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15 Songs Featuring Music Genres in their Title 🎧 features Brittany Howard, Daft Punk, Panic! At the Disco, Polo G & Thomas Rhett.
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Your prompt: Name various MUSICAL GENRES (styles). OK – got this! Ready, set, GO! Alternative, blues, classical, country, dance, folk, gospel, hip-hop/rap, K-pop, jazz, Latin, metal, reggae rock, R&B, singer/songwriter, worldwide… Yeah – kicking ass and taking names! While not all of those music genres appear on our latest compendium, 🎧 15 Songs Featuring Music Genres in their Title, we cover quite a few (blues, country, dance, gospel, metal, pop, rap, R&B, and rock).
🎧 15 Songs Featuring Music Genres in their Title features music courtesy of 🎙 Brittany Howard, 🎙 Daft Punk, 🎙 Panic! At the Disco, 🎙 Polo G, and 🎙 Thomas Rhett among others. We’ve got numerous genres covered, so there should be something for everybody… or almost everybody! Regardless, scroll through, read a few blurbs and see if something we’ve penned on this 57th playlist of 2021 tickles your musical fancy!
1. Janet Jackson, “R&B Junkie”
💿 Damita Jo • 🏷 Virgin • 📅 2004
One of the less sexually charged joints on Damita Jo was the groovy, dance cut, 🎵 “R&B Junkie.” Let’s just say if I had to avoid playing “Strawberry Bounce” with the parents at home, I could pull off the old-school vibes of “R&B Junkie” (and excellent follow-up, “I Want You”). Of course, Janet remains sexy, asserting on the chorus, “Time to set it off, we can bump, bump all night / Wanna get my freak on, DJ keep the party hype.” I mean, I’m pretty sure, after the club, it’s going down. I mean, shouldn’t we totally read into lyrics like, “Tell me, can you keep it up? /… Till they kick us out the club boy?” Ooh la la!
2. Daft Punk, “Lose Yourself to Dance”
Ft. Pharrell Williams
💿 Random Access Memories • 🏷 Columbia • 📅 2013
On “Lose Yourself to Dance,” 🎙 Pharrell Williams makes his first of two appearances on Random Access Memories. Sure, his second appearance is the most heralded (“Get Lucky”), but he’s on-point on “Lose Yourself to Dance” too. His falsetto is a perfect match for Daft Punk’s soul-soaked production work, period. Williams delivers such memorable lines as “Here take my shirt and just go ahead and wipe up all the sweat! Sweat! Sweat!” as well as the repeated titular lyric. Running nearly six minutes in duration, “Lose Yourself to Dance” is a total electronic vibe, particularly the ripe rhythmic guitar, courtesy of the legendary 🎙 Nile Rodgers.
3. Polo G, “RAPSTAR.”
🎵 “RAPSTAR” • 🏷 Columbia • 📅 2021
As for Polo, he blesses us with both a sweet, rhythmic flow as well as a melodic rap performance. What I love about his performance is how we naturally get this contrast of the street/toughness with sheer beauty – harmoniousness. With Polo remaining ‘on’ throughout the course of “RAPSTAR,” his best moment is undoubtedly the chorus, which screams H-I-T. Ultimately, “RAPSTAR” marks another strong showing for the rapper, who definitely brings great personality, rhymes, and a sweet melodic approach to the table.
Also Appears On 🔽:
🔗 🎧 Awesome Songs That Tickled My Fancy: April 2021
4. Brittany Howard, “13th Century Metal”
💿 Jaime • 🏷 Brittany Howard / ATO • 📅 2019
On “13th Century Metal,” Howard taps into religion (“I promise to love my enemy / And never become that which is not God”) and also politics (“I am dedicated to oppose those whose will is to divide us / And who are determined to keep us in the dark ages of fear”). Focused on unity, on this quirky but ambitious joint, two key phrases are “We are all brothers and sisters,” and “Give it to love.” “Give it to love,” notably is actually sung by background vocalists. The end result of “13th Century Metal” is a record that’s different, distinct, and incredibly captivating.
5-6. Thomas Rhett, “What’s Your Country Song”
💿 Country Again (Side A) • 🏷 Big Machine • 📅 2021
Like the two songs preceding it on 💿 Country Again (Side A), “Your Country Song” retains a more traditional country sound – in a contemporary country sort of way. The production is heavy on guitar, certainly checking off a country box. Like the aforementioned lyrics excerpted from the first verse, Rhett asks about country experiences throughout to others who have similar experiences. Given that, he concludes, everyone with such experiences has their own country song, captured perfectly on the chorus.
Rhett also has another notable country moment with 🎵 “Country Again.” This has a strong case as the sincerest ballad on the album (🎵“Heaven Right Now” gets the edge). “Country Again” is a song that really finds Thomas Rhett reclaiming his roots after shedding them. No, not merely shedding a crossover approach to country music, but based on the songwriting, his actual life and how he’d moved away from what he was/his roots to some extent. Now, as he’s became older, he’s returned to being ‘country again’ even if certain things have totally changed. “But last night, we cracked some cold beers and craned Eric Church to ten,” he sings, he recalls of a meeting with his “back home buddies,” reflecting, “‘Man, it feels good to be country again.’”
7. DJ Khaled, “POPSTAR”
Ft. Drake
💿 KHALED KHALED • 🏷 We The Best / Epic • 📅 2021
“Bitches callin’ my phone like I’m locked up, nonstop From the plane to the fuckin’ helicopter, yeah Cops pullin’ up like I’m givin’ drugs out, nah, nah I’m a popstar, not a doctor.”
This is one of the selling points of “Popstar,” even if it lacks profundity. Beyond the chorus, things don’t get any deeper as Drizzy spends time flexing about his tough, swagger-laden ‘pop star status’ which includes any girl he wants, anything he wants – etc., etc., etc.! Of course, 🎙 Justin Bieber stars in the music video for the joint.
8. Panic! At the Disco, “This is Gospel”
💿 Too Weird to Live, Too Rare to Die • 🏷 Fueled By Ramen • 📅 2013
“This is the gospel for the vagabonds Ne’er-do-wells and insufferable bastards Confessing their apostasies...”
“This is Gospel” is characterized by creative lyrics (aforementioned), energetic production, and a gargantuan refrain. Groovy, with Urie’s whiny, dramatic vocals shining, “This is Gospel” transcends being merely another emo song. Its numerous musical influences are at work, a characteristic that remains afloat throughout Too Weird to Live, Too Rare to Die. Of course, the main attraction – other than Brendan 😍 – is the chorus:
“If you love me, let me go These words are knives and often leave scars The fear of falling apart...”
Good stuff, good stuff.
9. Eric Church, “Rock & Roll Found Me”
💿 Soul • 🏷 EMI Records Nashville / UMG Recordings, Inc. • 📅 2021
The 🏆 Grammy-nominated artist’s “Amazing Grace” isn’t Biblical or spiritually driven. Even so, his experience is definitely relatable. Making things even better, beyond the superb lyrics, Church gives a terrific vocal, has ‘lit’ production to work with (🎛 Jay Joyce), and a sweet groove.
10. DaBaby, “Rockstar”
Ft. Roddy Ricch
💿 BLAME IT ON BABY • 🏷 Interscope • 🗓 2020
“Rockstar” is a more melodic rap performance, adding pop and R&B sensibilities. No worries, as 🎛 SethInTheKitchen ensures the production is anchored by trunk rattling drums. Even with a sense of melody under his belt, DaBaby isn’t soft – he’s riskier and more reckless if possible, as the aforementioned chorus confirms. Ultimately, “Rockstar” is a crowd pleaser that’s an undeniable gem any way you look at it and definitely ranks among the best songs of 2020.
Also Appears On 🔽:
11. Post Malone, “Rockstar”
Ft. 21 Savage
💿 beerbongs & bentleys • 🏷 Republic • 📅 2018
Among the pros is the production (🎛 Louis Bell and 🎛 Tank God), sporting moody vibes from the onset. Post continues performing in his signature pop-rap style with agile rhymes, exhibiting a respectable flow and that distinct, oft-mentioned vibrato. 21 Savage provides a nice contrast to Post’s more exuberant, emotional style. What does that mean exactly? Oh, that deadpan, low energy, yet ‘still manages to bite hard’ approach. Of course, the centerpiece of the centerpiece of beerbongs & bentleys is the chorus.
12. CeeLo, “CeeLo Green Sings the Blues”
💿 Heart Blanche • 🏷 Atlantic • 📅 2015
Green is incredibly talented, but talent alone doesn’t atone for mistakes, period. “CeeLo Green Sings the Blues” proved not to be near enough to revive the idiosyncratic musician to his full glory. A line like “My heart is filled with unconditional love / How could anyone hate me?” doesn’t necessarily play out favorably in everyone’s eyes because it seems, um, defensive. Still, from a critical standpoint, the record, to some extent, shows his willingness to attempt to redeem himself, as well as remind us of his remarkable musicianship. That vocal grit – awesomeness exemplified!
Also Appears On 🔽:
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13. Alicia Keys, “The Gospel”
💿 Here • 🏷 RCA • 📅 2016
That said, prior to ‘the gospel,’ well, there was the beginning. Literally, I mean “The Beginning (Interlude),” which sets the tone channeling the socially conscious, poetic vibe. From there, we get the thoughtful “The Gospel,” with its blend of R&B, hip-hop, and singer/songwriter. Of course, most importantly, Keys illustrates a picture, including families from the ghetto:
“So, we all got children, products of the ghetto Momma cooked the soup, daddy did the yelling Uncle was a drunk, cousin was a felon When he got pitched, he told them he wasn’t tellin’.”
No, perhaps Keys’ ‘gospel’ isn’t the exact same brand (or style, ha) as everyone else’s, but if you listen to the story that she tells, you’ll likely be able to relate to something. Can I get an amen? How about a hallelujah?
14. Nipsey Hussle, “Rap N***as”
💿 Victory Lap • 🏷 Atlantic • 📅 2018
Yes, the title “Rap Niggas” isn’t family friendly, and neither is the song, but, Nipsey Hussle is truly locked-in here. He’s backed by badass production by 🎛 DJ Khalil and 🎛 Rance. The sound is very much idiomatic of the West Coast sound, giving Nipsey perfect fuel for his fire. He probably didn’t need it, as his aggressive, unapologetic rhymes speak for themselves. Yes, he utters the n-word too much, but at least he’s true to the music genre and title, right?
“Can’t no motherfucker tell me shit, nigga We the No Limit of the West, nigga Percy Miller at his best, nigga Jigga with the Rollie and the vest, nigga.”
15. Walk the Moon, “Shut Up and Dance”
💿 TALKING IS HARD • 🏷 RCA • 🗓 2014
“Shut Up and Dance” is bright and energetic, set in a major key, and simply makes you feel good while listening. 🎙 Nicholas Petricca is on fire vocally, infusing his personality perfectly. What more can you say? “Oooooh, shut up and dance with me!”
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