Exceptionally gifted pop singer Ariana Grande continues her impressive run on her fifth studio album, âThank U, Next,â among her very best. Â
There was never any doubt that Ariana Grande was among the most talented musicians in the game. From a vocal standpoint, there are few singers with more range, a more refined tone, or such versatility. Now, as Grande has matured artistically, beginning most pronouncedly with her 2016 album, Dangerous Woman, sheâs truly became a âforce to the be reckoned with.â Coming less than a year after her enjoyable, Grammy-winning fourth studio album, Sweetener, Grande âbrings it even moreâ on her fifth LP, Thank U, Next. As impressive as the songs and performances themselves is how much of a contrast Thank U, Next is compared to Sweetener. Interestingly, thereâs not a feature to be found.
âImagineâÂ
âImagine a world like that / We go like up âtil Iâm sleep on your chest / Love how my face fits so good in your neck / Why canât you imagine a world like that?â Ariana Grande is in sensually-charged mode on opener â âImagineâ, focused on a relationship thatâs âlit.â The sleek urban contemporary production supports this vibe. She truly embraces her role as a younger Mariah Carey here, with the high notes further supporting her cause. Grande establishes pleasure on the first verse, keeping things âcoolâ and filled with swagger. On the second verse, the âpicture perfectâ relationship continues. Because itâs âreal,â she urges him, âTell me your secrets / All of the creep shit / Thatâs how I know itâs true.â The lyrics and theme arenât complex or game changing but work out well overall.
Following slow jam âImagine,â â âNeedyâ keeps thank u, next on the upward trajectory. The brief âNeedyâ is incredibly well-produced, characterized by inescapable lushness. The lushness is created by the keyboard loop, pad, and rich, robust harmonized vocals. As always, Ariana Grande sings incredibly well, truly making the melody sound gorgeous. â âNASAâ picks up the pace, as well as the rhythmic intensity. Here, Grande embraces more of a hip-hop-infused urban contemporary sound, something sheâs excelled at numerous times throughout her career. The repetitive, âspace-centricâ chorus is infectious to the nth degree.
âGive you the whole world, Iâma need space Iâma need space, Iâma, Iâma need You know Iâm a star, Iâma need space Iâma need space, Iâma, Iâma need space (N-A-S-A).âÂ
âBloodlineâ
Keeping thank u, next fresh, âBloodlineâ incorporates some tropically-tinged, reggae-infused pop into the mix. Grandeâs versatility continues to be on display, while she remains idiomatic of urban-pop. âBloodlineâ continues the trend of high-flying, yet poised vocals, memorable and catchy songwriting, and top-notch production. â âFake Smileâ is quite appealing, thanks to sampling a soul classic by Wendy Rene, âAfter Laughter (Comes Tears)â. Grande may not achieve the distorted grit Rene does on the original, but her smooth pipes fit perfectly over such a soulful backdrop. Of course, the soul icons would never be as bold as Grande, particularly when she asserts, âFuck a fake smileâ on the brief, but potent chorus. She refuses to mask her emotions â sheâs going to be authentic AF.
âBad Ideaâ comes in as the second longest songs on thank u, next, approaching four-and-a-half minutes. Despite being lengthy, itâs as consistent and compelling as everything that precedes and follows. âBad Ideaâ â about what it the title suggests thematically â once more successfully blends and bridges pop and R&B seamlessly. While Grande never âwails,â she successfully incorporates her sick upper register without forcing it. On the second verse, she sings, âYeah, I know we shouldnât, baby, but we will (you know we will).â
âMake UpâÂ
A dash of the tropical pop script returns on the ultra-sassy âMake Up,â which begins with a bang â âI like to fuck with you just to make up with you / âCause the way you be screaminâ my name.â Yep, the sex is lit from the start, and calling it mere sexual innuendo might be selling it short. Rather than merely being suggestive, Grande goes for it, playing on the word âmake upâ in regard to messing up her make-up during sex, and of course having make-up sex itself. This oneâs short, but incredibly sweet.
âI know that it breaks your heart when I cry again / Over him / I know that it breaks your heart when I cry again / âStead of ghostinâ him.â Even sweeter than âMake Upâ is  â âGhostin,â arguably the most innovative record on thank u, next. Perhaps âGhostinâ isnât a âgame changerâ per se, but up to this point in her career, Ariana Grande hasnât released a ballad that sounds quite like this one. Her vocals are hella smooth (expected), while the lyrics that she sings are beautiful and thoughtfully-penned.  Taking honors as the longest record, beating out âBad Ideaâ by a couple of seconds, itâs also among the crĂšme de la crĂšme if not the crowning achievement. ILYA and Max Martin outdo themselves on the production, which is radiant to the nth degree â awe-inspiring.
âIn my Headâ is stuck between two of the albumâs best cuts â âGhostinâ and the setâs third single, â7 Rings.â While itâs not as distinct or as accomplished as either record, Grande maintains the consistency of thank u, next without a question. Just because this urban-pop record isnât among the top-three per se doesnât mean it wonât find a way on repeat while spinning the LP.
â7 Ringsâ
âBeen through some bad shit, I should be a sad bitch / Who woulda thought itâd turn me to a savage?â #Fierce. â â7 Ringsâ features moody production from the onset â dark, enigmatic, and set in a minor key. Notably, this standout lifts from the melody of âMy Favorite Thingsâ from The Sound of Music. Sleek, hip-hop oriented cues are in full throttle during the addictive, instantly catchy chorus. Ariana Grande is confident AF on the pre-chorus and choruses. The pre-choruses exemplify a flex-fest (âMy wrist, stop watchinâ, my neck is flossinâ / Make big deposits, my gloss is poppinââŠâ), while the chorus is simple, but effective.
âI want it, I got it, I want it, I got it⊠You like my hair? Gee, thanks, just bought it I see it, I like it, I want it, I got it (yep)â
In addition to the bold line that commences this review on the first verse, on the second verse, Grande asserts, âWhoever said money canât solve your problems / Must not have had enough money to solve âem.â Thatâs how Ari rolls on â7 Rings.â
âThank U, Nextâ
â âThank U, Nextâ certainly created a buzz when it arrived as the promo single for the album in November 2018. âThought Iâd end up with Sean / But he wasnât a match / Wrote some songs about Ricky / Now I listen and almost laugh.â Grande reflects on her relationships, going on to add more most recent exes like the deceased Mac Miller and Pete Davidson. She continues to focus on her exes on the first pre-chorus and chorus, profanely proclaiming, âThank you, next / Iâm so fuckinâ grateful for my ex.â On the second verse, she focuses on herself â her own well-being. She flips the script on the second pre-chorus, focusing on her own excellence. On the bridge, she anticipates marriage, but ultimately plans to âmake that shit last.â Ultimately, âthank u, nextâ is an honest, therapeutic record that finds Grande reflecting on life, love, and focusing on bettering herself.
âBreak up with Your Girlfriend, Iâm Boredâ has the monstrous task of following number one hits â7 Ringsâ and âThank U, Next.â Like the other ânon-gemsâ following âgems,â âBreaking up with Your Girlfriend, Iâm Boredâ remains worthwhile in all respects (vocals, production, and songwriting).
Final ThoughtsÂ
When itâs all said and done, Thank U, Next is filled with hits, period. Ariana Grande truly outdoes herself, particularly considering the brief gap between albums. Vocally, she remains on point, while the material is pretty captivating and fresh throughout. Thank U, Next doesnât reinvent the wheel mind you, but it gives both Grande and the industry as a whole a strong pop album worthy of continue spins.
â  Gems: âImagine,â âneedy,â âNASA,â âfake smile,â âghostin,â â7 Ringsâ & âthank u, nextâ
Ariana Grande âąÂ thank u, next âą Republic âąÂ Release: 2.8.19
Photo Credit: Republic
