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13 Fantastic F-O-R For Songs (2025) [📷: Brent Faulkner / The Musical Hype; Matt Reinke from Pexels; AcatXIo from Pixabay]13 Fantastic F-O-R For Songs features songs by Benson Boone, Chaka Khan, Elliott Yamin, ericdoa, Lizzo, and Rick Ross & Pharrell Williams. 

Let’s cut to the chase.  This playlist, 13 Fantastic F-O-R For Songs, keeps things simple.  Incredibly simple! The sole criterion: FOR (preposition or conjunction) MUST be featured in the song title. Without for, it’s not made for this list! I’ve done this before, though 😏. Do you remember 15 Ear-Catching FOR Songs (2024)? You probably don’t because there’s so much content on The Musical Hype that it’s damn-near impossible to catch everything posted. Now, if we could only increase site traffic… Anyways, believe me, I quickly assembled that list in 2024. 13 Fantastic F-O-R For Songs, which features songs by Benson Boone, Chaka Khan, Elliott Yamin, ericdoa, Lizzo, and Rick Ross & Pharrell Williams, came together quickly and painlessly. So, without further ado, let’s have anotha kick ass, FOR good time… or something like that!


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1. Lizzo, “JUST 4 FUN” 2. Benson Boone, “Sorry I’m Here For Someone Else” 3. Chaka Khan, “I Feel for You” 4. Rick Ross & Pharrell Williams, “For The Money”
5. Cheryl Pepsii Riley, “Thanks for My Child” 6. ericdoa, “song for when the bar closes” 7. Pop Smoke, “For The Night” (Ft. Lil Baby & DaBaby) 8. Elliott Yamin, “Wait For You”
9. The Originals, “Baby, I’m For Real” 10. Emitt Rhodes, “Somebody Made For Me” 11. Shirley Caesar, “He’s Working It Out For You” 12. Buffalo Springfield, “For What It’s Worth” 13. The Isley Brothers, “This Old Heart Of Mine (Is Weak For You)”

 


1. Lizzo, “JUST 4 FUN”

MY FACE HURTS FROM SMILING » Nice Life Recording Company / Atlantic Recording Corporation » 2025

Lizzo, MY FACE HURTS FROM SMILING [📷: Nice Life Recording Company / Atlantic Recording Corporation]One of the best songs from MY FACE HURTS FROM SMILING, the surprise mixtape by the Grammy-winning, multifaceted artist Lizzo (Melissa Jefferson) is “JUST 4 FUN”. Zaytoven is behind the boards, working his magic with a relaxed, southern rap backdrop that Gucci Mane would eat up. Lizzo drops the best chorus yet from the mixtape, memorably singing, “Took your bitch just for fun / Ass so thick from the front / This my shit, turn it up / I’m that bitch, da-da-da.” Lizzo also brings the heat in the verses with some sharp lines.  The first verse commences with a bang: “Me and your bitch playin’ pitty-pat (Pitty-pat) / She got a fat ass, nigga, gimme that (Gimme that).” Woo! She’s even fiercer in the second verse, where she states, “Boy, if you ain’t on your job, I’m gon’ pull up and clock it.” Gah-day-um! “JUST 4 FUN” is just that!

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2. Benson Boone, “Sorry I’m Here For Someone Else”

American Heart » Night Street / Warner » 2025

Benson Boone, American Heart [📷: Night Street / Warner]“I’m sorry, I’m here for someone else / But it’s good to see your face / And I really hope you’re doing well.” Benson Boone and she have ‘history’ on “Sorry I’m Here For Someone Else”, the opening track from his sophomore album, American Heart.  But he’s not there for her! In this single written by Boone, Jack LaFrantz, and producer Jason Evigan, he is waiting for his new girlfriend at a diner where his ex-girlfriend works as a waitress. Awkward! In the chorus, excerpted above, he continues, “I’m sorry, I’m here for someone else / I wish that I could stay / And talk at the bar all by ourselves / But I’m here for someone else.”

“Sorry I’m Here For Someone Else” is enjoyable and characteristic of Boone’s music to date. The blend of pop/rock elements with synth textures creates a dynamic soundscape. The melodies are quick and rhythmic.  As always, Boone ‘brings it’ when he sings.  The section to beat is the chorus, which is excerpted in the intro and later appears fully.  In the outro, Boone brings contrast which keeps things interesting.  So, how does this resolve? In the bridge, Benson admits he is still in love – shocker.  In the outro, “running for the kitchen doors,” he confesses, “I can’t lose you again, not again, not again, not again.” Wow.

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3. Chaka Khan, “I Feel for You”

I Feel for You » Warner » 1984

Chaka Khan, I Feel for You [📷: Warner]“Chaka, Chaka, Chaka, Chaka Khan / Chaka Khan, Chaka Khan, Chaka Khan.” Word, Melle Mel! 10-time Grammy-winning R&B artist Chaka Khan scored a huge hit with “I Feel for You”, the sixth track from her 1984, platinum-certified album, I Feel for You. A cover song, it was originally composed and performed by Prince. Arif Mardin produced it.  It became the biggest solo hit of her career, matching the chart success she achieved with Rufus on “Tell Me Something Good”. It peaked at number three on the Billboard Hot 100. The single was certified platinum by the RIAA.  Adding to the accolades, “I Feel For You” won the Grammy for Best R&B Vocal Performance, Female.

In “I Feel for You, ” Khan sings her face off, showcasing the dynamic, expressive, and powerful nature of her instrument.  She infuses ample personality. Before she ever sings a note, she is prefaced by rapper Melle Mel, the rare rap feature used in R&B at the time.  After the stuttering intro where Melle Mel ‘gasses her up,’ he drops a brief, relatively clean verse.  “I’ll make you more than just a physical dream / I wanna rock you, Chaka,” he spits, continuing, “Baby, ‘cause you make me wanna scream / Let me rock you, rock you.” From there, Chaka is on autopilot, making the Prince original hers.  “There’s something about the things you do / That keeps me satisfied,” she asserts in the first verse, adding in the pre-chorus, “It’s mainly a physical thing.” Ooh-la-la.  It leads to the satisfying sing-along chorus, “I feel for you, I think I love you.” Beyond her continual desire for this man, Khan is supported by a marvelous backdrop.  The music is funky, amplified by exuberant, high-energy synths, an inescapable groove, and a lit harmonica solo by the one-and-only Stevie Wonder.  No deep analysis is necessary for “I Feel for You”, one of the most epic R&B joints of the 1980s.  Chaka Khan did that!

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4. Rick Ross & Pharrell Williams, “For The Money”

“For The Money” » Maybach Music / gamma. » 2025

Rick Ross & Pharrell Williams, For The Money [📷: Maybach Music / gamma.]“Everybody want beef, niggas want smoke / Hoes gettin’ high, niggas on dope / Everybody got rich, then they went broke / Hoes wanna shop, then they wanna post.” Woo! Rick Ross and Pharrell Williams join forces on “For The Money”, produced by Williams. The backdrop and beat are Pharrell-ian yet contrast with some of his past productions with a dash of Latin flair fused with rap stylings. For Rick Ross, the backdrop also felt like a departure of sorts, albeit still expensive and luxurious sounding. Regardless, Ross’s cadence and flow are strong as he raps about his favorite thing: money.  He says nothing substantial. Unsurprisingly, he also raps about drip and his bitches: “Champagne toast, Belaire buckets / A bad lil’ bitch, bend it over, bust it / I got another bitch, she a thick Russian / Ready for the dick, always rushin’.” In the second verse, we get more of the same with drip (“Everybody want beef, I just want a boat,” and “Got a whole safe full of Rolex watches / Don’t even rock ‘em, Cartier watchin’”) and, again, bitches (“Got the whole club full of bad bitch options”). The chorus is lengthy, but, like the song itself, grows on you.

“But I came for the money (But I came for the money)

Only came for the money (Only came for the money)

A nigga came for the money (A nigga came for the money)

Big boss want money (Big boss want money)…”

“For The Money” is enjoyable and respectable without moving the needle for Rick Ross or Pharrell.

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5. Cheryl Pepsii Riley, “Thanks for My Child”

Me, Myself and I » Sony Music Entertainment Inc. » 1988

Cheryl Pepsii Riley, Me, Myself and I [📷: Sony Music Entertainment Inc.]“You came into my life / You just made everything right / And even though / My man has left me behind / I don’t regret a thing for having you.” The you that R&B singer and actress Cheryl Pepsii Riley references is a child.  The child is the center of her touching 1988 single, “Thanks for My Child”.  The song does not reflect Riley’s experience, but she sings it so authentically, honestly, and tenderly that you buy every word she sings.  She sells it brilliantly. “Thanks for My Child is the second track from her debut album, Me, Myself and I. Who was the force behind the songwriting and production of this touching ballad? Full Force penned and produced this late 80s gem that peaked at number 32 on the Billboard Hot 100 and topped the R&B charts.

The sound of “Thanks For My Child”  exemplifies the quintessential sound of late 1980s R&B with its synthesized sounds and smooth production. The palette includes keys, pads, and synths.  There are sweet musical riffs and motives.  The main attraction is Cheryl Pepsii Riley, who gives an authentic, beautiful, and honest performance. Her sincerity is a key reason why this song is so successful.  Beyond her lead, Riley receives great reinforcement from background vocals.  “You make my life worth singing a song / With You,” she sings, adding, “Right here with me / I’ll have the strength to go on.” Aww 🥰! The melodies are tuneful, particularly in the centerpiece, the heart-wrenching chorus:

“Thanks for my child
I’m really thanking You
The man above
Thanks for my child
You brought me so much joy
This bundle of love.”

Another feature that shines is the child’s sounds, which add to the authenticity and allure. The bridge distinguishes itself from the verses and chorus, where Riley sings, “I understand your language / Your baby talk / You forgot to crawl / Before you walked.” The maternal perspective of “Thanks for My Child” is the biggest thing that makes it truly fantastic. Despite a bad situation – “Papa can’t preach / Papa was a rolling stone / Because he left his beautiful / Cause he left us all alone” – the mother is blessed and thankful for this beautiful child. Cheryl Pepsii Riley put her foot into this classic, which deserved even more recognition.

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6. ericdoa, “song for when the bar closes”

why suffer for us? » ericdoa / LISTEN TO THE KIDS » 2024 

ericdoa, why suffer for us (EP) [📷: ericdoa / LISTEN TO THE KIDS]“I don’t wanna leave yet, when the lights come on / I just wanna dance (Give me one more song).” 22-year-old, Connecticut-based, genre-blurring artist ericdoa (Eric Lopez) always seems to have tricks up his sleeves.  Better yet, he always seems to be releasing new music. Firmly entrenched in the hyperpop realm, ericdoa dropped the short, striking “song for when the bar closes”, which appears on his EP, why suffer for us?. Lopez penned and produced the sub-two-minute record. “Song for when the bar closes”  features messy musical accompaniment/production.  It seems intentional.  It’s loud, muddy, heavily distorted, lacking refinement, and unsettling.  Also, it’s rhythmic.  The unrefined, rhythmic nature is part of the charm. Ericdoa gives us expressive vocals, remaining true to himself.  His M.O.? To woo a girl, of course! “She think I’m important / Maybe ‘cause my cards are silver and my whip’s imported,” he asserts in the second verse, adding, “I know you got a lifestyle, does your man support it? /…Your lil’ shit be mild, I be really scorchin’.” Confident! The chorus is the most melodic section – the one to beat!

“I know you’re not the type that’s gonna play on both sides

I just wanna see you at the end of my night-night

Said that you were perfect, girl, I knew the whole time-time

I just wanna see you at the end of my night.”

All in all, “song for when the bar closes” is another fun joint from ericdoa, loud, distorted musical backdrop and all!

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7. Pop Smoke, “For The Night” (Ft. Lil Baby & DaBaby)

Shoot For The Stars Aim For The Moon » Republic / Victor Victor Worldwide » 2020

Pop Smoke, Shoot for the Stars Aim for the Moon [📷 : Victor Victor Worldwide / Republic]“I did some wrong (Oh, oh), but I’m always right (Oh, oh) / Said I know how to shoot (Oh, oh) and I know how to fight,” Pop Smoke (Bashar Barakah Jackson, 1999 – 2020) raps. He continues on his hit, “For the Night”, from his posthumous multiplatinum album, Shoot For The Stars Aim For The Moon, “Boy, I’ll tell you once, won’t tell you twice / I’m real discreet, like a thief in the night (Look).” Joining Pop Smoke on “For the Night” are two babies: Lil Baby and DaBaby.  Following the chorus excerpted above, Smoke delivers the first verse.  The subject matter? Sex and drip! Archetypical. Lil Baby is confident and focuses on drip on the second verse: “I got some niggas in the street, won’t beat me / I got the industry tryna be me / I just go Ray Charles, they can’t see me / I’m in a Rolls-Royce with a RiRi.” DaBaby is much raunchier and sexed up on the third verse: “Like a thief in the night (Thief) / I pull up, give her D for the night (Uh-huh) / Tryna fuck in the V, it’s aight (Let’s fuck) / We can’t fuck up my seats ‘cause they white.” Beyond fucking, DaBaby concludes his verse honoring the deceased rapper…I think…: “Rest in peace to the Pop, make me smoke ya.”

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8. Elliott Yamin, “Wait For You”

Elliott Yamin » Hickory » 2007

Elliott Yamin, Elliott Yamin [📷: Hickory]“I never felt nothing in the world like this before / Now I’m missing you, and I’m wishing you would come back through my door.” Oh, the plight of love! Elliott Yamin had a fabulous run on the fifth season of American Idol, finishing in third place. Eventually, he secured a record deal and released his gold-certified album, Elliott Yamin, led by his platinum-certified single, “Wait For You”, in 2007.  “Wait” marked Yamin’s sole entry on the pop charts, peaking at number 13 on the Billboard Hot 100. It was written by Phillip “Taj” Jackson, who also provides background vocals, and the Norwegian hit-making duo, Stargate (Tor E. Hermansen and Mikkel S. Eriksen).  Stargate also produced it.

“Wait For You” was the perfect song for Elliott Yamin.  On this heartfelt ballad, Yamin’s silky smooth tenor shines over an R&B-infused backdrop. She’s gone, thematically. “Girl, you could have stayed, but you wouldn’t give me a chance,” Yamin sings in the first verse, continuing, “With you not around, it’s a bit more than I can stand.” The sentiments are similar in the second: “How can you walk away / I just can’t do it, baby.” In the pre-choruses, Elliott questions her decisions, begging in the second, “If you give me a chance, I can love you right / But you’re telling me it won’t be enough.” Damn, bro! The crème de la crème, the centerpiece, is none other than the chorus. If there was any part of “Wait For You” that mostly or solely earned it accolades, it’s the chorus!

“So, baby, I will wait for you

‘Cause I don’t know what else I can do

Don’t tell me I ran out of time

If it takes the rest of my life…”

It seems, unfortunately, that Yamin will be waiting a lifetime… she gone! The talented singer brings it on “Wait For You”, which is one of the better hits to come out of American Idol.

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9. The Originals, “Baby, I’m For Real”

Baby I’m For Real » Motown » 1969

The Originals, Baby, I’m For Real [📷: Motown]“Baby, baby, baby / You don’t have to go / Stay a little while longer baby / I wanna talk to you just a little more.” “Baby, I’m For Real” was one of the biggest hits by ‘Motown’s best-kept secret,’ The Originals. The collective often provided background vocals before carving out success. It featured Freddie Gorman, Walter Gaines C. P. Spencer, and Hank Dixon. “Baby, I’m For Real” is the third track from The Originals’ 1969 debut album, Baby I’m For Real, originally issued as Green Grow the Lilacs. The ballad peaked at number 14 on the Billboard Hot 100 and reached number one on the R&B charts. It was written by Anna Gordy Gaye (1922 – 2014) and Marvin Gaye (1939 – 1984). Gaye and Richard Morris produced it.

“Baby, baby / You don’t understand / How much I love you, baby / And how much I wanna be your only man, oh baby.” Love, specifically, ‘real love’ is the modus operandi in “Baby, I’m For Real.”  The song features three verses and other distinct sections (chorus, bridge, and outro).  In the third verse, The Originals sing, “But if you wanna know the truth about it / Girl, I just couldn’t live without you.” Beyond super vocals, which soar as the song progresses, the instrumental is to die for.  The instrumentation arrives courtesy of The Funk Brothers and the Detroit Symphony Orchestra.  The orchestration is lush, particularly the strings, including the harp. Mallet percussion accentuates the sound. A gorgeous saxophone solo marks another striking instrumental feature. One key musical touch is an inescapable riff – one of the signature riffs in the soul catalog. Notably, the group rerecorded the song in 1982 independently.  Ultimately, “Baby, I’m For Real” is one of soul’s ‘realest’ gems.

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10. Emitt Rhodes, “Somebody Made For Me”

The Emitt Rhodes Recordings (1969 – 1973) » UMG Recordings, Inc. » 2009

Emitt Rhodes, The Emitt Rhodes Recordings (1969 - 1974) [📷: UMG Recordings, Inc.]“Somebody made for me, somebody made for you/ (Ask and you’ll receive) / Mmm, good God in heaven, won’t you help me please?” Prayers sent up 🙏! Emitt Rhodes (1950–2020) has been dubbed a cult pop singer-songwriter. Not all musicians become ‘superstars,’ yet that doesn’t mean their craft and musicianship aren’t ultimately respected or eventually acknowledged. Rhodes put his foot into the brief, two-and-a-half-minute gem, “Somebody Made For Me”. “Somebody” originally appeared on his self-titled 1970 album. It was the 15th song on the compilation, The Emitt Rhodes Recordings (1969 – 1973).  Rhodes composed the song himself, producing with Harvey Bruce. If you haven’t heard it, man, oh, man, are you missing a treat!

 

Emitt Rhodes sings beautifully and effortlessly throughout “Somebody Made For Me.” He exudes a cool but potent energy. The lyrics are simple, accessible, and memorable. In the first verse, he sings sentimentally, “Somewhere someone special just for me,” and continues, “Somewhere someone special must be.” The second verse is similarly crafted: “Somewhere someone special just for you / Somewhere someone special, it’s true.” The song is easy on the ears. Beyond his lead vocals, Rhodes receives excellent support from the background vocalists, whose harmonies are radiant. The melodies are tuneful from start to finish. The bridge provides contrast, differentiating itself from the verses and chorus, while staying true to the theme: “I’ve been searching all my life / Guess I’ve looked most everywhere / Many girls have caught my eye / But that special one’s not there.” One final verse, like the first two, and one final chorus conclude “Somebody Made For Me.” Beyond great singing and sweet songwriting, the music is sensational! The lovely soundscape features distorted guitar, a fat bass line, piano, a dash of organ, and an anchoring drum groove.  The guitar-led instrumental intro sets the tone. The harmonic progression is sweet, too. “Somebody Made For Me” is a must-hear ‘70s bop.

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11. Shirley Caesar, “He’s Working It Out For You”

He’s Working It Out For You » Word Entertainment LLC » 1991

Shirley Caesar, He’s Working It Out For You [📷: Word Entertainment LLC]“Though the pressures of life seems to weigh you down / And you don’t know which way to turn,” Shirley Caesar (1938 – ) sings, “God is concerned and He’s working it out for you.” Amen! Now that is a good word, pastor!  The legendary gospel musician provides surefire encouragement on “He’s Working It Out For You”, the opener from her 1991 album, He’s Working It Out For You. Initially, Caesar is accompanied by piano. Backed by a fabulous gospel harmonic progression, she embraces faith despite adversity. Her vocals are authentic, soulful, and spirited.  Every word the pastor sings, you buy.

In the second verse, accompanied by fuller instrumentation (piano, organ, bass, drums, etc.), Caesar sings, “Now you ask yourself, is there a word from the Lord / You need a blessing, and you need it right away / God is concerned, and He’s working it out for you.” In the third, her voice grows more spirited, setting the tone for God’s wonder-working power. Despite the lack of peace at home or work, bills, and failing health, the message remains consistent: God’s working it out. Before the three-minute mark, the choir joins in, amplifying the spirit in the chorus:

“He’s working it out

He’s working it out for you

God cares

I’m so glad to know He cares

I’m so glad to know He cares

And He’s working it out for you.”

Meanwhile, Caesar ad-libs, riffing at her finest.  “He’s Working It Out For You” was released in the 1990s, yet its powerful message continues to resonate in this moving gospel gem.

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12. Buffalo Springfield, “For What It’s Worth”

Buffalo Springfield » Atco / Atlantic » 1966 

Buffalo Springfield, Buffalo Springfield [📷: Atco / Atlantic]“There’s something happening here / But what it is ain’t exactly clear / There’s a man with a gun over there / A-telling me I got to beware.” Word. The first song that comes to mind when Buffalo Springfield is mentioned is “For What It’s Worth”. For what it’s worth, “For What It’s Worth” was the only top 40 hit for the short-lived collective including Neil Young 🇨🇦, Bruce Palmer 🇨🇦, Dewey Martin 🇨🇦, Stephen Stills 🇺🇸, and Richie Furay 🇺🇸.  The opening track from the Los Angeles-formed band’s reissued, self-titled album peaked at number seven on the Billboard Hot 100 in 1967. A song that defines the 1960s, it is considered among the best songs ever written and recorded.  Stills wrote and performed this epic song.

“For What It’s Worth” is revered as one of the greatest protest songs. Is it the anti-war anthem that it’s often portrayed to be? No, believe it or not, that wasn’t Still’s intent.  Nonetheless, it fits the bill! Still sings, “There’s battle lines being drawn / And nobody’s right if everybody’s wrong,” and continues, “Young people speaking their minds / Are gettin’ so much resistance from behind.” The verses are impeccably penned.  The crowning achievement, the crème de la crème, is the chorus:

“It’s time we stop

Hey, what’s that sound?

Everybody look what’s going down.”

During the chorus, the remainder of Buffalo Springfield joins Stills, singing harmoniously. Beyond exceptional songwriting, the musical accompaniment is top-notch, too.  Buffalo Springfield doesn’t overplay in the least; there’s a subtlety that speaks volumes, particularly the signature, haunting guitar riff.  “For What It’s Worth” is an undeniable rock classic. With so much to be said about the song, the lyrics speak volumes.  Although the band disbanded in 1968, it wasn’t the last we heard from these musicians.  Fittingly, the collective was inducted into the Rock & Roll Hall of Fame.

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13. The Isley Brothers, “This Old Heart Of Mine (Is Weak For You)”

This Old Heart Of Mine » Motown » 1966

The Isley Brothers, This Old Heart Of Mine [📷: Motown]“Maybe it’s my mistake to show this love I feel inside / ‘Cause each day that passes by / You got me never knowing if I’m coming or going.” Oh, snap! Those arduous matters of the heart. The iconic, Grammy-winning soul collective, The Isley Brothers, sings about love and its complications in the scintillating “This Old Heart Of Mine (Is Weak For You)”. “This Old Heart Of Mine (Is Weak For You),” which emerged during their Motown days, is the third song from their 1966 album, This Old Heart Of Mine. It was a hit on the pop charts, peaking at number 12 on the Billboard Hot 100. The classic was penned by Songwriting Hall of Famers Holland-Dozier-Holland (Brian Holland, Eddie Holland, Lamont Dozier (1941 – 2022)), and Sylvia Moy (1938 – 2017), with Brian Holland and Lamont Dozier also taking on production duties.

“This Old Heart Of Mine (Is Weak For You)” is a quintessential example of the Motown sound from the 1960s. The orchestration is dazzling with its vibrant horns cutting through the arrangement, particularly the baritone saxophone. The strings provide a lush, warm layer that is equally striking. The rhythm section thrives, particularly the piano and the groove carried by the drums. The vibraphone, a staple of 1960s soul, adds a distinct color.  Vocally, Ronald Isley (1941 –  ) brings the heat with his dynamic and nuanced performance. In the second verse, he sings, “These old arms of mine miss having you around,” and continues, “Makes these tears inside start pouring down.” Oh, the feels, the feels, the feels! He receives excellent support from the background vocals of the rest of The Isley Brothers. The memorable chorus is one of the song’s biggest selling points:  

“‘Cause I, I love you

This old heart, darling, is weak for you

I love you, yes I do, yes I do.” 

The timeless “This Old Heart Of Mine (Is Weak For You)” has been covered by various musicians, including Rod Stewart and Boyzone.  The song right here is one for the ages!

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13 Fantastic F-O-R For Songs (2025) [📷: Brent Faulkner / The Musical Hype; Atco, Atlantic Recording Corporation, ericdoa, gamma., Hickory, LISTEN TO THE KIDS, Maybach Music, Motown, Nice Life Recording Company, Night Street, Republic, Sony Music Entertainment Inc., UMG Recordings, Inc., Victor Victor Worldwide, Warner, Word Entertainment LLC; Matt Reinke from Pexels; AcatXIo from Pixabay]

 

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the musical hype

The Musical Hype (he/him) has earned Bachelor's and Master's degrees in music (music education and music theory/composition, respectively). A multi-instrumentalist, he plays piano, trombone, and organ among numerous other instruments. He's a certified music educator, composer, and freelance music blogger. Music and writing are two of the most important parts of his life.