Reading Time: 15 min read

13 Rousing Elevator Songs (2024) [๐Ÿ“ท: Brent Faulkner / The Musical Hype; Dorothe, Krรณlestwo_Nauki from Pixabay]13 Rousing Elevator Songs features music courtesy of Aerosmith, Blu DeTiger, Declan McKenna, Kota the Friend, Outkast, and Tove Lo. 

Forget about those stairs โ€“ letโ€™s take the ELEVATOR! The elevator can take us to the top floor. Who wouldnโ€™t want to ride it to the top? And once we reach that illustrious peak, that elevator has the ability to bring us right back down to the bottom floor.  Itโ€™s a beautiful thing, isnโ€™t it? So, what better way to celebrate the versatility of an elevator and a playlist that is sure to elevate the spirits, and in some cases, elevate certain parts of the anatomy ๐Ÿ˜ˆ.  Enough playing around with itโ€ฆ itโ€™s time to let the elevator go to the top, baby! 13 Rousing Elevator Songs features music courtesy of Aerosmith, Blu DeTiger, Declan McKenna, Kota the Friend, Outkast, and Tove Lo among others. One thing is for sure about this playlist.  You probably wonโ€™t be able to think of an elevator the same wayโ€ฆ theyโ€™re not that innocent!


1. Declan McKenna, โ€œElevator Humโ€  

What Happen to the Beach? // Tomplicated // 2024

Declan McKenna, What Happened to the Beach? [๐Ÿ“ท: Tomplicated]โ€œListen to the elevator hum / The mechanism is breaking down again / Donโ€™t you tell my mum.โ€  You heard Declan McKenna โ€“ DONโ€™T TELL HIS MUM! Those lyrics hail from the end of the second verse of his song, โ€œElevator Hum.โ€ It is worth noting that the word elevator is only mentioned once in the entire song. โ€œElevator Humโ€ served as a single and the second track from the English singer/songwriterโ€™s third studio album, What Happen to the Beach?.  He described the track to Apple Music as โ€˜a real statement piece for the albumโ€™ and asserts, โ€˜thereโ€™s something really freeing about the song.โ€™ McKenna penned the near-four-minute-long record alongside producer Gianluca Buccellati. The production is incredibly colorful with a hard-hitting beat, guitar, and ear-catching synths/programming.  As always, he serves up a respectable vocal, never over-singing, yet playful and potent.  The pen is where McKenna hits hardest, showing off his knack for lyrics. โ€œI canโ€™t quite explain / This hole in my brain thatโ€™s some around again,โ€ he sings in the first verse, adding, โ€œSend me to bed and head off out again.โ€ The most memorable section is the chorus where he sings, โ€œโ€˜Cause I want you to believe / Youโ€™re just like me / I want you to believe / Youโ€™re just like me.โ€ Beyond engaging vocals and songwriting, the instrumental deserves another shout-out, specifically, the instrumental break. It is refreshing and utterly sublime.  Oh, that โ€œElevator Humโ€! 

 


2. Tove Lo, โ€œElevator Eyesโ€ 

Dirt Femme (Extended Cut) // Pretty Swede // 2023

Tove Lo, Dirt Femme (Extended Cut) [๐Ÿ“ท: Pretty Swede]โ€œTake in this body / Skin lookinโ€™ salty / Fresh out the sea / Wonโ€™t you come taste me?โ€ Come taste you, Tove Lo? Mm, that sounds sexualโ€ฆ๐Ÿ˜ˆ. The lyrics appear on the Swedish pop artistโ€™s song, โ€œElevator Eyesโ€,  the opener from her 2023 album, Dirt Femme (Extended Cut). She continues singing in the first verse, โ€œIโ€™m on vacation / No obligations / But maybe weโ€™ll fall in love / Let the stars be our audience.โ€ Oh, snap! So, what happens on vacation stays on vacationโ€ฆ or, perhaps not ๐Ÿ˜ˆ! Tove Lo penned โ€œElevator Eyesโ€ alongside producer, Joel Little.

Throughout the course of the record, the listener is blessed with beautiful, well-produced vocals by Tove Lo. Adding to the strength of her lead vocals are harmonized, backing vocals. Oh, the ear candy!  The production is marvelous โ€“ smooth, slick, and alluring the ears.  The sound is hypnotic, which seems intentional given the lust and heavy dose of ogling.  See the tuneful centerpiece, the chorus, for confirmation:  

โ€œElevator eyes 

Elevator eyes 

Iโ€™m not surprised 

Youโ€™re hypnotized 

Goinโ€™ up and down  

Elevator eyes 

Elevator eyes 

If looks could touch 

No need to rush 

Goinโ€™ up and down.โ€ 

Ooh-wee! Where the first verse and chorus were tamer, The second verse is a bit more risquรฉ. โ€œGo get a rubber,โ€ she tells him, though changes her mind regarding safe sex ๐Ÿ‘€. โ€œNo, never mind that / Cooked your boys in a jacuzzi / Letโ€™s risk it, itโ€™s worth it.โ€ Wowโ€ฆ Iโ€™m speechless ๐Ÿ˜ถ! Moving on, thereโ€™s fabulous contrast during the bridge section, though it is still related to the verse/chorus. Furthermore, itโ€™s still sexual too (โ€œOur positionโ€™s always sittinโ€™ in the back of my headโ€). Tove Lo has a knack for delivering epic sex songs. โ€œElevator Eyesโ€ is no exception.  

 Appears in ๐Ÿ”ป 


3. Flo Rida, โ€œElevatorโ€ (Ft. Timbaland) 

Mail on Sunday // Atlantic // 2008 

Flo Rida, Mail On Sunday [๐Ÿ“ท: Atlantic]โ€œGot you stuck (Yeah) on my elevator (Uh-huh) / Get it up (Yeah) on my elevator โ€“ check it out!โ€ Woo! Being stuck in an elevator is band in most contexts but being stuck on a personal elevator thatโ€™s rising upโ€ฆ Sounds pleasing ๐Ÿ˜ˆ. โ€œElevatorโ€ was one of the gems from Mail on Sunday, the 2008 album by Grammy-nominated rapper, Flo Rida. The third track from Mail on Sunday peaked at no. 16 on the Billboard Hot 100, eventually earning platinum certification from the RIAA. It was produced by the one-and-only Timbaland, and Hannon Lane. The sound of โ€œElevatorโ€ is idiomatic of Timbaland given the sick beat and those creative percussive sounds.  

In addition to his work behind the boards, Tim brings ample personality with his vocals in the hella catchy chorus (excerpted above) where the sexual innuendo is through the roof.  He continues melodically rapping, โ€œMy first floโ€™ stuck on the gold digger / Second floโ€™, stuck on the dime piece /โ€ฆ Sheโ€™s stuck on my ele-eh-el-eh-vator.โ€ My, my, my! These women! Of course, Flo Rida brings his own personality and swagger to the table, making this elevator joint a surefire vibe.  Case in point, verse one:

โ€œUsed to date Kanye, now she want me 

Flo Rida got the juice, wanna take my OJ 

It ainโ€™t her birthday but her name on the cake  

If I ever pay for nookie grade A.โ€ 

Take my OJ, huh? Now thatโ€™s just freaky! Flo Rida thinks with his elevator a couple more times throughout โ€œElevatorโ€ (โ€œPlenty ghetto booty, plenty ghetto booty on herโ€ and โ€œShe donโ€™t fake, sheโ€™ll put it in your faceโ€), but itโ€™s a tamer brand of midnight heat compared to more contemporary rap, pop, and R&B.   

Appears in ๐Ÿ”ป 


4. Blu DeTiger, โ€œElevatorโ€  

 โ€œElevatorโ€ // Blu DeTiger LLC / UMG Recordings, Inc. // 2022  

Blu DeTiger, Elevator [๐Ÿ“ท: Blu DeTiger LLC / UMG Recordings, Inc.]โ€œI go up, go down in my elevator / Donโ€™t wanna talk right now, see you, alligator,โ€ singer/songwriter and bassist Blu DeTiger sings in the utterly infectious, rhythmic chorus of her 2022 song, โ€œElevator.โ€ She adds, โ€œLoad me up in a sling shot, send me over the moon / Baby, I can be a big shot, too, too, too, too.โ€ Woo! DeTiger penned โ€œElevatorโ€ alongside Andrew Jackson, Annika Bennett, and producer, Jorgen Odegard. โ€œElevatorโ€ clocks in under three minutes but the duration is sufficient โ€“ DeTiger puts in work.  For one, her bass line is fat โ€“ always a win. Further accentuating the sound is a stellar beat and awesome rhythm guitar. Beyond the instrumental, DeTiger serves up energetic, playful vocals with no shortage of personality. The chorus is the section to beat โ€“ utterly infectious with rhythmic lines. Even beyond the chorus, the lyrics in the verses and pre-chorus shine too. โ€œI got glitter in my teardrops, kisses on the ground (Drip, drip) / Yeah, youโ€™re talking my ear off, bringing me down,โ€ she sings in the first verse, adding the second, โ€œRoad to nirvana / Donโ€™t need no one here in my ele-ele-eleโ€ฆโ€ โ€œElevatorโ€ = surefire vibe!  


5. Planet Giza, โ€œELEVATORโ€ (Ft. Kojey Radical & Venna) 

Ready When You Are // Quiet Note // 2023

Planet Giza, Ready When You Are [๐Ÿ“ท: Quiet Note]โ€œCanโ€™t get complacent, canโ€™t get cozy / Donโ€™t celebrate me when Iโ€™m gone please.โ€ Um, sure, Tony Stone, if those are you final wishes, we must respect them.  He continues singing in the chorus of โ€œELEVATOR,โ€ โ€œIโ€™m on this elevator with the homies / I canโ€™t do this thing all by my lonely / Noโ€ฆโ€ โ€œELEVATORโ€ appears as the seventh track on Ready When You Are, the 2023 album by Canadian hip hop trio Planet Giza (Stone, Rami B, and DoomX). On this three-minute number, Planet Giza enlists British musician Kojey Radical (Luther VanKojey) and Grammy-winning saxophonist/producer Venna for the assist. โ€œELEVATORโ€ was produced by Planet Giza, Venna, JMF, and Elijah Mansevani. Sound highlights include lovely piano, a rhythmic beat, and a prominent bass line.  Tony Stone performs the first verse, showcasing an awesome cadence and flow as he raps. โ€œIโ€™m somethinโ€™ special, shorties message me every hour, yeah (Every hour),โ€ he spits, continuing, โ€œYou out here wonderinโ€™ who she textinโ€™, donโ€™t worry bout it, uh-uh.โ€ Stone adds:   

โ€œServe this food for thought, still I got Gallo in my chalice, uh (Yeah) 

Place me anywhere, Iโ€™m still aware of my surroundings 

I been in it for a minute, put my ten thousand hours (Uh-huh) 

Everything hits, no wonderlands like Alice, ah.โ€ 

Woo! Kojey Radical raps the second verse. Like Stone, Radicalโ€™s cadence and flow are on-point.  Heโ€™s transparent as he spits, โ€œPussy power nearly left me paralyzed.โ€ He adds, โ€œI empty cups and look for answers, what the hell do I know? / Balance life could be a bust, feel like the new soprano / Feel like Sanford, no one know me like my old piano / Now change the channel.โ€ All told, โ€œElevatorโ€ is a vibe!  


6. Qveen Herby & yoitsCrash, โ€œElevatorโ€  

โ€œElevatorโ€ // Checkbook // 2020

Qveen Herby & yoitsCrash, Elevator [๐Ÿ“ท: Checkbook]โ€œElevator, elevator, elevator to the top / Elevator, elevator, elevator never drop.โ€ WOO! Rappers Qveen Herby (Amy Renee Heidemann Noonan) and yoitsCrash brought the heat on their 2020 collaborative track, โ€œElevator.โ€ The record commences with that infectious chorus, adding the likes of โ€œSexy lil mamacita and she made me turn the heat up,โ€ as well as โ€œYa-ya- ainโ€™t seen, ya ainโ€™t seen nothing like this.โ€ Ooh-wee! This colorful track with a sick, banging-ass beat was produced by Nick Noonan (Herbyโ€™s husband and former Karmin co-member) and Pompano Puff.  Following their collaboration in select parts of the chorus, Qveen Herby performs the first verse, while yoitsCrash performs the second.  During her verse, Herby both sings and raps, compelling with both her flow and pitch (โ€œMy shit pop like itโ€™s acne / Ate all the candy / I got from my last sugar daddy /Bad bitch, exactlyโ€). I love the masculine-sounding vocals by yoitsCrash who is confident, serving up ample swagger, even if the lyrics are tongue-in-cheek:   

โ€œYoung mastery hung like a tapestry 

Sweat like a workout wet like a jet ski 

Ice on Gretzky sport like ESPYโ€™s 

Sleep, bring a wet dream, they canโ€™t forget me.โ€ 

Woo! โ€œElevatorโ€ isnโ€™t deep in the least, but itโ€™s fun to the nth degree!  

 


7. Robin Thicke, โ€œElevatasโ€ (Ft. Kid Cudi) 

Sex Therapy: The Experience // Star Trak, LLC // 2009

Robin Thicke, Sex Therapy: The Experience [๐Ÿ“ท: Star Trak, LLC]โ€œOff the ledge now (stop it) / Iโ€™m off the edge now (stop it) / Iโ€™m in the air now (stop it) / I canโ€™t stop falling.โ€ Ooh-wee, Robin Thicke! โ€œElevatasโ€ appears as the eighth track on his 2009 album, Sex Therapy: The Experience.  On this four-and-a-half-minute-plus joint, Thicke collaborates with the one-and-only Kid Cudi โ€“ always an experience! The track commences with sexy female vocals in the intro (โ€œOh doctor, what are you doing?โ€), followed by playful โ€œNa na na na na(s)โ€ by Cudi. Cudi then performs the first verse with his signature rap flow, informing us that โ€œBaby girl on all my balls trying to hold it all.โ€ What more can you say but gah-day-um! Cudder concludes the verse with a bang: โ€œSee this is exactly what happens / When girls in the room and the asses and masses.โ€ Asses and masses, huh? Woo!  

From there, Robin Thicke takes the reins. He follows with a short second verse, singing, โ€œCome take a ride these elevators in my mind / Taking you up to floors youโ€™d never thought youโ€™d findโ€ฆโ€ Ah, the dangers of a wandering mind, particularly sexually. He follows with a pre-chorus where โ€œI canโ€™t stop it, drop it, leave it alone / I canโ€™t use it, abuse it / Itโ€™s taking my soul / I canโ€™t stop itโ€ฆโ€ In the chorus, he admits, โ€œAnd Iโ€™m fallinโ€™ fallinโ€™ / Donโ€™t you give up on me / I keep calling for you, calling for you.โ€ All the while, Thicke is supported by an energetic instrumental (produced by Jeff Bhasker) comprised of banging drums that sound like the pounding of the chest.  Set in a minor key, there are also compelling major-key moments too, even if they are merely temporary. Thicke gets his first full verse on the third verse, where โ€œMy guilty pleasures have been outweighing my good health.โ€ In the bridge, he feels a range of things (โ€œFeels like Iโ€™m alive /โ€ฆ Feels like Iโ€™m going crazyโ€). Ultimately, โ€œElevatasโ€ marked another winning moment from Sex Therapy: The Experience, one where the midnight heat was roaring.  


8. Kota the Friend & Statik Selektah, โ€œElevatorโ€ 

To See a Sunset // FLTBYS Music and Entertainment LLC // 2023

Kota the Friend & Statik Selektah, To See a Sunset [๐Ÿ“ท: FLTBYS Music and Entertainment LLC]โ€œIโ€™m at the top floor, sittinโ€™ in a cloud / Sippinโ€™ chai, doinโ€™ yoga with my socks off.โ€ Fair enough, Kota the Friend. Please, tell us more. He adds, โ€œI ainโ€™t never with the crowd, all them lil people loud / I donโ€™t shout, but they listeninโ€™ when I talk.โ€ Word. The four-minute-and-change โ€œElevatorโ€ appears as the third track on the 2023 LP, To See a Sunset, a collaborative effort by the rapper and DJ/producer Statik Selektah. โ€œElevatorโ€ features a soulful, hip-hop palette produced by Statik comprised of glorious keys, prominent bass line, and dusty drums. Additionally, there are cool, fluty synths and saxophone that elevate the vibe.  Simultaneously, the listener is โ€˜elevatedโ€™ by the epic and buttery smooth cadence and flow by Kota the Friend. That boy can rap!

โ€œLately havinโ€™ peace of mind is a better flex 

If them people phony, it matter less that you get respect 

Still had dignity, even when I was check to check 

Niggas out here playinโ€™ chess.โ€

He spits coolly and confident throughout, making things sound incredibly natural and easy in his hands. Furthermore, the melodic chorus is everything:  

โ€œThe elevator donโ€™t go down, yeah

Too bad I donโ€™t got time, yeah

Well, I guess you on your own now, yeah

Itโ€™s all up on my side, yeah.โ€ 


9. Oliver Tree, โ€œElevator to the Skyโ€ 

Alone in a Crowd // Atlantic // 2023 

Oliver Tree, Alone in a Crowd [๐Ÿ“ท: Atlantic]โ€œElevator to the Skyโ€ appears late in the track listing of Alone in a Crowd, the 2023 album by the ever interesting Oliver Tree. Relatively brief, Tree has deep questions, related to the afterlife.  These questions first appear in the intro, returning as the chorus of the song.  โ€œWhere do we go in the end?โ€ he sings in the chorus, continuing, โ€œGone with the wind and never seen again.โ€ Depending upon your beliefs, what happens post-death elicits various perspectives. The chorus is the key section of the song, but there are also two more sections: a recurrent pre-chorus, and a bridgeโ€ฆ or is it technically the sole verse? In the pre-chorus, Tree sings, โ€œAnd we ride / An elevator to the sky / Weโ€™re going to the light / Going gently in the night.โ€ As for the odd man out, the โ€˜bridge,โ€™ death continues to drive the narrative:  

โ€œWe disappear when we fall asleep 

You never wake up when youโ€™re six feet deep 

No one can find us on the day we leave 

Itโ€™s hard to believe, but itโ€™s not what it seems.โ€  

Word. Oliver Tree penned and produced โ€œElevator to the Skyโ€ alongside Whethan.  Despite its morbid lyrics, โ€œElevator the Skyโ€ sounds exuberant.  The keys and synths are sensationally within the instrumental.  The groove also does its thing โ€“ it grooves! Furthermore, Tree sings confidently and expressively, as he sings about โ€œgoing gently in the night.โ€  


10. Renni Rucci, โ€œElevatorsโ€ 

Big Renni // Wolf Pack Global Music // 2019

Renni Rucci, Big Renni [๐Ÿ“ท: Wolf Pack Global Music]โ€œBad bitch alert, Iโ€™m a walking money bag (Cash) / Get a nigga for his bands, then I go and pop tags (Woo).โ€  WOO indeed, Renni Rucci!  Thatโ€™s not the only instance the rapper mentions money on โ€œElevators,โ€ the tenth and final track from her 2019 album, Big Renni. At the beginning of the second verse, Rucci asserts, โ€œIโ€™m in love with Benjamin Franklin, Iโ€™m addicted to him (I need it) / Tat him on my titty with love โ€˜cause Iโ€™m stickinโ€™ to him.โ€ OMG! Of course, itโ€™s more than moola that has Big Renni feeling herself: โ€œRich bitch, thick bitch, and I got hands on me / Hatinโ€™ bitch in her feelings โ€˜cause her man on me.โ€ Basically, Renni knows sheโ€™s the shit, confirmed by the elevated chorus: โ€œElevators, elevators / Bad bitches, we like elevators, elevators / Every year, we get another hater, โ€˜nother hater / โ€˜Cause we goinโ€™ up like elevators, elevators.โ€ In addition to her cocky, confident bars, laden with bad bitch attitude, โ€œElevatorsโ€ is well-produced courtesy of Flaw Da God and Brian Wicker.  That instrumental is not only on fleek, but it matches the bad bitch persona Renni Rucci constructs.  You could say, โ€œElevatorsโ€ is bitchinโ€™ โ€“ bad bitchinโ€™!  


11. Eminem, โ€œElevatorโ€  

Relapse: Refill // Aftermath // 2009

Eminem, Relapse: Refill [๐Ÿ“ท: Aftermath]โ€œElevatorโ€ appears exclusively as the fourth track on the Refill portion of Relapse: Refill, released by Eminem in 2009. In the context of Relapse: Refill, the nearly five-minute-long โ€œElevatorโ€ appears as the 24th overall track.  Written alongside Luis Resto, Eminem produced the track.  Following the intro, the rapper delivers the recollective chorus: โ€œHeโ€™d [Proof] say, โ€˜What if you went platinum?โ€™ Iโ€™d just laugh at him / โ€˜Thatโ€™s not happening, that I canโ€™t fathomโ€™ / Eighty-some million records worldwide later / Iโ€™m living in a house with a fucking elevator.โ€™โ€ Word. From there, Eminem does what he does over the course of three verses โ€“ shock, shock, shock.  At the end of his first verse, he spits, โ€œChainsaw slaughters, turn your daughters into sawdust / I never thought itโ€™d come to this, I oughta just be honest, but.โ€   

In the second verse, Eminem gets far more controversial, asserting, โ€œโ€™Sorry, Lance, Mr. [Adam] Lambert and [Clay] Aiken ainโ€™t gonna make it / They get so mad when I call them both faggots.โ€™โ€ Yikes! Throughout his career, controversy has played a key role, particularly when it comes to the homophobic f-slur.  The verse is also colorful thanks to the fact Em โ€œlashed out at the doctor in my last operation / Shove the Wiener Schnitzel up his ass, hopped awayโ€ฆโ€ and insults other so-called rappers (โ€œI canโ€™t believe I leave for one second / And you pussies queef all over the rap game, nakedโ€).  Thereโ€™s a third verse too, where again, Eminem mentions โ€œElevator in my house,โ€ adding, โ€œI blew the fuck up, a hamster in the microwave, Iโ€™m / Thinking โ€˜bout an escalator now, steps, I hate โ€˜em.โ€ Flex on.  Of course, he also manages to insult another celebrity: โ€œSo you can suck my dick with Amy Winehouseโ€™s teeth.โ€ Charming, Eminemโ€ฆ Notably, โ€œElevatorโ€, a non-single from Relapse: Refill, spent one week on the Billboard Hot 100, reaching no. 67 in 2010 

 

   Appears in ๐Ÿ”ป 


12. Outkast, โ€œElevators (Me & You)โ€  

ATLiens // Arista // 1996 

Outkast, ATLIENS [๐Ÿ“ท: Arista]โ€œOne for the money, yes sir, two for the show / A couple of years ago on Headland and Delowe / Was the start of something good.โ€ Indeed, indeed! โ€œElevators (Me & You)โ€ marks one of the biggest hits by Grammy-winning, Atlanta rap duo, OutKast (Andrรฉ 3000 and Big Boi). It appears on their 1996 sophomore album, ATLiens. ATLiens marks one of several OutKast albums certified multiplatinum by the RIAA.  Focusing on โ€œElevators (Me & You),โ€ it reached no. 12 on the Billboard Hot 100, good enough for their fifth biggest hit in terms of placement on the pop charts.  The single would ultimately be certified gold the same year it was released โ€“ a big deal at the time.  OutKast produced the single themselves, sampling a trio of songs: โ€œBlue Suede Shoesโ€ by Carl Perkins, โ€œBlack Country Womanโ€ by Led Zeppelin, and โ€œPlease Let Me Stayโ€ by The Joneses.  

Simply put, Andrรฉ and Big Boi were on autopilot on โ€œElevators (Me & You).โ€ 3000 kicks things off with a bang (hence those Perkins sampled lyrics), telling us about the beginnings of OutKast (โ€œWriting rhymes, tryna find our spot off in that light / Light off in that spot, knowing that we could rockโ€). Big Boi follows up with an equally sick second verse, spitting, โ€œPutting the South up on the map was like Little Rock to banging,โ€ adding, โ€œโ€˜OutKast, yeah, them niggas, they making big noiseโ€™ / Over a million sold to this day; niggas, they take it lightly.โ€ Of course, OutKast has far surpassed a million since then! Big Boi delivers a second verse (verse three), where he famously spits, โ€œWe moving on up in the world like elevators / Me and the crew, we pimps like โ€™82.โ€ Likewise, Andrรฉ 3000 drops a second verse โ€“ the fourth and final one to be precise.  โ€œI live by the beat like you live check-to-check / If it donโ€™t move your feet, then, I donโ€™t eat, so we like neck-to-neck,โ€ he colorfully raps, adding, โ€œYes, we done come along way like them slim-ass cigarettes / From Virginia, this ainโ€™t gonโ€™ stop, se we just gonโ€™ continue.โ€ Beyond the honest bars, the centerpiece of this banger is the tuneful chorus, which shines against the distinct instrumental:  

โ€œMe and you 

Your mama and your cousin, too 

Rolling down the strip on Vogues 

Coming up, slamming Cadillac doors.โ€

โ€œElevators (Me & You)โ€ is nothing short of a hip-hop classic.   

Appears in ๐Ÿ”ป 


13. Aerosmith, โ€œLove In An Elevatorโ€  

Pump // Geffen // 1989

Aerosmith, Pump [๐Ÿ“ท: Geffen]โ€œLove in an elevator / Livinโ€™ it up when Iโ€™m goinโ€™ down.โ€ Yes, you should read more into โ€œLove In An Elevatorโ€, one of eight top-10 hits by Aerosmith. Notably, Joe Perry and front man Steven Tyler penned this horny, 1989 rock hit that reached no. 5 on the Billboard Hot 100.  It appears on the bandโ€™s album, Pump, which was also released in โ€™89.  Producing this titillating record about sex in an elevator is Bruce Fairbairn. Tyler not only sings his ass off, but the band โ€“ the instrumentalists โ€“ kick ass and take names.  The spirit of rock and roll is alive and well!  

In the first verse, we hear Steven Tyler mention his fantasy, but doesnโ€™t serve up any juicy details.  โ€œI really need a girl like an open book / To read between the lines.โ€ Of course, the chorus gives more insight, or at least more for the listener to read into, including references to a freaky place to โ€˜get it in,โ€™ as well as alluding to oral sex ๐Ÿ˜ˆโ€ฆ The second verse is ridiculous, but, again, sexed-up.  Again, the elevator plays a role, and Steven admits, regarding Jackie, โ€œI kinda hope we get stuck.โ€ Thereโ€™s also a third verse, in which Tyler serves up a couple of notable lyrics including admission to a love affair, and states, โ€œIโ€™ll chase you all the way to the stairway, honey (Whoa) / Kiss your sassafras.โ€ My, my, my! Steven Tyler and Aerosmith get freaky on โ€œLove In An Elevatorโ€ and we wouldnโ€™t have it any other way. Rock TF on!  

Appears in ๐Ÿ”ป 


13 Rousing Elevator Songs (2024) [๐Ÿ“ท: Brent Faulkner / The Musical Hype; Aftermath, Arista, Atlantic, Blu DeTiger LLC, Checkbook, FLTBYS Music and Entertainment LLC, Geffen, Pretty Swede, Quiet Note, Star Trak LLC, Tomplicated, UMG Recordings Inc., Wolf Pack Global Music; Dorothe, Krรณlestwo_Nauki from Pixabay]

 


the musical hype

the musical hype (Brent Faulkner) has earned Bachelor's and Master's degrees in music (music education, music theory/composition respectively). A multi-instrumentalist, he plays piano, trombone, and organ among numerous other instruments. He's a certified music educator, composer, and freelance music blogger. Faulkner cites music and writing as two of the most important parts of his life. Notably, he's blessed with a great ear, possessing perfect pitch.