Billie Eilish exceeds expectations on Happier Than Ever, her authentic, more intimate and personal sophomore album.
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donât envy the task of a musician having to follow-up a juggernaut â a certified masterpiece. For đ Billie Eilish, she had a juggernaut on her hands with đż WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?. It was commercially successful, critically successful, and earned her and brother/producer, đ FINNEAS (Finneas OâConnell), multiple đ Grammys including the highly coveted Album of the Year. Now, the time has come to follow-up. If đż Happier Than Ever had experienced âthe sophomore slumpâ it would be understandable. However, it doesnât, in the least. If anything, Eilish has matched if not exceeded brilliance of her debut on Happier Than Ever, a more intimate and personal sophomore album.âGetting Olderâ
âThings I once enjoyed / Just keep me employed now.â Those lyrics are both relatable to anybody and specific to Billie Eilish. She commences Happier Than Ever with â đ” âGetting Older,â where she reflects on how things have changed as she matures and experiences life. This well-produced number (FINNEAS is a beast, as always) sets the tone. Notably, she references the title (âIâm happier than ever, at least thatâs my endeavorâ), as well as opens up about abuse (â(Wasnât my decision) To be abusedâ) and trauma.   Â
Starting a song out with a growling dog â now thatâs something you donât hear every day! On đ” âI Didnât Change My Number,â post-dog-growl, Eilish references a bad relationship. She describes her love interest as being âEasy on the eyes, eyes, eyes / But looks can be deceivinâ.â Notably, she cites people she trusts as discouraging this relationship, including Laura, her manager, and her friend, Drew. Follow up đ” âBillie Bossa Novaâ is indeed a contemporary bossa nova record, which is intriguing. Like the previous two songs, as great as the production and sound of the record is, itâs the personal nature of the lyrics that stand out the most. One eyebrow raising moment: âMakes me wanna take a picture / Make a movie with you that weâd have to hide.â Ooh wee!Â
On â đ” âmy futureâ, an early Happier Than Ever single, we get both familiarity and new wrinkles. Eilish, known for her subtlety, continues in that vein, but is more optimistic (ââCause Iâm in love / With my future / Canât wait to meet herâŠâ). She remains hypnotic vocally, drawing listeners into every lyric and note. Thatâs particularly notable on the first half of the song which is slow and indulgent. She exhibits her ability to deliver balladry without breaking a sweat. As always, her bro has her back from a production standpoint.  Perhaps the biggest surprise is the change of pace. The addition of a sick groove and increased tempo is thoughtful and unexpected.
âOxytocinâ
The production work throughout Happier Than Ever is epic. One of the most ear-catching backdrops comes on the minimalistic, rhythmic â đ” âOxytocin.â The moment I heard âOxytocin,â I knew it sounded like nothing else Iâve heard this year. Besides the marvelous instrumental, Billie Eilish is on autopilot with her playful vocals chocked-full of personality. The suggestiveness â the sexual innuendo â is turned up to the nth degree. Lyrically, Eilish remains sharp, yielding numerous memorable moments: âIf you only pray on Sunday, could you come my way on Monday? / âCause I like to do things God doesnât approve of if She saw us.âÂ
â đ” âGOLDWINGâ keeps the album shining. Furthermore, it marks one of the best songs. Billie Eilish advises a nameless young woman who is âangelicâ in the sense they havenât been traumatized.  âGold-winged angel / Go home, donât tell / Anyone what you are,â she sings, adding, âYouâre sacred and theyâre starved / And their art is gettingâ dark / And there you are to tear apart.â Itâs a thoughtful, wise message. Furthermore, Eilish delivers the two-and-a-half-minute gem gorgeously. I love the celestial sound of the intro vocals.
âLost Causeâ
âThought you had your shit together, but damn, I was wrong.â Eilish brings some bite and sass to â đ” âLost Causeâ, which checks off all boxes. The record features an awesome rhythmic groove and more colorful, decadent production. Notably, âLost Causeâ has more urban pop flavor. Â This is a welcome contrast that Billie eats up, singing more dynamically than usual, thereâs indulgence about her performance that makes it charming. Her harmonized vocals on the chorus are quite ear-catching, while the chorus itself is quite infectious:
âYou ainât nothinâ but a lost cause (Cause, cause)
And this ain't nothinâ like it oncĐ” was (Was, was)
I know you think youâre such an outlaw
But you got no job (job).â
Eilish rips this guy a new one. It all goes back to those matters of the heart which in this case didnât work out particularly well for Billie. At least, it works out masterfully for the listeners!
â đ” âHaileyâs Cometâ continues excellence â honestly, it exceeds it. The music â melody and production â is gorgeous, as are Eilishâs vocals. Interestingly, the final minute-plus features a contrasting key and background. This keeps the song fresh and eliminates predictability. The lyrics remain spellbinding, as Eilish sings about falling in love. One of my favorite lyrics occur on the third verse:
âMidnight, for me, is 3AM for you
But my sleepless nights are better
With you than nights could ever be alone.â
âNot My Responsibilityâ
đ” âNot My Responsibilityâ hits hard, but not because of extremely loud music. It hits hard because of the messaging. A spoken word record backed by an enigmatic backdrop, Eilish addresses the criticism sheâs received, particularly regarding her attire. âIf I wear what is comfortable, I am not a woman,â she states, continuing, âIf I shed layers, Iâm a slut / Though youâve never seen my body, you still judge it / And judge me for it / Why?âÂ
She follows with đ” âOverHeated,â which brings in elements of the production from the previous track, reconfigured. I like the effect of how these two tracks are connected. Essentially, âOverHeatedâ is a sung edition of âNot My Responsibility,â as far as theme is concerned. đ” âEverybody Diesâ marks another respectable, above average number â well performed, produced, and written. That said, itâs one of the few songs, when nitpicking Happier Than Ever, that doesnât resonate quite as much with me. Still, donât get it twisted â itâs a worthwhile listen!
âYour Powerâ
âTry not to abuse your power.â That is a powerful lyric from advance single, â đ” âYour Powerâ. The biggest thing to love about âYour Powerâ is the songwriting â the theme and the lyrics. Eilish goes big, tackling an âabusiveâ relationship.Â
â...I know we didnât choose to change
You might not wanna lose your power
But havinâ itâs so strange.â
While this song is personal to Eilish, she seems to aim at an entire congregation wronged by power â abuse. Vocally, she sings as beautifully, intimately, and understatedly as always. âYour Powerâ is more acoustic sounding compared to her previous records. The use of guitar as the driving force within the accompaniment is very musical, much like Billieâs vocal performance. Focusing once more on the main attraction, Eilish manages to get a catchy, memorable chorus out of this fine, emotionally charged record.
âDid I take it too far? / Now I know what you are / You hit me so hard / I saw stars.â â đ” âNDAâ marks another incredibly rewarding single from Happier Than Ever. Notably, FINNEAS âshows outâ on the boards, particularly the chorus. âNDAâ is a darker moment, with the title serving as an acronym for non-disclosure agreement. Billie lets us peek into her world throughout the song. She rose to fame as a teen, and she imparts the downside of fame including stalkers, lack of parties, and the time she âHad a pretty boy over, but he couldnât stay / On his way out, I made him sign an NDA.â Later, on this intense yet intriguing gem, she adds, âIâve been havinâ fun gettinâ older now / Didnât change my number [made him shut his mouth / At least I gave him something he can cry about.â I love how Eilish sounds throughout, particularly the brief but gorgeous chorus, as well as her ratcheted up intensity on the outro (excerpted at the top). âNDAâ is utterly sublime.
âTherefore I AmâÂ
âStop, what the hell are you talking about? Ha / Get my pretty name out of your mouth / We are not the same with or withoutâŠâ â đ” âTherefore I Amâ marked the second advance single from Happier Than Ever, following đ” âmy futureâ.  The production is minimal but cool and potent. We are blessed with a nice groove and dark synths that bite, set in a minor key (D minor to be precise). Eilish sings in an undertone, continuing to make the subtle approach work. She delivers a playful performance, intact with attitude and sass, with the best part being the sweet, infectious chorus:
âIâm not your friend
Or anything, man
You think that youâre the man
I think, therefore, I am.â
âTherefore, I Amâ is another winner with production, subtlety, and a blend of playfulness and attitude sealing the deal.Â
â đ” âHappier Than Everâ ranks among the biggest surprises of Happier Than Ever.  Why? âHappier Than Everâ transforms into this bold, overblown rock cut. Eilish, who barely raises her voice usually, gives us a powerful, unexpected dynamic vocal on the second half of the track. Just hearing this âabout face,â particularly after âHappier Than Everâ doesnât begin the way it ends, is enough to make it a surefire winner.Â
That means that closing cut đ” âMale Fantasyâ has a hard act to follow. It does, but âMale Fantasyâ has its own redeeming qualities, with the reference to pornography raising eyebrows. That said, the pornographic lyric doesnât define âMale Fantasyâ â the chorus is more telling:
ââCause I loved you then, and I love you now
And I donât know how
Guess itâs hard to know when nobody else comes around
If Iâm getting over you
Or just pretending to
Be alright, convince myself I hate you.â
Final Thoughts đ
Once again, Billie Eilish has delivered the goods. Happier Than Ever is a different album compared to her debut, but itâs also more intimate and personal. Often, younger musicians have a harder time relaying authentic emotion, or at least, whatâs deemed authentic by older listeners. Here, Eilish does a fabulous job of conveying her experiences, giving us more of herself â digging deeper than she did on đż WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? Her first album was a masterpiece, and guess what? So is her second. Â
â Gems đ: âGetting Older,â âmy future,â âOxytocin,â âGOLDWING,â âLost Cause,â âHaileyâs Comet,â âYour Power,â âNDA,â âTherefore I Amâ & âHappier Than Everâ Â
đ Billie Eilish âą đż Happier Than Ever âą đ· Darkroom / Interscope âą đ 7.30.21
[đ·: Darkroom / Interscope]
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