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‘13 More Songs That Feature Names in Their Titles’ features music from CeeLo, Fiona Apple, Highly Suspect, K. Michelle, MJ & Perfume Genius.
![13 More Songs That Feature Names in Their Titles [Photo Credits: Atikh Bana, Brent Faulkner, Carlos Román Ruíz Basulto, Ivana Cajina, Jaclyn Moy, Melody Jacob, Naeim Jafari, Pixabay, Tyler Nix, Unsplash]](https://themusicalhype.com/wp-content/plugins/accelerated-mobile-pages/images/SD-default-image.png)
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Sometimes, song titles can be random without significant meaning. Childish Gambino proved this when he used time stamps (mostly) as song titles on his 2020 album, 3.15.20. Even so, those time stamped songs actually have more fitting names (“42.26” was originally “Feels Like Summer”), even though they aren’t outwardly presented. In other cases, song titles can convey much more significant meaning and carry more weight. When a song is named after a specific person, or at least a proper name, that certainly brings a more meaningful, biographical, or in some cases, autobiographical sensibility.
There have been a number of songs penned with proper names in their titles over the years. CeeLo Green, for example, named “Robin Williams” (Heart Blanche) after the late, comedian and Oscar-winning actor who committed suicide in 2014. On the chorus, Green sings:
“We don't know what the next man's going through, wish I could say it in a plainer way I said we don't know, life reminds me of Robin Williams; we've got to laugh the pain away.”
R&B singer/songwriter K. Michelle is a big fan of using proper names in her song titles. On Anybody Wanna Buy a Heart? (2014), she asserts “Drake Would Love Me”. On KIMBERLY: The People I Used to Know (2017), she tackles “Kim K”, as in Kim Kardashian. Both musicians appear later on, with full blurbs about different name songs on 13 MORE SONGS THAT FEATURE NAMES IN THEIR TITLES.
13 MORE SONGS THAT FEATURE NAMES IN THEIR TITLES serves as a follow up to 13 Songs That Feature Names in Their Title, published in April 2020. Hopefully, you have a clear idea of the criteria based upon the intro – the songs must feature a proper name in some form or fashion. It could be the full name, first name, last name, and could have biographical or even autobiographical sensibilities. Musicians dropping tunes on 13 MORE SONGS THAT FEATURE NAMES IN THEIR TITLES include CeeLo Green, Fiona Apple, Highly Suspect, K. Michelle, Michael Jackson, and Perfume Genius among others. Without further ado, let’s drop some proper names, shall we!
1. Michael Jackson, “Billie Jean”
Thriller • MJJ Productions • 1982
“She told me her name was Billie Jean / And she caused a scene…” The lyrics are catchy as albeit, while the music (produced by Jackson and the legendary Quincy Jones) successfully fuses pop, funk, and R&B. Jackson blesses us numerous times with his signature ad-libs – “Hee-hee” and “Hoo!” – adding to the decadent listening experience. I’ll leave you with the most famous, memorable lyrics from the chorus:
“Billie Jean is not my lover She’s just a girl who claims that I am the one But the kid is not my son!”
2. Fiona Apple, “Shameika”
Fetch the Bolt Cutters • Epic • 2020
Throughout, she recounts her childhood experiences, not to mention throwing in a colorful lyric inspired by bassist, Sebastian. Musically, the listener is blessed with acrobatic piano lines, and quick, rhythmic, and playful melodic lines. Sometimes, they’re not even melodic – chanted, spoken word. This is art pop with a lot of approaches idiomatic of jazz.
3. Highly Suspect, “Lydia”
Mister Asylum • 300 Entertainment • 2015
“Your eyes are lined in pain Black tears don’t hide the rain And I tied you to the tracks When I turned around, I heard the sound I hit the ground; I know there’s no turning back.”
“Lydia” is a prime example of “zero fucks” Johnny Stevens at his best. The Highly Suspect frontman has a voice that’s tailor made for rock, and rock out he does. Worth noting, Lydia herself is never explicitly named throughout the four-minute record. That said, she’s clearly characterized, becoming intertwined into a toxic relationship fueled by drug addiction. Johnny’s character brought Lydia down when she decided to become his girlfriend basically. The best moment of the junkie record comes on the third chorus, with a fitting f-bomb:
“I can’t fucking breathe, much less believe the truth I pick up a gun, aim for the sun, and shoot Better days, so unafraid in my youth I can’t breathe or believe the truth.”
4. The Chicks, “Julianna Calm Down”
Gaslighter • Columbia • 2020
For Natalie, ‘she’s been there,’ so she wants to forewarn those who haven’t experienced pain, heartache, and devastation she has. This is a song written by women (save for Jack Antonoff) for women. Flexing unapologetically, we get an absolutely no-no from country music – the f-bomb! “Just put on, put on, put on your best shoes / And strut the fuck around like you’ve got nothin’ to lose…” Even if its profane, The Chicks’ message is potent and thoughtful by all means. Definitely, a perfect fit for 13 MORE SONGS THAT FEATURE NAMES IN THEIR TITLES.
5. Perfume Genius, “Jason”
Set My Heart on Fire Immediately • Matador • 2020
The ‘hook-up’ occurred with a straight guy (perhaps ‘questioning’) and apparently, involves some nurturing from Mike. “He was afraid / Tears streaming down his face,” he sings on the second verse, adding on the third, “I was proud to seem / Warm and mothering / Just for a night.” Musically, the biggest triumph on “Jason” is Hadreas’ falsetto – simply amazing. From a sexual perspective, it’s awesome to hear a scenario where a man still seems to be in the infancy stages of accepting and understanding his sexuality.
6. Prince & The New Power Generation, “My Name is Prince”
[ Love Symbol ] • Warner • 1992
“My name is Prince and I am funky My name is Prince, the one and only I did not come to funk around ‘Til I get your daughter I won’t leave this town.”
Hmm, “I did not come to funk around” – that’s a musical euphemism right there! Prince is a metaphorical ‘chest puffer’ throughout “My Name is Prince” – understatement! “In the beginning God made the sea / But on the seventh day he made me,” he asserts on the first verse, continuing, “He was tryin’ to rest y’all when he heard the sound / Sound like a guitar cold getting’ down…” While some may consider The Purple One is being a bit, um, blasphemous, he actually addresses spiritual matters on the third verse. You could say he’s woke to the wages of sin and the utterly mad world. Also, worth noting, we get a rap verse by Tony M.
7. K. Michelle, “Just Like Jay”
All Monsters are Human • Chase Landin, LLC d/b/a No Color No Sound • 2020
“Where is the love (where is the love?) ‘Cause they not givin’ me none What have I done (what have I done?) to make them hate me so It’s been so tough (It’s been so tough) it made me wanna give up Crucified for my mistakes, make me wanna walk away.”
8. Lizzo, “Jerome”
Cuz I Love You • Nice Life / Atlantic • 2019
A contemporary neo-/retro-soul gem, within the context of Cuz I Love You, “Jerome” marks another brilliant collaboration with X Ambassadors. The alt-rock band seems to get the best out of the Minneapolis standout, who laments his trifling, boyish, and totally immature ways.
9. Charlie Wilson, “Charlie, Last Name Wilson”
Charlie, Last Name Wilson • Zomba Recording LLC • 2005
Wilson uses his ‘John Hancock’ to help him ask out a lady he’s feeling on “Charlie, Last Name Wilson,” best exemplified by the chorus:
“Hey girl, how you doin’ My name is Charlie, last name Wilson I was wonderin’ if I could take you out Show you a good time, invite you to my house Here is my number, girl you can call me And don’t forget it baby, the name is Charlie.”
Charm, indeed, goes a long way. Wilson also asserts, “Being in love is good for your health.” But going back to his contact information, Uncle Charlie makes it clear that this fine specimen can get in contact with him any and everywhere. In an outgoing chorus that only R. Kelly could pen, Charlie sings, “Here is my number… My manager’s number… My studio number… Even momma’s number…” Day-um!
10. Bruno Mars, “Natalie”
Unorthodox Jukebox • Atlantic • 2012
It’s not only the chorus where Bruno Mars is mad as hell. “Natalie” overall is dramatic and incredibly feisty. I mean, he even goes so far as to say, “I’ll spend a lifetime in jail / I’ll be smiling in my cell.” On the bridge, he states the obvious: “I should’ve known better cause when we were together she never said forever/ I’m a fool that played in her game…” True bro. As The Main Ingredient once sung, “Everybody plays the Fool”.
11. Halsey, “Ashley”
Manic • Capitol • 2020
“Took my heart and sold it out to a vision that I wrote myself / And I don’t wanna be somebody in America just fighting the hysteria / I only wanna die some days…” Heavy! “Ashley” commences Manic. It’s a sleek pop record where the emotions are high. Sure, the verses are a bit cooler as far as the vocal (even given the aforementioned lyrics), but the intensity level rises on the chorus sections.
“Now, if I figure this out Apart from my beating heart It’s a muscle, but it’s still not strong enough to carry the Weight of the choices I've made I told you I’d ride this out It’s getting’ harder every day Somehow, I’m burstin’ out of myself.”
Perhaps I wouldn’t characterize it as a highlight in the context of Manic, which has no shortage of highlights, it definitely sets the tone of the album.
12. Rapsody, “Nina”
Eve • Jamla / Roc Nation • 2019
Fittingly, the legendary Nina Simone is sampled on “Nina,” specifically the devastating classic, “Strange Fruit”. Kanye West used this same sample to fuel his 2013 gem, “Blood on the Leaves” – one of the best songs of his career in my opinion. Remaining focused on Rapsody, she only drops one verse, but it’s a killer one. Her flow is spot-on, while the lyrics are woke AF. Rapsody name drops numerous black folks including Emmett Till, Lauryn Hill, Henry Louis Gates, Tina Turner (Anna Mae Bullock), and Angela Bassett. One of my favorite lyrics she says in reference to Nina Simone arrives near the end of the verse, prior to the Reyna Biddy outro: “I felt more damned than Mississippi was / They deny Nina in Philadelphia.” Two words: “Mississippi Goddam”.
13. CeeLo, “CeeLo Green Sings the Blues”
Heart Blanche • Atlantic • 2015
Green is incredibly talented, but talent alone doesn’t atone for mistakes, period. “CeeLo Green Sings the Blues” proved not to be near enough to revive the idiosyncratic musician to his full glory. A line like “My heart is filled with unconditional love / How could anyone hate me?” doesn’t necessarily play out favorably in everyone’s eyes because it seems, um, defensive. Still, from a critical standpoint, The record, to some extent, shows his willingness to attempt to redeem himself, as well as remind us of his remarkable musicianship. That vocal grit – awesomeness exemplified!
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