13 Rousing Elevator Songs features music courtesy of Aerosmith, Blu DeTiger, Declan McKenna, Kota the Friend, Outkast, and Tove Lo.
Forget about those stairs β letβs take the ELEVATOR! The elevator can take us to the top floor. Who wouldnβt want to ride it to the top? And once we reach that illustrious peak, that elevator has the ability to bring us right back down to the bottom floor. Itβs a beautiful thing, isnβt it? So, what better way to celebrate the versatility of an elevator and a playlist that is sure to elevate the spirits, and in some cases, elevate certain parts of the anatomy . Enough playing around with itβ¦ itβs time to let the elevator go to the top, baby! 13 Rousing Elevator Songs features music courtesy of Aerosmith, Blu DeTiger, Declan McKenna, Kota the Friend, Outkast, and Tove Lo among others. One thing is for sure about this playlist. You probably wonβt be able to think of an elevator the same wayβ¦ theyβre not that innocent!
1. Declan McKenna, βElevator Humβ
What Happen to the Beach? // Tomplicated // 2024
βListen to the elevator hum / The mechanism is breaking down again / Donβt you tell my mum.β You heard Declan McKenna β DONβT TELL HIS MUM! Those lyrics hail from the end of the second verse of his song, βElevator Hum.β It is worth noting that the word elevator is only mentioned once in the entire song. βElevator Humβ served as a single and the second track from the English singer/songwriterβs third studio album, What Happen to the Beach?. He described the track to Apple Music as βa real statement piece for the albumβ and asserts, βthereβs something really freeing about the song.β McKenna penned the near-four-minute-long record alongside producer Gianluca Buccellati. The production is incredibly colorful with a hard-hitting beat, guitar, and ear-catching synths/programming. As always, he serves up a respectable vocal, never over-singing, yet playful and potent. The pen is where McKenna hits hardest, showing off his knack for lyrics. βI canβt quite explain / This hole in my brain thatβs some around again,β he sings in the first verse, adding, βSend me to bed and head off out again.β The most memorable section is the chorus where he sings, ββCause I want you to believe / Youβre just like me / I want you to believe / Youβre just like me.β Beyond engaging vocals and songwriting, the instrumental deserves another shout-out, specifically, the instrumental break. It is refreshing and utterly sublime. Oh, that βElevator Humβ!
2. Tove Lo, βElevator Eyesβ
Dirt Femme (Extended Cut) // Pretty Swede // 2023
βTake in this body / Skin lookinβ salty / Fresh out the sea / Wonβt you come taste me?β Come taste you, Tove Lo? Mm, that sounds sexualβ¦
. The lyrics appear on the Swedish pop artistβs song, βElevator Eyesβ, the opener from her 2023 album, Dirt Femme (Extended Cut). She continues singing in the first verse, βIβm on vacation / No obligations / But maybe weβll fall in love / Let the stars be our audience.β Oh, snap! So, what happens on vacation stays on vacationβ¦ or, perhaps not
! Tove Lo penned βElevator Eyesβ alongside producer, Joel Little.
Throughout the course of the record, the listener is blessed with beautiful, well-produced vocals by Tove Lo. Adding to the strength of her lead vocals are harmonized, backing vocals. Oh, the ear candy! The production is marvelous β smooth, slick, and alluring the ears. The sound is hypnotic, which seems intentional given the lust and heavy dose of ogling. See the tuneful centerpiece, the chorus, for confirmation:
βElevator eyes
Elevator eyes
Iβm not surprised
Youβre hypnotized
Goinβ up and down
Elevator eyes
Elevator eyes
If looks could touch
No need to rush
Goinβ up and down.β
Ooh-wee! Where the first verse and chorus were tamer, The second verse is a bit more risquΓ©. βGo get a rubber,β she tells him, though changes her mind regarding safe sex . βNo, never mind that / Cooked your boys in a jacuzzi / Letβs risk it, itβs worth it.β Wowβ¦ Iβm speechless
! Moving on, thereβs fabulous contrast during the bridge section, though it is still related to the verse/chorus. Furthermore, itβs still sexual too (βOur positionβs always sittinβ in the back of my headβ). Tove Lo has a knack for delivering epic sex songs. βElevator Eyesβ is no exception.
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3. Flo Rida, βElevatorβ (Ft. Timbaland)
Mail on Sunday // Atlantic // 2008
βGot you stuck (Yeah) on my elevator (Uh-huh) / Get it up (Yeah) on my elevator β check it out!β Woo! Being stuck in an elevator is band in most contexts but being stuck on a personal elevator thatβs rising upβ¦ Sounds pleasing
. βElevatorβ was one of the gems from Mail on Sunday, the 2008 album by Grammy-nominated rapper, Flo Rida. The third track from Mail on Sunday peaked at no. 16 on the Billboard Hot 100, eventually earning platinum certification from the RIAA. It was produced by the one-and-only Timbaland, and Hannon Lane. The sound of βElevatorβ is idiomatic of Timbaland given the sick beat and those creative percussive sounds.
In addition to his work behind the boards, Tim brings ample personality with his vocals in the hella catchy chorus (excerpted above) where the sexual innuendo is through the roof. He continues melodically rapping, βMy first floβ stuck on the gold digger / Second floβ, stuck on the dime piece /β¦ Sheβs stuck on my ele-eh-el-eh-vator.β My, my, my! These women! Of course, Flo Rida brings his own personality and swagger to the table, making this elevator joint a surefire vibe. Case in point, verse one:
βUsed to date Kanye, now she want me
Flo Rida got the juice, wanna take my OJ
It ainβt her birthday but her name on the cake
If I ever pay for nookie grade A.β
Take my OJ, huh? Now thatβs just freaky! Flo Rida thinks with his elevator a couple more times throughout βElevatorβ (βPlenty ghetto booty, plenty ghetto booty on herβ and βShe donβt fake, sheβll put it in your faceβ), but itβs a tamer brand of midnight heat compared to more contemporary rap, pop, and R&B.
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4. Blu DeTiger, βElevatorβ
βElevatorβ // Blu DeTiger LLC / UMG Recordings, Inc. // 2022
βI go up, go down in my elevator / Donβt wanna talk right now, see you, alligator,β singer/songwriter and bassist Blu DeTiger sings in the utterly infectious, rhythmic chorus of her 2022 song, βElevator.β She adds, βLoad me up in a sling shot, send me over the moon / Baby, I can be a big shot, too, too, too, too.β Woo! DeTiger penned βElevatorβ alongside Andrew Jackson, Annika Bennett, and producer, Jorgen Odegard. βElevatorβ clocks in under three minutes but the duration is sufficient β DeTiger puts in work. For one, her bass line is fat β always a win. Further accentuating the sound is a stellar beat and awesome rhythm guitar. Beyond the instrumental, DeTiger serves up energetic, playful vocals with no shortage of personality. The chorus is the section to beat β utterly infectious with rhythmic lines. Even beyond the chorus, the lyrics in the verses and pre-chorus shine too. βI got glitter in my teardrops, kisses on the ground (Drip, drip) / Yeah, youβre talking my ear off, bringing me down,β she sings in the first verse, adding the second, βRoad to nirvana / Donβt need no one here in my ele-ele-eleβ¦β βElevatorβ = surefire vibe!
5. Planet Giza, βELEVATORβ (Ft. Kojey Radical & Venna)
Ready When You Are // Quiet Note // 2023
βCanβt get complacent, canβt get cozy / Donβt celebrate me when Iβm gone please.β Um, sure, Tony Stone, if those are you final wishes, we must respect them. He continues singing in the chorus of βELEVATOR,β βIβm on this elevator with the homies / I canβt do this thing all by my lonely / Noβ¦β βELEVATORβ appears as the seventh track on Ready When You Are, the 2023 album by Canadian hip hop trio Planet Giza (Stone, Rami B, and DoomX). On this three-minute number, Planet Giza enlists British musician Kojey Radical (Luther VanKojey) and Grammy-winning saxophonist/producer Venna for the assist. βELEVATORβ was produced by Planet Giza, Venna, JMF, and Elijah Mansevani. Sound highlights include lovely piano, a rhythmic beat, and a prominent bass line. Tony Stone performs the first verse, showcasing an awesome cadence and flow as he raps. βIβm somethinβ special, shorties message me every hour, yeah (Every hour),β he spits, continuing, βYou out here wonderinβ who she textinβ, donβt worry bout it, uh-uh.β Stone adds:
βServe this food for thought, still I got Gallo in my chalice, uh (Yeah)
Place me anywhere, Iβm still aware of my surroundings
I been in it for a minute, put my ten thousand hours (Uh-huh)
Everything hits, no wonderlands like Alice, ah.β
Woo! Kojey Radical raps the second verse. Like Stone, Radicalβs cadence and flow are on-point. Heβs transparent as he spits, βPussy power nearly left me paralyzed.β He adds, βI empty cups and look for answers, what the hell do I know? / Balance life could be a bust, feel like the new soprano / Feel like Sanford, no one know me like my old piano / Now change the channel.β All told, βElevatorβ is a vibe!
6. Qveen Herby & yoitsCrash, βElevatorβ
βElevatorβ // Checkbook // 2020
βElevator, elevator, elevator to the top / Elevator, elevator, elevator never drop.β WOO! Rappers Qveen Herby (Amy Renee Heidemann Noonan) and yoitsCrash brought the heat on their 2020 collaborative track, βElevator.β The record commences with that infectious chorus, adding the likes of βSexy lil mamacita and she made me turn the heat up,β as well as βYa-ya- ainβt seen, ya ainβt seen nothing like this.β Ooh-wee! This colorful track with a sick, banging-ass beat was produced by Nick Noonan (Herbyβs husband and former Karmin co-member) and Pompano Puff. Following their collaboration in select parts of the chorus, Qveen Herby performs the first verse, while yoitsCrash performs the second. During her verse, Herby both sings and raps, compelling with both her flow and pitch (βMy shit pop like itβs acne / Ate all the candy / I got from my last sugar daddy /Bad bitch, exactlyβ). I love the masculine-sounding vocals by yoitsCrash who is confident, serving up ample swagger, even if the lyrics are tongue-in-cheek:
βYoung mastery hung like a tapestry
Sweat like a workout wet like a jet ski
Ice on Gretzky sport like ESPYβs
Sleep, bring a wet dream, they canβt forget me.β
Woo! βElevatorβ isnβt deep in the least, but itβs fun to the nth degree!
7. Robin Thicke, βElevatasβ (Ft. Kid Cudi)
Sex Therapy: The Experience // Star Trak, LLC // 2009
βOff the ledge now (stop it) / Iβm off the edge now (stop it) / Iβm in the air now (stop it) / I canβt stop falling.β Ooh-wee, Robin Thicke! βElevatasβ appears as the eighth track on his 2009 album, Sex Therapy: The Experience. On this four-and-a-half-minute-plus joint, Thicke collaborates with the one-and-only Kid Cudi β always an experience! The track commences with sexy female vocals in the intro (βOh doctor, what are you doing?β), followed by playful βNa na na na na(s)β by Cudi. Cudi then performs the first verse with his signature rap flow, informing us that βBaby girl on all my balls trying to hold it all.β What more can you say but gah-day-um! Cudder concludes the verse with a bang: βSee this is exactly what happens / When girls in the room and the asses and masses.β Asses and masses, huh? Woo!
From there, Robin Thicke takes the reins. He follows with a short second verse, singing, βCome take a ride these elevators in my mind / Taking you up to floors youβd never thought youβd findβ¦β Ah, the dangers of a wandering mind, particularly sexually. He follows with a pre-chorus where βI canβt stop it, drop it, leave it alone / I canβt use it, abuse it / Itβs taking my soul / I canβt stop itβ¦β In the chorus, he admits, βAnd Iβm fallinβ fallinβ / Donβt you give up on me / I keep calling for you, calling for you.β All the while, Thicke is supported by an energetic instrumental (produced by Jeff Bhasker) comprised of banging drums that sound like the pounding of the chest. Set in a minor key, there are also compelling major-key moments too, even if they are merely temporary. Thicke gets his first full verse on the third verse, where βMy guilty pleasures have been outweighing my good health.β In the bridge, he feels a range of things (βFeels like Iβm alive /β¦ Feels like Iβm going crazyβ). Ultimately, βElevatasβ marked another winning moment from Sex Therapy: The Experience, one where the midnight heat was roaring.
8. Kota the Friend & Statik Selektah, βElevatorβ
To See a Sunset // FLTBYS Music and Entertainment LLC // 2023
βIβm at the top floor, sittinβ in a cloud / Sippinβ chai, doinβ yoga with my socks off.β Fair enough, Kota the Friend. Please, tell us more. He adds, βI ainβt never with the crowd, all them lil people loud / I donβt shout, but they listeninβ when I talk.β Word. The four-minute-and-change βElevatorβ appears as the third track on the 2023 LP, To See a Sunset, a collaborative effort by the rapper and DJ/producer Statik Selektah. βElevatorβ features a soulful, hip-hop palette produced by Statik comprised of glorious keys, prominent bass line, and dusty drums. Additionally, there are cool, fluty synths and saxophone that elevate the vibe. Simultaneously, the listener is βelevatedβ by the epic and buttery smooth cadence and flow by Kota the Friend. That boy can rap!
βLately havinβ peace of mind is a better flex
If them people phony, it matter less that you get respect
Still had dignity, even when I was check to check
Niggas out here playinβ chess.β
He spits coolly and confident throughout, making things sound incredibly natural and easy in his hands. Furthermore, the melodic chorus is everything:
βThe elevator donβt go down, yeah
Too bad I donβt got time, yeah
Well, I guess you on your own now, yeah
Itβs all up on my side, yeah.β
9. Oliver Tree, βElevator to the Skyβ
Alone in a Crowd // Atlantic // 2023
βElevator to the Skyβ appears late in the track listing of Alone in a Crowd, the 2023 album by the ever interesting Oliver Tree. Relatively brief, Tree has deep questions, related to the afterlife. These questions first appear in the intro, returning as the chorus of the song. βWhere do we go in the end?β he sings in the chorus, continuing, βGone with the wind and never seen again.β Depending upon your beliefs, what happens post-death elicits various perspectives. The chorus is the key section of the song, but there are also two more sections: a recurrent pre-chorus, and a bridgeβ¦ or is it technically the sole verse? In the pre-chorus, Tree sings, βAnd we ride / An elevator to the sky / Weβre going to the light / Going gently in the night.β As for the odd man out, the βbridge,β death continues to drive the narrative:
βWe disappear when we fall asleep
You never wake up when youβre six feet deep
No one can find us on the day we leave
Itβs hard to believe, but itβs not what it seems.β
Word. Oliver Tree penned and produced βElevator to the Skyβ alongside Whethan. Despite its morbid lyrics, βElevator the Skyβ sounds exuberant. The keys and synths are sensationally within the instrumental. The groove also does its thing β it grooves! Furthermore, Tree sings confidently and expressively, as he sings about βgoing gently in the night.β
10. Renni Rucci, βElevatorsβ
Big Renni // Wolf Pack Global Music // 2019
βBad bitch alert, Iβm a walking money bag (Cash) / Get a nigga for his bands, then I go and pop tags (Woo).β WOO indeed, Renni Rucci! Thatβs not the only instance the rapper mentions money on βElevators,β the tenth and final track from her 2019 album, Big Renni. At the beginning of the second verse, Rucci asserts, βIβm in love with Benjamin Franklin, Iβm addicted to him (I need it) / Tat him on my titty with love βcause Iβm stickinβ to him.β OMG! Of course, itβs more than moola that has Big Renni feeling herself: βRich bitch, thick bitch, and I got hands on me / Hatinβ bitch in her feelings βcause her man on me.β Basically, Renni knows sheβs the shit, confirmed by the elevated chorus: βElevators, elevators / Bad bitches, we like elevators, elevators / Every year, we get another hater, βnother hater / βCause we goinβ up like elevators, elevators.β In addition to her cocky, confident bars, laden with bad bitch attitude, βElevatorsβ is well-produced courtesy of Flaw Da God and Brian Wicker. That instrumental is not only on fleek, but it matches the bad bitch persona Renni Rucci constructs. You could say, βElevatorsβ is bitchinβ β bad bitchinβ!
11. Eminem, βElevatorβ
Relapse: Refill // Aftermath // 2009
βElevatorβ appears exclusively as the fourth track on the Refill portion of Relapse: Refill, released by Eminem in 2009. In the context of Relapse: Refill, the nearly five-minute-long βElevatorβ appears as the 24th overall track. Written alongside Luis Resto, Eminem produced the track. Following the intro, the rapper delivers the recollective chorus: βHeβd [Proof] say, βWhat if you went platinum?β Iβd just laugh at him / βThatβs not happening, that I canβt fathomβ / Eighty-some million records worldwide later / Iβm living in a house with a fucking elevator.ββ Word. From there, Eminem does what he does over the course of three verses β shock, shock, shock. At the end of his first verse, he spits, βChainsaw slaughters, turn your daughters into sawdust / I never thought itβd come to this, I oughta just be honest, but.β
In the second verse, Eminem gets far more controversial, asserting, ββSorry, Lance, Mr. [Adam] Lambert and [Clay] Aiken ainβt gonna make it / They get so mad when I call them both faggots.ββ Yikes! Throughout his career, controversy has played a key role, particularly when it comes to the homophobic f-slur. The verse is also colorful thanks to the fact Em βlashed out at the doctor in my last operation / Shove the Wiener Schnitzel up his ass, hopped awayβ¦β and insults other so-called rappers (βI canβt believe I leave for one second / And you pussies queef all over the rap game, nakedβ). Thereβs a third verse too, where again, Eminem mentions βElevator in my house,β adding, βI blew the fuck up, a hamster in the microwave, Iβm / Thinking βbout an escalator now, steps, I hate βem.β Flex on. Of course, he also manages to insult another celebrity: βSo you can suck my dick with Amy Winehouseβs teeth.β Charming, Eminemβ¦ Notably, βElevatorβ, a non-single from Relapse: Refill, spent one week on the Billboard Hot 100, reaching no. 67 in 2010.
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12. Outkast, βElevators (Me & You)β
ATLiens // Arista // 1996
βOne for the money, yes sir, two for the show / A couple of years ago on Headland and Delowe / Was the start of something good.β Indeed, indeed! βElevators (Me & You)β marks one of the biggest hits by Grammy-winning, Atlanta rap duo, OutKast (AndrΓ© 3000 and Big Boi). It appears on their 1996 sophomore album, ATLiens. ATLiens marks one of several OutKast albums certified multiplatinum by the RIAA. Focusing on βElevators (Me & You),β it reached no. 12 on the Billboard Hot 100, good enough for their fifth biggest hit in terms of placement on the pop charts. The single would ultimately be certified gold the same year it was released β a big deal at the time. OutKast produced the single themselves, sampling a trio of songs: βBlue Suede Shoesβ by Carl Perkins, βBlack Country Womanβ by Led Zeppelin, and βPlease Let Me Stayβ by The Joneses.
Simply put, AndrΓ© and Big Boi were on autopilot on βElevators (Me & You).β 3000 kicks things off with a bang (hence those Perkins sampled lyrics), telling us about the beginnings of OutKast (βWriting rhymes, tryna find our spot off in that light / Light off in that spot, knowing that we could rockβ). Big Boi follows up with an equally sick second verse, spitting, βPutting the South up on the map was like Little Rock to banging,β adding, ββOutKast, yeah, them niggas, they making big noiseβ / Over a million sold to this day; niggas, they take it lightly.β Of course, OutKast has far surpassed a million since then! Big Boi delivers a second verse (verse three), where he famously spits, βWe moving on up in the world like elevators / Me and the crew, we pimps like β82.β Likewise, AndrΓ© 3000 drops a second verse β the fourth and final one to be precise. βI live by the beat like you live check-to-check / If it donβt move your feet, then, I donβt eat, so we like neck-to-neck,β he colorfully raps, adding, βYes, we done come along way like them slim-ass cigarettes / From Virginia, this ainβt gonβ stop, se we just gonβ continue.β Beyond the honest bars, the centerpiece of this banger is the tuneful chorus, which shines against the distinct instrumental:
βMe and you
Your mama and your cousin, too
Rolling down the strip on Vogues
Coming up, slamming Cadillac doors.β
βElevators (Me & You)β is nothing short of a hip-hop classic.
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13. Aerosmith, βLove In An Elevatorβ
Pump // Geffen // 1989
βLove in an elevator / Livinβ it up when Iβm goinβ down.β Yes, you should read more into βLove In An Elevatorβ, one of eight top-10 hits by Aerosmith. Notably, Joe Perry and front man Steven Tyler penned this horny, 1989 rock hit that reached no. 5 on the Billboard Hot 100. It appears on the bandβs album, Pump, which was also released in β89. Producing this titillating record about sex in an elevator is Bruce Fairbairn. Tyler not only sings his ass off, but the band β the instrumentalists β kick ass and take names. The spirit of rock and roll is alive and well!
In the first verse, we hear Steven Tyler mention his fantasy, but doesnβt serve up any juicy details. βI really need a girl like an open book / To read between the lines.β Of course, the chorus gives more insight, or at least more for the listener to read into, including references to a freaky place to βget it in,β as well as alluding to oral sex β¦ The second verse is ridiculous, but, again, sexed-up. Again, the elevator plays a role, and Steven admits, regarding Jackie, βI kinda hope we get stuck.β Thereβs also a third verse, in which Tyler serves up a couple of notable lyrics including admission to a love affair, and states, βIβll chase you all the way to the stairway, honey (Whoa) / Kiss your sassafras.β My, my, my! Steven Tyler and Aerosmith get freaky on βLove In An Elevatorβ and we wouldnβt have it any other way. Rock TF on!
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13 Rousing Elevator Songs (2024) [
: Brent Faulkner / The Musical Hype; Aftermath, Arista, Atlantic, Blu DeTiger LLC, Checkbook, FLTBYS Music and Entertainment LLC, Geffen, Pretty Swede, Quiet Note, Star Trak LLC, Tomplicated, UMG Recordings Inc., Wolf Pack Global Music; Dorothe, KrΓ³lestwo_Nauki from Pixabay]