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“A Playlist Comprised of 13 ‘What’ Songs” features songs courtesy of Ali Gatie, Drake, KAYTRANADA, P!nk, and Trivium.
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“Ooooh, ooh / Been wishin’ for you / Ooh, ooh / Tryna do “What Lovers Do” (ooh).” Okay Adam Levine, Maroon 5, and SZA I see you on the stand out from Red Pill Blues. According to Russ, the same year (2017), There’s Really a Wolf and he’s knows exactly “What They Want”. Okay – I’m feelin’ it! Backtracking to 2006, that’s when my boy T.I. had me banging the hell out of the totally ‘what’ gem “What You Know.” That epic production by DJ Toomp is untouchable, sigh. Oh, and one more that I’m not going to give the full-blurb treatment on A PLAYLIST COMPRISED OF 13 ‘WHAT’ SONGS – Bruno Mars informing us on 24K Magic, “That’s What I Like”.
Hopefully, I made my point. A PLAYLIST COMPRISED OF 13 ‘WHAT’ SONGS is exactly WHAT it says it is. Each song title simply features the word – wait for it – WHAT! There are a plethora of songs that could’ve been featured, but alas, I randomly selected an unlucky – I mean lucky 13. Songs appearing on this list arrive courtesy of Ali Gatie (“What If I Told You That I Love You”), Drake (“Nice for What”), KAYTRANADA (“What You Need”), P!nk (“What About Us”) and Trivium (“What the Dead Men Say”) among many others. Without further ado, let’s get down to the WHAT!!!
1. Ali Gatie, “What If I Told You That I Love You”
“What If I Told You That I Love You” • LISN / Warner • 2020
“What If I Told You That I Love You” is a pleasant record through and through. The record is written and produced by Gatie, DANNYBOYSTYLES (Danny Schofield), and Sam Wish (Samuel Wishkoski). The backdrop is characteristic of the contemporary pop/R&B sound, and well attuned to Gatie’s voice. Vocally, Gatie sings soundly, exhibiting a beautiful tone, nuance/color, while not overreaching or underwhelming. Thematically, he asks his fair share of hypothetical questions, with the prime example occurring on the chorus:
“What if I told you that I love you? What if I told you that I love you? What if I told you that I need you? Would you tell me that you need me, too? What if I told you that I love you?”
Gatie seems to be trying to solidify the relationship status. It seems, whatever her response is, he’s going to base his response similarly: “I don’t wanna say, ‘I miss you’ / If I don’t know that you miss me back…” All in all, on “What If I Told You That I Love You,” Ali has a pretty good thing going here.
2. Jack Harlow, “WHATS POPPIN”
Sweet Action • Generation Now / Atlantic • 2020
“What’s poppin’? Brand new whip just hopped in I got options I could pass that bitch like Stockton Just joshin’ I’ma spend this holiday locked in My body got rid of them toxins Sports Center, top ten.”
Following the drippy chorus, Jack Harlow drops one verse that certainly doesn’t lack in confidence. Notably, he references his hometown a couple of times, including the restaurant, Vincenzo’s, as well as the Louisville Cardinals basketball team. Beyond those shout outs, Harlow offers many clichés – sex (“She heard of my deep stroke”) and money (“Spending money at the club like Sam’s”) primarily. Sure, we’ve ‘been there, done that’ obviously, but he possesses confidence, personality, and swagger. That’s “WHATS POPPIN’!” This popping WHAT song previously appeared on the playlist 13 Splendid Songs Where the Men Ask Questions.
3. Kacey Musgraves, “Oh, What a Wonderful World 2.0 (Earth Day Edition)”
“Oh, What a World 2.0 (Earth Day Edition)” • UMG Recordings, Inc. • 2020
The same can be said of the new version, “Oh What a World 2.0 (Earth Day Edition),” which was released on Earth Day 2020 (April 22). It is shorter than the original, and while it retains the mellow, laid back vibes, it has more of a stripped, even more subdued sound. In a press release of the reworked version of the song (via Pitchfork), Kacey Musgraves asserts:
“…In the face of a pandemic that has brought cities to their knees, a song can feel small. A melody can seem insignificant. This is a global moment of acknowledgment and respect for the power of nature and for so many of us – extreme challenges and sadness. But in the midst of all the loss and uncertainty there are signs everywhere of human compassion and renewal… In spite of all its troubles, it’s still a wild, beautiful world and if you need proof, it’s out there… Right now, there are so many brave people that deserve Medals of Honor: the nurses, doctors, grocers, the delivery and truck drivers, cashiers, gas station attendants, the scientists, restaurant workers, the single parents, and SO many others…“Oh, What a World” – dedicated to our planetary home and all the quiet heroes this Earth Day: You’re the northern lights in our skies.”
Oh, and in case you were worried, the vocoder that dominates the beginning of the original makes its way into “Oh What a World 2.0.” “Oh What a World 2.0” previously appeared on the playlist, 10 Songs That Capture & Embody the Pandemic.
4. Trivium, “What the Dead Men Say”
What the Dead Men Say • Roadrunner • 2020
“I’m calling out to you, can you hear me / Numb and disconnected, just beyond your sight / I’m not myself anymore / But I’m not alone.” The dark “What the Dead Men Say” arrives as the second track on the album. Of the song, Paolo Gregoletto tells Kerrang on the track-by-track guide that it was inspired by a book inspired by an article of the same title as the song, as well as in-between states, death, and grieving. Even with so many inspirations, Gregoletto makes it clear, “I don’t think that’s one hundred per cent exactly what this song means, but I want people to be in that mindset and know about some things that inspired it.”
The lyrics definitely seem to confirm Gregoletto’s various inspirations. Such is obvious on the second verse when lead vocalist/guitarist Matt Heafy sings, “I’m waiting for a sign of life / And I can’t let go.” Musically, “What the Dead Men Say” is about as infernal as you’d expect – angular, athletic, jagged, distorted guitar lines, prominent bass, and heavy, pummeling drums serve as an epic soundtrack.
5. Post Malone, “Take What You Want”
Ft. Ozzy Osbourne & Travis Scott
Hollywood’s Bleeding • Republic • 2019
“I feel you crumble in my arms down to your heart of stone / You bled me dry just like the tears you never show / Why don’t you take what you want from me?” “Take What You Want” pairs Post Malone with Ozzy Osbourne and Travis Scott (Worth noting, “Take What You Want” reappears on Osbourne’s 2020 comeback album, Ordinary Man). Can you say vibes? Ozzy Osbourne sounds particularly awesome here, singing the aforementioned chorus at the beginning and following Travis Scott’s verse (verse two). Of course, Post sings the first verse and his own version of the incredibly catchy chorus following his verse. Easily among the crème de la crème of Hollywood’s Bleeding.
6. KAYTRANADA, “What You Need”
Ft. Charlotte Day Wilson
BUBBA • RCA • 2019
“I never wanted you / Too see this part of me / Now all I can hope to do / Is tell you still / That it’s what you need…” “What You Need” appears on the second half of BUBBA, specifically the tenth track. The production is a glorious mixture of groovy, sensual, and smoothness. The synths that KAYTRANADA uses are marvelous, characterized by balance, decadence, and potency. The beat = stellar, stellar, STELLAR! Add Celestin’s instrumental with those cool, smoky vocals of Charlotte Day Wilson, and the vibe is nothing short of killer. The result is a great blend of dance, electronic, and R&B.
7. JACKBOYS & Travis Scott, “WHAT TO DO?”
Ft. Don Toliver
JACKBOYS • Epic • 2019
A few seconds in, it’s clear that “WHAT TO DO?” is a vibe. That said, has there ever been a song by or associated with Travis Scott that isn’t a vibe? The biggest selling point and contributor to the vibe is the production by London Cyr, Jenius, and MIKE DEAN. Simply put, it is quite ear catching. The beat anchors, while the keyboards and synths provide color. There’s an assortment of sounds, sound effects, and musical ideas. Of course, the performers themselves must be acknowledged.
Travis Scott drops a simple but fitting chorus, particularly given the slow pacing of “WHAT TO DO?” “Still fucked up (Yeah) / Still fucked up (Uh-uh, yeah) / Don’t know what to do.” That’s pretty clear, if I do say so myself. After the chorus is revealed early on, Toliver arrives on the first verse, showing off his distinct voice. He drops a cool Clyde Drexler line: “Step with the three like Clyde, slide, slide.” Travis drops his own verse, with the lyrical gems, “Always thought T was a rex / Never thought T was a wreck,” referencing Toliver, of course. Definitely a ‘what’ song worth indulging in.
8. Mike Posner, “Look What I’ve Become”
Ft. Ty Dolla $ign
Keep Going • Island • 2019
The production is very sleek, with an urban sensibility. Dwilly handles the boards with successful results. Posner references his Walk Across America at the onset, singing, “Walked across Ohio, took me 50 days / I talked to the stars, they were happy that I came…” Essentially, he’s in full-on introspective, reflective mode, thinking about the beauty of life. This is best exemplified on the refrain:
“Yeah, I took a little time right now just to count my blessings Count my blessings, count, count, count Took a little time right now just to count my blessings Count my blessings, okay.”
Fair enough. On the second verse, Posner goes on to say:
“If I think ‘bout paradise, I’d imagine this No drugs or no alcohol ‘cause I’m high as it is Yeah, I don’t want your money, I am simply done I just walked away, huh, look what I’ve become.”
The repetitive, self-explanatory chorus follows, before Ty Dolla $ign closes things out on the third verse. Dolla $ign speaks about what he’s become in regard to his success (“God don’t make no accidents, look what I’ve become”). Ultimately, “Look What I’ve Become” is quite an interesting record.
9. Thomas Rhett, “Look What God Gave Her”
Center Point Road • Big Machine • 2019
On the relatively quick-paced “Look What God Gave Her,” Rhett manages to keep things brief, south of three minutes in duration. The chorus is memorable, with some ‘swagger’ about it – rhythmically, embracing a ‘hip-hop identity,’ while remaining idiomatic of country.
“Look what God gave her, how perfect He made her She walks in the room, it’s like He answered my prayers The way that she moves, how could anybody blame her? I know she’s got haters, but it ain’t her fault, nah Look what God gave her.”
Rhett serves up some excellent ad-libs towards the end without ever over-singing or growing overindulgent. The question is, what exactly did God give her that Rhett is so thankful for? Well… just think about that one for a minute… it’s not particular religious either, which leads me to noting that “Look What God Gave Her” previously appeared on the playlist 11 Secular Songs from 2019 that Reference Jesus or God, which was published at the end of the year in 2019.
10. Marlon Williams, “Nobody Gets What They Want Anymore”
Ft. Aldous Harding
Make Way for Love • Dead Oceans • 2018
“Isn’t it strange, impossible to claim your reward.” Ah, Aldous Harding gets first blood on “Nobody Gets What They Want Anymore,” exhibiting pure, robust vocals. The initial accompaniment is simply guitar. Simple it may be, the sound is lush and ultimately, appealing.
Marlon Williams arrives on the following line, taking command of the verse.
“I cannot explain, emotions I can barely afford to contain You’re the same, you hide away from anything that turns you on Nobody gets what they want anymore.”
He delivers equally glorious vocals. Eventually, following another verse in a similar vein, the two join forces, in exquisite harmonies, singing the titular lyric. With combined forces comes expanded production that’s more dynamic and fuller in instrumentation. Williams dominates the end of the song, which contrasts the majority, though in the most positive, musical way.
“What am I going to do when you’re in trouble And you don’t call out for me…”
Also, worth noting, Make Way for Love has another pretty good ‘what’ song – “What’s Chasing You”.
11. Drake, “Nice for What”
Scorpion • Young Money / Cash Money • 2018
Drake drops a compelling, rhythmic flow, oscillating between pop-rap and unpitched rhymes. Musically, he makes good choices, specifically the use of space allowing Hill’s sampled vocals to shine. Pretty ‘nice’ ear candy from this ‘what’ song you ask me! Among my personal favorite rhymes:
“Gotta hit the club, gotta make that ass jump Gotta hit the club like you hit them motherfuckin’ angles With your phone out, snappin’ like Fabo And you showin’ off, but it’s alright And you showin’ off, but it’s alright It’s a short life.”
I selected “Nice for What” as the 10th best song on 100 Best Songs of 2018. Furthermore, the song appeared on the ‘nice’ playlist Prepare to Feel the Kindness of These 8 ‘Nice’ Songs.
12. P!nk, “What About Us”
Beautiful Trauma • RCA • 2017
The chorus, excerpted at the beginning of the opening paragraph, and continued down below, is a major selling point:
“…What about us What about all the plans that ended in disaster? What about love? What about trust? What about us?”
“What About Us” appeared previously on the question-driven playlist, 14 Songs Posed as Questions, dating back to November 2017. Archives my friends, archives! In addition to the crown jewel, P!nk has another pretty stellar ‘what’ song from Beautiful Trauma: “Whatever You Want”.
13. Taylor Swift, “Call It What You Want”
Reputation • Big Machine • 2017
The catchy chorus is one of the best features of “Call It What You Want.” Swift references her current boyfriend and being at a happy place following adversity.
“My baby’s fit like a daydream Walking with his head down I’m the one he's walking to So, call it what you want, yeah Call it what you want to My baby’s fly like a jet stream High above the whole scene Loves me like I’m brand new…”
“Call it What You Want” isn’t the sole ‘what’ song from Reputation. The bigger ‘what’ song is the album’s promo single, “Look What You Made Me Do”.
A Playlist Comprised of 13 ‘What’ Songs [📷: Atlantic, Big Machine, Cash Money, Dead Oceans, Epic, Generation Now, Island, LISN, RCA, Roadrunner, UMG Recordings Inc., Warner, Young Money]
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