51 Best Songs of 2019 | Year in Review 🎧

51 Best Songs of 2019 features certified bops courtesy of Billie Eilish, Lizzo, Lil Nas X, Vampire Weekend, Ariana Grande & DaBaby. 

It’s always a daunting task to select the best songs of the year.  It’s fun mind you, but also extremely difficult.  In any scenario, there are going to be great songs that are omitted.  Also, a song that you consider the best subjectively is likely panned by someone else.  The good news is, when you are the person selecting the 51 Best Songs of 2019, IT IS A PERSONAL OPINION – not the end all, be all.

There have been a number of great records, singles, and album tracks in 2019 – far too many to cover in one list. But some of the many highlights have been selected, after much back and forth.  Some of the standouts who make the cut include Billie Eilish, Lizzo, Lil Nas X, Vampire Weekend, Ariana Grande and DaBaby. Without further ado, here are the 51 Best Songs of 2019.

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51. Cattle Decapitation, “The Geocide”

Death Atlas • Metal Blade • 2019

There is one thing is for sure – death/extreme metal band Cattle Decapitation has a distinct, totally unforgettable name.  Maybe the best way to characterize the name is as disturbing. Regardless, Travis Ryan and company back up the name with an intriguing brand of music that certainly isn’t for the faint of heart. Following a four-year hiatus, the Cattle Decapitation returns turned-up on their ninth studio album, Death Atlas, which explores the Anthropocene, the most recent geological time period.

The Anthropocene is a geological period that is highly influenced by humans. Cattle Decapitation certainly are pessimistic regarding it, evidenced by the lyrics, “Fuck the future / Fuck all mankind,” that appears on the brutally honest “The Geocide”. The music is incredibly chaotic and unsettling, certainly a fitting soundtrack for the destruction of earth.  The guitars are utterly infernal, while the drums pummel to the nth degree.  Adding to this most damned occurrence, Travis Ryan delivers thrilling, incredibly malicious vocals, not to mention the brutally honest, pessimistic lyricism.  The keyword is brutal, as exemplified by the chorus:

“The universe, it always finds a way to purge
The sustainably inappropriate numbers that once surged
Death always wins, his molten torch forever burns
And to the ashes and the ground we are returned
Life exists to infuriate, berate, and subjugate
The hapless mortals shit-birthed on a human-altered planet Earth.”

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50. Post Malone, “Goodbyes”

Ft. Young Thug

Hollywood’s Bleeding • Republic • 2019

“Me and Kurt [Cobain] feel the same, too much pleasure is pain…” Grammy-nominated hip-hop sensation Post Malone has stepped up his artistry as he’s progressed in his career. Many of his singles from his third studio album, Hollywood’s Bleeding,  have been certified bops, including “Goodbyes” featuring Young Thug.

“I want you out of my head
I want you out of my bedroom tonight
There’s no way I could save you
‘Cause I need to be saved, too
I’m no good at goodbyes.”

“Goodbyes” is awesomeness exemplified.  Post Malone excels at pop-rap, taking it to another level with his melodic prowess.  His expressiveness shines over the course of two verses here, as well as a fantastic chorus.  Further amplifying the goodness that is “Goodbyes” is brilliant production work that’s dramatic – its rousing and quite decadent ear candy.  Also boding well in Malone’s favor is a respectable narrative, songwriting, and theme. Young Thug should be commended for a sensational collaboration; He’s perfectly suited here, given his melodic sensibilities and how he contrasts Post.  All in all, Post Malone has a surefire hit on his hands that checks off all boxes.

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49. DJ Khaled, “Higher”

Ft. Nipsey Hussle & John Legend

Father of Asahd • Epic • 2019

At best, the 2019 DJ Khaled album, Father of Asahd, is average.  Even so, the biggest attraction of the album “Higher,” is definitely worthwhile.  The Grammy-nominated rap/sung record is a marvelous collaboration between the late Nipsey Hussle and John Legend.  The record elevates Father of Asahd to a ‘higher’ level thanks to soulful, gospel-infused vocals (Legend), awesome rhymes (Hussle), and high-flying, uplifting production work.

A change of feel within the production (a beat switch), occurring on the second verse only adds to the brilliance, allowing Hussle to switch up his flow as well.  Clocking in at under three minutes, despite its brevity, “Higher” is a surefire gem.  This is truly a great posthumous song by Nipsey Hussle by all means.  #Victory Lap

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48. Cub Sport, “Party Pill”

Cub Sport • Cub Sport • 2019

“I think I’m gonna love you for a long time / Boy, I can’t go a minute without you on my mind.” “Party Pill” continues the progression that Australian alternative-pop collective Cub Sport showcase throughout Cub Sport. On “Party Pill,” Tim Nelson describes falling in love for the first time and working toward acceptance and embracement of the reality.  This is the perfect record for someone questioning, or who has questioned their sexuality; it’s quite relatable and authentic to the nth degree.

In the context of Cub Sport, “Party Pill” is yet another masterfully performed, produced, and written gem – arguably, the crowning achievement.  Furthermore, “Party Pill” may be one the best songs of 2019 that many folks have never heard.

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47. Bon Iver, “Hey, Ma”

i,i • Jagjaguwar • 2019

“Full time, you talk your money up / While it’s living in a coal mine / Tall time to call your Ma / Hey Ma, hey Ma.” It could be argued (or at least I might argue) that “Faith” is the crowning achievement from i,i, the 2019 album by Grammy-winning alternative collective Bon Iver.  That said, “Hey Ma,” which was nominated for Record of the Year, is the more appealing, more memorable record.  I was as surprised as anyone else that Bon Iver received multiple Grammy nominations at the 62^nd Annual Grammy Awards, but can’t knock the fact that “Hey Ma” is a colorful, gorgeous record.

Unique sound and distinct production work always accompany a Bon Iver record.  That’s the case once more with “Hey Ma.”  Additionally, the lyricism is another pro.  Justin Vernon sings beautifully, alluding numerous things, such as mental health and drug use (“I was tokin’ on dope /… I had a heavy mind, sugar”), and environmental issues in reference to mother earth (the aforementioned chorus).  Perhaps “Hey, Ma” isn’t as catchy or infectious as, say, “Bad Guy” (Billie Eilish), but it’s a fine record.

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46. Sara Bareilles, “Saint Honesty”

Amidst the Chaos • Epic • 2019

“‘Cause we’re collecting evidence / Of one remarkable storm / How wild it was to find it, finally feel the climate / Instead of only staying dry and warm…” Sigh, perhaps one of the best albums of 2019 that deserves more attention hails from Grammy-nominated pop musician Sara Bareilles.  If you haven’t heard Amidst the Chaos, well, you’re totally missing out on a gem.  Among the best songs from Amidst the Chaos doesn’t arrive until near the end – that would be the penultimate record, “Saint Honesty.”

In the context of the album, “Saint Honesty” is a slower and softer number for the most part.  Even so, it’s also quite the ‘tour de force,’ with simple, but highly effective production, comprised of spare instrumentation (piano, guitar, acoustic bass, drums, and percussion).  Even so, Bareilles serves up some grit and oomph as the record progresses, eventually showcasing the sheer power of her instrument. Lyrically, it’s among the most accomplished and beautiful songs of Amidst the Chaos.

“Rain on us, Saint Honesty
Salvation is coming in the morning, but now what we need
Is a little rain on our face from you, sweet Saint Honesty.”

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45. Miranda Lambert, “It All Comes Out in the Wash”

Wildcard • Vanner / Sony Music • 2019

“‘Cause it’ll all come out, all come out in the wash /… Every little stain, every little heartbreak / No matter how messy it got / You take the sin and the men, and you throw ‘em all in / And you put that sucker on spin.” Hmm, it seems that Grammy-winning country artist Miranda Lambert is talking about more than just washing some clothes on “It All Comes Out in the Wash”.  Lambert has remained quite consistent throughout her career.  Her seventh studio album, Wildcard, from which “It All Comes Out in the Wash” hails from, is another winning addition to her discography.

“If you wear a white shirt to a crawfish boil / Stonewashed jeans while you’re changing the oil…” Huh? Must be a southern, country thing.  Regardless, Miranda Lambert does reference literal dirty laundry, as above, but the juicier ‘dirty laundry’ is metaphorical.  She provides some insight into this energetic gem, via Nash Country Daily:

“…The song is just kind of a mix of scenarios that all of us have either been a part of or seen or, ya know, something that’s happened in all of our lives, and realizing that when you have something in your life that’s a little unclean at times or hurtful or a moment that you wish would pass, it does all pass and it all comes out in the wash.”

Awesomeness! Beyond the chorus, excerpted at the top, the bridge is quite a treat:

“And the laundry list goes like this
Every teardrop, every white lie
Every dirty cotton sheet, let it line dry
All the mistakes, all the wild streaks
That’s why the good Lord made bleach, oh-oh.”

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44. BROCKHAMPTON, “Dearly Departed”

GINGER • RCA • 2019

Hip-hop collective BROCKHAMPTON returned respectably in 2019 with their fifth studio album, GINGER. Notably, GINGER arrived less than a year after iridescence.  Among the crème de la crème of GINGER – “Dearly Departed”. “Dearly Departed” is truly ‘lucky number seven’ in regard to the track list; among the best of the best.

Reflective to the nth degree, the biggest happening is how the band references ex-member, Ameer Vann. Kevin Abstract asks on the first verse, “What’s the point of havin’ a best friend if you end up losin’ him?” Dom McLennon seems particularly angry, especially with the final two lines, “You could talk to God / I don’t wanna hear, motherfucker.” Matt Champion subtly references Vann as well, but also pays ode to his late grandparents. If one is looking for beauty beyond the production, the chorus, performed by Joba, is quite beautiful:

“Dearly departed
Look what you’ve started
I’ve been so heartless
I try, I try, I try
Why?
Why?
Why?
Try.”

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43. Billie Eilish, “Xanny”

When We All Fall Asleep, Where Do We Go? • Interscope • 2019

“What is it about them? / I must be missing something / They just keep doing nothing / Too intoxicated to be scared.” The ‘druggy’ “Xanny” gives Billie Eilish yet another much deserved spot on the 51 Best Songs of 2019.  “Xanny” definitely keeps When We All Fall Asleep, Where Do We Go? going strong, with Eilish asserting, “I don’t need a Xanny to feel better.”  Why? Well, the effects of recreational drugs, including drink and various smokes, particularly at a party, just isn’t cool from Eilish’s perspective.

The centerpiece of this delightful, minimalist production (FINNEAS, again) is the chorus.  Eilish continues to sing coolly, embracing a most glorious undertone.

“I’m in their secondhand smoke
Still just drinking canned Coke
I don’t need a Xanny to feel better
On designated drives home
Only one who’s not stoned
Don’t give me a Xanny, now or ever.”

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42. Ariana Grande, “Fake Smile”

Thank U, Next • Republic • 2019

“I can’t fake another smile / I can’t fake like I’m alright / Woo, ah (Woo, ah) / And I won’t say I’m feeling fine / After what I been through, I can’t lie / Woo, ah (Woo, ah).” Ariana Grande continues an impressive run on this best of list with a fourth entry from her fifth studio album, Thank U, Next,. In this instance, the song that’s sure to put a smile on your face is the fifth track, “Fake Smile.”

“Fake Smile” is quite appealing, thanks to sampling a soul classic by Wendy Rene, “After Laughter (Comes Tears)”. Grande may not achieve the distorted grit Rene does on the original, but her smooth pipes fit perfectly over such a soulful backdrop. Of course, the soul icons would never be as bold as Grande, particularly when she asserts, “Fuck a fake smile” on the brief, but potent chorus. She refuses to mask her emotions – she’s going to be authentic AF.

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41. Brittany Howard, “Georgia”

Jaime • Brittany Howard / ATO • 2019

“I just want Georgia to notice me…” Brittany Howard is best known as the frontwoman to the Grammy-winning, soul-infused, alternative rock collective, Alabama Shakes.  On Jaime, Howard ‘goes solo,’ releasing quite the unique and captivating project.  One of the songs that caught my attention while listening to Jaime was “Georgia”, an honest and open record.

The aforementioned lyrics, which hail from the chorus, focus on her attraction to/crush on Georgia, a lady, of course.  She confirms this on the verses, as she opens up about her sexuality essentially.  On the first verse, she sings, “Georgia, see you don’t know it, but / I’m afraid to tell you how I really feel.”  On the second verse, she adds, “And I can’t help the way that I was born to be / I ain’t no little boy.” Then there’s the bridge, where Howard asks, “Is it unnatural? / Georgia, is it cool? / I wanna tell you that I love you…” Add another awesome song to any LGBTQ+ playlist, as well as any best songs list.

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40. Maren Morris, “Girl”

GIRL • Sony Music Entertainment • 2019

“Man, this shit’s unflatterin’, all up in my head again / I don’t feel myself right now, maybe I should just lay down.” Ladies everywhere, prepare to be uplifted on “Girl”, a surefire highlight from Grammy-winner Maren Morris’ 2019 album, GIRL. While “Girl” is idiomatic of country, Morris definitely blurs the lines between country and pop. It doesn’t hurt that producer extraordinaire Greg Kurstin serves as co-producer alongside Morris.

She delivers solid, aggressive and confident vocals from the jump, including the feisty aforementioned lyric.  Throughout, there are plenty of clever lyrics, giving “Girl” its fair share of moments.  Fueling Morris’ fire is the key driving guitar accompaniment.  Speaking of vocals, the backing vocals are on-point during the pre-chorus section:

“What you feel is natural
But I don’t wanna feel this anymore
Pick yourself up off the kitchen floor
What you waitin’ for?”

A catchy chorus is the crowning achievement, uniting the entirety of the record. Notably, the vocal arrangement and production stand out during this particular section.

“Girl, won’t you stop your cryin’?
I know that you’re tryin’
Everything’s gonna be okay
Baby girl, don’t you hang your head low
Don’t you lose your halo
Everyone’s gonna be okay
Baby girl.”

All in all, Morris delivers a sensational record with “Girl” –a superb anthem that that should speak to girls everywhere.  The positivity and uplifting vibes truly help to make “Girl” elite.

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39. Coldplay, “Arabesque”

Everyday Life • Warner • 2019 

“Arabesque” is arguably ‘the crown jewel’ from Everyday Life, the eighth studio album by Grammy winning British alternative collective, Coldplay.  Safe to say, the five-and-a-half-minute “Arabesque” is one bad ass, awesome gem from Chris Martin and company.  The production is quite unique; one of the biggest selling points of the record.  Following an intro encompassing a soundscape of the city and traffic, “Arabesque” settles into this super groovy, alt-rock joint, characterized by rhythmic acoustic guitar, electric guitars, and horns.  Notably, between the second and third verses, there’s a fantastic alto saxophone solo (Omorinmade Anikulapo-Kuti). A Fela Kuti song is sampled, featuring Femi Kuti (“Music is the weapon, music is the weapon of the future”).

Chris Martin is as potent as ever, even if he fails to ascend into his glorious falsetto. On the second verse, Stromae handles the bulk of the vocal duties.  That said, he still contributes, along with Will Champion.  Stromae sings in French, further support the band’s pursuance of unity and peace. Martin takes the reins once more on the brief third verse, which features the lyrics, “And we share the same blood / Yeah, we share the same blood.”  For further emphasis, at the end of this gem, Martin intensifies the message – “Same fucking blood.”

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38. Bon Iver, “Faith”

i,i • Jagjaguwar • 2019

“Fold your hands into mine / I did my believing / Seeing every time.” Hmm, perhaps the key portion of that lyrical excerpt from the bridge of “Faith”, from the Grammy-nominated album, i, i, is “I DID my believing.” Why is that key you ask? Well, it’s signifies that Bon Iver (led by Justin Vernon) clearly doesn’t believe in the traditional, Christian sense anymore. On the gorgeous, high-flying “Faith,” his faith has clearly shifted.  Yes, he still has faith, but he’s no proponent of “⁷For we walk by faith, not by sight” (2 Corinthians 5:7) or the Christian concept of Faith is Seeing the Unseen.

“Faith” has everything you expect from a Bon Iver record.  The production by Vernon, Brad Cook and Chris Messina is marvelous.  The sound naturally embraces indie folk, constructed by layered acoustic guitars, as well as piano.  Of course, it’s not only indie-folk, with the signature alternative-electronic piece remaining in play, with unique vocal effects, synths, and pads.  With such awesome music occurring, being bored by “Faith” simply isn’t a possibility.  The nods to religion, rather anti-religion, run rampant.  On the second verse, Justin Vernon asserts, “I should’ve known / That I shouldn’t hide / To comprise and to covet,” continuing later, “There is no design / You’ll have to decide / If you’ll come to know, I’m the faithful kind.” The fourth verse is arguably the crowning achievement, where Vernon flat out denounces faith in God:

“This is for my sister
That for my maple
It’s not going the road I’d known as a child of God
Nor to become stable
(So, what if I lose? I’m satisfied).” 

Regardless of whether you agree or disagree with the beliefs of Bon Iver, “Faith” itself is an absolutely fantastic record.  It’s well-written, well-produced, and a fabulous, ear-catching gem. What really shines about this record is the fact that it makes you think – it’s a deep, philosophical piece of art.

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37. Luke Combs, “Beer Never Broke My Heart”

What You See is What You Get • River House Artists / Sony • 2019

“Longneck ice-cold beer never broke my heart / Likin’ diamond rings and football teams have torn this boy apart… / And longneck ice-cold beer never broke my heart.” Give Grammy-nominated country singer Luke Combs credit for his honesty on “Beer Never Broke My Heart” (What You See is What You Get). Love, politicians, and sports teams have all messed him up, but never that glorious substance known as beer.  It shouldn’t come as a surprise – country musicians have notorious love for beer.

Luke Combs keeps it relatively tight on “Beer Never Broke My Heart,” just inching past three minutes in duration.  Besides a respectable length, he does a fabulous job of maintaining the country music script.  He delivers robust vocals, heavy on twang, and unapologetically country.  Within the country music community, there are those who favor the traditional approaches and those who embrace the new sound, which incorporates pop, electronic, and urban influences.  Here, Combs is all ‘old-school’ – there isn’t the slightest bit of pop or urban sensibilities to be found on this straightforward, turned-up, guitar-heavy joint. Combs may not revolutionize country music, but “Beer Never Broke My Heart” is a rock-solid flex-fest for him and the more traditional side of the genre.

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36. Badflower, “x Ana”

OK, I’M SICK • Big Machine • 2019

“I can’t feel my toes or my fingertips / My chest is pounding so fast I can’t keep up with it / I’m losing it – fuck! I just want to quit it.” Front man Josh Katz and Badflower are in a bad spot to say the least, thanks to “X ANA x” (a stylization of ‘Xanax,’ the sedative), the second single from the band’s full-length, debut album, OK, I’M SICK. Clearly, the effects of anxiety (and the Xanax as well), have Katz down.  He’s profane, dropping multiple f-bombs, as he suffers. Notably, he emphasizes the ‘ANA’ portion of the word, almost approaching Xanax like it’s a relationship.  On the first verse, he memorably states, “Judging my fucking sex ANA x ANA x / And I’m faking just to stay in my body / I’m nervous, I can’t fucking stand it.”

It should be noted that “x ANA x” doesn’t reference overdosing on Xanax itself, BUT the record is a great lens into the effects that the drug can have, etc. The lyrics, throughout the course of the song, reflect Katz’s anxiety, while the high-energy, instrumental backdrop also matches the anxiousness.  As the song continues, the listener is invited more and more into the suspect mindset of the protagonist, particularly at the end of the second verse.

“The kind of sick that makes an atheist pray for Jesus
The kind of sickness that turns your power into weakness
I’m sick of being sick for this whole fucking place to witness
And I’m living a sick life that most people call privilege
And they’re kinda right
But I’m still sicker than I can cope with.”

“x ANA x” is energetic, honest, and well-rounded. Josh Katz definitely has the personality to sell this anxiety-driven must-hear gem of 2019 superbly.

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35. Denzel Curry, “Ricky”

ZUU • Loma Vista • 2019

“Ricky,” the second track off of ZUU, the 2019 album by Florida rapper Denzel Curry, is nothing short of elite. “Ricky” thrives in part thanks to its sick, malicious production work, which fuels Curry’s fire.  The pre-chorus is pitch-shifted, giving “Ricky” a gimmicky sound before Curry’s standard vocals come through in all their glory on the catchy, rather prudent chorus:

“My daddy said, ‘Trust no man but your brothers
And never leave your day ones in the gutter’
My daddy said, ‘Treat young girls like your mother
My mama said, ‘Trust no ho, use a rubber.’”

The prudence doesn’t stop beyond the chorus.  At the end of the first verse, Curry goes on to quote ‘Ricky’ (his dad), “‘And fear no man but the man above your head’,” before once more quoting his mama, “‘Pray before you go to bed.’” On the second verse, Denzel remains charged up, reminiscing back to his first album (Nostalgic) and again, paying ode to Ricky.

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34. Kehlani, “Nights Like This”

Ft. Ty Dolla $ign

While We Wait • Atlantic • 2019

“But all that glitters isn’t gold, I was blinded / Should have never gave you my heart on consignment.” Grammy-nominated R&B singer Kehlani gets the assist from the ever-ubiquitous Ty Dolla $ign on “Nights Like This”, the crown jewel of her 2019 mixtape, While We Wait. While “Nights Like This” ends up being more underrated than it ever should be, there’s plenty to sink your teeth into the night-centric track.

Kehlani’s tone and overall performance are a massive selling point. In addition to a sensational, nuanced vocal, “Nights Like This” benefits from its production work, idiomatic of a modern R&B record, yet also featuring classic cues from the 90s and 00s. Adding to the excellence is respectable songwriting this is relatable.  The pre-chorus and chorus sections are among the highlights. All in all, she excels on “Nights Like This.”

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33.Ariana Grande, “Break up With Your Girlfriend, I’m Bored”

Thank U, Next • Republic • 2019

“You got me some type of way / Ain’t used to feelin’ this way / I do not know what to say / But I know I shouldn’t think about it.” Hmm, yield not to temptation! In the context of thank u, next, the fifth studio album by Ariana Grande, “Break up with Your Girlfriend, I’m Bored” had the monstrous task of following number one hits “7 Rings” and “Thank U, Next”. Nonetheless, this girlfriend-driven single end up being another worthwhile moment from thank u, next in all respects, and the third entry from Grande on this 51 Best Songs of 2019 list (“7 Rings” and “Ghostin” precede it).

Grande shines with stunning vocals, while the production remains slick, and the songwriting is entertaining and ultimately, sound.  The theme of the record is pretty obvious, right? Right.

“Break up with your girlfriend
Yeah, yeah, ‘cause I’m bored
You could hit it in the mornin’
Yeah, yeah, like it’s yours
I know it ain’t right
But I don’t care
Break up with your girlfriend
Yeah, yeah, ‘cause I’m bored.”

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32. Sam Smith & Normani, “Dancing with a Stranger”

Dancing with a Stranger [Single] • Universal Music • 2019

Grammy-winning British pop musician Sam Smith collaborates with former Fifth Harmony standout Normani on the marvelous “Dancing with a Stranger”.  “Dancing with a Stranger” features sleek production work with a driving groove and warm synths.  Smith serves up compelling vocals on the first verse, including his signature, masterful falsetto.  He goes on to shine on the memorable chorus: “Look what you made me do, I’m with somebody new / Ooh, baby, baby, I’m dancing with a stranger.”

Normani contrasts Smith’s vocals on the second verse with huskier, sultry pipes. She asserts, “But, boy, I need to get you off of my mind.” She later sings alongside him on the second iteration of the chorus.  Short and sweet, “Dancing with a Stranger” is pretty straightforward, well-rounded record that’s highly effective.

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31. Lizzo, “Tempo”

Ft. Missy Elliott

Cuz I Love You • Nice Life / Atlantic • 2019

“Slow songs, they for skinny hoes / Can’t move all of this here to one of those / I’m a thick bitch, I need tempo / Fuck it up to the tempo.” Unapologetic and unafraid are two ways you can characterize Minneapolis pop/hip-hop musician Lizzo, who makes her fourth appearance on the 51 Best Songs of 2019, with all songs hailing from Cuz I Love You.  The short, but hella sweet and feisty “Tempo” pairs her with the legendary Missy Elliott.

“Tempo” shines from the tip.  The production is awesome, incorporating a hard-hitting hip-hop beat, slinky-sounding synths, as well as some cool, unexpected musical interjections.  As great as the production is, it is the performance by Lizzo herself that sells “Tempo.” She’s on autopilot as she flaunts and touts her big, beautiful body, throwing ample swagger and sex game at the boys. Beyond her own stellar, hyper-sexual performance, Missy Elliott ‘brings the heat’ on the third verse, sounding as if she’d never been on an extended hiatus.  As usual, we get some terrific sound effects from Elliott to go alongside being the hype woman for the plus-sized crowd – “I’m big-boned with nice curves.” All in all, Lizzo kills it on this ultra-fabulous, infectious banger that is equal parts shallow and equal parts deep.

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30.Vampire Weekend, “2021”

Father of the Bride • Sony • 2019

“2021, will you think about me? / I could wait a year, but I couldn’t wait three / I don’t wanna be (boy)…” On one of the finest short songs you’ll ever hear, “2021” samples Japanese musician Haruomi Hosono, which helps make the music incredibly intriguing. On this best-of list, “2021” marks the second entry from Vampire Weekend and their comeback LP Father of the Bride, following the set’s crown jewel, “Harmony Hall”. Adding to the greatness that is “2021” are vocal contributions from Jenny Lewis, specifically on one of the most memorable parts of the song – “Boy, boy.”

Koenig remains a force himself, sounding absolutely beautiful on the sole, repeated verse, partially excerpted above and continued below:

“...2021, will you think about us?
Cooper goes green, steel beams go rust (boy)
It’s a matter of (boy).”

Notably, Koenig sings the verse up an octave the second time. Despite its brevity and simplicity, “2021” remains jam-packed and complex. It’s a gorgeous, well-produced record, with a simple, yet memorable beat anchoring things down.  As always, the songwriting seems to have a deeper meaning, focusing on perceptions and remembrance in the future.

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29. Blake Shelton, “God’s Country”

Fully Loaded: God’s Country • Ten Point Productions, Inc. / Warner • 2019

“The devil went down to Georgia, but he didn’t stick around / This is God’s country.” Veteran country musician Blake Shelton returned with a superb, moving, and powerful hit with “God’s Country”, which appears on his compilation, Fully Loaded: God’s Country. “God’s Country,” set in a minor key, has a darker, more enigmatic quality compared to many songs that Shelton has released in the past, not to mention the country music that dominates the radio these days.  Perhaps what truly makes “God’s Country” stand out is that it hearkens back to the outlaw sound of old.

Even with vintage vibes tapped, “God’s Country” still sounds fresh, and even incorporates some modern cues within its production to give it that extra oomph.  Where the ‘bread is buttered’ is the songwriting, which features underrated California country singer/songwriter Devin Dawson as a co-writer.  The crowning achievement lyrically comes on the big-time chorus, where Blake Shelton is turned-up and locked-in to the nth degree.  Shelton deserves ample credit for one of the grittiest performances I’ve personally heard from him.  He perfectly captures the pride he and the citizens have for the United States, as well as the awesomeness of who ultimately created it.

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28. Sam Fender, “White Privilege”

Hypersonic Missiles • Polydor • 2019

“The patriarchy is real; the proof is here in my song / I’ll sit and mansplain every detail of the things it does wrong…” British singer/songwriter Sam Fender is pretty rad.  So is the British singer/songwriter’s entire debut album, Hypersonic Missiles.  What makes Hypersonic Missiles the ‘cat’s meow?’ Excellent musicianship from Fender in regard to vocal performances and colorful, creative, and poetic songwriting.  The crown jewel from Hypersonic Missiles arrives early on – “White Privilege”.

“White Privilege”, the profane third track gracing Hypersonic Missiles, is quite accomplished.  It finds Fender examining white privilege (“‘Cause I’m a white male, full of shame / My ancestry is evil, and their evil is still not gone”), including his own, and the layers of such privilege, as well as a number of political and social issues plaguing both England and the world. Brexit gets colorful treatment (“Don’t wanna hear about Brexit, them old cunts fucked up our exit / My generation was duped, the youth were left out of the loop”), while political correctness is brilliantly addressed as well (“Everybody’s offended, the joke that keeps on giving / I’m not entirely sure the nitpicking can count as progression”).  Ultimately, Fender does a marvelous job of providing perspective and analysis on a number of relevant issues.  This might be the best song of 2019 that far too few folks have heard.

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27. Raphael Saadiq, “Rikers Island”

Jimmy Lee • Columbia • 2019

Eight years.  That’s how long it had been since Grammy-winning R&B musician Raphael Saadiq released a new studio album.  Saadiq returned in 2019 with a contemporary masterpiece – his very personal, socially-changed, fifth studio album, Jimmy Lee.  The crown jewel of Jimmy Lee is “Rikers Island”, where Saadiq sings, “Too many niggas in Rikers Island / Why must it be?” The powerful, socially-changed chorus, continues, “Too many niggas in Rikers Island / Set ‘em free.”

Saadiq begins an entirely new conversation on “Riker’s Island,” and it’s not merely limited to the infamy of Rikers Island itself. The big takeaway is the statement that Saadiq makes about the number of black men that are incarcerated.  Yes, Rikers Island is a universally panned correctional facility, but the theme transcends beyond it.  It’s amazing that this record with disturbing, hurtful subject matter for black families that is also the funkiest joint of the album.  One upping that, it ranks among the very best songs of 2019.

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26. Clairo, “Bags”

Immunity • Fader • 2019

“I’m not the type to run / I know that we’re having fun / But what’s the rush? Kissing, then my cheeks are so flushed.” Uh-oh – matters of the heart are firmly in play! Rising alternative singer/songwriter Clairo (Claire Cottrill) delivers a compelling record with “Bags”, the promo single for her debut album, Immunity.

Aiding Clairo in making “Bags” successful is co-production by Rostam Batmanglij and Nick Breton.  The sound is quite alluring, featuring an awesome drum groove, driving bass and guitars, as well as some accentuating keyboard work.  It fuels Cottrill’s fire as she sings marvelously over the rhythmic backdrop, while maintaining chill and poise.  Beyond the sound, the songwriting is a notable. Cottrill dabbles in matters of the heart, and all is not well in regard to the relationship. On the bridge, she sings, “Pardon my emotions / I should probably keep it all to myself / Know you’d make fun of me.” In other words, she’s holding back and willing to accept the status quo.  The chorus is what makes “Bags” truly the ‘cat’s meow’:

“Can you see me? I’m waiting for the right time
I can’t read you, but if you want, the pleasure’s all mine
Can you see me using everything to hold back?
I guess this could be worse
Walking out the door with your bags…”

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25. Lewis Capaldi, “Someone You Loved”

Divinely Uninspired to a Hellish Extent • Universal Music • 2019

“Someone You Loved” is indisputably Scottish singer/songwriter Lewis Capaldi’s mainstream breakthrough – the crown jewel from Divinely Uninspired to a Hellish Extent. The former number one hit is a gorgeous, piano ballad that places emphasis on – you guessed it – Capaldi’s prodigious vocals.  Capaldi possesses a ‘once in a generation’ voice that has a hypnotic, mesmerizing quality.

Additionally, “Someone You Loved” is simply a well-written song.  “I’m going under, and this time, I fear there’s no one to save me,” he sings on the first verse, later adding, “I need somebody to heal, somebody to know / Somebody to have, somebody to hold.”  As compelling as the verse lyrics are, the chorus, marks the most memorable and elite moment of this Grammy-nominated gem.

“Now the day bleeds into nightfall
And you’re not here to get me through it all
I let my guard down and then you pulled the rug
I was getting kinda used to being someone you loved.”

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24.India.Arie, “Rollercoaster”

Worthy • BMG Rights Management • 2019

“Let me off this rollercoaster / I don’t wanna ride no more (I don’t wanna ride no more) / I don’t wanna ride no more, I don’t wanna ride no more, no more.” “Rollercoaster” is one of the brightest moments from Worthy, the long-awaited, 2019 album by Grammy-winning R&B singer/songwriter India.Arie. Interestingly, “Rollercoaster” bears some harmonic similarities to a past India.Arie record (“There’s Hope” from 2006’s Testimony: Vol. 1 Life & Relationship).

This contemporary protest anthem finds India taking a long, hard look at the ills plaguing the world from her perspective. Among the notable topics India raises on this soulful, bass-heavy gem include the Flint, Michigan water crisis, Colin Kaepernick, misogyny, and mumble rap.  Give her credit for standing up for what she believes in – “And I don’t care who thinks I’m preachin’.” “Rollercoaster” also previously appeared on the playlist 11 Songs Fit for an Amusement Park, as well as the aforementioned embedded Music to Atone to link.

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23. Lana Del Rey, “Hope is a Dangerous Thing for a Woman Like Me to Have – But I Have It”

Norman Fucking Rockwell! • Interscope • 2019

“‘Cause hope is a dangerous thing for a woman like me to have / Hope is a dangers thing for a woman like me to have.”  Yep, the title of the record is just what you think it is – “Hope is a Dangerous Thing for a Woman Like Me to Have – But I Have It”. Damn, that’s a long song title.  Yes, Grammy-nominated, alternative pop standout Lana Del Rey dropped the rare song that features 16 words (!) in its title.  As ‘extra’ as the title may be, Del Rey definitely comes through on this ballad (another highlight from Norman Fucking Rockwell!), including literary and cinematic references.

The ever-expressive Lana Del Rey sounds as chilling and enigmatic as ever.  Her tone is absolutely stunning.  Among her best moments come at the end of the record, when she flaunts her falsetto.   Beyond her inspired vocal performance, there’s also the stripped, yet gorgeous nature of this five-and-a-half-minute ballad.  The production keeps things hella simple, comprised of piano accompaniment.  Even working with such a lengthy duration, it’s perfect fuel for the fire of Del Rey, who manages to keep things colorful with some profane lyrics, such as “I’ve been tearing up town in my fucking nightgown / Like a goddamn-near sociopath.” Wow. Ultimately, with the threat of ‘hope’ in her hands on this particular song, Lana del Rey does what she does best – delivers an expressive, moody, well-rounded record.

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22. J. Cole, “Middle Child”

Revenge of the Dreamers III • Dreamville / Roc Nation • 2019

“Niggas been countin’ me out / I’m countin’ my bullets, I’m loadin’ my clips / I’m writin’ down names, I’m makin’ a list / I’m checkin’ it twice and I’m getting’ ‘em hit.” Fayetteville, North Carolina rapper extraordinaire J. Cole shines on single, “Middle Child”, co-produced by T-Minus. “Middle Child” certainly benefits from its sickness behind the boards. The beat goes hard AF, while the brassy production adds some bite.  This bite is perfect fuel for the fire, as J. Cole drops compelling rhymes, showcasing his consistent, elite flow.  Getting more specific to “Middle Child,” the two most memorable sections of the record are the refrain (a pre-chorus of sorts), as well as the chorus itself.

After showing some pop-rap skill on the verses and refrain, Cole shows off even more melodic prowess on the chorus.

“I just poured somethin’ in my cup
I've been wantin’ somethin’ I can feel
Promise I am never lettin’ up
Money in your palm don't make you real
Foot is on they neck, I got ‘em stuck
I’ma give ‘em somethin’ they can feel
If it ain’t ‘bout the squad, don’t give a fuck
Pistol in your hand don’t make you real.”

While the chorus is killer, Cole also brings plenty of heat on the verses.  Among topics covered include the incarceration of black males. There’s definitely NO reason to feel like a middle child after listening to this one.

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21. Post Malone & Swae Lee, “Sunflower”

Spider-Man: Into the Spider-Verse • Republic • 2018

Hollywood’s Bleeding • Republic • 2018

Melodic rappers Post Malone and Swae Lee joined forces on “Sunflower”, the promo single from the soundtrack Spider-Man: Into the Spider-Verse, which arrived in December 2018. “Sunflower” also appears on Post Malone’s 2019 album, Hollywood’s Bleeding. The Grammy-nominated record is a short and keeps things simple (I initially was meh on this one, honestly), but an appealing crowd pleaser by all means.

Among the selling points of “Sunflower” is the lush, rhythmic production.  Naturally, Swae Lee is made for this cut, with his chill persona and his melodic abilities.  Following a brief intro, he delivers a smooth first verse, as well as a memorable chorus.

“Then you’re left in the dust unless I stuck by ya
You’re a sunflower, I think your love would be too much
Or you’ll be left in the dust, unless I stuck by ya
You’re the sunflower, you’re the sunflower.”

Post Malone is also quite melodic, though he lacks the same finesse as Lee.  Regardless, the contrast is appealing, and furthermore, he has some nice vocal harmonies going on. All in all, “Sunflower” is packed full of vibes.

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20. Lizzo, “Cuz I Love You”

Cuz I Love You • Nice Life / Atlantic • 2019

“Never been in love before / What the fuck are fucking feelings, yo? / Once upon a time, I was a ho / I don’t even wanna ho no mo’.” Lizzo ‘kills it’ on “Cuz I Love You”, the third gem to appear from her Grammy-nominated tour de force, Cuz I Love You. “Cuz I Love You” perfectly suits Lizzo. The production, handled by alt-rock collective X Ambassadors, is robust and chocked-full of soul.  This neo-/retro-soul tinged backdrop allows her to be dramatic and over-the-top with her emotions.

Vocally, Lizzo ‘lets ‘er rip’ – totally ‘kicks ass and take names.’  The premise is that she’s put aside her old ways, has found a man she’s truly in love with, and it’s made her crazy, excited, and all the range of feelings attached to L-O-V-E.  Ultimately, “I’m cryin’, ‘cause I love you.”  Epic song for sure.

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19. Ariana Grande, “Ghostin”

Thank U, Next • Republic • 2019

“I know that it breaks your heart when I cry again / Over him / I know that it breaks your heart when I cry again / ‘Stead of ghostin’ him.” “Ghostin” is arguably the most innovative record on thank u, next, DEFINITELY the best album by Grammy-winning pop artist, Ariana Grande.  “Ghostin” is a ballad unlike the others Grande has released up until this point of her career. She’s with another man but she just can’t seem to shake those feelings for her ex.

“Though I wish he were here instead / Don’t want that living in your head.” Damn, Ari! Her vocals are incredibly smooth, while the lyrics that she sings are beautiful and thoughtfully penned – “Every tear’s a rain parade from hell.” With Grande bringing so much baggage to her current BF, on the post-chorus, she urges him to be patient with her, essentially:

“We’ll get through this, we’ll get past this
A whole lot of baggage
But I love you, we’ll get past this
A whole lot of baggage, oh yeah.”

“Ghostin,” which ranks among the crème de la crème of thank u, next certainly has a legit case for the honor of ‘crowning achievement.’ ILYA and Max Martin outdo themselves on the production end of things, which is radiant to the nth degree – awe-inspiring.

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18. Jonas Brothers, “Sucker”

Happiness Begins • Jonas Brothers Records / Republic • 2019 

“I’ve been dancing on top of cars and stumbling out of bars / I follow you through the dark, can’t get enough / You’re the medicine and the pain, the tattoo inside my brain / And, baby, you know it’s obvious.” Pop bro trio Jonas Brothers shocked the world by making a comeback (Happiness Begins), which commenced with the enjoyable, love-centric single “Sucker”. The ‘short but sweet’ single is a win for Nick, Joe, and Kevin Jonas.  “Sucker” features an infectious groove from the onset.  Adding to the allure is some sick falsetto by Nick on the first verse, which occurs in abrupt fashion (“We go together / Better than birds of a feather, you and me…”). Set in a minor key, “Sucker” gives the Jo Bros more edge. It remains tongue-n-cheek, which reminisces back to their music of old, but certainly comes off less schmaltzy.

Joe carries the weight on the aforementioned pre-chorus, with portions sung with Nick.  Better than the pre-chorus is the memorable chorus.  Here, we hear the silky-smooth vocals of Nick, once more delivered in a well facilitated falsetto, at times joined by Joe.

“I’m a sucker for you, yeah
You say the word and I’ll go anywhere blindly
I’m a sucker for you, yeah
Any road you take, you know that you’ll find me…”

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17. Gary Clark, Jr., “This Land”

This Land • Warner Bros. • 2019

“Paranoid and pissed off / Now that I got the money / Fifty acres and a model A / Right in the middle of Trump country.” “This Land”, the electrifying, minor-key title track from Gary Clark, Jr.’s 2019 album This Land is one hell of a protest anthem, with the plight of people of color written all over it.  Throughout the course of the song, the eclectic blues/rock singer/guitarist depicts the prevalence of racism within the world’s greatest country.

The most powerful lyrical statement made on “This Land” comes courtesy of the chorus, where Clark, Jr. unapologetically states the mindset of racists:

“‘Nigga run; nigga run
Go back where you come from, uh
Nigga run; nigga run
Go back where you come from
We don’t want, we don’t want your kind
We think you’s a dog born’
Fuck you, I’m America’s son
This is where I come from.”

Following the utterly ridiculous statement made about the American-born black musician, who represents numerous African Americans, he packs a mighty punch on the post-chorus where he asserts, “This land is mine.”  Also, worth noting, Clark, Jr. delivers a totally badass guitar solo.

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16. 21 Savage, “a lot”

Ft. J. Cole

I am > I Was • Epic • 2018

“How much money you got? (A lot) / How many problems you got? (A lot) / How many people done doubted you? (A lot) / Left you out to rot? (A lot) …” The Grammy-nominated rap song, “A Lot,” commences I am > I was, the solid, Grammy-nominated album by rapper 21 Savage.  “A lot” is fueled by a prominent, perfectly suited, hella soulful, East of Underground sample. Over the sensational backdrop, 21 delivers some truly potent bars and the aforementioned, infectious, super catchy chorus.

During the course of “a lot,” 21 spits real talk.  On the first verse, he asserts, “I’d rather be broke in jail than be dead and rich / Told my brothers take my breath if I turn to a snitch.” On the second, he’s even more real as he spits, “My brother lost his life and it turned me to a beast / My brother got life and it turned me to the streets.” Featured guest J. Cole also keeps it real.  Following an interlude where he praises the rapper’s realness, Cole delivers a ferocious, passionate third verse in his own right.  Not only one of the best rap songs of 2019, but easily ranks among the 51 Best Songs of 2019.

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15. Harry Styles, “Lights Up”

Fine Line • Columbia • 2019

“All the lights couldn’t put out the dark / Runnin’ through my heart / Lights up and they know who you are / Know who you are / Do you know who you are? (Oh).” Did Harry Styles come out when he released single “Lights Up” on October 11, 2019 (National Coming Out Day)? That was a question that surrounded this standout from his sophomore album, Fine Line. Regardless of how Styles’ sexual identification, “Lights Up,” is quite the intriguing record, with the British heartthrob going against the grain positively.

“Lights Up” features elements of vintage and retro, led by a robust bass line and keyboards.  Still, there are also some modern cues, including the sleekness of the vocal production and programming as well.  The record possesses a great groove, and fine production work courtesy of Tyler Johnson. Vocally, Styles remains a force, sounding absolutely marvelous, as he makes it clear he will “Shine, step into the light” and notably, ‘never go back.’

Honestly, it’s the lyrics, the accompanying music video, and the significance of October 11, 2019 that added to the speculation regarding Styles’ sexuality. There seems to be elements of bisexuality implied in the music video, while the lyrics are ‘open-minded’ without specifically addressing sexuality.  The aforementioned chorus does seem to ‘open the door,’ at least to some extent.

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14. Lizzo, “Juice”

Cuz I Love You • Nice Life / Atlantic • 2019

“Mirror, mirror on the wall / Don’t say it ‘cause I know I’m cute (Ooh, baby) / Louis down to my drawers / LV all on my shoes.” What makes “Juice”, another Lizzo record that appears on the 51 Best Songs of 2019 list so ‘juicy?’ Well, at 3:15, it’s just the right duration. Adding to the pro of optimal length is a throwback, soulful groove that definitely fuels her fire.  Lizzo is feisty from the onset of this Cuz I Love You gem, pop-rapping initially.

As exemplified by the aforementioned excerpt from the first verse, she spits some mad game. Even better than the verses are the, catchy, swagger-laden pre-chorus and chorus sections.  She closes out the pre-chorus with a bang, asserting, “Heard you say I’m not the baddest bitch, you lie,” with the chorus following in all its glory. She doesn’t lie when she says, “No, I’m not a snack at all / Look, baby, I’m the whole damn meal.” She is INDEED “the whole damn meal.”

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13. Tyler, the Creator, “Earfquake”

IGOR • Columbia • 2019

“Earfquake” is an instant highlight from the incredibly ambitious Tyler, the Creator album, IGOR – No album of the year nomination, now that’s just wrong! The backdrop is ear-catching, and Tyler sings with pitch-shifted vocals.  On the memorable chorus, he gets a big-time, uncredited assist, courtesy of the soulful Charlie Wilson. Wilson, of course, has worked with Tyler previously on “Fucking Young” from Cherry Bomb (2015).

“‘Cause you make my earth quake
Oh, you make my earthquake
Riding around, you’re telling me something is bad
And it’s making my heart break…”

On the first verse, another surprising guest appearance occurs, Playboi Carti, who fits in perfectly and remains true to self. “Earfquake” ends up being among the crème de la crème of IGOR, not to mention one of the stellar songs released in 2019 por la general.

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12. ROSALÍA & J Balvin, “Con Altura”

Ft. El Guincho

Con Altura [Single] • Columbia • 2019 

26-year old Spanish standout ROSALÍA nabbed a pair of Grammy nominations at the 62^nd Annual Grammy Awards, including a prestigious nom for Best New Artist – you go girl! Perhaps the chief catalyst for the Best New Artist nom was her infectious gem, “Con Altura,” alongside fellow Grammy-nominated, Colombian artist, J Balvin.  The pair also enlisted Spanish musician El Guincho, who performs on the ‘coro’ (chorus) and co-produces alongside ROSALÍA and Frank Dukes.

There’s lots to love about “Con Altura,” hence why it appears on multiple ‘best songs’ lists in 2019. First and foremost, this is a Latin pop/ reggaeton record that’s infectious AF, period.  The production is sleek, with the beat being the defining feature.  The minute that groove kicks in, one senses “Con Altura” is nothing short of a gem.  Furthermore, the performers bring attitude, particularly ROSALÍA who is nothing short of a star.  Her voice is fierce to the nth degree.  Of course, J Balvin shines as well, but we all know who’s the star… Without going in too deep, what does “Con Altura” mean? According to the Genius verified video for this bop, ROSALÍA asserts, “I believe that ‘Con Altura’ is like saying, ‘I do it hard, I do it strong, I do it at this level…” She does it strong by all means – among the crème de la crème of 2019.

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11. Ariana Grande, “7 Rings”

Thank U, Next • Republic • 2019

“Been through some bad shit, I should be a sad bitch / Who woulda thought it’d turn me to a savage?” Ariana Grande sounds incredibly fierce on “7 Rings”, one of the many highlights appearing on thank u, next, among the best albums of 2019. The song itself is a bit polarizing – some love it, while others are annoyed by it or absolutely loathe it.  While, admittedly, being as high as I was about it on 50 Best Songs of 2019 (So Far) was a stretch (to quote Oprah, “What was I thinking” when she reflected back on a godawful dress she’d worn), it’s still a key, inescapable song from 2019.

“7 Rings” features moody production that’s dark, enigmatic, and set in a minor key. This standout lifts from the melody of “My Favorite Things” (The Sound of Music). Sleek, hip-hop oriented cues are full throttle during the addictive, instantly catchy chorus. Grande is confident AF on the pre-chorus and choruses. The pre-choruses exemplify a flex-fest (“My wrist, stop watchin’, my neck is flossin’ / Make big deposits, my gloss is poppin’…”), while the chorus is simple, but effective. In addition to the bold line appearing at the top from the first verse, on the second verse, Grande asserts, “Whoever said money can’t solve your problems / Must not have had enough money to solve ‘em.”

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10.Taylor Swift, “Lover”

Lover • Republic • 2019

“…I take this magnetic force-of-a-man to be my lover / My heart’s been borrowed and yours has been blue / All’s well that ends well to end up with you  / Swear to be overdramatic and true to my lover…” Grammy-winning pop superstar Taylor Swift saved her best ‘advance single’ from Lover for last.  That single would be the title track, “Lover”, itself, which nabbed a Grammy nomination for Song of the Year. Compared to the other advance singles from the album (“ME!”, “You Need to Calm Down”, and “The Archer”), “Lover” is the best of the bunch – the crème de la crème. Also, disregard the fact that “ME!” appeared on 50 Best Songs of 2019 (So Far), will ya?

“Lover” reunites Swift to a certain extent with country music.  No, it isn’t explicitly country, but there are retro cues in place that remove it from the pop she’s served up since 1989 in 2014.  That said, “Lover” sounds nothing like some of her country records either.  Genius wasn’t far off characterizing “Lover” with multiple genre tags including country, dream-pop, singer/songwriter, and of course, pop.  What isn’t brand-new about the record is a topic of familiarity for Taylor Swift – love.  Clearly, as she sings to and about her boyfriend, and, she’s TOTALLY feeling him. Thematically and lyrically, “Lover” is simple, but enjoyable and effective to the nth degree.

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9. Khalid, “Talk”

Free Spirit • RCA • 2019

“Yeah, started off right / I can see it in your eyes / I can tell that you’re wantin’ more…” “Talk” is among the best things regarding Free Spirit, the relatively disappointing sophomore LP by Grammy-nominated R&B. musician Khalid. “Talk” is sleekly produced to the nth degree, thanks to the talents of Disclosure.  The synths are warm, yet also have the right amount of bite.  The beat itself is perfectly suited for the singer and a modern, urban contemporary record in general.

As always, Khalid delivers a strong vocal performance, showcasing his inescapable, distinct tone.  Besides his compelling chest voice, he also delivers some lovely falsetto as well.  Adding to the strength of “Talk” is a memorable chorus which serves as the crème de la crème.

“Can we just talk? Can we just talk?
Talk about where we're goin’
Before we get lost, lend me your thoughts
Can’t get what we want without knowin’
I’ve never felt like this before
I apologize if I’m movin’ too far
Can we just talk? Can we just talk?
Figure out where we're goin’.”

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8. FKA twigs, “Cellophane”

MAGDALENE • Young Turks Recordings Ltd. • 2019

Question(s): “Didn’t I do it for you? / Why don’t I do it for you? / Why won’t you do it for me / When all I do is for you?” Matters of the heart, ladies and gentlemen – always a superb topic for a memorable song, period.  Furthermore, minimalism itself carries more weight than you might give it credit for.  FKA twigs certainly packed a punch on “Cellophane,” a minimal, alternative/ alt R&B gem from her album, MAGDAELENE.  The ballad, co-written and co-produced by FKA twigs, Michael Uzowuru, and Jeff Kleinman, closes MAGDALENE stunningly.

Clearly, FKA twigs simply can’t put her feelings for someone she cared about behind her.  It’s easy to hang on to every colorful note that she sings.  FKA twigs does a little bit of everything from a vocal standpoint, sliding into notes, singing breathily, while fully supporting and belting at other times. It’s a truly complete, haunting, and artistic performance to say the least. What is clear is that the performance is drenched in vulnerability, representing her desire and hope about what appears to be a relationship that didn’t end up working out.  She seems to question her own adequacy, though she shouldn’t.

“And I just want to feel you’re there
And I don’t want to share our love
I try, but I get overwhelmed
All wrapped in cellophane, the feelings that we had.”

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7. Lana Del Rey, “The Greatest”

Norman Fucking Rockwell! • Interscope • 2019

Grammy-nominated alternative pop singer/songwriter Lana Del Rey delivered arguably her best album to date with the explicitly titled, sixth studio album, Norman Fucking Rockwell!. Some people adore Lana, while others are mixed.  She’s a truly polarizing musician, yet, possesses quite the distinct, beautiful musical instrument.  Arguably, she’s only improved over the years.  She shines on “The Greatest,” among the crème de la crème of NFR! and, one of the best songs of 2019.

“I want shit to feel just like it used to / When, baby, I was doing nothing’ the most of all.” Ah, “The Greatest” provides some more punch to NFR!, with its spirited guitars and retro-tinged sound. This is one of the late, truly great songs on the album.  Here, Lana Del Rey is reminiscent, missing a past romance (“I miss Long Beach and I miss you, babe”), New York, and rock (“I miss New York and I miss the music / Me and my friends, we miss rock ‘n’ roll”).  The outro is quite scintillating, as Del Rey lists the current happenings, which include forest fires in Los Angeles and Kanye West’s state of mind.

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6. Billie Eilish, “Bury a Friend”

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? • Darkroom / Interscope • 2019

“Step on the glass, staple your tongue / Bury a friend, try to wake up / Cannibal class, killing the son / Bury a friend, I wanna end me.” The majority of When We All Fall Asleep, Where Do We Go? could end up on the 51 Best Songs of 2019 list – Billie Eilish did serious work on that album, a key contender for the Grammy for Album of the Year.  Standout “Bury a Friend” served as a truly entertaining, haunting advance single.

The ‘alt’ is full throttle on the totally left-of-center joint from the jump.  The kick drum dominant groove is unique, and has a haunting, enigmatic sensibility.  That sensibility extends with the continual undertone of Eilish, who sounds quite nonchalant, as well as with the terrific, minimalist production work.  The things that Eilish and her brother, Grammy-nominated producer FINNEAS concoct, are one-of-a-kind; quite distinct.

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5. DaBaby, “Suge”

Baby on Baby • Interscope • 2019

“I go where I want, I’m good / Play if you want, let’s do it / I’m a young CEO, Suge / Yeah, yeah.” Honestly, few rappers had a better year than DaBaby, who became a breakout star.  Who didn’t – better yet –  who doesn’t want this agile, deep voiced rapper rapper to collaborate with them on a track? The song that put DaBaby on the map is the absolutely infectious “Suge,” which appears on his first album of 2019, Baby on Baby.

What makes “Suge” among the very best songs of 2019? First and foremost, it’s the personality – confident and cocky to the nth degree – that DaBaby exhibits throughout this relatively short banger.  If you watch the accompanying music video, that personality is amplified to an even greater level.  Also, contributing to the excellence, is the minimalist production, courtesy of jetsonmade and Pooh Beatz. From the jump, what is clear is the fact that DaBaby is ON… autopilot that is!

“No talkin’, I don’t like to argue with niggas (I don’t)
Ain’t gon’ be no more laughin’
You see me whip out guns, I’m gon’ be done shot me a nigga
I don’t follow no bitches on IG
But all of your bitches, they follow a nigga
And that lil nigga ain’t gon’ shoot shit with that gun
He just pull it out in his pictures (Bitch, uh).”

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4. Vampire Weekend, “Harmony Hall”

Father of the Bride • Sony • 2019

“Anger wants a voice, voices wanna sing / Singers harmonize ‘til they can’t hear anything…” “Harmony Hall”, which arrives courtesy of Grammy-winning alternative collective Vampire Weekend.  The comeback single from Father of the Bride far exceeds expectations; it’s a jam-packed gem exceeding five minutes in duration. Front man Ezra Koenig experiments with Americana and country music.  The result is superb, with rhythmic guitar lines, ultra-funky piano, and an infectious, anchoring beat.

Adding to the excellence are ripe vocals by Koenig, who sounds as fresh and potent as he did when Vampire Weekend arrived back in 2008.  Although “Harmony Hall” is ‘alternative,’ there’s enough of a ‘pop factor’ and a relatively straightforward form that makes it truly ear catching.  Also, helping the infectiousness is the inescapably catchy chorus, which sounds like Koenig is beaming as he sings.

“And the stone walls of Harmony Hall bear witness
Anybody with a worried mind could never forgive the sight
Of wicked snakes inside a place you thought was dignified
I don’t wanna live like this, but I don’t wanna die.”

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3. Lil Nas X, “Old Town Road”

Ft. Billy Ray Cyrus

7 (EP) • Columbia • 2019

“Yeah, I’m gonna take my horse to the old town road / I’m gonna ride ‘til it can’t go no more.” Lil Nas X is responsible for the brief, countrified/melodic hip-hop Billboard Hot 100 no. 1 hit, “Old Town Road”, that topped the charts for a record 19 weeks! Also, worth noting, this record-breaking single which appears on the EP, 7, arrives courtesy of a black LGBTQ+ artist – more history. “Old Town Road” was certainly an interesting endeavor, with the results being a song that no one is sure to forget. Billy Ray Cyrus guests on “Old Town Road – Remix,” singing the aforementioned refrain (once), as well as the third verse.

“Old Town Road” is quite charming for a variety of reasons including lyrics that play off of clichés associated with country music. On the second verse, Lil Nas X kicks things off pop-rapping, “Ridin’ on a tractor” and later adds, “Bull ridin’ and boobies / Cowboy hat from Gucci / Wrangler on my booty.” ‘Furthermore, the hip-hop beat, coupled with ‘country-folk’ guitars, fueled by a prominent Nine Inch Nails sample (“34 Ghosts IV”), add to the sheer excellence.

A novel cut by all means that arguably, lacks substance, “Old Town Road” is infectious and does initiates important discussions musically as well as regarding race. “Old Town Road,” like the two records that precede it on this list, has a legitimate case for the top spot on 51 Best Songs of 2019.

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2. Lizzo, “Truth Hurts”

Cuz I Love You [Deluxe Edition] • Nice Life / Atlantic • 2019

“I just took a DNA test, turns out I’m 100% that bitch / Even when I’m crying crazy…” Sigh, Lizzo kicked some serious ass throughout the course of 2019.  Her album, Cuz I Love You, was filled with hits, many of which appear on this list, 51 Best Songs of 2019.  “Truth Hurts,” the gem at hand, was the crowning achievement, appearing only on the deluxe edition of the album.  “Truth Hurts” actually materialized years earlier, but didn’t make its impact until 2019, earning the number one spot on the Billboard Hot 100 for seven weeks – the rare, female rapper to sit atop the Hot 100.

What makes “Truth Hurts” the certified bop that it is? Well, glad you asked! It’s a combination of a feisty attitude from Lizzo (“Why’re men great ‘til they gotta be great?”), robust sung vocals, relatable songwriting (“You’re ‘posed to hold me down, but you’re holding me back”), and sleek production work (Ricky Reed).  Basically, Lizzo tells this loser the truth, even though it hurts, and she’s kicked his ass to the curb.  Perhaps what makes this among the best songs of the years is the hilarity of the record, further accentuated by the music video, not to mention that BET Awards performance where Lizzo broke out the flute… Epic.

“I put the sing in single
Ain’t worried ‘bout a ring on my finger
So you can tell your friend, ‘Shoot your shot’ when you see ‘em
It’s okay, he already in my DMs.”

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1. Billie Eilish, “Bad Guy”

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? • Darkroom / Interscope • 2019

“So, you’re a tough guy / Like it really rough guy / Just can’t get enough guy / Chest always so puffed guy…” The minimalist “Bad Guy” serves as the first full-length record on When We All Fall Asleep, Where Do We Go?, the compelling debut album by alternative pop teen artist Billie Eilish.  On “Bad Guy,” Eilish sings in an undertone.  She’s calm, cool, and collected, flaunting off her distinct approach and sound.

Adding to the intrigue of the listening experience are a unique palette of vocal effects, as well as an air of mysteriousness. “Bad Guy” thrives because of its infectious groove, catchy chorus (partially excerpted above, and continued below), and a fun, if dark, playful style.  It easily nabs the top spot on the 51 Best Songs of 2019 in my eyes.

“I’m that bad type
Make your mama sad type
Make your girlfriend mad tight
Might seduce your dad type
I’m the bad guy…”

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51 Best Songs of 2019: Year in Review [Photo Credits: Atlantic, ATO, Big Machine, BMG Rights Management, Brent Faulkner, Brittany Howard, Columbia, Cub Sport, Dreamville, Epic, Fader, Interscope, Interscope, Jagjaguwar, Jonas Brothers, Loma Vista, Metal Blade, Nice Life, Pexels, Pixabay, Polydor, RCA, Republic, River House Artists, Roc Nation, Sony, Ten Point Productions Inc., The Musical Hype, Universal Music, Vanner, Warner, Young Turks Records Ltd.]

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