Vampire Weekend, Modern Vampires of the City | Album Review
Indie rock darlings Vampire Weekend return as an older, more mature band on their superb third studio album, ‘Modern Vampires of the City.’
Indie rock darlings Vampire Weekend return as an older, more mature band on their superb third studio album, ‘Modern Vampires of the City.’
‘Jake Bugg,’ the self-titled debut LP by the Brit singer/songwriter is a highly recommended effort for traditional-, indie-, folk- or garage-rock fans.
French alternative rock collective Phoenix never miss a beat on Bankrupt! a compelling follow-up to their Grammy-winning 2009 LP, Wolfgang Amadeus Phoenix.
Fantasia delivers an enjoyable fourth studio album with ‘Side Effects of You.’ It’s imperfect, but all in all, well-rounded.
Up-and-coming, 20-year-old, Florida hip-hop/pop artist Jake Miller shines on EP, ‘The Road Less Traveled.’
While his sophomore album ‘Wolf’ is still ‘rough around the edges,’ Tyler, the Creator packages the album more responsibly than ‘Goblin.’
‘I Am Not a Human Being II’ is a good Lil Wayne album, not an elite one. Sometimes he’s ‘on,’ while other times, he’s less inspired, recycling past ideas.
Following an illustrious career, with nothing to prove, veteran R&B musician Charlie Wilson delivers a solid R&B affair on his 2013 LP, ‘Love Charlie.’
British pop artist Conor Maynard puts the Justin Bieber comparisons to rest on his enjoyable, suggestive debut album, ‘Contrast.’
After an underwhelming seventh studio album in ‘No Mercy,’ T.I. redeems himself on his eighth album, ‘Trouble Man: Heavy is the Head.’
One Direction has a clear ‘hierarchy.’ While the band lacks the personality of 90s boy bands, there are distinctions within the group musically.
No Doubt returns after an 11-year hiatus between studio albums. ‘Push and Shove’ serves as the band’s follow-up to Rock Steady, which bowed in 2001.