13 Striking Songs About Models | Playlist

13 Striking Songs About Models features songs by Kyle Alessandro, J. Cole, Kraftwerk, Madonna, Måneskin, and RuPaul. 

Do you remember the handsome guy from Doja Cat’s “Need To Know” video? His name is Cameron Saffle, and he exemplifies M-O-D-E-L, model 😍.  Another model that comes to mind is Barack Obama. How so? He was an incredible role model as the 44^th president of the United States.  He remains a role model.  And when it comes to Richard Fairbrass of Right Said Fred, he’s so confident with his model-like physique that he doesn’t need to wear a shirt.  I mean, guys, if that bod is bodying, by all means, let us see it! I say all of this to say, this playlist is about models… all different sorts, to be honest.  Model is used loosely. Sometimes, the word is never mentioned in the song title (“Vogue” is a prime example).  Also, modeling can be implied lyrically – it doesn’t have to be explicit! 13 Striking Songs About Models features songs by Kyle Alessandro, J. Cole, Kraftwerk, Madonna, Måneskin, and RuPaul. So, without further ado, take your shirts off, fellas, particularly if you are a White Hot, Abercrombie & Fitch model, and strut your stuff to this model-centric soundtrack!

---

~ Table of Contents ~ 

1. Madonna, “Vogue”	2. Kyle Alessandro, “Model”	3. SZA, “Supermodel”
4. Måneskin, “SUPERMODEL”	5. J. Cole, “No Role Modelz”	6. Myylo, “Abercrombie & Fitch Boy”
7. JAŸ-Z, “Change Clothes” (Ft. Pharrell Williams)	8. Wale, “Fashion Week” (Ft. G-Eazy)	9. M the Myth, “Pin-up Boy”
10. RuPaul, “Supermodel (You Better Work)”	11. Right Said Fred, “I’m Too Sexy”	12. George Michael, “Freedom ‘90”
13. Kraftwerk, “The Model”

 

---

1. Madonna, “Vogue”

I’m Breathless (Music from and Inspired by the Film Dick Tracy) » Sire Records Company » 1990

When you think gay anthem, one of the first songs that comes to mind is “Vogue” by Madonna (b. 1958).  Although she is not a member of the LGBTQ+ community, the iconic, Grammy-winning musician secured her status as a gay icon with “Vogue,” PERIOD. Why is this a gay anthem? It is fueled by voguing, which developed in the 1980s and evolved from the New York City ballroom scene.  The song masterfully captures the spirit of the gay club scene and takes it to the pop charts!  Woo! “Vogue” appears on Madge’s 1990 album, I’m Breathless (Music from and Inspired by the Film Dick Tracy), as well as the compilation, The Immaculate Collection. Among her biggest and greatest hits, it also graces her marvelous, two-disc greatest hits compilation, Celebration, released in 2009.

Madonna wrote and produced “Vogue” with producer Shep Pettibone (b. 1959). It samples “Ooh, I Love It (Love Break)” by The Salsoul Orchestra. That is one of the many distinct sounds that make the musical backdrop sublime.  The opening texture of the song is smooth, establishing an incredible ambiance.  An ear-catching, hyper-rhythmic percussive groove evolves with natural, unhurried pacing. The rhythmic layers are impressive – a key part of the record.  I live for the synths, sound effects, and clever music cues.

Supported by a sumptuous backdrop, Madonna shows ample personality on this infectious dance cut.  She brings the unforgettable melodies to life. “When all else fails and you long to be / Something better than you are today,” she sings in the first verse, continuing, “I know a place where you can get away / It’s called a dance floor / And here’s what it’s for, so.” Oh, the escapism is glorious! The verses are terrific, but there are two sections to beat. The first is the chorus:

“Come on, vogue (vogue, vogue)

Let your body groove to the music (Groove to the music)

Hey, hey, hey

Come on, vogue (vogue, vogue)

Let your body go with the flow (Go with the flow)

You know you can do it.”

The second section that solidifies the excellence of this dance gem is the third verse, which is chanted/rapped. “Greta Garbo, and Monroe / Dietrich and DiMaggio / Marlon Brando, Jimmy Dean / On the cover of a magazine,” she asserts, famously adding, “They had style, they had grace / Rita Hayworth gave good face…” You also can’t mention “Vogue” without shouting out the music video, another key part of its iconic nature. A worldwide hit, “Vogue” spent three weeks at number one on the Billboard Hot 100 in the United States. In 2024, “Vogue” was certified triple platinum by the Recording Industry Association of America, which is impressive for a song that predated streaming. Enduring and timeless to the nth degree, “Vogue” is a #CLASSIC!

 

Appears in 🔻:

Madonna, Vogue: Bangerz N Bopz No. 55 (2025) A Vivid Collection of V Songs (2026)

~ Table of Contents ~

---

2. Kyle Alessandro, “Model”

“Model” » Warner Music Norway AS » 2025

Damn, that boy is fine, per Norwegian pop singer-songwriter Kyle Alessandro on his electrifying single, “Model”. While the subject’s gender is not specified, Alessandro certainly expresses strong attraction. “You’ve got me cuffed, every day of the week / Looking like an angel,” he adds in the pre-chorus. Alessandro wrote “Model” alongside Caden and producer Richello.

From the beginning, Kyle Alessandro showcases fierce vocals with ample personality. In the music video, the 19-year-old exudes confidence, embodying the theme as he walks just like a model. The second verse highlights his worship: “On the runway and your body is a shrine / Got me praying like your touch is so divine.” The chorus effectively captures the song’s infectious energy:

“But you walk just like a model, model

Give me, give me that model

When you walk just like a model (ah, ah), model

‘Cause you’re looking like a model

Yeah, you walk just like a model.”

Even without the visual component, the strut is keenly perceptible! The bridge (“God, your body’s heaven sent”) adds further intrigue.  All told, “Model” is a fabulous LGBTQ pop bop. While the gays will eat it up, its appeal extends to pop music fans. The production is polished, featuring vibrant synths, rhythmic guitar work, and a lively beat. Accentuating its captivating nature is the tastefully lustful lyricism.  The musical excellence speaks for itself!

View this post on Instagram

Appears in:

Kyle Alessandro, Model: Beaming with Pride No. 104 (2025)

~ Table of Contents ~

---

3. SZA, “Supermodel”

Ctrl » RCA » 2017

👀 Oh snap, SZA (Solána Rowe)! “Supermodel” is the opener from her 2017 debut album, Ctrl.  The song begins with a skit that centers around control. “That is my greatest fear / That if, if I lost control / Or did not have control, things would just, you know / I would be fatal.”  Following the skit, the Grammy winner sings with feistiness and attitude, with a distinct tone of voice. She’s pissed off, evidenced by her rationale for staying with him in the second verse, excerpted earlier.  She approaches “Supermodel” as a letter, informing him she’s taking control and leaving. SZA plays the role of an angry, heartbroken woman scorned exceptionally well.  The chorus is the centerpiece:

“Leave me lonely for prettier women

You know I need too much attention for shit like that

You know you wrong for shit like that

I could be your supermodel if you believe

If you see it in me, see it in me, see it in me

I don’t see myself

Why I can’t stay alone just by myself

Wish I was comfortable just with myself

But I need you, but I need you, but I need you.”

“Supermodel” is a superb track. 

Appears in:

13 Compelling, Totally ‘Super’ Songs (2019)

~ Table of Contents ~

---

4. Måneskin, “SUPERMODEL”

RUSH! » Epic » 2023

On the two-and-a-half-minute “SUPERMODEL”, Damiano David depicts a wild girl who does just about everything.  Interestingly, Italian band Måneskin focuses on the 90s as the era in which the nameless supermodel lives.  Notably, the 16^th track on their 2023 album, RUSH!, features eight songwriters, including Justin Tranter. The funky cut is produced by Rami Yacoub, Max Martin, and Sly.

Damiano David does a fabulous job vocally, singing expressively with attitude. He depicts this wild model superbly, sharing early on, “She loves the cocaine, but cocaine don’t love her back.” Twice, he emphasizes in the verse, “She’s a ‘90s supermodel,” and that she was once a “good Christian” (Christianity was on the rise in the 80s and 90s).  She moves beyond her positive ways and is stealing paintings (specifically, Basquiat) and participating in OnlyFans. All in all, Måneskin shines on “SUPERMODEL”  thanks to dynamic vocals, entertaining lyrics, and strong production.

~ Table of Contents ~

---

5. J. Cole, “No Role Modelz”

2014 Forest Hills Drive » Roc Nation » 2014

Woo! According to J. Cole (and many other rappers, honestly), well, you can’t save a hoe. Before that, he spits, “One time for my L.A. sisters / One time for my L.A. hoes / Lame niggas can’t tell the difference / One time for a nigga who know.” Again, I say, WOO! “No Role Modelz” ranks among the elite records from the Grammy-winning rapper’s 2014 album, 2014 Forest Hills Drive.

Before making it clear that hoes don’t want and can’t be saved, Cole drops with a brilliant pop cultural reference to the late James Avery: “First things first, rest in peace Uncle Phil / For real, you the only father that I ever knew.”  Throughout this juggernaut, he shows off his tremendous intellect and insight. Also, he continues to reference pop culture, including  The Fresh Prince of Bel-Air (“I want a real love, dark-skinned Aunt Viv love / That Jada and that Will love”). The best moment – the sample of former President George W. Bush, which fits in perfectly.

“There’s an old saying in Tennessee—I know it’s in Texas, probably in Tennessee—that says, fool me once… shame on… shame on you / Fool me—can’t get fooled again.”

~ Table of Contents ~

---

6. Myylo, “Abercrombie & Fitch Boy”

Ahh » Myylo » 2022

Whether you’re a gay boy or an envious straight guy, at some point, Abercrombie & Fitch male models have affected your life.  Up until 2022, we were lacking a song! Myylo filled a need with his pop bop that mentions those hot, perfect A&F boys, fittingly titled, “Abercrombie & Fitch Boy”.  It graces his debut album, Ahh. Myylo co-wrote “Abercrombie & Fitch Boy” with Dorian Electra and Christian Fiore.  The song highlights his vocal abilities and distinctive musical style. With the steamy topic, Myylo is totally locked in.

“Abercrombie & Fitch Boy” may be tongue-in-cheek, but how Myylo crushes on, objectifies, and characterizes the thirst – it’s legit! “You got those V lines / The kind I want to see lines / So come on make a B line / Over to me tonight” isn’t the least bit far-fetched! Furthermore, who can’t relate to “And I’m staring at your poster / Wishing I was closer / To those washboard abs / On the bag?” Even if you identify as heterosexual, admit it – you’ve at least been jealous of the abs and compared your own or lack thereof! Making this thirst trap even more alluring is the fun music video where the artist conjures up Abercrombie boys and finds himself in, I dunno, A&F heaven, I suppose! Myylo has given us a musical gift to accompany our thirst (or envy)!

 

Appears in:

Awesome Songs: April 2022 Incredible LGBTQ Songs, Young & Old, Vol. 2 (2022) BOY, These Songs Are About You (2023)

~ Table of Contents ~

---

7. JAŸ-Z, “Change Clothes” (Ft. Pharrell Williams)  

The Black Album » S Carter Enterprises, LLC / Roc Nation » 2003

JAŸ-Z raps confidently, and continues, “And y’all niggas actin’ way too tough / Throw on a suit, get it tapered up…” The Grammy-winning rapper is locked-in on “Change Clothes”, the fifth track from his beloved, multiplatinum 2003 album, The Black Album.  One of the best rappers to ever do it, he brags, “The more space I get, the better I write / Oh, never I write, but if ever I write / I need the space to say whatever I like…” Fun fact: JAŸ-Z does not write down his rhymes.

“Change Clothes,” one of 22 top 10 hits by JAŸ-Z, peaked at number 10 on the Billboard Hot 100.  It was produced by The Neptunes, giving it a distinct sound.  Pharrell Williams offers vocal contributions in addition to his work behind the boards.  Beyond the rhymes recited from Jay’s mind in the verses (“He is to the East Coast what Snoop is /To the West Coast, what ‘Face is to Houston”), the section of the song to beat is the chorus:

“Change clothes, and go

You know I stay fresh to death, a boy from the projects

And I’ma take you to the top of the globe, so let’s go

So, let’s exchange numbers and go

And girl I promise you, no substitutes

It’s just me.”

Ooh-wee! Still, Hov’s third verse, which references specific articles of clothing, or lack thereof, is intriguing too: “Young Hov’ in the house, it’s so necessary / No bra with that blouse, that’s so necessary / No panties and jeans, that’s so necessary / Why you frontin’ on me?” All told, “Change Clothes” by JAŸ-Z is a certified classic. “Clothes Don’t Make The Man”, Angie Stone (R.I.P.), but they are kind of a big deal on this quintessential, 2000s rap joint.

 

Appears in:

JAŸ-Z, Change Clothes: Bangerz N Bopz No. 28 (2025) 13 Songs Focused Exclusively on Clothes (2025)

~ Table of Contents ~

---

8. Wale, “Fashion Week” (Ft. G-Eazy)

Shine » Maybach Music Group, LLC / Atlantic » 2017

  Wale is ultra-specific regarding the stunning ladies! “Fashion Week” is the fifth track from his 2017 album, Shine. Featuring an assist from the ever-confident G-Eazy, “Fashion Week” catches on from the initial listen. It thrives off a strong, rhythmic beat.  The chorus and post-choruses rock, without a doubt:

“Walk by, on fire, baby, can’t douse it

That body bangin’, accept that

You should model, girl, who do your booking?

…Switch, gold switch…

My bitch.”

Like the beat itself, Wale gives a stunning, rhythmic delivery.  “Mmm, I know a thing / And she tell me fuck her and call her a bad bitch,” he spits, and continues, “I can never cuff her, I’m stuck on this rap shit / Fuckin’ up the budget but nothin’ but rap shit.”  G-Eazy is the perfect collaborator, thinking with his pants throughout his rhymes: “Hit Barney’s and fuck up a check there / In the dressing room, fuck have sex there.”  The modeling goes hard on “Fashion Week,” a highlight from a less-memorable Wale LP.

~ Table of Contents ~

---

9. M the Myth, “Pin-up Boy”

“Pin-up Boy” » Blonde » 2024

Oh, snap, M the Myth. The fearless non-binary musician (they/them pronouns) comes out swinging on “Pin-up Boy”, a queer-pop sex song everybody needs to hear. The thrilling, clubby joint benefits from its naughty, risqué-sounding backdrop.  The production is lit.  The accompaniment is the perfect soundtrack for an unapologetic, lustful, and pleasing experience M the Myth alludes to. They deliver a playful vocal performance. The innuendo is lit throughout “Pin-up Boy,” which makes it more titillating.  M the Myth sings, “You and me / On the bathroom floor / Look into my eyes / Every lie, every lie.”  The only truth that seems to be important is what’s going down on that bathroom floor 😈.  The chorus is the section to beat, filled with masterful double entendre:

“I’m your pin-up boy

Keep stroking my ego

I’m the centerfold

With my whole heart open

Stick it in me, stick it in me…”

Stroking, huh 😈? Whole versus hole… 😈? “Stick it in me”…  😈  We see what you’re doing M the Myth! “Pin-up Boy” is a marvelous, spicy, queer pop sex bop!

Appears in:

M the Myth, Pin-up Boy: Midnight Heat No. 87 (2024) BOY, These Songs Are About You, Part 2 (2024)

~ Table of Contents ~

---

10. RuPaul, “Supermodel (You Better Work)”

Supermodel of the World » Tommy Boy Music, LLC » 1993

Three words: “You better work!” And work the multifaceted RuPaul (RuPaul Charles, b. 1960) does on “Supermodel (You Better Work)”!  “Supermodel (You Better Work)” is the opening track from the drag queen extraordinaire’s 1993 album, Supermodel of the World.  RuPaul wrote “Supermodel” with Jimmy Harry and Larry Tee. Eric Kupper produced it. Oh, and two more words: “Sashay, shantay!”

“Supermodel (You Better Work)” features an intro by actress, comedian, and dancer LaWanda Page (1920 – 2002), excerpted earlier. Post-intro, RuPaul performs the confident, irresistible, model-driven chorus:

“You better work (Cover girl)

Work it, girl (Give a twirl)

Do your thing on the runway

Work (Supermodel)

You better work it, girl (Of the world)

Wet your lips and make love to the camera.”

Woo! The chorus extends beyond that.  It’s called the post-chorus, and that’s where the work is put in! It’s giving “Work (Sashay, shantay)!” Woo! It’s not all choruses on “Supermodel (You Better Work).” RuPaul performs two verses, a bridge (with contributions from LaWanda Page), a refrain, and an outro.  “It don’t matter what you wear,” RuPaul asserts in the first verse, and adds, “They’re checkin’ out your savior-faire.” Oh, snap! And with “A million-dollar derrière,” mentioned in the second verse, “You had everybody’s eyes on you / Supermodel.” In the bridge, RuPaul namedrops 1990s supermodels by their first name: Linda Evangelista (b. 1965), Naomi Campbell (b. 1970), Christy Turlington (b. 1969), Cindy Crawford (b. 1966), Claudia Schiffer (b. 1970), and Niki Taylor (b. 1975).  It’s easy to be gagged by that list!  “Supermodel (You Better Work)” is a model-driven, LGBTQ+ dance/pop gem that speaks for itself.  Call it what it is, fierce as fuh!  It’s catchy, energetic, and epic to the nth degree! “Sashay, shantay!”

 

Appears in:

RuPaul, Supermodel (You Better Work): Beaming with Pride No. 16 (2026)

~ Table of Contents ~

---

11. Right Said Fred, “I’m Too Sexy”

Up » Gut Reaction, Ltd. » 1992

If you’ve got it, flaunt it, right? Richard Fairbrass of Right Said Fred didn’t see the need to keep his shirt on, so he took it off! “I’m Too Sexy” is the third track on the English band’s 1992 album, Up.  Both campy and infectious to the nth degree, the single spent three weeks at no. 1 on the Billboard Hot 100. The platinum-certified single is a prime example of a one-hit wonder. Fairbrass isn’t only too sexy for his shirt – he’s too sexy for anywhere! This over sexiness includes being “Too sexy for Milan / New York, and Japan,” “Too sexy for my car,” Too sexy for my cat,” and “Too sexy for my love.” Going back to the cat, specifically, Fairbrass adds, “Poor pussy, poor pussy cat.” Ooh-wee! Of course, there’s one more set of lyrics worth analyzing – the chorus! “I’m a model, you know what I mean / And I do my little turn on the catwalk.” Confidence isn’t a bad thing as long as you’re not too cocky or hedonistic! Obviously, the lyrics aren’t deep – cringe to the nth degree –  but also fun and silly.  The music video only amplifies the cringe, but that’s the intent. The instrumental is groovy to the nth degree – it screams dance floor! Notably, this Tommy D-produced joint samples three songs: “Third Stone from the Sun” (Jimi Hendrix), “Think (About It)” (Lyn Collins), and “Hot Pants (Bonus Beats)” (Bobby Byrd).  Even if “I’m Too Sexy” is that one-hit-wonder you roll your eyes at every time it comes on, you can’t deny its impact in pop culture.  Oh, and it’s been sampled in other songs by big-name artists such as Drake, Taylor Swift, and Beyoncé.

 

Appears in:

Right Said Fred, I’m Too Sexy: 1 Hit WONDERful No. 9 (2024) 15 Songs That Highlight the Power of TOO (2024) 14 Sexsational Sex Songs (2024)

~ Table of Contents ~

---

12. George Michael, “Freedom! ‘90”

Listen Without Prejudice, Vol. 1 » G.K. Panayioutou / Sony Music Entertainment UK Limited » 1990

The late, great George Michael informed the world he was starkly different from the person he presented himself as in the early phases of his career. “Freedom! ’90” the second track and third single from his double-platinum sophomore album, Listen Without Prejudice, Vol. 1, marked a new, more authentic GM. “There’s something deep inside of me / There’s someone else I’ve got to be,” he sings in the pre-chorus, concluding, “I just hope you understand / Sometimes the clothes do not make the man.” #Initiate fully mature, liberated George Michael. Michael penned and produced  “Freedom.” “Freedom! ‘90” was certified gold and reached number eight on the Billboard Hot 100 in December 1990. The music video is notable as well, featuring 1990s supermodels Naomi Campbell (b. 1970) and Cindy Crawford (b. 1966). Additionally, there are lyrical references to clothing and modeling, etc.

“Freedom!

I won’t let you down (Freedom!)

I will not give you up (Freedom!)

Gotta have some faith in the sound

(You got to give what you take).”

Ooh-wee, George! “Freedom! ’90” commences with an infectious groove from the onset.  This is the catalyst for head nodding and foot tapping.  Notably, the drums are sampled from “Funky Drummer” by James Brown.  Beyond the drums, the ear is blessed with marvelous piano riffs, rhythmic guitar, and a robust, funky bass. Michael is the star serving up playful, nuanced vocals.  Listening back, clearly, he possessed a once-in-a-lifetime instrument.  The melodies are tuneful, while the lyrics are catchy, honest, and memorable.  Reflecting on his Wham! days in the second verse, he is adamant about being ‘true to self.’ In the bridge, he memorably sings, “Posing for another picture / Everybody’s got to sell / But when you shake your ass / They notice fast / And some mistakes were meant to fast.” Oh, pitfalls of fame!

Examining this gay anthem, it is hard to believe that Michael didn’t publicly come out until 1998, following his infamous sex solicitation arrest. The lyrics suggest a change that’s bigger than his artistic image and sound. Notably, Michael’s first same-sex relationship occurred when he was 27, in 1990, the same year Listen Without Prejudice, Vol. 1 was released. Regardless of the intended meaning, the lyrics of “Freedom! ’90” lends itself to living life to the fullest, however you choose to do so.

Appears in:

George Michael, Freedom! ‘90: Beaming with Pride No. 4 (2025) A Fvckin’ Fantastic Bunch of F Songs (2025)

~ Table of Contents ~

---

13. Kraftwerk, “The Model”

The Man-Machine » Ralf Hütter / Kraftwerk / Parlophone Records Ltd. » 1978

Oh, I bet you would, Ralf Hütter (b. 1946) 😈. The lyrics that the keyboardist and lead singer of Kraftwerk sing appear in their best-known song, “The Model”. At the time, the Rock & Roll Hall of Fame German electronic music band comprised Hütter (synthesizer, vocoder, voice, keyboards), Florian Schneider (synthesizer, vocoder, voice), Karl Bartos (electronic drums), and Wolfgang Flür (electronic drums).  Safe to say, they put in work on the fourth track from their 1978 album, Man-Made.  Karl Bartos, Ralf Hütter, and Emil Schult wrote “The Model” while Hütter and Schneider produced it.

 

The mid-tempo “The Model” never sounds like it is in a rush. It’s easygoing and relaxed. The groove is infectious from the get-go.  Meanwhile, the synths are bright, colorful, and striking. Despite the bright sounds, “The Model” is set in a minor key. Ralf Hütter never sounds as if he breaks a sweat.  His performance is calm, cool, and collected over the course of three verses.  “She’s going out to nightclubs, drinking just champagne / And she has been checking nearly all the men,” he sings in the second verse.  In the third, after “posing for consumer product now and then,” “I saw her on the cover of a magazine / Now she’s a big success, I want to meet her again.” The songwriting is memorable, while the melodies are simple and tuneful. Following the verses, there are instrumental sections.  A change of harmonic progression during these sections keeps the record engaging. Another ear-catching moment during the instrumental is the increased rhythm of the synths.  Ultimately, “The Model” is an unforgettable classic from the late 1970s that never sounds like an anachronism.

Appears in:

Kraftwerk, The Model: Throwback Vibez No. 26 (2026)

 

~ Table of Contents ~ » ~ intro ~

---

13 Striking Songs About Models (2026) [📷: Brent Faulkner / The Musical Hype; Atlantic, Epic, G.K. Panayioutou, Gut Reaction, Ltd., Kraftwerk, Maybach Music Group, LLC, Myylo, Parlophone Records Ltd., Ralf Hütter, RCA, Roc Nation, Sire Records Company, Sony Music Entertainment UK Limited, Sub Pop, Tommy Boy Music, LLC, Warner Music Norway AS; Canva AI; Alexander Kravitskiy, Antonio Friedemann, Bruno Curly, Israelzin Oliveira, Klaus Dieter, Matilda Jacob, Victor Miyata from Pexels;  Gordon Johnson from Pixabay]

---