13 Songs That Explore It, Vol. 4 features songs by Denise LaSalle, ETHAN, Pharrell Williams x Miley Cyrus, Teddy Pendergrass, and Twisted Sister.
Can you guess what it is about? It (this playlist) contains songs about it. It can be many things. It can be a pronoun or a noun, for example. Itâs safe to say, it can represent anything. So, The Musical Hype has compiled a musical compendium series comprising IT. The criterion is self-explanatory; it must be included! Following 13 Songs That Explore It, Vol. 1 (2024), published in October 2024, and 13 Songs That Explore It, Vol. 2 (2024), published in December 2024, and 13 Songs That Explore It, Vol. 3, published in March 2025, we unveil 13 Songs That Explore It, Vol. 4 (2025)! 13 Songs That Explore It, Vol. 4 features songs by Denise LaSalle, ETHAN, Pharrell Williams x Miley Cyrus, Teddy Pendergrass, and Twisted Sister. So, without further ado, letâs jump into IT⊠VOL. 4!
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1. Pharrell Williams & Miley Cyrus, âDoctor (Work It Out)â
âDoctor (Work It Out)â // Columbia // 2024
When Pharrell Williams and Miley Cyrus join forces, plenty of magic is unleashed. These Grammy-winning standouts bring the heat on âDoctor (Work It Out)â. This three-minute and change joint was penned by Williams, Cyrus, and Michael Pollack. Pharrell hands the work behind the boards, kicking things off with his signature, four count. From there, over a minimal but potent instrumental, following the tone-setting, introductory bar, Miley gets to work! âI could be your doctor / And I could be your nurse / I think I see the problem / Itâs only gonâ get worse,â Cyrus sings, in all her âmedicalâ glory in the tuneful chorus. She continues, âA midnight medication / Just show me where it hurts / I need to rock you, baby / Before your body bursts.â Ooh-wee! In the post-chorus, for good measure, she asserts, âLet lil mama work you out.â Gah-day-um! The record only features a sole verse, but Miley makes it worthwhile whenever and whatever she sings. Her lead vocals are expressive and playful, while the background vocals add to the fun and allure with their tongue-in-cheek vibes. The songwriting isnât deep, nor is it intended to be â âAre you on the fence? / Still playing on the side / Are you on the fence? / Donât waste my damn timeâ â but ultimately, âDoctor (Work It Out)â is entertaining⊠also, groovy.
Appears in đ»:
- Bops That Pop: March 2024
- Entertaining, if Medically Sus Doctor Songs, Vol. 1 (2024)
- 50 Bops from 2024 That Make You Beam with Pride ïžđ (2024)
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2. ETHAN, âLike Itâ
DIVINE INTERVENTION (EP) // ETHAN // 2024
âPull an all-nighter / Ainât âbout to save it for later / We on that puppy love time / Clean up then we back on site.â Oh, shit! Itâs easy to like âLike Itâ. ETHAN (Ethan Choryin Luo) adds in this sexy single from DIVINE INTERVENTION, âDrunk on that punch boy / Taste it on your tongue boy, hey.â He penned this naughty gem alongside Maribelle and Alex the Astronaut. Vetta Borne produced this sensational queer sex song. ETHAN sounds amazing â that tone, those sickening runs â as well as amazingly titillating, giving the listeners âsomething they can feel.â âMake it rain, boy / The way you pour that strawberry chocolate, yuh / You know it fill me up,â he sings, naughtily.
In the bridge, the passion is elevated:
âReady now, lay me down
Turn it around
Switch it up, me on top
Boy turn me out
Just the right type of dangerous
Donât talk, savor it.â
Damn! Is hooking up between them becoming more? Itâs a concern, as he emphasizes, âI just need a weekend lover, had too many weak ass lovers,â and in the chorus, declares (1) âDonât try to make it, make it something itâs not,â and (2) âDonât wanna get together, if it wonât last forever.â Still, whatever this thing is between them, especially in one of the sexiest music videos youâll ever see, itâs piping hot! The steamy âLike Itâ is the sugar honey iced tea.
Appears in đ»:
- ETHAN, Like It: Midnight Heat đ đ„ 29 (2024)
- 50 Bops from 2024 That Make You Beam with Pride đłïžâđ
- 13 More Sex Songs That Exhibit That Midnight Heat (2024)Â
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3. Denise LaSalle, âLick It Before You Stick Itâ
This Real Woman // ORDENA // 2000
âYouâre making her feel good / But you can make her feel better / If you treat your lady like a stamp on a letter.â A stamp on a letter, eh, Denise LaSalle. The advice the late R&B, soul, and blues singers gave was âLick it / Before you stick itâ. Oh, boy! Is LaSalle referencing what I think sheâs referencing? Yes, sheâs talking about cunnilingus (safe, educational, non-pornographic link). The âitâ referenced in her bold and unapologetic song, âLick It Before You Stick Itâ (This Real Woman) is her vagina. That means what is potentially being âstuckâ after the licking is his penis. WowâŠ
Denise LaSalle keeps it a buck on âLick It Before You Stick It.â Itâs risquĂ© but music has become far more graphic since this eyebrow-raising joint. But, since weâre on the lyrics, they are a treat:
âAnd some men think a little tittie kissing
is the answer to every womanâs dream
But let me tell yah how to kiss her
If you really want to hear her scream.â
Ooh-wee! The chorus is the section to beat â where the infectious licking before sticking happens đ. Itâs not all sexed-up lyrics though. The musical accompaniment is jubilant with an organ, a robust bass line, an awesome rhythm guitar, and biting horns. LaSalle sounds fantastic â nuanced and dynamic in her vocal performance. Is LaSalleâs vice sound on âLick It Before You Stick Itâ? Perhaps, but more sound, for our intents and purposes, is the raunchy but captivating song itself.
Appears in đ»:
- Denise LaSalle, Lick It Before You Stick It: Midnight Heat đ đ„ 52 (2024)
- 11 Thrilling, Unapologetic Lick Songs (2024)
- 13 More Sex Songs That Exhibit That Midnight Heat (2024)
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4. Buffalo Springfield, âFor What Itâs Worthâ
Buffalo Springfield // Atco / Atlantic // 1966Â
âThereâs something happening here / But what it is ainât exactly clear / Thereâs a man with a gun over there / A-telling me I got to beware.â Word. When Buffalo Springfield is mentioned, one song comes to mind: âFor What It’s Worthâ. For what itâs worth, âFor What Itâs Worthâ was the sole top 40 hit for Buffalo Springfield, a short-lived collective comprising Neil Young đšđŠ, Bruce Palmer đšđŠ, Dewey Martin đšđŠ, Stephen Stills đșđž, and Richie Furay đșđž. The opening track from the Los Angeles-formed bandâs reissued, self-titled album peaked at no. 7 on the Billboard Hot 100 in 1967. A song that defines the 1960s, it is considered among the best songs ever written and recorded. Stills penned and performed this epic song.
âFor What Itâs Worthâ is revered as one of the greatest protest songs. Is it the anti-war anthem that itâs often portrayed to be? No, believe it or not â that wasnât Stillâs intent. Nonetheless, it fits the bill! âThereâs battle lines being drawn / And nobodyâs right if everybodyâs wrong,â Still sings, continuing, âYoung people speaking their minds / Are gettinâ so much resistance from behind.â The verses are impeccably penned. Even so, the crowning achievement â the crĂšme de la crĂšme â is the chorus:
âItâs time we stop
Hey, whatâs that sound?
Everybody look whatâs going down.âÂ
During the chorus, the remainder of Buffalo Springfield joins Stills, singing in harmony. Besides top-notch songwriting, the musical accompaniment is top-notch, too. Buffalo Springfield donât overplay in the least. Thereâs a subtlety that speaks volumes, particularly the signature, haunting guitar riff. âFor What It’s Worthâ is an indisputable rock classic. With a song that so much can be said about it, the lyrics speak volumes. Although they disbanded in 1968, it would not be the last we heard from these musicians. Fittingly, the collective was inducted into the Rock & Roll Hall of Fame.
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5. Ciara, âRun It Upâ (Ft. BossMan Dlow)
âRun It Upâ // Beauty Marks Entertainment, Inc. // 2024Â
âDrivinâ way too fast, I donât see no one in front of me /⊠Run it up, run it up, run it up, run it up.â Woo! Grammy-winning R&B/hip-hop artist Ciara (Ciara Harris) brings the heat on âRun It Upâ. She enlisted Florida rapper BossMan Dlow (Devante McCreary) to assist in the banger. The enjoyable song was written by Harris, McCreary, Courtlin Jabrae, and Theron Thomas. Harris, Jabrae, J. R. Rotem, and Andy D. Park produced. âRun It Upâ is turned up from the beginning with the energetic instrumental intro and âohsâ sung by Ciara. Set in a minor key, it features a banging beat and malicious minor-key synths. Its rhythm is among the best features. Following the repetitive chorus highlighting the titular lyric âRun it Up,â BossMan Dlow drops the first verse. What makes it interesting is his unique flow. Lyrically, he doesnât offer much depth, unless you consider the likes of, âYou with a boss now, bae, letâs have sex on a yachtâ to be deep. Ciara keeps it hella agile and rhythmic during the second verse. âNo matter how many points I put up on the board / Just believe me, you know they gonâ hate,â she asserts, adding, âIâm in a league of my own, Iâm a wife, Iâm a mom / I go pick up my kids in a Wraith.â Word. She also drops a rad bridge: âGet back up when they knock you down /⊠You on a whole ânother level now.â âRun It Upâ is a certified vibe.
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6. Joe Jonas, âWork It Outâ
Music For People Who Believe in Love // Republic // 2025Â
âSometimes I wish I had powers to be invisible.â Doesnât everybody? âWork It Outâ marked the first single by Joe Jonas since 2022. It is far more momentous. Why? It is the promo single from his delayed sophomore album, Music For People Who Believe in Love. Jonas penned the single alongside Jason Evigan, Bianca Atterberry, Kane Ritchotte, and Victoria Evigan. Jason Evigan and Kane Ritchotte produced. There is no shortage of intriguing lyrics. After wishing for invisibility, Joe asserts, âEven baddies get saddies, and thatâs the hardest truth / Call your mommy and daddy, they donât know what to do.â In the second verse, he owns up to the fact, âOkay, maybe Iâm a little dramatic / Okay, maybe Iâm a little manic / Some days, I wanna float away / Sometimes, I need remindinâ.â The crĂšme de la crĂšme â the crowning achievement â is the chorus. Stop whining, âBrush your shoulders off, lifeâs gonna work it out.â Word. Jonas delivers energetic vocals, including showing off some sweet falsetto. The instrumental is a blend of driving pop, rock, and a dash of synth. The brief but potent âWork It Outâ is unique â something Joe needed to release as a solo artist. Enjoyable overall, itâs a song that grows on you with successive listens.
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7. Bebe Rexha, âChase It (Mmm Da Da Da)â
âChase It (Mmm Da Da Da)â // Warner // 2024Â
âI do things my way / Or take the highway / But my heart, it never missed a beat.â Bebe Rexha has spoken. Those lyrics hail from the first verse of her brief but entertaining single, âChase It (Mmm Da Da Da)â. In the second she asserts, âIâve been on a vibe, babe / Breaking out of my cage / Living on the wilderness of my escape.â âChase It (Mmm Da Da Da)â serves up those dance-pop vibes â a good look for the pop star. It was penned by Rexha, Aluna Francis, and Chris Lake. Providing the sleek production work is Lake. The beat is infectious while the keys and synths shimmer. âChase It (Mmm Da Da Da)â thrives off of lightness. It never gets too heavy. Rexha delivers solid vocals, never forcing things. Does she break a sweat? No, particularly during the drop/post-chorus: âMm, da-da-da, da-da-daâŠâ Those lyrics are nonsensical but ear-catching. Before that, she shines in the chorus, asserting, âChase it / Iâll never chase it / I wonât leave alone tonight.â Sheâs determined! Plenty of vocal effects make things even more colorful â pitch shift, reverb, etc. âChase It (Mmm Da Da Da)â is a vibe, particularly for summertime. Bebe letâs dance!
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8. Twisted Sister, âWeâre Not Gonna Take Itâ
Stay Hungry // Atlantic // 1984Â
âNow drop and give me twenty!â Twisted Sister is best known for one song and one song only: âWeâre Not Gonna Take Itâ. âWeâre Not Gonna Take Itâ was one of three songs by the heavy metal band to chart on the Billboard Hot 100 (âLeader of the Packâ and âI Wanna Rockâ). HOWEVER, only the song at hand reached the top 40 of the pop charts, peaking at no. 21. Furthermore, âWeâre Not Gonna Take Itâ is the sole song by Twister Sister to be certified gold by the RIAA. It should come as no surprise that the single bolstered its parent album, Stay Hungry, the sole multiplatinum LP by the band. Â
Dee Snider deserves lots of credit for making âWeâre Not Gonna Take Itâ a big hit. He wrote it and provided those high-flying vocals. The best part of the song is the chorus, which is catchy as albeit: Â
âOh, weâre not gonna take itÂ
No, we ainât gonna take itÂ
Oh, weâre not gonna take it anymore.â
This sing-along chorus is one of the quintessential ones! The verses have more meat on the bone lyrically. âWeâve got the right to choose, and / There ainât no way weâll lose it,â Snider snarls in the first verse, adding, âWeâll fight the powers that be, just / Donât pick our destiny.â In the second verse, he asserts, âOh, youâre so condescending / Your gall is never ending / We donât want anything, not a thing from you.â WOO! The music is as assertive and amped up as the lyrics â âWEâRE RIGHT! (YEAH!) / WEâRE FREE! (YEAH!) / WEâLL FIGHT! (YEAH!) / YOUâLL SEE! (YEAH!).â The music includes some mean guitar playing (and soloing) and pummeling drums that hit you right in the chest. âWeâre Not Gonna Take Itâ is timeless, easily cementing the bandâs musical legacy. Â
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9. Camila Cabello, âI LUV ITâ (Ft. Playboi Carti)
C,XOXO // Camila Cabello / Geffen / Interscope // 2024Â
âSupersonic / In your orbit / And Iâm bad / DiabolicâŠâ Um, sure Camila Cabello, whatever you say! The Grammy-nominated (!) pop singer enlists Playboi Carti for âI LUV ITâ, the promo single from her fourth album, C,XOXO. When reviewing the El Guincho / Jasper Harris-produced single that samples âLemonadeâ by Gucci Mane, I was too kind⊠Revisiting this energetic joint, Cabello doesnât say much. See the repetitively annoying chorus: âI love it, I love it, I love it, I love it / I love it, I love it, I love it.â Hmm⊠ I will still spot her the âmemorableâ lyric, âI go soprano, baby, go down lowâ from the first verse. I have been consistently âoutâ on Playboi Cartiâs performance, which requires the lyrics to discover he references Novocain, drugs (weed, lean), foreigns (Lamborghini Aventador SVJ), and women (Clermont twins) in his rap.⯠Camila Cabello is the âstar of the showâ on âI LUV ITâ but it is a  bizarre song much like C,XOXO overall.âŻÂ
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10. Eminem, âJust Lose Itâ
Encore // Aftermath Entertainment / Interscope // 2024Â
âGrab your left nut, make your right one jealous.â Leave it to Eminem to reference testicles. The Academy and Grammy award winner has experienced his fair share of controversy throughout his career. âJust Lose Itâ, the 13th track from his 2004 album, Encore, is a prime example. Dr. Dre and Mike Elizondo produced it. The lyrics are controversial first and foremost. âCome here, little kiddies, on my lap / Guess whoâs back with a brand-new rap?â he raps in the first verse, continuing, âAnd I donât mean ârapâ as in a new case / Of child molestation accusa-.â Eminem references Michael Jackson. Later, he claims heâs not jabbing at Jackson, but Iâm not so sure (âI done touched on everything but little boys / And thatâs not a stab at Michaelâ). Beyond MJ, Em enjoys poop references: Â
âAnd itâs cool if you let one goÂ
Nobodyâs gonna know, whoâd hear it?Â
Give a little poot-poot, itâs okayÂ
Oops, my CD just skippedÂ
And everyone just heard you let one rip.âÂ
So, shade towards MJ. Referencing nuts. Dropping poopy bars. The chorus is one of the most memorable of Eminemâs career, once more jabbing at Jackson.  Â
âNow Iâm gonna make you danceÂ
Itâs your chance, yeah, boy, shake that assÂ
Whoops, I mean girl, girl, girl, girlâŠâ  Â
Beyond the lyrics, the music video is another source of controversy. Why? Eminem makes fun of Jackson, including parodying the infamous Pepsi Commercial hair-burning incident. Jackson was upset with the rapper. BET banned the video, but it was eventually re-aired. âJust Lose Itâ is polarizing â there is no doubt about that. Still, the single peaked at number six on the Billboard Hot 100 and was certified double platinum in 2018. Â
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11. Backstreet Boys, âI Want It That Wayâ
Millennium // Zomba // 1999
âYou are my fire / The one desire / Believe when I say / I want it that way.â WOO! Ah, those Backstreet Boys were one of the biggest boy bands in the late 1990s. Bubblegum pop was all the rage, and BSB exemplified it, particularly on the Millennium (1999) highlight at hand, âI Want It That Wayâ. This record is pop schmaltz at its best, with many characterizing or decoding the want â the desire â in NSFW ways. Do you think âI Want It That Way,â which spent 31 weeks on the Billboard Hot 100, and peaked at no. 6, is really about anal sex? Kat George of Bustle seems to think so, citing the lyrics, âBut we are two worlds apart / Canât reach to your heart / When you say / That I want it that wayâ:
â[It] might sound like some emo Romeo and Juliet melodrama to some people, but what it really sounds like to most of us is that someone doesn’t want to put it in the stinker after they were asked politely.â
Oh, snap đ«°! Perhaps if âI Want It That Wayâ were officially about pulling up to the bumper, it would be hella fierce. Ultimately, the fierceness of âI Want It That Wayâ relies on puppy dog love from good-looking young men. âAm I your fire? / Your one desireâŠâ Well now⊠To be fair, the songwriting (Andreas Carlsson and Max Martin) is questionable. The verses, in particular, are odd. Perhaps thatâs why the outlandish assertion that this song is about anal is worth talking about. Ultimately, the tunefulness of the melody and a catchy chorus helped make âI Want It That Wayâ a 1990s classic. Notably, this âoddly writtenâ song was nominated for three Grammys (including Song of The Year).
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12. Teddy Pendergrass, âIt Donât Hurt Nowâ
Life Is a Song Worth Singing // Sony Music Entertainment // 1978
âI couldnât sleep, couldnât eat / Iâd just sit at home, and Iâd weep.â Sigh, the late, great Teddy Pendergrass (1950 â 2010) was âdown badâ on âIt Donât Hurt Nowâ. âIt Donât Hurt Nowâ is the sixth track from Life Is a Song Worth Singing, one of four platinum-certified albums by the late, great soul musician. The good news for Teddy, we learn as the track progresses, is âBut now all that has changed / Iâve found someone to ease my pain.â Good news! âIt Donât Hurt Nowâ was written by Sherman Marshall and Ted Wortham. Marshall also produced this highlight from the Teddy Pendergrass catalog.
Throughout âIt Donât Hurt Now,â Pendergrass delivers robust, soulful vocals. He gives his all as he recalls the heartbreak and pain he experienced. âIt used to be every night / I would cry my heart out over you,â he sings in the first verse. In the second, he adds, âIt used to be every time / I would hear a sad song, I would die.â Bummer! But, as previously stated, he reveals the pain is gone. As tuneful as the melodies are in the verses and pre-chorus, the chorus is where Pendergrassâ bread is buttered.  Of course, this is also where he shares:
âAnd it donât hurt now (No, not now)
Baby it donât hurt now (No, not now)
Well, thereâs no more sleepless nights
No more heartaches, no more fights
And it donât hurt now, not now.â
Besides dynamic vocals and relatable songwriting, âIt Donât Hurt Nowâ benefits from exquisite production. This is a Philly soul record through and through. It features lush orchestration with the horns and strings, alongside the rhythm section, as well as smooth, celestial background vocals supporting Pendergrassâ marvelous lead. âIt Donât Hurt Nowâ is one of Teddyâs best. It wasnât a pop hit, but that doesnât diminish its excellence.
Appears in đ»:âŻÂ
- Teddy Pendergrass, It Donât Hurt Now: Throwback Vibez đ¶ïžđ¶ 115 (2024)
- 13 Songs Filled with HURT (2024)
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13. Ohio Players, âLetâs Do Itâ
Honey // UMG Recordings Inc. // 1975Â
âIt takes a L and a O and a V, and a E / It takes you, it takes me, together / Oh, letâs love, we only got one day / Oh, let’s love, to pass the time away.â Grammy-nominated funk band Ohio Players were among the greatest bands ever to do it. Their seventh studio album, Honey, released in 1975, is among their most highly regarded. âLetâs Do Itâ, the third track, is a stunning ballad focused on matters of the heart. The chorus, excerpted above, is the section to beat. That said, thereâs not a dull moment on âLetâs Do It.â
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Perhaps itâs not a âgo-toâ comment, but the harmonic progression is sick. The ascending chromatic portion is epic, sounding âchurchy.â Beyond the musical underpinnings, the orchestration and production work are top-notch. The instruments that stand out are the piano, bass, and horns. The drums also âhold downâ this love-oriented ballad. Leroy âSugarfootâ Bonner (1943 â 2013) wows, delivering stellar vocals that ooze with soul. âIâve only known you for a moment / Oh, but I love you desperately, girl,â he asserts in the first verse. Oh, snap! In the second, he sings, âThey say that Iâm mean and Iâm evil, oh girl / Oh, but how else can a starving man be?â Word. He adds, âIf you wouldnât listen to what they say behind my back, child / You would be making love to me, alright.â The high-flying, high-pitched vocals/ falsetto are everything during the bridge, bringing contrast and amplifying the celestial, romantic listening different (âLetâs do it, please do it / Even you and me can do itâŠâ). âLetâs Do Itâ is a prime example of an album track that is so good it deserved to be a single. Ohio Players âput their footâ into this one. Â
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13 Songs That Explore It, Vol. 4 (2025) [đ·: Brent Faulkner / The Musical Hype; Aftermath Entertainment, Atco, Atlantic, Beauty Marks Entertainment, Inc., Camila Cabello, Columbia, ETHAN, Geffen, Interscope, ORDENA, Republic, Sony Music Entertainment, UMG Recordings Inc., Warner, Zomba; Leonardo Goncalves wild from Pexels; AcatXIo from Pixabay;]
