ā13 Monstrous Songs About Monstersā features music by 21 Savage, Call Me Karizma, Eric Church, James Blunt & Kanye West.
āSo, daddy, wonāt you just close your eyes? / Donāt be afraid, itās my turn /To chase the monsters away.ā Sigh, thatās one of the most powerful, poignant lyrics from āMonstersā (James Blunt, Once Upon a Mind), one of the 13 songs that appears on 13 MONSTROUS SONGS ABOUT MONSTERS. This playlist isnāt the first time that The Musical Hype has compiled a list of songs about monsters. Previously, there were the likes of Creatures! Ghosts, Monsters, Vampires and Such (2017) as well as 21 Songs Where the Monsters Are Out (2018). Both of those list were published in October, corresponding to Halloween. Furthermore, both lists featured specific creatures, monsters, and etc.
In the case of 13 MONSTROUS SONGS ABOUT MONSTERS, monster or monsters must be featured in the song title ā no exceptions! That means, a cool record like āMearcstapaā by Fleet Foxes (Crack-Up, 2017), wonāt make the cut. No frets though ā weāve got some absolute gems for you, by way of 21 Savage (āmonstersā), Call Me Karizma (āMonster (Under My Bed)ā), Eric Church (āMonstersā), James Blunt (āMonstersā), and Kanye West (āMonsterā) among others. Disclaimer: Not every monstrous song is covered here ā there are just far too many. That said, there are enough kickass monstrous bops to tickle your fancy!
1. James Blunt, āMonstersā
Once Upon a Mind ⢠Atlantic ⢠2019
āYouāre Beautifulā is undoubtedly the crowning achievement of Grammy-nominated, singer/songwriter James Bluntās discography. That said, in 2019, Blunt released a song that is easily one of his best in years, not to mentioned potentially the āsecond-bestā of his career. āMonstersā, from Once Upon a Mind isnāt monstrous because itās scary in the least. I might even opt for ābeastlyā as opposed to monstrous, because of the thoughtful, personal, and incredibly relatable lyrics.
Dedicated to his ailing, aging, and dying father, James Blunt seems to cherish the time he has left (āOh, well, Iāll read a story to you / Only difference is this one is true / The time has goneā¦ā). He also prepares to take the torch passed on by his father ā truly āman up.ā The crĆØme de la crĆØme (besides those ever-distinct vocals) is the soaring chorus. If you listen to the chorus, or better yet, watch the music video accompanying āMonstersā and donāt shed a tear (or at least sniffle or get āmoistā), well, youāre incredibly coldhearted.
āIām not you son, youāre not my father Weāre just two grown men saying goodbye No need to forgive, no need to forget I know your mistakes and you know mine And while youāre sleeping, Iāll try to make you proud So, daddy, wonāt you just close your eyes? Donāt be afraid, itās my turn To chase the monsters away.ā
2. Dodie, āMonsterā
Human ⢠doddleoddle ⢠2019
āSo maybe I will talk to you / The only way I know how to / Mhm, youāve said your speech / Mhm, through sharpened teeth / You break the rules and spikes grow from your skinā¦ā Dodie (Dodie Clark) is a singer/songwriter and YouTuber from England. In 2019, she released a seven-track, 23-minute album, Human. One particularly monstrous song arrives as the second track from Human, the song at hand, āMonster.ā The second-longest song, itās four-minutes-plus of greatness ā no āmonstrosityā in the least!
āMonsterā is indie pop through and through. The production shines, with its infectious groove and colorful synths. Initially, the sound is lighthearted, but as it progresses, it grows heavier. Even so, Dodie doesnāt overreach vocally, delivering confident singing without excessive runs or being excessively loud. In other words, sheās pretty much ācool as a cucumber,ā yet still cuts with lines like, āOh, how easily passion twists / You think Iām a crazy bitch / I craft my words to fit your head / āCause no one listens to the dead.ā As far as the monsters are concerned, theyāre only explicitly mentioned on the chorus and the bridge. The chorus, excerpted at the top, continues as follows:
āOh, I think it might be worth a try Oh, am I ready to let this die? Mhm, a monsterās here Mhm, you plug your ears But hey, you might just listen to it sing Please let the devil in.ā
3. Key Glock, āMonsterā
Dum and Dummer ⢠Paper Route EMPIRE ⢠2019
Two Memphis, Tennessee rappers would join forces in 2019 for the album, Dum and Dummer. Those two rappers are Young Dolph and Key Glock. Dolph, who is in his 30s, has been around throughout the 10s, and is known especially for his 2015 album, King of Memphis. As for Key Glock, who is in his early 20s, appeared on the scene towards the end of the 10s, dropping projects including Glock Season (2017), Glock Bond (2018), Glockoma (2019), and Yellow Tape (2020). He is the protĆ©gĆ© of Young Dolph. Only Key Glock appears on the monstrous banger āMonster,ā the 17th track on the 22-track Dum and Dummer.
āBig boss shit, baby, I get it in daily / AP got my wrist achinā, Iām poppinā, hot bacon.ā Safe to say, Key Glock is confident AF on the chorus from āMonster.ā Over smooth trap production by BandPlay, on the chorus he continues, rapping, āYou know Iām not basic, no I am not basic / Just look what God created.ā Oh shit! Big man onā¦wellā¦earth, I suppose⦠On the verses, he touts his drip, mentions his come up, admits heās cocky, and of course, talks about his taste in girls (āTold these hoes, they know Iām too real to have a bitch thatās plasticā). Of course, on the outro, he reiterates the opening line of the second verse, which feels totally appropriate given the fiery attitude he brings on this brief number: āA monster, a motherfuckinā monster / A monster, a motherfuckinā monster.ā
4. Mark Diamond, āMonsterā
Hummingbird Two ⢠Stardog / Republic ⢠2019
Mark Diamond, although currently based in Los Angeles, California, originally hails from Seattle, Washington. Heās categorized stylistically as pop, singer-songwriter, and alternative. In 2019, Diamond released two EPs: Hummingbird One and fittingly, Hummingbird Two. Hummingbird Two, like Hummingbird One, is comprised of four songs, including the song at hand fitting the criteria for this list, āMonster.ā āMonsterā commences the EP.
āMonsterā commences lighthearted, with cool, calm, and collected vocals by Diamond, as well as light production (Richard Craker). āIf Iām the darkness beside the bed / Then youāre the monster underneath,ā he sings on the first verse, beautifully and relatively restrained. As the song percolates, particularly upon reaching the chorus, it gets more robust overall. Diamond brings more heat vocally, but still manages to be potent without breaking a sweat, which is impressive. His falsetto is quite sweet, as he seems to glide atop the backdrop. Still, instrumentally, the drums provide a punch, the rhythmic guitars drive, and overall, the sound is quite colorful, suiting Diamond to a T.
Worth mentioning, Diamond only explicitly mentions monsters once (the aforementioned example from the first verse). As far as actually being āmonstrous,ā well, āMonstersā really isnāt, unless you consider the process it has taken Mark to get to the centerpiece, the chorus, where he speaks of his newfound ability to love:
āI think Iām ready to love you now Love you nowā¦ā
5. Call Me Karizma, āMonster (Under My Bed)ā
The Gloomy Tapes, Vol. 2 ⢠Arista ⢠2019
Singer/rapper Call Me Karizma first caught my attention back in 2019 when he collaborated with ILLENIUM (Nicholas D. Miller) on the single āGod Damnitā. The āprofaneā single was featured on the colorful playlist, 15 Songs Featuring Profanity in Their Title. Now, I call upon Call Me Karizma once more, this time, for his monstrous record, āMonster (Under My Bed),ā which appears on his 19-minute effort, The Gloomy Tapes, Vol. 2.
āMonster (Under My Bed)ā keeps things brief, running two-minutes-and-20 seconds. The record opens enigmatically in an undertone, as Call Me Karizma sings the chorus:
āMonster, monster under my bed Come out and play ācause I need a friend Youāre so damn close that I feel your breath Youāre the only one I have left.ā
As calm and mysterious as this minor-key, ālullabyā of a chorus is, soon enough, Call Me Karizma, and the production, kicks things up a notch. He packs a punch with his energetic, and playful vocals on the verses, giving us the meat of the record. Heās quite descriptive, evidenced by moments like, āMy bed is the coffin / And just as it closes / And I go to lock it / I sing the lullaby you taught meā¦ā This line is varied at the end of the second verse, a great lead-in to the aforementioned chorus. On the bridge, CMK goes H.A.M., dropping a few bombs in the process: āSomeone call a doctor, a doctor / Iām fucking off my rocker donāt offer to talk when youāre not gonna.ā
Of course, the production also reaches the same level of intensity as Call Me Karizma does on the verses, contrasting the chorus sections. The backdrop of the chorus shifts from a basic guitar accompaniment to more intense, pummeling drums and some distorted, biting synths. The result is a blend of alternative, alternative pop/rock, and a dash of hip-hop.
6. 21 Savage, āmonsterā
I am > I was ⢠Epic ⢠2018
On his sophomore album, I am > I was, 21 Savage stepped his game up. Even though I am > I was ends up being dominated by the shallower things as opposed to being more transcendent or thoughtful, itās a strong, well-rounded effort. 21 would win a Grammy for his collaboration with J. Cole on the crowning achievement, āA Lot.ā While I would love nothing more than to tout the greatness that is āA lot,ā another song from the album, āMonster,ā fits the criteria of this monstrous playlist.
āPower / The Money and the fame make a monsterā¦ā āMonsterā appears as the unlucky number 13th track on I am > I was. Thereās nothing unlucky about the song itself. Thereās superb production courtesy of DJ Dahi, Axlfolie, Dave Sava6e, and Tiggi. The production is comprised of beautiful, legato piano, colorful synths, and ripe drum programming. 21 Savage brings Childish Gambino along for the ride, singing the chorus (aforementioned) as well as rapping the first verse.
āIf they paid you to do it, you donāt gotta ask what you worth Me and Savage, we came from the dirt If you rappinā for money, you silly This shit aināt a milliā, this shit is a hundred The industry savage and most of you averageā¦ā
As always, CG ābrings the heat,ā particularly the excerpt from the last part of the verse. Similarly, 21 is turned-up on the second verse.
āAll the money in the world, wonāt stop no cry Pain and the hunger made a savage Came from the bottom, disadvantaged Then I started livinā my dreams That shit turned me to an addict It aināt ābout the money, you can have it...ā
7. 5 Seconds of Summer, āMonster Among Menā
Youngblood (Deluxe) ⢠Capitol ⢠2018
With the release of their 2018 album, Youngblood, Aussie pop band 5 Seconds of Summer returned āless rock-sounding,ā opting for more modern-pop vibes. Listeners first got a taste of this with the superb āGirls Talk Boysā from the Ghostbusters soundtrack. That sensibility carried over into album number three. For those who were willing to splurge, the deluxe version of Youngblood added three more songs, including the song at hand, āMonster Among Men.ā
āMonsters Among Menā is the best of the bonus tracks on the deluxe version of the album. What makes āMonsters Among Menā the bop worth investing a few extra dollars? Well, itās high-energy in regard to production and vocal performance, features tempo changes eliminating a degree of predictability, and is quite the catchy, pop/rock joint. The catchiest moment? Why, the chorus, of course!
āOh-no-no-no, no, I canāt take it Oh-no-no-no, no, I wonāt break your heart again I donāt wanna be a monster among menā¦ā
Worth noting, on the verses, the boys reference monstrous things. These include āDemons hide behind my backā (sung by Michael Clifford, verse one), and āStrong hold, itās time for me to admit / That Iām an assholeā (sung by Luke Hemmings, verse two). So, these ādemonic assholesā are the monsters? Basically. Girls, beware!
8. Eric Church, āMonstersā
Desperate Man ⢠UMG Recordings, Inc. ⢠2018
Eric Church is a beast when it comes to country music. By my estimations, heās one of the more intriguing artists, incorporating elements of rock and excelling as a singer/songwriter. Desperate Man, his 2018 album, is filled with some awesome moments. Perhaps the best is āHeart Like a Wheel,ā which was previously featured on playlist, 13 Songs That Address Matters of the Heart. Of course, āheartsā and āwheelsā have nothing to do with monsters, so, we opt for another fine record courtesy of the multi Grammy-nominated country artist, āMonsters.ā
āI killed my first monster when I was seven years old,ā Eric Church colorful sings, with a heavy twang on the first verse, continuing, āHe melted like butter in my bathroomās sixty-watt bulb.ā He uses the perspective from his childhood to essentially to transition into adulthood with more mature, moral issues. This transition is evidenced by the poetic, prudent lyrics of the second verse when he sings, āGreed stalks, sickness steals, and pride lays a wicked trap.ā On the third verse, interestingly, Church returns to child-like matters, only this time, heās the dad, and his sun is addressing him regarding the monsters.
The lyrics throughout are marvelous, though perhaps none stick more than the centerpiece ā the chorus:
āAnymore when a restless feelinā keeps me up at night Fallinā on my knees is my new turninā on the light I keep my faith intact, and make sure my prayers are said āCause Iāve learned that the monsters aināt the ones beneath the bed.ā
9. Little Mix, āMonster in Meā
LM5 ⢠Sony UK ⢠2018
āThe monster in me loves the monster in you,ā Perrie proclaims on the chorus of āMonster in Me.ā āMonster in Meā happens to be the fifth song off of the fifth studio album (LM5) by British girl group, Little Mix. Little Mix have remained busy throughout the 10s, releasing bops like āHairā and āA.D.I.D.A.S.ā (Get Weird, 2015) and the colorful āShout Out to My Exā (Glory Days, 2017). Add āMonster in Meā to the list.
Clearly, with such monstrousness involved on āMonster in Me,ā the relationship is quite intense ā something else. Throughout the course of this pop joint, thereās a sense of infatuation (particularly sexually), while both members of the relationship are, well, monsters. āBeautiful killer, cut me deep,ā Jesy sings on the second verse, continuing, āJust a single kiss and Iām in your spell.ā Damn. Jade adds, āEvery night we fifth and itās hot like hell / But I love the way that you make me scream.ā Thatās some electrifying āS meets E, and then they X,ā clearly⦠As a pop ballad, āMonster in Meā is #winning, even if one questions the healthiness of the relationship.
10. Shinedown, āMONSTERSā
ATTENTION ATTENTION ⢠Atlantic ⢠2018
āāCause my monsters are real, and theyāre trained how to kill / And thereās no cominā back and they just laugh at how I feel.ā Those are definitely powerful lyrics from the chorus of āMONSTERS,ā Brent Smith, woo! āMONSTERSā appears as the seventh track on ATTENTION ATTENTION, the 2018 album by Jacksonville, Florida hard rock collective, Shinedown.
The writing on the verses of āMONSTERSā is simple but incredibly potent. Essentially, the front man paints a picture of a truly monstrous person, coming from the voices in his head. Such āmonstrousā voices can lead to self-destruction if you allow them to. āGood for you, you hurt everybody,ā he sings on the second verse, later adding, āGood for you, you love nobody.ā On the bridge, the listener gets the full range of where the self-destructiveness truly percolated ā a combination of the two pre-choruses preceding:
āLeave your weapon on the table Wrapped in burlap, barely able Donāt get angry, donāt discourage Take a shot of liquid courage Leave a light on if youāre able āCause we both know youāre unstable Call a doctor, say a prayer Choose a god you think is fair.ā
āMonstersā is an emotional record ā one thatās truly relatable. Per Louder Sound, Smith describes āMonstersā as being āabout a lot of different situations that people get put in because they have things in their mind that ā for whatever reason ā they used to sabotage themselves.ā
11. The Weeknd, āParty Monsterā
Starboy ⢠Republic ⢠2016
āParty Monsterā is one of the most aggressive songs from Starboy, the third proper studio album by Grammy-winning, Canadian R&B singer, The Weeknd. Released as an advance single, āParty Monsterā appears as the second track on the 2016 LP following the title track. In regard to the sound, āParty Monsterā sounds enigmatic, dark, and, dirty.
āParty Monsterā has nothing to do with a literal monster, unless in entails the stripper pole (āAnd Iāve seen her get richer on the poleā), drinks, drugs, and sex (āIām the realest, she said Iām the realest / Head be genius, dick game be the meanestā). The chorus surprisingly eschews profanity, gives thanks to God, and then embraces irresponsibility. Go figure.
āIām like, got up, thank the lord for the day Woke up by a girl, I donāt even know her name Woke up by a girl, I donāt even know her name (Woke up by a girl, I donāt even know her name) Got up, thank the Lord for the day.ā
āParty Monsterā previously appeared on the playlist 11 Songs That Party Hard and Creatures! Ghosts, Monsters, Vampires and Such.
12. Tyler Glenn, āGods + Monstersā
Excommunication ⢠Island ⢠2016
Neon Trees front man Tyler Glenn introduced himself to the world as a solo artist with debut album, Excommunication. Excommunication was among the most intriguing efforts of 2016, depicting Glennās exit from the LDS church (he identifies it as a āfaith crisisā). Being openly gay, the Mormon church isnāt regarded for his openness regarding the LGBTQ+ community. Over the course of Excommunication, Glenn takes aim at the judgmental nature of the church, and how his perception of religion has shifted because of it.
A prime example of a song where religion seems to be on his āshit listā is āGods + Monsters,ā the fourth track from the album.
āI believed in gods and monsters too Then I found out theyāre all imposters just like you Somebody take me higher, higher, higherā¦ā
One notable lyric regarding the LDS church specifically appears on the second verse: āNovember 6th was a hell of a ride / Do you remember when I called you and we both cried.ā Even with the reference to LGBTQ+ policy with the LDS church, perhaps the central focus of āGods + Monstersā is an ex-boyfriend (āI lost the Lord then I lost youā¦ā and āPlayers only love you when theyāre playingā). Whatās interesting on this record is the prevalence of innuendo. Glenn invites the listeners into his world and understand the place that he comes from.
13. Kanye West, āMonsterā
Ft. Bon Iver, Jay-Z, Rick Ross & Nicki Minaj
My Beautiful Dark Twisted Fantasy ⢠Roc-A-Fella ⢠2010
āI shoot the lights out, I seal this bright out, oneā¦are you willing to sacrifice your lifeā¦ā Those lyrics arrive courtesy of Bon Iver (Justin Vernon specifically). Ah, we close out this edition of monstrous songs about monsters with a certified classic of the 2010s. That classic comes courtesy of the ever-polarizing Kanye West, āMonster.ā āMonsterā was one of many crowning achievements on his 2010 album, My Beautiful Dark Twisted Fantasy. One could even argue that My Beautiful Dark Twisted Fantasy was the last truly great Kanye West album ā not knocking Yeezus (2013) or even parts of The Life of Pablo (2016).
In addition to the guest appearance by Bon Iver, āMonsterā features Rick Ross, Jay-Z, and Nicki Minaj. Rick Ross is on-point on his brief verse, which commences with the badass lyric, āBitch, Iām a monster, no-good blood sucker / Fat motherfucker, now look whoās in trouble.ā The verse leads into an epic, absolutely ferocious chorus by Kanye West:
āGossip, gossip, nigga, just stop it Everybody know Iām a motherfucking monster Iāma need to see your fucking hands at the concert Iāma need to see your fucking hands at the concert Profit, profit, nigga, I got it Everybody know Iām a motherfucking monster Iāma need to see your fucking hands at the concert Iāma need to see your fucking hands.ā
West follows with the first full-length verse, dropping agile, profane, and incredibly raw rhymes. āHave you ever had sex with a pharaoh? / Ah, put the pussy in a sarcophagusā¦ā Hmm, thatās a far cry from JESUS IS KING, right? Excuse the French and the pun but fucking right! Jay-Z hands second verse duties with some very strong, monstrous bars:
āSasquatch, Godzilla, King Kong, Loch Ness Goblin, ghoul, a zombie with no conscience Question: What do these things all have in common? Everybody knows Iām a motherfucking monsterā¦ā
Bon Iver sounds terrific. Rick Ross drops a bullet. Kanye West is true to himself ā at least by 2010 standards. Jay-Z is legendary. All that said, the best verse of āMonster,ā hands down, goes to Nick Minaj.
āāForget Barbiee, fuck Nicki, ācause sheās fakeā āShe on a diet,ā but my pockets eating cheesecake And Iāll say, bride of Chucky, itās Childās Play Just killed another career, itās a mild day Besides, āYe, they canāt stand besides me I think me, you, and Am should mĆ©nage Friday Pink wig, thick ass, give āem whiplash I think big, get cash, make āem blink fast Now look at what you just saw, this is what you live for Ah, Iām a motherfucking monster!ā
Besides the electrifying rhymes from all parties, āMonsterā features exceptional production work (produced by West himself). Sure, āMonsterā is a lengthy cut at nearly six-and-a-half-minutes, but itās so captivating that you donāt mind the length at all. #IMissTheOldKanye