warm, pulsating synths and danceable beat are big-time selling points. Another big-time selling point? The smooth, dare I say ‘sexy’ vocals by Olly Alexander. “When We Kiss” has its sexy moments without crossing the line. The song isn’t primarily about sex, however. Matters of the heart drive the narrative. Yes, kisses are involved, but Olly seems to be trying to salvage the relationship. “Hold onto me / There’s something here worth saving,” he sings in the first verse. In the second, he has questions about the state of their relationship: “Ooh, I can’t tell if this is ending or beginning / Ooh, and I’ll do anything to keep the embers burning / Ooh, how do we come so far from who we used to be?” The centerpiece is the chorus where Olly states the power is in his partner’s hands. “How can we justify / The love we left behind,” he sings, continuing, “How did it ever come to this / Tears in your eyes when we kiss.” To reiterate, there is kissing – an element of intimacy. But, this couple seems to be at a crossroads – they’ve got to figure things out. “When We Kiss” gives Olly Alexander another B-O-P, PERIOD!

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34. Omar Rudberg, “I’m Not a Boy”

“I’m Not A Boy” // Atlantic // 2025

According to the hunky Omar Rudberg, “I’m not a boy / I’m not a girl.” Per the chorus of “I’m Not a Boy”, the hunky Venezuelan Swedish actor and musician is “an alien out of this world / I’m no thing you can put into words.” So, summing things up, gender doesn’t accurately characterize him. Rudberg adds, “I’m just an idiot looking for love / I am nothing (6xs), oh.”

Anyways, Rudberg penned “I’m Not a Boy” alongside Sophia Somajo and producer Elias Kapari. Omar is dramatic during the centerpiece, highlighting who he is, that we don’t know who he is… something like that. During the verses and the pre-chorus, he addresses how others view him. “What do you know about my life?” he sings in the first verse, adding, “Lover, now don’t be a hater.” In the second verse, he asserts, “My mama didn’t make me basic / Sorry to tell you, but I am a freak.” Well, he does state later that he is an alien, so… In the pre-chorus, following the first verse, he characterizes his freakiness more colorfully: “Hid your husband, hide your wife / Kiss and tell them, ‘See you later’ / Sorry to tell you, but I am a freak.” Ultimately, Rudberg is who he is and who he is meant to be on “I’m Not a Boy”. Labels don’t accurately describe him.

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35. Osvaldo Supino, “new phone”

fine, thanks // Osvaldo Supino // 2025

“Hey, new phone, who dis? I’ma pull up in the brand-new whip / Ya boy try me that’s real stupid / Go all out that’s all I do babe.” Oh, snap, Osvaldo Supino! The handsome and talented independent Italian musician brings the heat to the short but sweet “new phone”. This sassy AF anthem is the seventh track from his 2025 album, fine, thanks. Supino wrote and produced “new phone” with Jorge Isaac Garcia Diaz De Leon. You won’t be able to resist dancing and feeling yourself on “new phone.” Supino radiates with confidence as he sings over the sleek, sickening backdrop. He sounds like he’s living his best life – having plenty of fun. “Can somebody get me two of these / Ain’t got time for the birds and the bees,” he sings, adding, “Make your money overseas.” Woo! Osvaldo doesn’t cease his confidence there. “Everywhere I go / Collateral effects,” he brags, mentioning those salty, jealous boys. Of course, they are “Looking at my moobies,” and while “They’re about to leave,… I’ve got my papi.” All told, “New phone” is a surefire bop. It is a blast to listen to this carefree, fabulous, and fierce pop joint. “My anxiety is chronic, but this ass is iconic.” Fierce !

Appears in:

Osvaldo Supino, new phone: Beaming with Pride ️‍ 36 (2025)

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36. Paisley Heart, “Suck Me Off” (Ft. HOLLYWOULD)

“Suck Me Off” // Paisley Heart // 2025

“Head is the answer / Head is the future.” What kind of head, that is the question, Paisley Heart (they/them pronouns)! The non-binary, self-described ‘lavender scented gentlemxn’ dropped a sexed-up techno bop alongside fashion model, singer, and DJ Hollywould Star. Given the name of the song is “Suck Me Off”, the answer should be obvious as to what head is being referenced. If there was any doubt, Paisley Heart provided clarity via IG: “Your favorite sexdolls just dropped a campy oral anthem! .” Heart and Star co-wrote “Suck Me Off” with Nardean. Heart and Nardean produced it. From the beginning, “Suck Me Off” sounds sleazy. The musical backdrop is sleek to the nth degree. The beats and synths are ‘on point.’ It is set in a minor key. The lyrics are queer and playful. At the end of the first verse, we get a bomb: “We gettin’ this party pumpin’ / There’s just one thing I need right now / Suck me off.” It’s giving pump and… never mind! The second verse is my favorite, with the tone set in the first half of the verse – neon lights, kisses, and “stolen glances.” From there, we are set up for the oral experience!

“Whispers in the heat of the dark

Come on, baby, make your mark

Stop playing games, I’m on my knees

Whip it out baby, I aim to please

Suck me off!”

Does Paisley Heart or Hollywould Star take themselves seriously on “Suck Me Off”? No, and why should they? This is a fun, playful song about H-E-A-D, plain and simple. Relax, it’s just sex.

Appears in:

Paisley Heart, Suck Me Off: Midnight Heat 30 (2025)

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37. Peder Elias, “If I Got a Dollar”

“If I Got a Dollar” // Peder Elias / Sony Music Entertainment Norway AS // 2025

“Crazy / How you’re back and forth with me lately,” Peder Elias (Peder Elias Eriksrud Kjørholt) sings in the first verse of “If I Got a Dollar”. He continues, “Up, down, like a trampoline baby / One day you’re so into me, next day falling out.” Love and relationships can be complicated to the nth degree. Even so, the Norwegian singer, songwriter, and producer approaches “If I Got a Dollar” with enthusiasm. Go figure. This major-key pop gem was penned by Elias, Ryan Bickley, and Freedo. Freedo also produced it. “Stop making a mess out of my mind / You know that you’re killing me with those hazel eyes,” Elias sings in the second verse, adding, “I need help, help running from you.” Oh, snap! Truthfully, once you are enticed by someone, even if they hurt you, it can be hard to let go, particularly when physical appearance and pleasure come into the picture. Accompanied by a stellar music backdrop, including rhythmic guitar, Peder ‘brings it’ with his warm vocals and lovely tone. He does a marvelous job of bringing the tuneful melodies to life, particularly the centerpiece, the chorus:

“If I got a dollar every time that you broke my heart

If I got a dollar for each fight that you took too far

I’d live in a penthouse, uptown, roll out fancy cars

If I got a dollar every time that you broke my heart

I’d bе a millionaire.”

Yep, that is where the money comes into the mix! During the bridge, his hypothetical richness is further explored, with clear separation from the verses and chorus, and some sweet falsetto. One other highlight from the fab “If I Got a Dollar” is the post-chorus, where the instrumental slaps. Despite his heartbreak, Peder Elias perks our ears up ‘something fierce’ in this pop bop.

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38. Perfume Genius, “It’s a Mirror”

Glory // Perfume Genius / Matador // 2025

Does Perfume Genius (Mike Hadreas) ever miss? No. “It’s a Mirror” is another epic song from the musician. Hadreas penned it while Blake Mills produced it, playing multiple instruments and providing background vocals. One reason why the single from Glory is sensational is the hip, indie vibe. An alternative/art rock cut, “It’s a Mirror” stands out the first time you hear it. It features ear-catching musical accompaniment with multiple guitars, an overt drum groove, and piano. The harmonic progression contributes to the high level of musicality. Supported by a sweet instrumental, the ‘star of the show,’ Hadreas, delivers a strong vocal performance bringing the tuneful melodies to life.

The songwriting is the sugar honey iced tea – it’s given crème de la crème, baby! The lyricism is authentic, poetic, and thoughtful. Listening to Perfume Genius sing, you feel he bears his soul. “What do you get from the stretching horizon / That you’d leave me spiraling with no one to hold?” he sings in the first verse. In the second, he sings vulnerably, “I still run and hide when a man’s at the door.” I felt that. A short refrain highlighting the titular lyric appears after the first two verses. The chorus arrives after the second refrain, highlighting the keyword, mirror:

“It’s a mirror, holy terror

Taking focus off the horizon

It’s a chorus reaching for us

Swarming locusts wherever you go.”

A post-chorus follows. An instrumental break precedes the third and final verse which is also emotional (“Can I move on without knowing specifics / While memories hum like a hive shaken out”). A final chorus caps off “It’s a Mirror”, another stellar song from the ever-consistent Perfume Genius.

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39. Ruben, “Love That Hurts”

So Long, Ruben (EP) // Markussen Music / Warner Music Norway AS // 2025

“Want my feelings thrown around type of lovin’ / Like whiskey’s flowing through my veins.” Oh my, Ruben (Ruben Markussen)! In the first verse of “Love That Hurts”, the Norwegian singer/songwriter adds, “Burning virtues to the ground gets me going.” Wow! Truly, our handsome and talented musician wants a painful brand of love! “Love That Hurts” is the third track from his 2025 EP, So Long, Ruben. Markussen, Kasper Daugaard, and Mcdc (Mads Christian Damgaard Christiansen) wrote “Love That Hurts.” Mcdc produced it

Ruben sounds incredible. His vocals are expressive and nuanced to the nth degree. Additionally, the vocal production is on point. And what about the production overall? Superb, with lovely keys, a groove that cooks, and a colorful sound palette. What does not hurt about “Love That Hurts” is the tuneful melodies from start to finish. Following the first verse, where Markussen establishes his brand of love, he continues to shine in the pre-chorus: “Go away / If you don’t wanna stay / If you don’t wanna wait / Just get out my way.” At least he’s honest! The chorus is the ‘cat’s meow’ – the crème de la crème!

“I want that love that hurts me, darling

I need to feel it everywhere

Shot to the heart with an endless energy

Pick me apart, how bad can it be?

I want that love that hurts me, darling.”

Here, Ruben shows off his powerful upper register. That falsetto is high-flying – to die for, keeping the pain going! “Love That Hurts” is a surefire bop.

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40. RYANN, “Boy, Why Don’t You Touch Me?”

“Boy, Why Don’t You Touch Me?” // RYANN // 2025

“Boy, why don’t you touch me? / Tell me, are you afraid?” Queer Netherlands pop singer/songwriter RYANN (Ryan Adriaens) has a legitimate question. Dude, what gives? What’s the problem? Feeling fiery (and horny) on “Boy, Why Don’t You Touch Me?”, RYANN continues singing, “Bitch, don’t be lazy / I also want to get laid.” His brutal honesty is part of the charm of a bop, released in April 2025, that has summery vibes written all over it. Well-produced, “Boy, Why Don’t You Touch Me?” is groovy from the get-go. Trying to resist dancing to this one is impossible.

As sickening as the instrumental is, it is our young, horny young man, RYANN, who is the star of the show. Don’t deny the handsome fella – he needs and wants some! As always, RYANN serves up sweet vocals, longing for some good, S-E-X! The boy he desires is anonymous – “I don’t even know your name, but I don’t care.” Risky, mind you, but not far-fetched in gay hookup culture. Also, later, he reveals the guy who won’t touch him, though it’s censored. Anyways, RYANN has made up his mind that he will sleep with him, but he won’t touch him, hence why RYANN must prompt him! The chorus is the section to beat. It is super fun – one of the biggest selling points of this queer little bop. Of course, all of the lyrics are fun, though less so for RYANN, who keeps striking out with this cutie, at least him receiving pleasure: “Still, every time we get home / And the heat starts to rise / Oh, you think about yourself / I’m sorry but I’m forced to stop and ask.” RYANN even gives us a story time about this selfish sex – whatever it is. “And every time we had sex or fooled around / He just didn’t touch me.” Wow – what a dick! Sadly, our hot Dutch boy doesn’t get the quality lay he deserves, but he drops another surefire bop with “Boy, Why Don’t You Touch Me?”.

Appears in:

RYANN, Boy, Why Don’t You Touch Me?: Beaming with Pride ️‍ 39 (2025)

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41. RYANN, “Housewife”

“Housewife” // RYANN // 2025

“We ate lasagna / Now you’re lying on top of me / You whisper: I love you / I say it back.” Aww, how sweet RYANN (Ryan Adriaens)! The 21-year-old singer/songwriter from the Netherlands has found love despite the fact he did not feel like it was possible on “Housewife”: “I had never really been in love before / I had convinced myself I was asexual.” He is not asexual, hinted at by the lyrics from the first verse, with confirmation provided in the second. The single cover art stands out with the Gen-Z singer/songwriter dressed in a housedress as a housewife. Notably, the spray bottle of cleaning solution is labeled with his name. All the while, the handsome musician sports yellow gloves, a yellow handcloth, and the pride flag painted on his face, proudly . Perhaps those “Gay Struggles” are over!

“Housewife” features warm, pop production. The warmth of the musical backdrop is matched by beautiful, cool, calm, and collected vocals by RYANN. Love is the modus operandi, with Adriaens willing to be his housewife. Naturally, he references cleaning and even goes so far as to assert he’ll give birth to his children (“And I’ll give birth to your children as many as you would like”). Adriaens is expressing his dedication to his love. As mentioned earlier, this previously convinced ace sings about great sex: “We lie naked in bed / We had our moment in the dark / You told me it was the best you’ve ever had / And I agreed.” The bridge provides contrast. RYANN sings about how it didn’t feel right with his ex (“I didn’t want to be his housewife”). The centerpiece of “Housewife” is the chorus, which acknowledges how strongly he feels about his boyfriend.

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42. serpentwithfeet, “WRITHING IN THE WIND”

GRIP SEQUEL // Secretly Canadian // 2025

“A mangled heart writing in the wind / Let me mend it, let me mend it.” Serpentwithfeet (Josiah Wise) takes the initiative to fix this damaged heart. Why? “I’m not who I was then,” he sings, adding, “I wanna make, make amends.” So, he is the culprit of the brokenness on “WRITHING IN THE WIND”? It appears so. “Can you give me a chance?” he asks, pleading, “Boy, give me another chance.” At least Wise seeks to atone for his wrongdoing and heartbreaking ways, albeit briefly. He sings beautifully over gorgeous piano chords, rhythmic, harmonized background vocals, and an active thudding beat. Clocking in under a minute and a half, the fifth track from GRIP SEQUEL is a surefire vibe. Perhaps the biggest flaw of “WRITHING IN THE WIND” is the fact that it doesn’t last longer. Serpentwithfeet has an excellent musical thing going on here, no cap.

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43. Snow Wife, “What Do Girls Do?”

“What Do Girls Do?” // SNOWGLOBE // 2025

“Girls / What do girls do? / I like girls who / Look like you.” Woo! Snow Wife (Emily Leann Snow) isn’t shy about her preferences for girls in “What Do Girls Do?”. Jesse saint john, JBACH, STINT, and producers Danna Davell and Slush Puppy penned the brief cut. As always, Snow brings ample personality. Sex is the modus operandi. “I could be the appetizer, then I’m gonna make you dinner,” she sings in the first verse, “Have you ever thought about having a girlfriend for the summer?” Ooh-wee! In the second verse, she names specific girls – Stassi, Tati, and Bobbi – who catch her eye. Well, Tati touches her waist… The centerpiece is the chorus, where, like Mötley Crue, Snow Wife is digging these girls!

“You got the moves

Make me, ‘Ooh’

You like girls and girls like

You, smokin’ blue

Mötley Crüe

You like girls and girls like.”

Girls like girls, of course! “What Do Girls Do?” is intriguing from start to finish. Beyond an engaging performance from Snow Wife, the musical backdrop is sleekly produced – it’s on-point. The songwriting is compelling and, dare I say, girl-centric. Snow delivers the goods!

Appears in:

WHAT is up with These 15 Songs? (2025)

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44. Stemin, “By Your Side” – Sade cover

By Your Side // Stemin Music // 2025

“You think I’d leave you down when you’re down on your knees / I wouldn’t do that.” Covering a Sade hit is an elephantine task. “By Your Side” is one of the British R&B band/singer’s better/most notable songs. Beyond compelling us with a “Gay, Gay, Holiday”, queer, Amsterdam-based R&B artist Stemin impresses with a cover of this Sade gem. Our handsome (understatement ) and talented fella works magic to make “By Your Side” sound like an original. The piano balladry of “By Your Side” is perfect for Stemin. It contrasts with the accompaniment of the original, which features guitar, bass, keys, and percussion. Also, the Stemin rendition slackens the tempo. He delivers gorgeous vocals, showcasing his pure tone. He sings authentically and expressively, making it easy to buy what he is selling. The chorus is one of his best moments: “Oh, when you’re cold, I’ll be there / Hold you tight to me.” As awesome as he sounds on the song’s centerpiece, he kills it during the bridge, showing off the power of his pipes: “And if you want to cry / I am here to dry your eyes / And in no time, you’ll be fine.” Stemin concludes exceptionally as he promises, faithfully, “I’ll be there by your side, baby.” Baby, baby, baby, say that! Notably, he omits the third verse. Ultimately, “By Your Side” gets a fabulous interpretation from Stemin who #Slays!

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45. ur pretty, “Taste It”

“Taste It” // ur pretty // 2025

“Yeah, he put his dick all in my mouth, I love to taste it / I made it drip all down my face, don’t wanna waste it.” Oh, snap! Ur pretty is NSFW from the beginning of “Taste It”. Gay sexual experiences aren’t surprising from the alter ego of Jake Hill, but the assertiveness is, well, quite assertive! In the chorus of this sleek gem produced by Hill and Guala Beatz, ur pretty adds, “He told me turn around, I love the way you take it / I don’t ever want it to end, no.” Ooh-wee! So, we get oral sex, a facial, and anal sex. Plenty to taste here, fellas!

While the cards are revealed early on “Taste It,” ur pretty never tames the sex. In the bridge, there is suckin’, jackin’, moanin’, and poundin’. In the hook, ur pretty asserts, “Play my guitar, drive my stick just like a car.” That’s precedes the pre-chorus where the relentless dick play continues. “I like the way you move, cover my face with your juice / And I ain’t playin’, grab my throat, bitch, I can take the abuse.” Damn! In a variation of the chorus, it comes as no surprise “He started creamin’, filled me up just like a pastry / Pulled out that penis, licked the tip, his dick so tasty.” The proper, full-length verse is more graphic:

“Like the navy baby, put that ship inside my port

I’m stretched out and we’ve been makin’ such a mess

Trace a heart into the puddle of semen that’s on my chest

You’ve got me so high, in between my thighs

I don’t ever wanna be fucked by any other guy.”

Wow… So, what does one make of ur pretty? Honestly, I don’t know. But what we do know is that there is no denying that “Taste It” is gay as hell, and we wouldn’t have it any other way.

Appears in:

ur pretty, Taste It: Beaming with Pride ️‍ 41 (2025)

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Bops from 2025 That Make You Beam with Pride (2025) [: Brent Faulkner / The Musical Hype; Al Calderon, Amusement, Archie Music, Atlantic, Bentley Robles Music, Binoy Zachariah Music, Bin Music International Limited, Bona Fide, Cloudy June, Columbia, Create Music Group, Crusty, ETHAN, Ethan Choryin Luo, Facet, Gallipony, Geffen, Grant Knoche Music, Interscope, Island, Kesha, klovisgaynor, KRA International Inc., Lucy Dacus, Mad Tsai, Manúk, Markussen Music, Matador, MCEO Inc., Miller Place, Openly Gay Productions, Osvaldo Supino, Paisley Heart, Peder Elias, Perfume Genius, RYANN, Secretly Canadian, SNOWGLOBE, Sony Music Entertainment Norway AS, Stemin Music, Top Dawg Entertainment, LLC, UMG Recordings, Inc., Universal Music Operations Limited, ur pretty, Warner, Warner Music Czech Republic s.r.o., Warner Music Finland, Warner Music Norway AS; AcatXIo, Alexandra Koch, Arvind Ravat, Gordon Johnson, Luiz Fernando Rodrigues Sampaio, M. Harris, Maicon Fonseca Zanco, Rosey / Bad Hamburg / Germany, u_9secrfwmuu from Pixabay]

Bops from 2025 That Make You Beam with Pride | Playlist

Published by the musical hype on June 2, 2025June 2, 2025