Kacey Musgraves, Golden Hour | Album Review
Two-time Grammy-winning country artist Kacey Musgraves returns with a magnificent, third studio album, ‘Golden Hour’, which appeals beyond the country audience.
Two-time Grammy-winning country artist Kacey Musgraves returns with a magnificent, third studio album, ‘Golden Hour’, which appeals beyond the country audience.
18 Light & Dark Songs, In Three Phases features music courtesy of Breaking Benjamin, Camila Cabello, Justin Timberlake, John Legend and MGMT among many others.
’00s East Coast rap standout 50 Cent returns with a new single, “Crazy.” He enlists rising rapper/singer PnB Rock for the assist.
Swedish metal collective Ghost returns amped-up on “Rats,” the promo single for their highly-anticipated fourth studio album, ‘Prequelle.’
Following an extended hiatus, Sugarland – Jennifer Nettles and Kristian Bush – is back. “Bigger” serves as the title track and promo single for their 2018 comeback album.
Red-haired Georgia country singer Cole Swindell drops an enjoyable, well-rounded, mid-tempo ballad with “Somebody’s Been Drinkin’.”
Listening to the totally empty, meaningless ‘Bless Yo Trap,’ led by the utterly inept, surface level rhymes of Smokepurpp, the future of rap looks mighty suspect.
“15 Gems from One Never-ending ‘Never’ List of Songs” features music from artists including Camila Cabello, Flume, Hayley Kiyoko, Rich Homie Quan, and The Weekend.
Eclectic artist Janelle Monáe thinks bigger on the socially-charged, incredibly relevant “PYNK,” the third advance single from her third full-length album, ‘Dirty Computer.’
On his latest single “Esskeetit,” breakout teen rapper Lil Pump merely recycles clichés and all things empty and shallow.
Washington soul singer Allen Stone returns with a compelling, thoughtful new single, “Brown Eyed Lover,” which centers around a successful, enduring relationship.
G-Eazy, alongside Yo Gotti and YBN Nahmir, join forces for “1942,” a single from the forthcoming film, ‘Uncle Drew,’ starring Boston Celtics point guard, Kyrie Irving.