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15 N Songs Selected with No Rhyme or Reason features music by Ariana Grade, Black Atlass, Drake, G-Eazy, J Balvin & Katy Perry.
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Ah, fun creating a playlist with limited criteria – freedom feels so free! After dropping G-, P-, S-, L-, R-, and A- songs selected with no rhyme or reason, it felt totally right to start June 2020 off right with another playlist with NO RHYME OR REASON. Keeping things random, the letter of choice for the latest edition just happens to be N, hence, N SONGS SELECTED WITH NO RHYME OR REASON.
Just as a reminder, the main criteria for N SONGS SELECTED WITH NO RHYME OR REASON are that the title of the song must begin with the letter ‘N’ OR the word that begins with ‘N must be the first word of note. N SONGS SELECTED WITH NO RHYME OR REASON features music courtesy of Ariana Grade, Black Atlass, Drake, G-Eazy, J Balvin, and Katy Perry among others. Without further ado, join into this random N-song list which has NO RHYME OR REASON!
1. Drake, “Not You Too” (Ft. Chris Brown)
Dark Lane Demo Tapes • OVO / Republic • 2020
To reiterate an earlier point, vibe is key to the music of Drizzy. That’s definitely the case on the extremely slow but rhythmic “Not You Too.” Here, Drake enlists Chris Brown for the assist. Notably, Brown plays more of a background role, interesting considering how much the singer’s voice usually cuts through. There’s a subtlety, like the preceding songs, with the drum programming generally being the most driving aspect of the song. Eventually, one of the pads adds an additional tone color, providing some additional contrast to a record that remains a bit more static for a period of time. Ultimately, this N-song is enjoyable enough, but not earth shattering. Again, I feel Chris Brown was, um, misused here, or not necessary…
2. Black Atlass, “Night After Night”
Dream Awake • XO / Republic • 2020
“If I can make you love me again / I’ll keep the summertime on your skin / You speedin’ past all our exes / I don’t wanna end up like them.” On “Night After Night” the vibe of Dream Awake continues pops, with sleek production work courtesy of DANNYBOYSTYLES and Oligee. The record brilliantly uses an electronic-based backdrop (keyboards, synths, programming), while remaining idiomatic of R&B, particularly that stellar Canadian R&B sound. Fleming is consistent, continuing to build a love-driven, sensual script, particularly as he ‘brings it on home’ on the chorus.
“My woman
I’ll be your man
And baby I’ll give you my life in your hands
I know you wanna feel alive, don’t you?
Night after night (Night after night)
Night after night (Night after night).”
“Night After Night” appeared on 12 Simply Terrific Before or After Songs, Weekly Gems No. 9 (Steamy Saturday No. 9), and the gargantuan Epilogue: 21 Incredible Highlights from Weekly Gems. Pretty tight cut, huh? Does anyone even say ‘tight’ in that context anymore?
3. Jhené Aiko, “None of Your Concern” (Ft. Big Sean)
Chilombo • Def Jam • 2020
“None of Your Concern” appears on her third studio album, Chilombo, released in 2020. Of the album, Aiko told Carl Lamarre of Billboard, “In a sense, I am a like a volcano and this album is an eruption.” Fair enough. While the album, as a whole, ends up being too long Aiko does a nice job of expressing feelings in the aftermath of a breakup, healing, and ultimately, working towards moving forward. “None of Your Concern,” which features her ex-boyfriend, Big Sean, marks one of the key moments from Chilombo.
Worth noting, the second song on Chilombo, “Triggered (freestyle),” which precedes “None of Your Concern,” has been speculated to have been directed towards Big Sean. Regardless, keeping our eye on the prize, there’s no doubt whatsoever that Aiko and Sean address their now defunct relationship and moving beyond on “None of Your Concern.” Obviously, from Aiko’s perspective, “It’s none of your [his] concern anymore,” considering they’re no longer an item. As for Sean, he cites his problems, the electrifying sex they once had, and states, “I only want the best for you, movin’ forward.”
4. NCT 127, “Not Alone”
NCT #127 Neo Zone – The 2nd Album • SM Entertainment • 2020
The penultimate track from Neo Zone is a smooth, mid-tempo cut, nearly synonymous with an American urban-pop cut. Listening to the record from a musical standpoint, producers Soo Man-Lee and Nicki Adamsson could easily helm any number of American pop, R&B, or hip-hop records without a hitch. The keyboards/synths and drum programming are on-point. The main contrast with this K-pop record compared to American pop? The language honestly, considering “Not Alone” is almost exclusively sung in Korean. Even so, there are select lines that are sung in English, which is pretty cool to say the least. Language aside, thematically, “Not Alone” is quite familiar – love; matters of the heart; togetherness. It previously graced the playlist, 11 Solitary Songs That Are Totally Alone.
5. J Balvin, “Negro”
Colores • Universal Music • 2020
On “Negro” (“Black”), produced by Dee Mad and King Doudou, J Balvin truly has some sickness (as in a sick backdrop) to work with. Like “Verde” preceding it, Balvin embraces a ‘hip-hop’ approach within the Latino Urbano style. “Negro” is a less melodic record. Narratively, Balvin paints the picture of a girl that’s bad – as in badass or ‘Bad to the Bone.’
“Shake it, ayy, there’s sand on you
Shake it ayy, ayy, there’s sand on you
Throw it down, mami, don’t be shy…”
6. 5 Seconds of Summer, “No Shame”
CALM • Interscope • 2020
There is no shortage of songwriters on “No Shame” – eight to be precise! Crafting the sleek backdrop from that list is Watt and Happy Perez. The theme and lyrics make “No Shame” perhaps the most interesting. 5 Seconds of Summer speak to the crazy means people go to capture attention. There are numerous examples, with the best arriving courtesy of the shameful chorus:
“I only light up when cameras are flashin’ Never enough and no satisfaction Got no shame I love the way you’re screaming my name...”
Honestly, the boys have a point. All in all, “No Shame” is enjoyable and well-rounded without being life changing.
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7. DaBaby, “Nasty”
Ft. Megan Thee Stallion & Ashanti
Blame it on Baby • Interscope • 2020
The best moment from Blame it On Baby, hands down, is also the nastiest – like pornographic nasty! “Nasty,” the penultimate cut, certainly lives up to its name. DaBaby is freaky AF here – quite X-rated in his sexual endeavors. “She know I’m nasty / She like it when I pull it out and I put it all over her ass cheeks,” he raps on the first verse, later adding, “I take both her legs and I put ‘em behind her head like she a pretzel / Then I pick her up and slam her down on her head like I’m a wrestler…” Woah, Nelly! Perhaps ‘she’ does indeed benefit, but we don’t really know until Megan Thee Stallion puts her two cents in about the level of pleasure on the equally filthy second verse:
“Quit talking that shit, when I drop that pin, come drop that dick He deep in them covers, this pussy like butter, he put it in damn near nutted ...I put one leg on the headboard and leave the other leg on the mattress Look down at him while he smackin’ get them headshots like a actress.”
Smackin’ – OMG! There’s more filth from DaBaby, who segues into a third verse, which includes exercise: “I’m doing my push-ups in that pussy.” Yes, absolutely TF “Nasty.” The classiest part of the songs arrives courtesy of Ashanti, whose 2002 R&B hit, “Baby” is sampled.
8. Kehlani, “Nights Like This”
Ft. Ty Dolla $ign
While We Wait • Atlantic • 2019
Adding to the excellence is respectable songwriting this is relatable. The pre-chorus and chorus sections are among the highlights:
“On some nights like this, shawty, I can’t help but think of us I’ve been reminiscin’, sippin’, missin’ ya Can you tell me what’s with all this distant love? If I called, would you pick it up? On some nights like this, I just wanna text you, but for what You gon’ say you want me, then go switch it up Just gon’ play with my emotions just because, no.”
All in all, Kehlani is on-point with “Nights Like This,” with no glaring flaws to be found. “Nights Like This” previously appeared on the playlist, 13 Songs About and/or Associated with Nighttime.
9. Rex Orange County, “New House”
“New House” • Rex Orange County • 2019
Perfection is hard to achieve, yet, Rex Orange County achieves or nearly achieves it on “New House.” The production work is absolutely magnificent. The sound palette is broad, including piano, drums, strings, brass, and synths. Beyond the backdrop and instrumentation, O’Connor sounds great vocally, never forcing anything, but delivering with ‘cool, calm, and collected’ approach without sounding casual or nonchalant. With production, musicianship, and a ripe set of pipes on his side, perhaps the biggest reason that “New House” is nearly perfect is the songwriting. O’Connor is a clever writer, with the ability to surprise you with his lyrics. Interestingly, he explores the creative process (“You know that I haven’t been inspired since like I was 18”), in addition to the progression of his relationship, as the aforementioned chorus suggests. “New House” previously appeared on the playlist, 11 ‘New’ Songs That Will Tickle Your Fancy.
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10. Katy Perry, “Never Really Over”
“Never Really Over” • Capitol • 2019
“Never Really Over” sounds sleek from the onset, with its bright synths, pummeling drums, and its optimistic sound. Zedd and Dreamlab get the credit for a superb backdrop for the pop star. While it is a bright record set in a major key, Perry reminisces back on exes. In the pre-chorus she sings, “I tell myself, tell myself, tell myself, ‘Draw the line’ / And I do, I do / But once in a while, I trip up, and I cross the line / And I think of you.” Fittingly, the incredibly catchy chorus finds Perry providing context to the song title – the relationship may be over, but you always remember it:
“Two years, and just like that My head still takes me back Thought it was done, but I Guess it’s never really over Oh, we were such a mess But wasn’t it the best? Thought it was done, but I Guess it’s never really over.”
It doesn’t end there, as a pre-chorus further analyzes the situation, while in the second verse, Perry is trying to “rewire this brain” with no success. Hey, it’s “Never Really Over.” Ultimately, “Never Really Over” is a catchy, fun, well-rounded pop record through and through.
11. Hozier, “Nina Cried Power”
Ft. Mavis Staples
Wasteland, Baby! • Columbia • 2019
Both artists pay ode to various musicians who were unafraid to protest via their songs including legends like Nina Simone, James Brown, Joni Mitchell, Bob Dylan, and John Lennon. The chorus, with names changing, is the crème de la crème of the record.
“And I could cry power (power) Power (power) Power, lord Nina cried power Billie cried power Mavis cried power.”
“Nina Cried Power” has appeared on multiple playlists: 13 Superb Gospel-Tinged Secular Songs, 100 Best Songs of 2018, 13 Contemporary Protest Anthems, 11 Energetic, Powerful and or Strong Songs, and 13 Songs That Feature Names in Their Title.
12. Ariana Grande, “No Tears Left to Cry”
Sweetener • Republic • 2018
“Right now, I’m in a state of mind I wanna be in, like, all the time Ain’t got no tears left to cry So, I’m pickin’ it up, pickin’ it up…”
“No Tears Left to Cry” begins moderately slowly, following the dramatic, lush, and smoothly sung intro (the eventual chorus), a danceable groove transforms “No Tears Left to Cry.” Grande shows exuberance, singing playfully in her lower register on the verses. She gradually ascends, hitting her stride – her commanding upper register – on the chorus. The chorus is catchy, though its best attribute is how uplifting it is.
“No Tears Left to Cry” has appeared on multiple playlists including 10 Songs Where You ‘Know’ or ‘No’, 11 More Songs About Crying from Beyond 2010, 15 More Songs That Incorporate Virtues (Vol. II), and 100 Best Songs of 2018.
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13. Marlon Williams, “Nobody Gets What They Want Anymore”
Ft. Aldous Harding
Make Way for Love • Dead Oceans • 2018
“Isn’t it strange, impossible to claim your reward.” Ah, Aldous Harding gets first blood on “Nobody Gets What They Want Anymore,” exhibiting pure, robust vocals. The initial accompaniment is simply guitar. Simple it may be, the sound is lush and ultimately, appealing. Marlon Williams arrives on the following line, taking command of the verse.
“I cannot explain, emotions I can barely afford to contain You’re the same, you hide away from anything that turns you on Nobody gets what they want anymore.”
He delivers equally glorious vocals. Eventually, following another verse in a similar vein, the two join forces, in exquisite harmonies, singing the titular lyric. With combined forces comes expanded production that’s more dynamic and fuller in instrumentation. Williams dominates the end of the song, which contrasts the majority, though in the most positive, musical way.
“What am I going to do when you’re in trouble And you don’t call out for me...”
14. Ella Mai, “Naked”
Ella Mai • 10 Summers / Interscope • 2018
Ultimately, “Naked” is an easy-going, soulful, and super-smooth urban contemporary gem. Sure, Ella Mai is stacked with more high-profile hits such as “Boo’d Up”, “Trip”, and “Shot Clock”, but that doesn’t keep “Naked” from being quite the heavy hitter in its own right. Here, Mai sings expressively without ever having to break a sweat. Her runs are smooth, while even her profane, feisty statements feel natural and never forced. Sure, ‘night’ only has so much to do with this one but anytime such a thoughtful, well-penned song like “Naked” has even a shot at being featured on a playlist, it totally should be. “Naked” previously appeared on the playlist, 13 Songs About and/or Associated with Nighttime.
15. G-Eazy, “No Limit”
Ft. A$AP Rocky & Cardi B
The Beautiful & Damned • RCA • 2017
On “No Limit,” he gets high profile assists from Cardi B and A$AP Rocky. Rocky sets the fuckboy tone of “No Limit,” which totally suits G-Eazy.
“If I hit it one time, I’ma pipe her If I hit it two times then I like her If I fuck three times, I’ma wife her It ain’t safe for the black or the white girls It ain’t safe, it ain’t safe, it ain’t safe, it ain’t safe.”
G-Eazy follows up with a cocky post-chorus (“Ayy, yeah, fuck with me and get some money…”), as well as a verse that encompasses sex, money, and his uncompromising confidence (“It’s been three days in a row, your bitch coming over…”). He returns for the third verse, referencing Costco rubbers, Damn Daniel, and Saint-Laurent. Cardi B drops the second verse, matching the unapologetic nature of G-Eazy (“Grab a hand full of braids, make your nigga eat me out…”). “No Limit” has previously appeared on numerous playlists, including 10 Songs Where You ‘Know’ or ‘No’, 21 Songs Associated with the Seven Deadly Sins, and just sneaking onto the 100 Best Songs of 2017 year-end list.
15 N Songs Selected with No Rhyme or Reason [Photo Credits: 10 Summers, Atlantic, Brent Faulkner, Capitol, Columbia, Dead Oceans, Def Jam, Interscope, The Musical Hype, OVO, Pexels, Pixabay, RCA, Republic, Rex Orange County, SM Entertainment, Universal Music, XO]
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