R&B singer, songwriter, and producer Blackbear makes an enjoyable, if âheartbrokenâ return with his fifth studio album, Anonymous.
âDo, re, mi, fa, so fuckinâ done with you, girl.â Yep, âdo re miâ served as a breakout song for singer, songwriter, and producer Blackbear. You could say that the profane pitch-syllable anthem helped to âput him on the map.â He returns with Anonymous, his first new project since 2017, when he released mansionz (with friend Mike Posner), digital druglord, and his mixtape, cybersex. Â Ultimately, he makes up for his absence in 2018 with the enjoyable, 18-track LP.
âPink Rolexâ
âSeeinâ me draped in wool / Itâs Saint Laurent and itâs itchy / Got your name and your city in the back of my mind / My heartâs iced over, I found a new owner.â Blackbear commences Anonymous with a bang on the brief âPink Rolex.â Heâs clearly doing well financially, but suffering from broken heartedness, and finding legitimate friends who arenât superficial or fans via social media. On follow-up â âHate My Guts,â things just arenât the same. How so? He questions what happened between himself and his ex, reminiscing back on the now defunct relationship. Another brief number, the premise of the song is loud and clear â the end of love and struggling to cope. Demons dominate the melodic, major-key âDrug Dealer,â where he references his struggles with drugs and worries about his âplugâ moving away. On the verse, he seems to show a friendly attachment for his enabler, which is a bit disturbing. âDrug Dealerâ speaks to the degree of the musicianâs addictions and demons, and how powerful both can be.
âSwear to GodâÂ
âI ran into God at the liquor store / She asked me what Iâm always running for.â Hmm, what an interesting lyric that blackbear sings on â âSwear to Godâ. Here, he seems to get serious about cleaning himself up â cleaning up his life. The aforementioned line, excerpted from the first verse, seems to perfectly capture the mess that the singerâs life is in. He echoes a similar sentiment on the second verse, referencing depression, heartbreak, and his own mistakes. Among the reasons why âSwear to Godâ is clever is because blackbear weaves in relationships with substances, God (loosely), and of course, a âwomanâ who âRipped out the best part of my heart and let it bleed.â On the pre-chorus, the singer is focused on his substance abuse issues: âI got too much doubt and I donât know my limit.â On the chorus, he takes responsibilities for his mistakes, including cheating and drugging, while vowing to change. âSwear to Godâ packs a respectable punch, even clocking it at a mere two-and-a-half minutes. Despite his hard times and self-inflicted mistakes, the record is set in an optimistic major-key and driven by rhythmic strings.
âMake a Messâ
Blackbear moves on from the plug back to his ex on âMake a Mess.â âYeah, I let you wreck everything in sight / I must have been blinded,â he sings on the second verse, continuing, âBy that big old ass and that accent / You sittinâ back and you laughinâ.â âMake a Messâ is filled with gimmickry from its pitch-shifted vocals, rhythmic pop-rap styled lines, and the overall, broken and detached nature of the production. âSick of it Allâ is pretty self-explanatory â heâs sick of everything. Of course, there are more colorfully sick moments than others, such as âIâm sick of all the fucking trash on Instagram / The ass is fat on every girl in Lululemon yoga pants, no yoga mat.â  As straightforward and un-profound as âSick of it Allâ is, itâs also quite enjoyable.
âChangesâ continues with the relatively basic and simple script of Anonymous. Blackbear, admittedly, made mistakes in the ended relationship, but heâs been changing without her.  âChangesâ clocks in at a mere two-and-a-half minutes. The sleek standout â âHigh1xâ is slightly longer yet remains shy of the three-minute mark like the majority of Anonymous. The delivery is equal parts melodic as well as rhythmic. Thereâs ample swagger, something that the superb production from Twice as Nice screams for â well, not literally of course. If he is a bit more in his feelings on âChanges,â heâs more carefree on âHigh1x,â even if he âOnly get this high right here one time.â
âDownâ
â âDownâ features some of the loveliest production work of Anonymous with its harmonic progression. Produced by Andrew Goldstein (aka FRND), Blackbear sounds cool and relaxed on this gem. Despite the delivery, âDownâ questions the legitimacy of âlove.â Furthermore, âbear seems to play around with the meaning of the word âdown.â âBurnt AFâ is the first song (and one of only a few) to cross the three-minute mark. âWe belong to other lovers, so we gonna hurt each other,â he sings on the chorus, later adding, âWhy we go and choose each other? / We belong to other lovers; I donât know why I even tried.â That pretty much sums up the record, where hooking up was a bad idea from the get-go.
âLaid out like a crucifix, she ready for religion / She ainât go to church but she know how to beg for forgiveness.â â âHeartbrokenâ features some truly hard-nosed production fueling the singer’s fire â he âgrowlsâ you might say. Perhaps whatâs most notable about this record is the fact that he turns things around from being âheartbrokenâ to being âa heartbreaker.â Follow-up â â1 Sided Loveâ was released as a single prior to the release of Anonymous. Compared to the preceding âHeartbrokenâ track, the âbearâ sounds much gentler as he letâs his self-centered lover down easily. âYouâre too busy talking over me to hear what Iâm saying,â he sings on the chorus, later adding, âYouâre so into yourself, everyone else is overrated / And everythingâs changinâ; is your heart worth breakinâ?â
âLosing Youâ
On âLosing You,â the effects of the breakup have blackbear totally messed up. Essentially, heâs under her influence and seems to be losing his mind. The end of the relationship still lingers on âItâs All Gonna Burn,â even though he accepts and wisely states that the end was inevitable.  On the second verse he sings, âItâs people like you and people like me / We werenât meant to last, let alone meant to be.â He brilliantly sums things up on the chorus, singing, âWe donât need to wait for the sky to fall down / Itâs all gonna burn someday.â On the brief âDead Balloons,â the mistakes and mishaps run rampant, but he tells his girl, âIâll make it up to you when itâs all over⊠when I get soberâŠâ
If some of the swagger of Anonymous drifted away after âHeartbroken,â it returns on the 16th track, âToo Close.â Blackbear is more assertive, more confident, and fiery with his pop-rap delivery. Once more, thereâs emphasis placed on âclosenessâ â âYou gettinâ way too close, whoa.â Penultimate number âDead to Meâ is exactly what you expect it to be â putting the memory of his ex to rest.  The record is set in a minor key, features dramatic, biting production work, and emotional, passionate vocals. â âNyla,â the sole track to clock-in north of four minutes, concludes Anonymous superbly. It is a remake of his popular 2013 song. Vocally, it is one of his better performance, with his distinct pipes shining.
Final Thoughts
All in all, Anonymous delivers a number of worthwhile musical moments from blackbear. From the start, he makes the premise of the album clear â the effects of love and heartbreak.  Relatable and effective game plan â he does a fine job of sticking to script. Does Anonymous run a bit long? Yes. Even at a respectable 50 minutes, there are 18 tracks which is a lot to digest, particularly compared to digital druglord, which was merely 10 tracks with a 32-minute runtime. Regardless, Anonymous is more triumph than not for the heavily-tatted musician.
Gems: âHate My Guts,â âSwear to God,â âHigh1x,â âDown,â âHeartbroken,â â1 Sided Loveâ & âNylaâ Â
Blackbear âąÂ Anonymous âą Alamo / Interscope âą Release: 4.26.19
Photo Credit: Alamo / Interscope
