15 Songs Featuring Profanity in Their Title features songs from Alexander Stewart, The Carters, ILLENIUM & Call Me Karizma & Lennon Stella.
Often, swear words are the first thing that we notice, whether we are reading something or listening to something. Itâs entirely safe to say that profanity is common and almost expected in contemporary music. Sure, you can dive into an argument of the necessity of profanity, but regardless, itâs difficult to find pop music that eschews some colorful, risquĂ©, and salty language. On this particular playlist, we have put together 15 Songs Featuring Profanity in Their Title. It wouldnât be the first-time profanity was the center of a The Musical Hype playlist â 13 Songs with Every Kind of Poo Imaginable and All These âDamnâ Songs! both centered on naughty words.  And how can we forget about those f-bomb driven lists â 75 Songs Featuring Filthy F-Bombs in Their Title and A Random ABC of Artists with Respective Songs That Feature the F-Bomb.
Many of these songs appeared on other lists previously in different capacities, though a few were âplay-listlessâ until now. Musicians providing the tunes for 15 Songs Featuring Profanity in Their Title include Alexander Stewart (âBest Damn Thingâ), The Carters (âAPESHITâ), ILLENIUM & Call Me Karizma (âGod Damnitâ), and Lennon Stella (âBITCH (takes one to know one)â) among others.
1. Lennon Stella, âBITCH (takes one to know one)â
BITCH (takes one to know one) [Single] âąÂ RECORDS, LLC / Columbia âąÂ 2019
âYou do the things you do, oh God / You know what they say / It takes a bitch to know a bitch / It takes a bitch to know a bitch.â Never underestimate the power of shock value. Without context, a record like âBITCH (takes one to know one)â sounds totally risquĂ© to the nth degree, thanks to its reference to a âfemale dog.â But Lennon Stella isnât being intentionally risquĂ© or setting to her own sex back through the use of the infamous five-letter word, but rather she exhibits female power.
Throughout the course of âBITCH,â Lennon Stella seems to be totally disgusted by the behavior men can exhibit. It begins with the first line of the first verse, where Stella criticizes his tasteless humor â âDriving through the canyon, you said it like a joke / ⊠I know you wonât apologize / You sent me down the river to see if I would float away.â Her disdain continues on the second verse, where itâs clear that sheâs still pissed off, despite him brushing it off.
âYou walk into the party, youâre laughing with our friends You make it look so easy, but I just canât pretend How can you act like everythingâs alrightâŠ? Somebody take this weight away.âÂ
Ugh, the bro totally messed up, and Lennon Stella takes matters into her own hands â get it girl! Musically, âBITCH (takes one to know one)â is respectably produced, and Stella sings well. Still, itâs the messaging, sort of a bold means of female empowerment, that serves as the crowning achievement of this pop joint. âBITCH (takes one to know one)â previously appeared on the playlist 11 Awesome Songs that Tickled My Fancy in March 2019.
2. Sheck Wes, âMindfuckerâ
Mudboy âą Interscope âąÂ 2018
âYou fuck everything with your mind, nigga / Youâre a mothafuckinâ mindfucker.â Okay⊠Rapper Sheck Wes is best known for one particular, totally ubiquitous, viral hit, âMo Bambaâ. âMo Bambaâ appears on Wesâ 2018 debut album, Mudboy. A more profanely-titled song, âMindfucker,â matches the criteria for this profanity-laced playlist. Man, oh man, what a title.
âPut my thoughts in my pen and bullets in my weapon / And I pray and say amen anytime a nigga stressinâ / But my mind my greatest weaponâŠâ âMindfuckerâ appears as the opener on Mudboy, and what a hell of an opener it is. The production is dark and unsettling, instrumentally capturing the sound of a mind fuck. During an extended intro, Sheck Wes sets the tone before spitting the sole verse of the record. During the verse, excerpted above, naturally, Wes characterizes his mentality in the rap game, and, embraces his role as a âmindfucker.â âMindfuckerâ previously appeared on the playlist 11 Songs Where the Mind is the Focal Point.
3. Alexander Stewart, âBest Damn Thingâ
Best Damn Thing [Single] âą Cherrytree âąÂ 2018
Among the âburied treasureâ of December 2018 was âBest Damn Thingâ, a compelling pop single courtesy of 19-year old Canadian singer and YouTuber Alexander Stewart. Missing out on âBest Damn Thingâ would be a âdamnâ shame. The record is chocked-full of excellence including production work characterized by a sick palette that includes electric piano, thudding kick drum, rhythmic synths, and rhythmic guitars. While the sound is fresh, it also hearkens back to 80s pop and New Wave. Even cooler than the production work is Stewart himself, who has a brilliant voice, showcasing incredible versatility throughout the course of âBest Damn Thing.â The listener is blessed with his sweet falsetto, compelling middle register, and some exceptional ad-libs and nuances. Amplifying his compelling case are layered vocals â more Alexander is always better.
So, the production is stellar, and Alexander Stewart is a gem, what are we leaving out? The songwriting.  Sure, anytime profanity graces the title of a song it piques interest and sometimes we end up criticizing the âshallownessâ of said song. Thatâs not the case with âBest Damn Thingâ which is pretty strong from start the finish (verses, pre-chorus, chorus, and bridge). The chorus is simply infectious â among the âbest damn thingsâ about this record if you will.
ââCause youâre the best damn thing that Iâve ever seen Youâre the best damn thing that Iâve ever had And I donât know what Iâd do if I ever lose you âCause youâre the best damn thing that Iâve ever had But I canât do much if youâre over it So tell me what to do âCause I want to be the best damn thing that youâve had too.â
4. The Carters, âAPESHITâ
Everything is Love âąÂ Roc Nation / Sony âąÂ 2018
Question: âHave you ever seen the crowd goinâ ape-shit?â Rap banger âAPESHITâ served as the single from the collaborative Jay-Z and BeyoncĂ© project (as The Carters), Everything is Love. Notably, Everything is Love won the Grammy for âBest Urban Contemporary Albumâ at the 61st Annual Grammy Awards, which were held February 2019.
BeyoncĂ© shines on the first verse with confident pop-raps, assisted by ad-libs by Quavo. Chocked-full of gimmickry, itâs a fitting approach against the adventurous production by Pharrell Williams. Arguably, Bey may be even more electric on the third verse where thereâs no shortage of assuredness and swagger. Jay-Z arrives on the second verse, fiery, dissing the Super Bowl, The NFL, and the Grammys (âTell the Grammyâs fuck that 0 for 8 shitâ). If nothing else, âAPESHITâ is a memorable turn-up. It previously appeared on the playlist 13 Songs with Every Kind of Poo Imaginable.
5. Sofi Tukker, âBatshitâ
Treehouse âąÂ Ultra âą 2018Â
From the get-go, the Sofi Tukker hit âBatshitâ (Treehouse) is chocked-full of fun. Itâs danceable, infectious, and undoubtedly irresistible. Is it âbatshit crazy?â A little bit. Notably, Tucker Halpern has a much more substantial vocal role compared to other songs from the duo. Sophie Hawley-Weld also gets in on the action, with arguably the most important part of the song â drum roll please â the titular lyric!
Hawley-Weld holds âbatshitâ down like a champ, while Halpern follows-up with âIâm batshit crazy.â Notably, âBatshitâ incorporates an interpolation of the narcissistic classic, âIâm Too Sexyâ. âBatshitâ previously appeared on the playlist 13 Songs with Every Kind of Poo Imaginable.
6. Ruston Kelly, âAssholeâ
Asshole (Demo) âąÂ Rounder âąÂ 2018
âHe pulled out his taser âcause heâs got no cock / Fucking cops.â Ruston Kelly, the hubby of Grammy-winning country darling Kacey Musgraves, refers to himself as an âassholeâ on âAsshole (Demo)â. Pretty straightforward, right? Merriam-Webster contextualizes the word as vulgar for âanusâ or more pertinent here, âa stupid, annoying, or DETESTABLE person.â As for Urban Dictionary, there are a number of definitions, including the colorful, though quite possibly accurate, âYour current boss.â
Early on, as the aforementioned lyrical excerpt suggests, itâs obvious that Ruston Kelly is totally unapologetic. The more unapologetic and rebellious a singer/songwriter is, typically the better. His honesty and frankness on âAssholeâ is a selling point. After heâs arrested by the cops for being inebriated, influenced by âtwo [coke] junkies,â he asserts, âLately, Iâve been thinking I need to make a change / In how I do and what I say and behave.â Eventually, on the relatively raw record, we get to the proclamation weâve all been waiting for â why he considers himself to be so âdetestableâ:
âTaking everything for granted The moment someone does something nice I take advantage Easy breezy only when it pleases me, Iâve been told Iâm kind of an asshole.â
7. ILLENIUM & Call Me Karizma, âGod Damnitâ
God Damnit [Single] âąÂ Astralwerks âą 2018
âIf thereâs a God, whyâd he make me? / All of these flaws is all that I see / If thereâs a God, I donât believe / Someone as perfect as you would love me / Goddamnit.â Hmm, someoneâs a total scumbag⊠a total sinner⊠Perhaps repentance is necessarily after listening, but DJ/producer ILLENIUM (Nicholas D. Miller) and rapper/singer Call Me Karizma make sweet music together on âGod Damnitâ. Itâs hard not be impressed with the work Miller does behind the boards. The beats anchor the overall production, while the synths burst with brightness and sheer electricity. In regard to the sound palette, Miller totally kills it.
âI fucked up, course I did The more I think now I should quit, forfeit the crown Give this up to net let you down again.â
All of that said, specifically the repentant pre-chorus, ILLENIUM isnât the only factor on âGod Damnit.â Singer/rapper Call Me Karizma officially breaks the ten commandments. Like Miller, Call Me Karizma does a fantastic job with his role. Not only does he sing well on the aforementioned chorus, he drops some sick bars too. Heâs blunt, admitting heâs ârough around the edges,â referencing his many flaws previously addressed on the chorus.  Among the memorable lyrics are the likes of, âFuck it, Iâm young, I can act like an idiot / How many sins I gotta make âtil I get the hint?â Later, answers his own questions regarding a girl who ghosted on him, because, âMaybe âcause I flirt with every girl in existence / I blame it on the distance, that Iâm being distant.â
âGod Damnit,â ILLENIUM and Call Me Karizma know how to appeal to a sinner â âsaved by grace,â mind you. Â Godâs probably not pleased, but the production is awesome, and the song is ultimately entertaining, relatable, well-executed, and well-performed.
8. Trippie Redd, âBird Shitâ
LIFEâS A TRIP âą TenThousand Projects, LLC âą 2018
âLeave that bullshit to the birds / Drippinâ, drippinâ, ha!â Well⊠Trippie Redd is one of a kind â understatement. Unsurprisingly, âBird Shit,â which appears on his 2018 LP, Lifeâs a Trip, is indeed âa trip.â Naturally, the idiosyncratic rapper highlights âshit,â bullshit, and birds throughout the course of this colorful, âs-bombâ filled affair. The profanity is alive and well.
A prime example is the ârefrainâ section that occurs after the intro and prior to the first verse.
âAll that bullshit for the birds, ay You ainât sayinâ nothing but a word, ay Shitty niggas, you some turds, ay Hating on a boy âcause Iâm in first place.â
Beyond the refrain, Trippie Redd flexes like a boss and asserts, âNigga cannot stress me / âCause Iâm gettingâ money with the fucking gang.â Similarly, on the second verse, he spits, âBecause I said I ball nigga like Vince Carter / Slaughter your daughter, bitch, I go harder, like Mr. Carter.â If that didnât confirm the flex, the chorus does, with its references to VVS, money, and girls. He caps off the chorus with the line, âLet the birds talk, pussy nigga let the birds walk.â âBird Shitâ appeared previously on the playlist 13 Songs with Every Kind of Poo Imaginable.
9. Russ, âFuck Thatâ
ZOO âą Columbia âąÂ 2018
According to Russ, the world hates him. Itâs at least partially true â the rapper, singer, and producer is a hip-hop âdo-it-all,â yet, has his fair share of skeptics. On the other hand, heâs also experienced some success, so, not everybody is against him. One thing that I didnât particularly care for thatâs associated with Russ is his sophomore album, ZOO. Honestly, ZOO was easily among the worst albums of 2018. The suspect sophomore album concludes in suspect fashion with the profane âFuck That.â
Like he does during numerous instances on ZOO, Russ plays the victim. Unfortunately, the chip thatâs on Russâ shoulder doesnât lead to rhymes that expand behind being basic.
âThey want me to shut the fuck up, fuck that They want my talent, my nuts tucked, fuck that Theyâre tryna get me to hate me, fuck that âCause yâall canât ever ever play me, fuck that.â
Sure, it was the utterly annoying âThe Flute Songâ that landed a spot on the The 17 Worst Songs of 2018, but âFuck Thatâ definitely has a compelling case for the same honors. Â âFuck Thatâ previously appeared on the playlist 11 Songs Where Rappers (and a Singer) Keep it Basic AF.
10-11. G-Eazy, âThe Beautiful & Damnedâ & âGotdamnâ
The Beautiful & Damned âą RCA âą 2017
G-Eazy has proven he has staying power as one of the more successful white rappers in the game. His ascent to the top continued with the release of his third album, The Beautiful & Damned, released in 2017. Title track âThe Beautiful & Damnedâ opens in foreboding fashion, capturing a truly damned sensibility. Adding to the darker vibes are the assertive, unique vocals by Zoe Nash. She sets up G-Eazy with some fire, before he unleashes his hard-nosed rhymes with compelling flow intact. As always, heâs confident to the nth degree and unapologetic AF. The production work serves as âperfect fuel for the fire.â
G-Eazy and âpotty-mouthed-nessâ seem to go hand in hand. In essence, we get another damn song from the rapper from the same album. This time, G is a bit more offensive with âGotdamn.â A banger to say the least âGotdamnâ commences the second disc of the album, well, profanely. Eazyâs flow is chill and relaxed, yet he still packs a punch with his rhymes. Devoid of depth, the hook, in all its simplicity, is infectious.
12. Die Antwoord, âFat Faded Fuck Faceâ
Mount Ninji and da Nice Kid âą Zef âą 2016
South African collective Die Antwoord returned with a southern rap-infused single, âFat Faded Fuck Faceâ, a highlight of their 2016 LP, Mount Ninji and da Nice Time Kid. Song titles donât get much more honest than the satisfyingly explicit âFat Faded Fuck Face.â âFat Faded Fuck Faceâ features hardcore rap production which favors the production that would grace an American southern rap song. Ultimately, the song is one big insult, filled with the archetypical shots made by rappers consistently.
Ninja initiates âFat Faded Fuck Faceâ unapologetically on the hook:
âFuck, Iâm so faded Motherfuck, Iâm faded In the morning, I be fresh as fuck But your bitch still be faded Fat faded fuck face, save it Howâd you get so jaded? So vain never made it Just flash in the pan, could get faded Your legacyâs overrated, your new shit sounds dated You no longer famous, kids donât know what your name is Something crawled up your anus and died Thatâs why your face is so fucked up Salt tasted in your mouth Your bitch call me the greatest.â
The first verse is performed by Yolandi, featuring a signature catch-line, âI told your boy, âyour bitch needs to chillâ (bitch needs to chill).â Things get weirder, with Yolandi performing the second verse in a different language. Ninja performs the final verse, in the same style as the hook. One big insult after another and a consistent brag-fest, âFat Faded Fuck Faceâ is another enjoyable, quasi-eccentric single from the South African collective. âFat Faded Fuck Faceâ previously appeared on the playlist, 13 Songs That Focus on the Face.
13. Wheeler Walker, Jr., âEatinâ Pussy / Kickinâ Assâ
Redneck Shit âą Pepper Hill âąÂ 2016
âSo, after work I went to his house / Ate his wifeâs pussy and kicked his ass.â Oh brother! First and foremost, itâs important not to take Walker Wheeler, Jr. the least bit seriously. Wheeler is part comedian and part country musician. Actually, heâs mostly comedian judging by his musical output. In 2016, he shocked the world with his debut album, boldly titled Redneck Shit. Yeah, country artists have managed to squeeze in the s-bomb every now and again with little flack, but itâs not often it graces the albumâs title. Again, Wheeler, Jr. is more comedian than anything else. Going back to the song titles from his debut album, beyond the title track: âCanât Fuck You off My Mind,â âFuck You Bitch,â and our song at hand, âEatinâ Pussy / Kickinâ Assâ among them. Wow, just wow.
Itâs best to take the explicit âEatinâ Pussy / Kickinâ Assâ âwith a grain of salt.â As the aforementioned quote from the first verse suggests, Walker performed cunnilingus on another manâs wife. Factor in the first two lines of the first verse, we discover itâs his boss that he hates. SMH. Later, on the second verse, the sexual references continue as Walker sings, âGirl at the counter said, âDo you want a job?â / And I said, âokay,â and then I ate her pussy.â Yeah, thatâs the shit â rather, the Redneck Shit â that you get from Walker Wheeler, Jr. Oh, and as for the chorus, well, it just reiterates the titular lyric: âEatinâ pussy and kickinâ ass.â âEatinâ Pussy / Kickinâ Assâ previously appeared on the playlist, 11 Songs That Either Kick or Push.
14. Father John Misty, âHoly Shitâ
I Love You, Honeybear âą Sub Pop âą 2015
âAge-old general roles / infotainment, capital / Golden bows, and mercury / Bohemian nightmare, dust bowl chicâŠâ Say what? Despite the fact that âHoly Shitâ (I Love You, Honeybear) is an attention-getter, Father John Misty (Josh Tillman) never mentions the popular exclamatory phrase once within the lyrics. Rather, the title âHoly Shitâ is a description of an overall collection of overwhelming emotions and situations, many of which are far beyond the musicianâs control. The song embodies the phrase rather than saying it.
Donât get it twisted though â âHoly Shitâ is brutal honesty. A perfect lyrical example:
âAncient holy wars Dead religious Holocausts New regimes, old ideas⊠Eunuch sluts Consumer slaves A rose by any other name Carbon footprint Incest dreams Fuck the mother in the greenâŠâ
A heady song, despite referencing random situations and things, like most Father John Misty songs, itâs nothing short of brilliant. Yeah, itâs a lot to take in, but will definitely incite a âholy shit!â reaction. âHoly Shitâ appeared previously on the playlist 13 Songs with Every Kind of Poo Imaginable.
15.All Time Low, âMerry Christmas, Kiss My Assâ
Dirty Work âą DGC âą 2011
âSo, I wrote a song / Hope that you sing along / Here it goes / Merry Christmas, bitch â kiss my ass!â Christmas actually isnât the main focus on the All Time Low song, âMerry Christmas, Kiss My Assâ, which appears from their 2011 studio album, Dirty Work. Frontman Alex Gaskarth has experienced heartbreak â a bad break-up â so, essentially, his ex has totally âpooedâ on any holiday spirit he might have experienced. âDonât you think itâs kind of crappy / What you did this holiday? / When I gave you my heart, you ripped it apart / Like wrapping paper trash.â Oh âsugar footâ!
Alex spends the entirety of the song angry AF to say the least â thereâs no other way to put it. On the second verse, heâs so pissed that he asserts, âI tear down decorations / They remind me of your smile / I hate that mistletoe / It makes me think of our first kiss.â Yup, angry and totally emo to the nth degree. Essentially, âmerryâ isnât very âmerryâ in the least here. More interesting is the colorful phrase ââkiss my assâ, which has been masterfully used by the likes of John Wayne Gacy as well as the non-psychopathic (Zac Efron has a memorable scene in Hairspray). âMerry Christmas, Kiss My Assâ previously appeared on the playlist 11 Totally Merry, Mary, Marry Songs.
